{"id":1132,"date":"2008-02-18T00:01:29","date_gmt":"2008-02-18T06:01:29","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1132"},"modified":"2009-02-21T22:00:12","modified_gmt":"2009-02-22T04:00:12","slug":"nonfiction-monday-artist-wayne-thiebaud-painting-what-is-overlooked-and-cakes-cakes-glorious-cakes","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1132","title":{"rendered":"Nonfiction Monday: Artist Wayne Thiebaud, Painting What is Overlooked, and Cakes, Cakes, Glorious Cakes"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/delicious thiebaud.bmp\">Valentine&#8217;s Day may have passed, but since you&#8217;re probably still reeling from (or still eating) some of the delicious treats that are part and parcel of the holiday, I thought I&#8217;d tell you on this Nonfiction Monday about <a href=\"http:\/\/www.amazon.com\/Delicious-Art-Life-Wayne-Thiebaud\/dp\/0811851680\/ref=pd_bbs_sr_1?ie=UTF8&#038;s=books&#038;qid=1203276778&#038;sr=8-1\"><em><strong>Delicious: The Life &#038; Art of Wayne Thiebaud<\/strong><\/em><\/a> by <strong><a href=\"http:\/\/www.susangoldmanrubin.com\/index2.html\">Susan Goldman Rubin<\/a><\/strong> and published by Chronicle Books in December of last year. In May of &#8217;07, Rubin brought us &#8212; also via Chronicle Books &#8212; a board book for the wee-est of children (reviewed <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=765\">here<\/a><\/strong> at 7-Imp) of the art of <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Wayne_Thiebaud\">Wayne Thiebaud<\/a><\/strong>, an American painter born in 1920 whose work is associated with the <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Pop_art\">Pop Art movement<\/a><\/strong>. This time she gives us an over-one-hundred-page look at his life, officially geared at ages 9 to 12.<\/p>\n<p>My heart belongs to any painter who has been quoted as saying, <font size=4>&#8220;Cakes, they are glorious, they are like toys.&#8221;<\/font> Yes, Thiebaud is probably best known for turning to paintings of <strong><a href=\"http:\/\/starr-art.com\/artists\/wayne_thiebaud\/Thiebaud%20Gumball%20Machine.jpg\">gumballs<\/a><\/strong>, <strong><a href=\"http:\/\/www.artnet.com\/Magazine\/news\/artmarketwatch2\/Images\/artmarketwatch5-23-8.jpg\">cupcakes<\/a><\/strong>, <a href=\"http:\/\/www.writedesignonline.com\/history-culture\/thiebaud.jpg\"><strong>pies<\/strong><\/a>, <strong><a href=\"http:\/\/www.nga.gov\/education\/classroom\/counting_on_art\/img\/img_thiebaud_frostedfractions_lg.jpg\">cakes<\/a><\/strong>, and <strong><a href=\"http:\/\/www.tfaoi.com\/am\/14am\/14am288.jpg\">other culinary ecstasies<\/a><\/strong>. <!--more--><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/hopper.jpg\">My heart also belongs to Rubin, known for a handful of other great books about art for children (such as, <a href=\"http:\/\/www.amazon.com\/Edward-Hopper-Painter-Light-Shadow\/dp\/0810993473\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1203277811&#038;sr=1-1\"><strong>this one about Edward Hopper<\/strong><\/a>, pictured here), who takes the subject matter of Wayne&#8217;s life and how and why he makes his art &#8212; as well as the broader role of contemporary art &#8212; and makes it comprehensible to children without condescending to them. <\/p>\n<p>Rubin&#8217;s book documents Thiebaud&#8217;s life and career. Thibaud &#8212; also once quoted as saying, <font size=4>&#8220;I try to find things to paint which I feel have been overlooked&#8221;<\/font> &#8212; spent the beginning of his artistic career at Walt Disney Studios while still a high schooler. After a stint in the air force, he made his living as a cartoonist and commercial artist. But, after not getting anywhere as a cartoonist, he turned his attention and interests to fine art. Mentoring under artist <strong><a href=\"http:\/\/www.robertmallary.com\/\">Robert Mallary<\/a><\/strong> (and eventually <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Willem_de_Kooning\">Willem de Kooning<\/a><\/strong>), Thiebaud decided to show his paintings in art galleries and then followed that in 1949 with a return to college to study art and a teaching position at Sacramento Junior College. Rubin takes us through Thibaud&#8217;s journey of eventually coming to understand the objects he truly wished to paint and his embarrassment over not being taken seriously, over &#8220;painting such silly things&#8221;:<\/p>\n<blockquote><p>Wayne worked entirely from memory. He remembered the hot dogs, hamburgers, and ice-cream cones on the Long Beach boardwalk. &#8220;This is mostly the food every American child has been brought up on,&#8221; he said. Wayne remembered family picnics with homemade pies and cakes . . . {He} painted with thick brush strokes. Swirls of white, pink, lemon, and chocolate brown in <em>Four Cupcakes<\/em> look like the frosting itself.<\/p><\/blockquote>\n<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/Image:WayneThiebaudThreeMachines.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/gumballs1.jpg\" alt=\"'Three Machines' (1963), by Wayne Thiebaud. De Young Museum, San Francisco; Image in the public domain, according to http:\/\/en.wikipedia.org\/wiki\/Image:WayneThiebaudThreeMachines.jpg\"><\/a><br \/>\n<center><em>&#8220;Three Machines&#8221; (1963), by Wayne Thiebaud. De Young Museum, San Francisco. Image in the public domain.<\/em><\/center><\/p>\n<p>Finally, Rubin explains, Thiebaud&#8217;s big break of sorts came in 1962 when <strong><a href=\"http:\/\/www.allanstonegallery.com\/\">gallery-owner Allan Stone<\/a><\/strong> offered him a one-man show and &#8220;East Coast critics recognized Wayne as a great new talent.&#8221; And the rest, as they say, is history, as Thiebaud had fully come to embrace his own, singular artistic vision and style. <\/p>\n<p>This, it probably goes without saying, is one kickin&#8217; message for young children, whether artists or not and whether fans of Thiebaud&#8217;s paintings or not. &#8220;Find something you want to paint. Something you really love,&#8221; Rubin quotes him as saying . . . as well as:<\/p>\n<blockquote><p><font size=4>&#8220;Painting and drawing is something you can enjoy without it having to be art or worrying about it being art. . . . Everybody should have that privilege and that great way of knowing things.&#8221;<\/font><\/p><\/blockquote>\n<p>I made that font a tad larger, just as Rubin does in her book, bringing out Rubin quotes, food-for-thought, for the child reader. It&#8217;s well-done and well-designed, and overall this is a well-researched book, Rubin explaining in the opening author&#8217;s note that she had the great fortune of meeting Thiebaud as well as emailing him questions for which he provided answers on a cassette tape and sent to her. <\/p>\n<p>An accessible, inspiring, and reverent introduction to the work and life of one of the twentieth century&#8217;s most memorable American artists. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Valentine&#8217;s Day may have passed, but since you&#8217;re probably still reeling from (or still eating) some of the delicious treats that are part and parcel of the holiday, I thought I&#8217;d tell you on this Nonfiction Monday about Delicious: The Life &#038; Art of Wayne Thiebaud by Susan Goldman Rubin and published by Chronicle Books [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,26,2],"tags":[],"class_list":["post-1132","post","type-post","status-publish","format-standard","hentry","category-intermediate","category-nonfiction","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1132"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1132\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1132"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}