{"id":1526,"date":"2008-12-10T00:01:50","date_gmt":"2008-12-10T06:01:50","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1526"},"modified":"2008-12-10T00:02:21","modified_gmt":"2008-12-10T06:02:21","slug":"seven-impossible-interviews-beforebreakfast-78-judy-blume","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1526","title":{"rendered":"Seven Impossible Interviews Before
Breakfast #78: Judy Blume"},"content":{"rendered":"

Jules:<\/font><\/strong> So, Eisha, JUDY BLUME<\/strong><\/a> IS HERE! I know you’re as excited as I am that she’s stopped by 7-Imp for a short interview. It really is a kick to be a part of her blog tour, isn’t it? (The previous stops—and one remaining one—on her tour are listed at the bottom of this post for those who want to read further.) <\/p>\n

And that would be because she was such an integral part of my childhood and the childhood of many readers our age(ish). Her engaging writing—which addressed questions we had about life and love and relationships in an honest and open manner—as well as her willingness to tackle matters in children’s lit deemed taboo by many other authors have made her not just a luminary of children’s literature, but also a household name. (To have your books be so entrenched into popular culture that they can be the subject of a Saturday Night Live<\/em> skit goes a long way toward illustrating that latter point. This happened just this past weekend in “The Lost Works of Judy Blume” with guest host John Malkovich. If any of our readers missed it, have a similarly warped sense of humor, and want to see it, it’s posted here<\/strong><\/a>.) <\/p>\n

Judy’s written over twenty-five novels for children and teens, and her book sales have exceeded approximately seven SKERJILLION. (Just slight<\/em> hyperbole there. Her Wikipedia entry<\/strong><\/a> says 80 million.) She also has been awarded the National Book Foundation Medal for Distinguished Contribution to American Letters<\/strong><\/a>; has been selected by the American Library Association for its Margaret A. Edwards Award<\/strong><\/a> for her contributions to young adult literature; and has received the Library of Congress Living Legends award<\/strong><\/a> in the “Writers and Artists” category for her significant contributions to America’s cultural heritage. Impressive, to say the very least. <\/p>\n

But, really, she’s just so…well, so flippin’ cool<\/em> as the trailblazing, pioneering author she’s been over the years. She’s written books that have stayed with readers like us for most of our lives. As I’ve written before here at 7-Imp, she possesses a spot-on ability to nail the embarrassments, tensions, worries, headaches, and even joys of growing up and, in particular, sibling relationships — and with humor and sensitivity. And she’s still<\/em> writing great books<\/strong><\/a>. <\/p>\n

For those reasons, I’m humbled and flattered and even nervous that she’s here today. Does that make sense, Eisha, or do I sound like the total goober fan that I am? <\/p>\n

\"the\"neweisha:<\/font><\/strong> Dude, I am right there with you in goober-fandom. I’m pretty sure I’m not alone when I say Judy Blume changed my life. Some of her “controversial” books — Are You There God? It’s Me, Margaret<\/em><\/strong><\/a>; Deenie<\/em><\/strong><\/a>; Blubber<\/strong><\/em><\/a>; and Starring Sally J. Freedman as Herself<\/em><\/strong><\/a> — were a few years old when I first read them, but they still seemed remarkably edgy and real, unlike anything else I had been exposed to at that point. She really gets the way kids think and interact, the way they want so badly to be grown-up, the way their imaginations fill in the blanks for the gaps in their understanding. Her characters question organized religion, deal with bullies and racists, and — bless their misguided hearts — can’t wait to get their first periods. Also, they’re funny<\/em>. I got hooked in a big way, and spent quite a few weeks’ allowance on her paperbacks in the ol’ Scholastic Book Club.<\/p>\n

Also, did you hear her on NPR’s Wait Wait… Don’t Tell Me?<\/strong><\/a> Awesome. She’s totally my hero.<\/p>\n

You’re right, it’s an honor to be a stop on the illustrious Judy Blume’s blog tour. <\/p>\n

<\/p>\n

Jules:<\/font><\/strong> Last year, Random House’s Delacorte Books for Young Readers released Judy’s Soupy Saturdays with the Pain and the Great One<\/strong><\/em><\/a>, seven new stories about the brother-and-sister pair that appeared in her 1984 picture book, The Pain and the Great One<\/a><\/em><\/strong> (the latter included illustrations by Irene Trivas, but this new title included illustrations from James Stevenson). This May, Judy brought us the second book in this Pain & the Great One<\/em> series, Cool Zone with the Pain & the Great One<\/strong><\/em><\/a>, followed by Going, Going, Gone! with the Pain & the Great One<\/strong><\/em><\/a> this past August. And next May will bring us Friend or Fiend? with the Pain & the Great One<\/strong><\/a><\/em> (all books in the series published by Random House). You can read all about the series—as well as about her other books and writing, her prolific career, her efforts to fight censorship, and much more—at her website<\/strong><\/a>. (She also blogs<\/strong><\/a>, and she’s still opionated as ever<\/strong><\/a>. Amen.)<\/p>\n

Well, let’s get right to it. We were given the opportunity to ask Judy five questions today, and we can deliver on four. And that’s because we wanted to post this photo<\/strong><\/a>, very possibly THE COOLEST PHOTO EVER, EVER TAKEN, here in this interview and ask Judy to tell us about that day. Yes, you’re seeing Judy, Seuss, and Sendak in 1978. Is that not a fabulous photograph? Turns out that Judy couldn’t give us permission to reprint the photo here, as it belongs to Jill Krementz<\/strong><\/a>. But at least we can link to it, and she also wrote all about that day here<\/strong><\/a> at her blog, if you’re so inclined to read it. <\/p>\n

So, below are our four questions to Judy, and we thank her heartily for her time. <\/p>\n

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7-Imp<\/font><\/strong>: Tell us all about the new Pain and the Great One<\/em> title, Going, Going, Gone!<\/strong><\/a><\/em> And can you tell us about the fourth book in the series? Will there still be four chapter books in the series — or more, by chance?<\/font><\/p>\n

Judy<\/font><\/strong>: Going, Going, Gone!<\/strong><\/a><\/em> is the third chapter book in the series. I had fun with this one! Two of the stories were inspired by my grandson, Elliot, who only wanted to ride the Gravitron at the “Ag Fair” on Martha’s Vineyard. He’d go as many times as I’d let him. I was really curious about the ride and asked the guy in charge to let me see the inside. But I wasn’t brave enough to actually take the ride. Like Aunt Diana in the story, I get vertigo from amusement park rides. Elliot was disappointed in me, but that didn’t stop him! <\/p>\n

Jake and Abigail’s visit to Grandpa Pete’s was inspired by a trip I took with my husband, George. We spent a week camping out and canoeing in the Florida Everglades. The night before we started, I read a book about snakes and alligators and how they can’t bite through leather (or maybe it was just one of them that can’t bite through leather). Either way, I decided I’d wear my leather boots the whole time. Problem was, they were my city boots. I had them with me because I’d been at a convention the week before. For seven days and seven nights I never took off my boots. Nothing George could say would get me to change my mind. I slept in my boots, I portaged through thigh-high muck in them, I….well, you get the idea. At the end of the seven days, my boots were so smelly and disgusting there was no hope for them. Abigail’s favorite cowboy boots meet a similar fate. Oh — we did get to see alligators! And so do Jake and Abigail. <\/p>\n

I’m crazy for James Stevenson’s funny illustrations in this book. He gave Grandpa Pete a walrus moustache, just like his. <\/p>\n

Friend or Fiend?<\/strong><\/a><\/em> is the fourth book. The stories in this are about friendship and loyalty. It\u2019s hard sometimes to know who you can trust. And it hurts when someone who you thought was your friend betrays you. At the end of this book, we find out the truth about Fluzzy. But I don\u2019t want to spoil the fun. It will be published in May \u201909. Right now, that\u2019s it! I\u2019m ready for something new. <\/p>\n

7-Imp<\/font><\/strong>: You have been writing for over thirty-five years, and many of your books have been challenged by censors. We know you work tirelessly<\/strong><\/a> in support of intellectual freedom. You write at your web site: “{B}ooks that don’t hit the reader over the head with moral lessons are considered dangerous.” How do you think today\u2019s atmosphere of intellectual freedom compares to, say, twenty years ago?<\/font> <\/p>\n

Judy<\/font><\/strong>: There\u2019s good news and bad news. The good news is that schools and libraries (for the most part) now have their policies in place so, if a parent rushes into school waving a book, demanding its immediate removal, she\/he has to go through a formal challenge. Teachers, librarians, and school principals aren\u2019t as easily intimidated as they once were. <\/p>\n

More good news is that students are writing papers on the First Amendment. Every young person should learn about his\/her First Amendment rights. (You can find much more info on judyblume.com\/censorship<\/strong><\/a>.)<\/p>\n

The bad news is it\u2019s still happening. The most banned book of the last two years is And Tango Makes Three<\/strong><\/a><\/em>, a picture book about penguins based on a true story. (I wrote about this<\/strong><\/a> on my blog just after Banned Books Week<\/strong><\/a>.) <\/p>\n

<\/p>\n

I think we\u2019re better off than we were twenty years ago (actually, it was following the presidential election of 1980 that the censors crawled out of the woodwork). Better off because we\u2019re aware. We\u2019re organized and determined now, the way the censors were then. (Check out ncac.org<\/strong><\/a> and judyblume.com\/censorship<\/strong><\/a> for more info.)<\/p>\n

7-Imp<\/font><\/strong>: You recently issued updated versions of some of your best-loved books, such as Tales of a Fourth Grade Nothing<\/strong><\/a><\/em> and Are You There, God? It’s Me, Margaret<\/strong><\/a><\/em>, removing references to obsolete items, such as mimeograph machines and sanitary napkin belts. What motivated you to make these changes, and what has the reaction been?<\/font><\/p>\n

Judy<\/font><\/strong>: I don\u2019t think of them as updated versions. The books are exactly the same, but—in the case of Margaret—she buys and tries out pads that stick to your underpants. These pads replaced belts and pins just months after I wrote the book. Girls today, who read it as a contemporary story, would have to go to their grandmothers to find out about belts. And pretty soon even their grandmas won\u2019t remember. Actually, I made these changes in the book fifteen or twenty years ago.<\/p>\n

The Fudge<\/em> books<\/strong><\/a> were written over many years -\u2013 from the early ’70s to 2002, yet the action takes Peter from fourth grade (in Tales of a Fourth Grade Nothing<\/strong><\/a><\/em>) to fifth and sixth (in Superfudge<\/strong><\/a><\/em>) to the summer following sixth grade in Fudge-a-mania<\/strong><\/a><\/em> to seventh grade in Double Fudge<\/strong><\/a><\/em>. The electronics had to reflect that. And that\u2019s the only change. I found a way to keep the ancient mimeograph machine in Otherwise Known as Sheila the Great<\/strong><\/a><\/em> (we had mimeograph machines when I was in school), because it was important to the story. These changes were my idea, and I\u2019m glad I made them, even though my earliest readers have sometimes expressed outrage. (Sorry, early readers — you\u2019re very important to me.) If the books were historical fiction, it would be one thing, but today\u2019s kids read them as if they were just written (unless Mom or Dad tells them otherwise).<\/p>\n

7-Imp<\/font><\/strong>: It’s probably considered rather clich\u00e9 to ask an author what her advice to aspiring writers is, but you’re….well, JUDY BLUME. So, we’re extra curious to know: What would be your advice to them?<\/font> <\/p>\n

Judy<\/font><\/strong>: It\u2019s hard to give advice. There are no rules when it comes to writing. Whatever works for you, go for it! I\u2019d just add, write from deep inside, write without fear (fear of the critic, fear of the censor) \u2013- don\u2019t think about anything except your characters and tell their story as well, and as honestly, as you can. Remember, every editor is looking for an original voice. As a reader, so am I.<\/p>\n

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Previous stops on Judy’s current blog tour:<\/p>\n