{"id":1612,"date":"2009-03-26T00:01:49","date_gmt":"2009-03-26T06:01:49","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1612"},"modified":"2009-03-26T07:09:14","modified_gmt":"2009-03-26T13:09:14","slug":"seven-questions-over-breakfast-with-geoffrey-hayes","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1612","title":{"rendered":"Seven Questions Over Breakfast with Geoffrey Hayes"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/geoffrey.jpg\" border=1><font size=4><\/font>I do a lot of illustrator interviews here at 7-Imp, but as I was formatting this one, I realized that I don&#8217;t often talk to artists like Geoffrey Hayes who create books for the VERY WEE set, as in the <em>pre<\/em>-preschool crowd. For that&#8212;and many other reasons&#8212;it&#8217;s good to welcome Geoffrey this morning for seven questions over breakfast. <\/p>\n<p>Geoffrey has written and illustrated over forty children&#8217;s books, including <em><a href=\"http:\/\/www.amazon.com\/Bear-Himself-Little-Dipper-Book\/dp\/0679887881\/ref=sr_1_4?ie=UTF8&#038;s=books&#038;qid=1238038611&#038;sr=8-4\"><strong>Bear By Himself<\/strong><\/a><\/em>, Margaret Wise Brown&#8217;s <em><a href=\"http:\/\/www.amazon.com\/When-Wind-Blew-Margaret-Brown\/dp\/0060208678\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038644&#038;sr=1-1\"><strong>When the Wind Blew<\/strong><\/a><\/em>, and the early-reader series, <em><a href=\"http:\/\/www.amazon.com\/s\/ref=nb_ss_gw?url=search-alias%3Daps&#038;field-keywords=Otto+%26+Uncle+Tooth+\"><strong>Otto &#038; Uncle Tooth<\/strong><\/a><\/em>. To be perfectly honest, I&#8217;m still exploring his previous titles, but what caught my eye&#8212;what made me want to invite him over for a breakfast chat&#8212;are his new <em>Benny and Penny<\/em> titles for RAW Junior. These titles are Geoffrey at his very best. <\/p>\n<p>Have you seen these guys yet?<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/carbox1.JPG\"><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bandp.jpg\" border=1>Last year, Benny and Penny reared their insanely ENDEARING little heads in <a href=\"http:\/\/www.amazon.com\/Benny-Penny-Pretend-Geoffrey-Hayes\/dp\/0979923808\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238039195&#038;sr=1-1\"><em><strong>Benny and Penny: Just Pretend<\/strong><\/em><\/a>, which was one of the new <a href=\"http:\/\/www.toon-books.com\/\"><strong>TOON Book<\/strong><\/a> titles launched by <a href=\"http:\/\/www.toon-books.com\/about_francoise.php\"><strong>Fran\u00e7oise Mouly<\/strong><\/a> and <a href=\"http:\/\/www.toon-books.com\/about_art.php\"><strong>Art Spiegelman<\/strong><\/a>. If you&#8217;re not familiar with the TOON Books venture, by all means, go visit <a href=\"http:\/\/www.toon-books.com\/\"><strong>the site<\/strong><\/a>, because it&#8217;s a brilliant idea: Bringing early-reader titles to children but in a comic book format. (I also posted about them <a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1234\"><strong>last April<\/strong><\/a> here at 7-Imp, in which I admit to sounding not unlike a motivational speaker. I also talked about the first <em>Benny and Penny<\/em> back <a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1078\"><strong>here<\/strong><\/a> in January &#8217;08. Yeah, I lurv &#8217;em.)<\/p>\n<p>With apologies to all other TOON Books created thus far, the <em>Benny and Penny<\/em> ones are my favorites. <em>Benny and Penny: Just Pretend<\/em>&#8212;named a <a href=\"http:\/\/www.booklistonline.com\/default.aspx?page=show_product&#038;pid=3332762\"><strong><em>Booklist<\/em> Top 10 Graphic Novel for Youth: 2009<\/strong><\/a> (&#8220;Emphasizing repetition and word recognition, and with old-fashioned artwork that will help even the youngest readers differentiate between a comic and a picture book, this title explores sibling friction with charm and style&#8221;)&#8212;immediately engages children with its expertly-paced story of sibling rivalry and with Hayes&#8217; cozy, inviting art. <\/p>\n<p>This Spring, TOON Books will release the second Benny &#038; Penny tale&#8212;<a href=\"http:\/\/www.amazon.com\/Benny-Penny-No-No-Geoffrey-Hayes\/dp\/0979923891\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238039253&#038;sr=1-1\"><em><strong>Benny and Penny: The Big No-No<\/strong><\/em><\/a>&#8212;and it works just as well, if not better, than the first. Here are a few spreads, and you can click on each to see bigger, more detailed versions. I&#8217;m so glad I have these to show you, as you can see for yourself the exceeding charm of these characters:<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/SP09BPNO.10-11.100dpi.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bennypenny1.JPG\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/SP09BPNO.12-13.100dpi.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bennypennysecond.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/SP09BPNO.14-15.100dpi.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bennypennythird.jpg\" border=1><\/a><\/p>\n<p>To put it ever-so eloquently, I freakin&#8217; love these books. Benny and Penny are rather unforgettable, and&#8212;though I haven&#8217;t had a chance to try out these two titles on a big group of kids&#8212;my own wee ones adore them and <em>repeatedly<\/em> ask to hear the briskly-paced domestic dramas of sweet Penny and her domineering older brother (who likes to pretend he&#8217;s <em>entirely<\/em> more courageous than reality will concede). Since one of the reasons I blog here at 7-Imp is to evangelize what I consider to be the <em>good<\/em> children&#8217;s titles (let&#8217;s face it &#8212; there are a lot of bad ones out there), consider this my call-to-the-altar: If you haven&#8217;t checked out the <em>Benny and Penny<\/em> titles, especially if you are around wee babes on a regular basis, I&#8217;d highly recommend it. <\/p>\n<p>Back to that breakfast: Geoffrey&#8217;s here to chat about his work over <font size=4>&#8220;coffee, always, and orange juice. I alternate between having a roll or croissant and having an egg breakfast three times a week.<\/font> I love French Toast, and my favorite egg dish is Eggs Florentine; although I most often just have my eggs scrambled.&#8221; Mmm. I&#8217;m all over the idea of scrambled eggs. I say we opt for that simple option &#8212; with coffee, of course. Let&#8217;s set the table and get the basics from Geoffrey&#8230;<\/p>\n<p>Incidentally, the rest of the interview is peppered with vignettes from the first <em>Benny and Penny<\/em> title. Enjoy. <\/p>\n<p><center><font size=4>* * * * * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: Author\/Illustrator.<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: Well over forty. I\u2019ll just mention a few prominent ones.<\/p>\n<ul>\n<li><a href=\"http:\/\/www.amazon.com\/Bear-Himself-Little-Dipper-Book\/dp\/0679887881\/ref=sr_1_4?ie=UTF8&#038;s=books&#038;qid=1238038611&#038;sr=8-4\"><em><strong>Bear By Himself<\/strong><\/em><\/a> (1976) Harper &#8212; New Edition (1998) Random House<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/When-Wind-Blew-Margaret-Brown\/dp\/0060208678\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038644&#038;sr=1-1\"><em><strong>When The Wind Blew<\/strong><\/em><\/a> by <a href=\"http:\/\/www.margaretwisebrown.com\/\"><strong>Margaret Wise Brown<\/strong><\/a> (1977) Harper<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Patrick-Takes-Bath-Books-Dragonfly\/dp\/0679801642\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038699&#038;sr=1-1\"><em><strong>Patrick Takes A Bath<\/strong><\/em><\/a> (1984) Knopf<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Patrick-Eats-Dinner-Geoffrey-Hayes\/dp\/0679801634\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038731&#038;sr=1-1\"><em><strong>Patrick Eats His Dinner<\/strong><\/em><\/a> (1984) Knopf<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Patrick-Goes-Bed-Geoffrey-Hayes\/dp\/0394872649\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038756&#038;sr=1-1\"><em><strong>Patrick Goes To Bed<\/strong><\/em><\/a> (1984) Knopf<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/PATRICK-BUYS-COAT-Patrick-Books\/dp\/0679801626\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038783&#038;sr=1-1\"><em><strong>Patrick Buys A Coat<\/strong><\/em><\/a> (1984) Knopf<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Mystery-Pirate-Ghost-Step-Into-Reading-Step\/dp\/0394872207\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038807&#038;sr=1-1\"><em><strong>The Mystery of the Pirate Ghost<\/strong><\/em><\/a> (1985) Random House<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Secret-Foghorn-Island-Step-Into-Reading-Step\/dp\/0394896149\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038845&#038;sr=1-1\"><em><strong>The Secret of Foghorn Island<\/strong><\/em><\/a> (1988) Random House<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/TREASURE-LOST-LAGOON-Step-Reading\/dp\/0679914846\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038869&#038;sr=1-1\"><em><strong>The Treasure of the Lost Lagoon<\/strong><\/em><\/a> (1991) Random House<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Curse-Cobweb-Queen-Adventure-Reading\/dp\/0679838783\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238037722&#038;sr=8-1\"><em><strong>The Curse of the Cobweb Queen<\/strong><\/em><\/a> (1994) Random House<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Night-Circus-Monsters-Step-Reading\/dp\/0679971130\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038941&#038;sr=1-1\"><em><strong>The Night of the Circus Monsters<\/strong><\/em><\/a> (1996) Random House<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Thump-Plunk-Janice-May-Udry\/dp\/0756903866\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238038964&#038;sr=1-1\"><em><strong>Thump and Plunk<\/strong><\/em><\/a> by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Janice_May_Udry\"><strong>Janice May Udry<\/strong><\/a> (2001) HarperCollins<\/li>\n<li><strong><a href=\"http:\/\/www.amazon.com\/Brave-Little-Monster-Ken-Baker\/dp\/0060286989\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238039021&#038;sr=1-1\"><em>Brave Little Monster<\/em><\/a><\/strong> by <a href=\"http:\/\/www.bravemonster.com\/\"><strong>Ken Baker<\/strong><\/a> (2001) HarperCollins<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Ants-Go-Marching-Mary-Luders\/dp\/0694014478\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238039090&#038;sr=1-1\"><em><strong>The Ants Go Marching<\/strong><\/em><\/a> (2000) HarperCollins<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Patrick-Big-Bully-Adventures-Brown\/dp\/0786807172\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238039112&#038;sr=1-1\"><em><strong>Patrick and the Big Bully<\/strong><\/em><\/a> (2001) Hyperion<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Adventures-Patrick-Brown-Circus\/dp\/0786807164\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238039139&#038;sr=1-1\"><em><strong>Patrick at the Circus<\/strong><\/em><\/a> (2002) Hyperion<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Night-Light-Bunny-Geoffrey-Hayes\/dp\/006029163X\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238039174&#038;sr=1-1\"><em><strong>A Night Light For Bunny<\/strong><\/em><\/a> (2004) HarperCollins<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Benny-Penny-Pretend-Geoffrey-Hayes\/dp\/0979923808\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238039195&#038;sr=1-1\"><em><strong>Benny and Penny: Just Pretend<\/strong><\/em><\/a> (2008) Raw Junior<\/li>\n<li><a href=\"http:\/\/www.amazon.com\/Benny-Penny-No-No-Geoffrey-Hayes\/dp\/0979923891\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238039253&#038;sr=1-1\"><em><strong>Benny and Penny: The Big No-No<\/strong><\/em><\/a> (2009) Raw Junior<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/HayesTimeOut.jpg\" border=1><br \/>\n<center><em>Benny and Penny on the cover of <\/em><a href=\"http:\/\/www.timeout.com\/newyork\/kids\"><strong>Time Out New York Kids<\/strong><\/a><em>, May 2008<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your usual medium, or -\u2013 if you use a variety -\u2013 your preferred one?<\/font> <\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: I began using pen and ink and watercolors. Later, I added colored pencils to the watercolor. Lately, I have been working in a different style. I draw in pencil, which feels more natural to me. When I\u2019m happy with the drawing, I photocopy it onto heavier paper so that it has a good black line then color the copy with colored pencils. I have the option of employing the pencil as pure line, doing cross-hatching to make it look like ink, or of using the pencil as pencil with gradations of shading.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/penny2.JPG\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bpdragonfly2.JPG\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pigs2.jpg\" border=1><strong><font size=4>Geoffrey<\/font><\/strong>: The differences have more to do with the type of book rather than the age range. In longer books with more text, I count on the words to carry the story and choose either peak moments to illustrate or ones that I feel can really benefit from an illustration; whereas, in a very young picture book, nearly every action or scene gets a picture. It goes without saying that the younger the audience, the cleaner and clearer the compositions.<\/p>\n<p><em>{Pictured here and below are two of Geoffrey&#8217;s portfolio pieces.}<\/em><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font>  <\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: I live on the east coast \u2013- currently in Connecticut, having recently relocated from San Francisco.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Rabbit 61.jpg\" border=1><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Can you briefly tell us about your road to publication?<\/font>  <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/TylerFox.jpg\"><strong><font size=4>Geoffrey<\/font><\/strong>: In my mid-twenties, I was laid off from a job at an architectural firm, due to downsizing. This was the first (and only) time I had been unemployed and receiving unemployment benefits, so I utilized this time, in between job hunting, to work up my portfolio. I then made appointments with various art directors at the major publishing houses. I was fortunate to be living in New York City, where they were all located. I received mostly positive feedback but no concrete offers until I went to Harper and met Edite Kroll. Edite was determined to get a book out of me. She worked with me until I came up with my first title, <em><a href=\"http:\/\/www.amazon.com\/Bear-Himself-Little-Dipper-Book\/dp\/0679887881\/ref=sr_1_4?ie=UTF8&#038;s=books&#038;qid=1238038611&#038;sr=8-4\"><strong>Bear By Himself<\/strong><\/a><\/em>. Edite has been with me throughout my career and has been my agent since 1982.<\/p>\n<p><em>{Pictured above is Tyler from<\/em> <a href=\"http:\/\/www.amazon.com\/Very-Special-Valentine-Little-Book\/dp\/0061227560\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238036826&#038;sr=8-1\"><strong>A Very Special Valentine<\/strong><\/a><em>, HarperFestvial, 2007.}<\/em><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Can you please point us to your web site and\/or blog?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: None at the moment.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pirate2.JPG\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: If you do school visits, tell us what they\u2019re like.<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: I have done many school visits, and they\u2019re all different. So much depends upon the ages of the group, the size, even the environment itself (whether I\u2019m in an auditorium or a small classroom or library.) I draw as I speak, usually on a newsprint pad. I find this keep the children focused, especially if I ask them for suggestions as I draw. To tell the truth, I\u2019m not really comfortable drawing so quickly and in a different size and medium (markers). Art for me is generally a private enterprise. I\u2019m in awe of those people who do on-the-spot portraits or caricatures. Thankfully, the kids don\u2019t seem to notice the difference between my quick sketches and my finished art. I enjoy kids. I\u2019m able to flow with their spontaneity, so I always have a good time. It\u2019s nice to get the immediate feedback.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/geoffreyschool.JPG\" border=1><br \/>\n<center><em>At <a href=\"http:\/\/www.nycomiccon.com\/App\/homepage.cfm?moduleid=2577&#038;appname=100453\"><strong>New York Comic Con<\/strong><\/a> this past February<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: If you teach illustration, by chance, tell us how that influences your work as an illustrator.<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: I\u2019ve taught children\u2019s book workshops, although I focus more on the text and narrative flow. I also do freelance editing and have assisted individual artists with layout and pacing. All of this helps clarify what makes a book or story work and what impedes that. In being forced to explain what I have learned myself, it makes it more concrete in my awareness.<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell us about?<\/font> <\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: I\u2019m presently working on adapting my <a href=\"http:\/\/www.amazon.com\/s\/ref=nb_ss_gw?url=search-alias%3Daps&#038;field-keywords=Otto+%26+Uncle+Tooth+\"><strong>Otto &#038; Uncle Tooth<\/strong><\/a> characters to a graphic novel format.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\"><font color=\"000066\">Okay, the table&#8217;s set for our <em>six<\/em> questions over breakfast, and now we&#8217;re ready to talk more specifics. Once again, I thank Geoffrey for stopping by, especially since he pulled off this interview in mid-move.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: I almost always begin with a germ of an idea, something that intrigues me. I let it gestate, sometimes for days or weeks, sometime for years, until I\u2019m reading to begin drawing. I\u2019ll make notes and file them away. If I\u2019m illustrating someone else\u2019s text, it\u2019s a quicker process, of course. I read and re-read the manuscript until I develop a feel for the book. Does the story call for the art to be broad and active, subdued, cartoony or more illustrative? In any case, when I\u2019m ready to begin I start with thumbnail sketches in no particular order, simply trying to get a look for the characters and tone of the story. These thumbnails usually lead to sequences, and then I do storyboards. If it\u2019s a picture book or a comic, I prefer to lay out the entire story arch, even though I may change it many times, once I go to dummy it up. It\u2019s important for me to know if what I have in mind is feasible for the format in which I\u2019ll be working; specifically, does it fit comfortably into a 32- or 48-page count? Does it flow? Does it feel cramped or drawn out?<\/p>\n<p>If I\u2019m doing an illustrated story (even a short one), I type the text out and polish that before I continue drawing. This especially works for mood pieces or where the story is more read-aloud. Sometimes, I jump back and forth between working on text and dummy. It depends on the particular work. I\u2019m a pretty ruthless editor when it comes to my own stuff. I continue refining the story and text, even when I\u2019m into the finished art.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bpenny2.JPG\"><\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: Describe your studio or usual work space for us.<\/font> <\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: Since I tend to work small, my working area reflects this. I have never used a standard drawing table. Years ago, I designed a desk for myself and hired a friend to build it. I usually draw on a slanted light box when I am composing my pictures. This allows me to trace from different versions of an illustration until I have a layout that satisfies me. I draw the same way I cook &#8212; fast and rather chaotic, making a mess, with everything strewn around. I clean up afterwards, not as I go.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Otto and Uncle Tooth4.jpg\" border=1><font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: As book lovers, it interests us: What books or authors and\/or illustrators influenced you as an early reader?<\/font> <\/p>\n<p><em>{Pictured here is an illustration from <\/em><a href=\"http:\/\/www.amazon.com\/Curse-Cobweb-Queen-Adventure-Reading\/dp\/0679838783\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1238037722&#038;sr=8-1\"><strong>The Curse of the Cobweb Queen<\/strong><\/a><em>, Random House, 1994.}<\/em><\/p>\n<p><font size=4><strong>Geoffrey<\/strong><\/font><\/strong>: <a href=\"http:\/\/www.margaretwisebrown.com\/\"><strong>Margaret Wise Brown<\/strong><\/a>; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Kenneth_Grahame\"><strong>Kenneth Grahame<\/strong><\/a>; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Carl_Barks\"><strong>Carl Barks<\/strong><\/a>; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Robert_Louis_Stevenson\"><strong>Robert Louis Stevenson<\/strong><\/a>; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Gustaf_Tenggren\"><strong>Gustaf Tenggren<\/strong><\/a>; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Garth_Williams\"><strong>Garth Williams<\/strong><\/a>; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Arthur_Conan_Doyle\"><strong>Sir Arthur Conan Doyle<\/strong><\/a>; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Chester_Gould\"><strong>Chester Gould<\/strong><\/a>.<\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: If you could have three (living) illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: <strong><a href=\"http:\/\/www.hellboy.com\/\">Mike Mignola<\/a><\/strong>, <a href=\"http:\/\/www.peterdeseve.com\/\"><strong>Peter de S\u00e8ve<\/strong><\/a>, <a href=\"http:\/\/www.shauntan.net\/\"><strong>Shaun Tan<\/strong><\/a>.\n<\/ul>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: \u201cSweet, Bitter Love\u201d &#8212; <a href=\"http:\/\/www.aretha-franklin.com\/\"><strong>Aretha Franklin<\/strong><\/a>. <a href=\"http:\/\/en.wikipedia.org\/wiki\/Sweeney_Todd_(musical)\"><em><strong>Sweeney Todd<\/strong><\/em><\/a> &#8212; Broadway cast. <\/p>\n<p>Sometimes, not always {I listen to music while I create}. Often, I listen to podcasts.<\/p>\n<p><em>{Ed. Note &#8212; Okay, so how can I <\/em>NOT<em> post this footage of Aretha singing &#8220;Sweet Bitter Love&#8221; live? Enjoy.}<\/em><\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/l8vr7iO88ng&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/l8vr7iO88ng&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/HayesPW.jpg\" border=1><br \/>\n<center><em>Cover for <\/em><a href=\"http:\/\/www.publishersweekly.com\"><strong>Publishers Weekly<\/strong><\/a><em>, September 2008<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: That I\u2019m Catholic. That I love being high up on ladders. That I like sports bars. (Okay. That\u2019s three!)<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pennycaruse.JPG\"><\/p>\n<p><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: &#8220;Little.&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: &#8220;Paradigm.&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: Reality.<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: Hype. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: &#8220;Holy shit!&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: Rain.<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: Howling wind. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: Nutritionist. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: Political office.<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>Geoffrey<\/font><\/strong>: &#8220;Finally!&#8221;<\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>BENNY AND PENNY images, photos of Geoffrey Hayes, and magazine covers courtesy of TOON Books, a division of RAW JUNIOR, LLC. New York, NY. All rights reserved.<\/em><\/p>\n<p><em>The other illustrations&#8212;with the exception of the book cover and the coffee pot&#8212;courtesy of Geoffrey Hayes. All rights reserved and all that good stuff.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I do a lot of illustrator interviews here at 7-Imp, but as I was formatting this one, I realized that I don&#8217;t often talk to artists like Geoffrey Hayes who create books for the VERY WEE set, as in the pre-preschool crowd. For that&#8212;and many other reasons&#8212;it&#8217;s good to welcome Geoffrey this morning for seven [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-1612","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1612"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1612\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1612"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}