{"id":1572,"date":"2009-02-02T00:01:25","date_gmt":"2009-02-02T06:01:25","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1572"},"modified":"2009-02-02T00:01:36","modified_gmt":"2009-02-02T06:01:36","slug":"seven-questions-over-breakfast-with-carin-berger","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1572","title":{"rendered":"Seven Questions Over Breakfast with Carin Berger"},"content":{"rendered":"

This is probably my very favorite<\/font> picture book illustration from all<\/em> of 2008:<\/p>\n

<\/p>\n

Yeah, I have a thing for sun images, but even with that affinity aside, isn’t that just stunning? I wish I could make it even bigger for you so that you could see the detailed collage work. <\/p>\n

That would be the handiwork of award-winning designer, illustrator, and author Carin Berger<\/strong><\/a>, who joins me this morning for seven questions over breakfast. “I am a bit of a breakfast-skipper,” she told me. “But on a fine, leisurely late morning (say, a birthday or Mother\u2019s Day), crepes with lemon and powdered sugar are a fave. And a swig or two of my husband\u2019s very strong, but milky, coffee.”<\/font> Let’s consider this a fine, leisurely late morning, I say, and we’ll have those crepes and coffee. It’s also a special morning, since I’m a huge fan of her collage work. And the very way her mind works, bringing us books like 2008’s The Little Yellow Leaf<\/a><\/strong><\/em> (Greenwillow Books), the book from which the opening illustration and the below illustrations come and which was named a New York Times<\/em> Best Illustrated Children’s Book of 2008. And one of my top-five favorite books from last year. Seriously, did you guys see<\/em> the thing of beauty this book is? <\/p>\n

<\/p>\n


\n<\/p>\n

The patterns. The details. The expert composition. The textures. The truly beautiful story of taking courage from a friend. It’s all there. And it’s all almost breathtaking, or at least I found it to be so. (And I’m not alone; Kirkus Reviews<\/em> called the collage illustrations “showstoppers.”) Berger uses yellows, greens, blues, and beige–as well as paper clippings, graph paper, magazine cuttings, paint, and more—to bring to life this fable of sorts about an anthropomorphized leaf, refusing to let go of his branch as winter approaches. At her site, she cites “scraps of ephemera” as the source of her collages: “used clothing catalogues, and old ticket stubs. Basically, any odds and ends that she can find.” <\/p>\n

Here—from David Barringer of the New York Times<\/em>—is what I find to be the best<\/em> description of the book and its charms: “Carin Berger…allows the raw materials of her collages to show through, including the lines of graph paper and the type of newspapers and old books. Notebook paper brings schoolwork to mind, but with scissors Berger transforms the stuff of homework into art. Adults will note with satisfaction the snipping-up of receipts and water-meter readings. The creases and stains and faded edges suggest a nice parallel between aging paper and aging leaves. Berger’s technique is a great relief compared with the glossy slickness of computer illustration: Readers will understand that it’s O.K. to let imperfections show. The visibly hand-crafted look should inspire kids to race to the art room and say, ‘I can do this.'”<\/font><\/em><\/p>\n

And this isn’t the first time Carin’s wow’ed us with her children’s books. Both Publishers Weekly<\/em> and School Library Journal<\/em> referred to her collage work in Jack Prelutsky’s Behold the Bold Umbrellaphant: And Other Poems<\/strong><\/a><\/em> (Greenwillow Books; 2006) as a “visual treat.” Kirkus<\/em> wrote about 2004’s Not So True Stories and Unreasonable Rhymes<\/strong><\/a><\/em> (Chronicle Books), “{c}hanneling Hieronymus Bosch<\/strong><\/a>, but with a smile, newcomer Berger services her collection of urbane nonsense verse with cut-paper collages featuring cone-nosed, stick-limbed creatures, most resembling insects in wildly variegated garb, all strewn across the pages with postmodern abandon.” Her work has also been featured in some of the most prestigious trade publications, including CA Magazine<\/em>, Print Magazine<\/em>, How Magazine<\/em>, and 3 x 3 Magazine<\/em>, and it has been included in shows for the Society of Illustrators and American Illustration.<\/p>\n

Let’s get the basics from Carin while we set the table for our crepes and coffee. I thank her kindly for stopping by to chat and share her art work. <\/p>\n

* * * * * * *<\/font><\/center><\/p>\n

\"Carin7-Imp<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n

Carin<\/font><\/strong> {pictured here, as a child}: Author\/illustrator.<\/p>\n

7-Imp<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n

Carin<\/font><\/strong>: * Not So True Stories and Unreasonable Rhymes<\/strong><\/a><\/em>, Chronicle Books, 2004.<\/p>\n

* All Mixed Up<\/strong><\/a><\/em>, Chronicle Books, 2006.<\/p>\n

* Behold the Bold Umbrellaphant<\/strong><\/a><\/em>, Greenwillow Books, 2006 (written by Jack Prelutsky<\/strong><\/a>).<\/p>\n

* The Little Yellow Leaf<\/strong><\/a><\/em>, Greenwillow Books, 2008. <\/p>\n

* OK Go!<\/em>, Greenwillow Books, upcoming, March 2009. <\/p>\n


\n<\/p>\n

7-Imp<\/font><\/strong>: What is your usual medium, or -\u2013 if you use a variety -\u2013 your preferred one?<\/font> <\/p>\n

Carin<\/font><\/strong>: Collage.<\/p>\n

7-Imp<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font> <\/p>\n

Carin<\/font><\/strong>: New York City and Point Reyes, California — and, occasionally, Kyoto, Japan. <\/p>\n


\n

Spread from<\/em> Not So True Stories and Unreasonable Rhymes<\/strong><\/a>
(Chronicle Books; 2004)<\/em><\/center><\/p>\n

7-Imp<\/font><\/strong>: Can you briefly tell us about your road to publication?<\/font> <\/p>\n

Carin<\/font><\/strong>: The ingredients were: a sleepless daughter, the bliss of ignorance, and a lot of very, very, good luck. I wrote the poems for Not So True Stories<\/strong><\/a><\/em> in the long hours, waiting for my daughter to fall asleep; I handed my sample illustrations and manuscript to a friend-of-a-friend who agreed to rep it; and she, amazingly, ushered it into the world. So, so lucky. <\/p>\n


\n
\n

Two spreads from<\/em> All Mixed Up<\/strong><\/a> (Chronicle Books; 2006)<\/em><\/center><\/p>\n

7-Imp<\/font><\/strong>: Can you please point us to your web site and\/or blog?<\/font><\/p>\n

Carin<\/font><\/strong>: www.carinberger.com<\/strong><\/a>.<\/p>\n

7-Imp<\/font><\/strong>: If you do school visits<\/strong><\/a>, tell us what they\u2019re like.<\/font><\/p>\n

Carin<\/font><\/strong>: Well, they can be the closest that I\u2019ll ever get to feeling like a rock star, or they can be like being the dancing clown at a kid\u2019s birthday party. When they are good, they are tremendously rewarding. I get to come out from the cave of my work and be reminded that my books actually go out into the world and touch people. Wow! <\/p>\n


\n

Spread from Jack Prelutsky’s<\/strong><\/a> <\/em>Behold the Bold Umbrellaphant<\/strong><\/a>
(Greenwillow Books; 2006)<\/em><\/center><\/p>\n

7-Imp<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell us about?<\/font> <\/p>\n

Carin<\/font><\/strong>: Ohhh\u2026top secret, that! I do have a new book coming out in a March or April called OK Go!<\/em> It\u2019s a playful environmental book. Like a green Go, Dog, Go!<\/strong><\/a><\/em> <\/p>\n

{Ed. Note: You can see the cover of<\/em> OK Go!, as well as a few spreads from it, at Carin’s site<\/strong><\/a>.}<\/em><\/p>\n

\"Mmm.Okay, the table’s set for our seven questions over breakfast, and now we’re ready to talk more specifics. Once again, I thank Carin for cyber-stopping by.<\/font> <\/p>\n

1.<\/font> 7-Imp<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n


\n

(Cover sketch for <\/em> Little Yellow Leaf<\/strong><\/a>)<\/center><\/p>\n

Carin<\/font><\/strong>: I almost always start with the words. Sometimes it\u2019s one of those glorious eureka moments where the idea seems crystal clear (and then needs endless re-working), and sometimes it\u2019s ever elusive, like chasing dust particles down dark dead-end alleys. But once I have the idea and have tinkered with it forever, I make scribble-y little thumbnail sketches on the backs of New Yorker<\/em> magazines and receipts from my pocket. <\/p>\n


\n

(Thumbnail sketches for<\/em> Little Yellow Leaf<\/strong><\/a>)<\/center><\/p>\n

Eventually, these get refined and made into tiny little dummy books, which I then show to my publisher along with a manuscript. They look very different than the final art\u2026they are just tight black-and-white line drawings. I blow these up, do tight tight vellum \u201cmaps,\u201d which I follow very exactly, cutting the pieces with an x-acto knife from my stash of old magazines and books, ephemera scrounged from flea markets, and scraps of color from old J.Crew catalogues (a great source for buttons, polka dots and plaids!), and the like. It\u2019s very very low-tech and hand-made.<\/p>\n


\n<\/p>\n

2.<\/font> 7-Imp<\/font><\/strong>: Describe your studio or usual work space for us.<\/font> <\/p>\n

Carin<\/font><\/strong>: Studio . . . alas . . . I wish. This being New York City, and space being what it is, I have a tiny closet of a studio . . .<\/p>\n

<\/p>\n

. . . but mostly I work on our big long dining room table. (It used to be my office table back when we lived in San Francisco.) <\/p>\n

<\/p>\n

This means I clear all the bits and pieces off at the end of the day. It also means that, when I am heavy into a project, you can find tiny little cut-out shoes or noses floating down our hallway or stuck on the bottom of your sock.<\/p>\n

3.<\/font> 7-Imp<\/font><\/strong>: As book lovers, it interests us: What books or authors and\/or illustrators influenced you as an early reader?<\/font> <\/p>\n

Carin<\/font><\/strong>: Oh. Now that\u2019s a long list. I loved Eloise<\/strong><\/a>. I loved The Lonely Doll<\/strong><\/a><\/em>. I loved the word play in Dr. Seuss<\/strong><\/a> (especially loved Yertle the Turtle<\/strong><\/a><\/em>), and more obscurely, but very passionately (I still have these books), I loved Hubert\u2019s Hair-Raising Adventure<\/strong><\/a><\/em> by Bill Peet<\/strong><\/a> and Pickle Chiffon Pie<\/strong><\/a><\/em> by Jolly Roger Bradfield<\/strong><\/a>. Amazing books.<\/p>\n

<\/p>\n

<\/p>\n

4.<\/font> 7-Imp<\/font><\/strong>: If you could have three (living) illustrators—whom you have not yet met—over for coffee or a glass of rich, red wine, whom would you choose?<\/font><\/p>\n

Carin<\/font><\/strong>: Wow. That could be intimidating. I can be shy, but let me see. Sara Fanelli<\/strong><\/a>. Maira Kalman<\/strong><\/a>. Calef Brown<\/strong><\/a>. Oh. Do I have to stop there? Chris Raschka<\/strong><\/a>. Maurice Sendack<\/strong><\/a>. Lane Smith<\/strong><\/a>\u2026.And, if I could pick a dead one, it would have to be Saul Steinberg<\/strong><\/a>. <\/p>\n

5.<\/font> 7-Imp<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n

Carin<\/font><\/strong>: I listen to NPR a lot (I was an absolute junky around the election). I love This American Life<\/strong><\/a><\/em> and Terry Gross<\/strong><\/a>. But then I find I get surly if I listen to talk radio for too long, and I need to switch over to music. I am currently listening to Bettye LaVette<\/strong><\/a>, Ralph Stanley<\/strong><\/a>, Serge Gainsbourg<\/strong><\/a>, Solomon Burke<\/strong><\/a>, Johnny Cash<\/strong><\/a> {pictured here}, Jorge Ben<\/strong><\/a>, Gillian Welch<\/strong><\/a>, and Paolo Conte<\/strong><\/a>.<\/p>\n

6.<\/font> 7-Imp<\/font><\/strong>: What’s one thing that most people don’t know about you?<\/font> <\/p>\n

Carin<\/font><\/strong>: I don\u2019t know. I am a passionate mushroom-hunter. There is nothing that gives me greater pleasure than discovering a secret, beautiful stash of morels<\/strong><\/a>, hiding among the moss in the springtime. Okay. And, that I am a master dumpster-diver.<\/p>\n


\n

. . . and, Jules is adding, that she has a severely cute bunny, named Pearly.<\/em><\/center><\/p>\n

7.<\/font> 7-Imp<\/font><\/strong>: Is there something you wish interviewers would ask you — but never do? Feel free to ask and respond here.<\/font><\/p>\n

Carin<\/font><\/strong>: Nope.<\/p>\n


\n

One of Carin’s unpublished illustrations,<\/em> Pet People<\/center><\/p>\n

* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n

7-Imp<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n

Carin<\/font><\/strong>: “Hope.”<\/p>\n

7-Imp<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n

Carin<\/font><\/strong>: “No.”<\/p>\n

7-Imp<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n

Carin<\/font><\/strong>: Flea markets. Being with my daughter. Old textiles. Bird\u2019s nests. Being around other people who love to make things. Films. Beautiful spaces. Quirky collections. Humor. Big, open outdoor spaces. Striving. Quiet corners. Old science things (glass beakers and the like). Cooking. Beautiful food. Hand-made things.<\/p>\n


\n<\/p>\n

7-Imp<\/font><\/strong>: What turns you off?<\/font><\/p>\n

Carin<\/font><\/strong>: Closed-mindedness and injustice.<\/p>\n

7-Imp<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n

Carin<\/font><\/strong>: Somehow, lately, I find myself saying “Rats!” a lot. I am not sure where that came from….though I guess it doesn\u2019t really qualify as a curse word.<\/p>\n

7-Imp<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n

Carin<\/font><\/strong>: Waves. My daughter laughing.<\/p>\n

7-Imp<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n

Carin<\/font><\/strong>: The growl of truck engines and the honking horns outside my window. Oh. And jack hammers.<\/p>\n

7-Imp<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n

Carin<\/font><\/strong>: Treasure hunter.<\/p>\n

7-Imp<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n

Carin<\/font><\/strong>: Toll booth agent.<\/p>\n

7-Imp<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n

Carin<\/font><\/strong>: Not really my thing, but maybe something like, “your table is not ready yet.”<\/p>\n

* * * * * * *<\/center><\/p>\n

Opening spreads: Illustrations from THE LITTLE YELLOW LEAF \u00a9 2008 by Carin Berger. Published by Greenwillow Books, an imprint of HarperCollins Publishers. New York, NY. Posted with permission of illustrator. All rights reserved.<\/em><\/p>\n

“Foxy Fox” spread: Illustration from NOT SO TRUE STORIES AND UNREASONABLE RHYMES \u00a9 2004 by Carin Berger. Published by Chronicle Books. San Francisco, CA. Posted with permission of illustrator. All rights reserved.<\/em><\/p>\n

Two spiral-bound book spreads: Illustrations from ALL MIXED UP: A MIX-AND-MATCH BOOK \u00a9 2006 by Carin Berger. Published by Chronicle Books. San Francisco, CA. Posted with permission of illustrator. All rights reserved.<\/em><\/p>\n

Penguin spread: Illustration from BEHOLD THE BOLD UMBRELLAPHANT: AND OTHER POEMS \u00a9 2006 by Jack Prelutsky. Illustration \u00a9 2006 Carin Berger. Published by Greenwillow Books, an imprint of HarperCollins Publishers. New York, NY. Posted with permission of illustrator. All rights reserved.<\/em><\/p>\n

Photos of the wee Carin, her work spaces, her lovely inspirational objects, Pearly, sketches, and all other art work courtesy of Carin Berger<\/strong><\/a>. All rights reserved and all that good stuff.<\/p>\n","protected":false},"excerpt":{"rendered":"

This is probably my very favorite picture book illustration from all of 2008: Yeah, I have a thing for sun images, but even with that affinity aside, isn’t that just stunning? I wish I could make it even bigger for you so that you could see the detailed collage work. That would be the handiwork […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-1572","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1572"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1572\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1572"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}