{"id":1844,"date":"2009-12-03T00:01:45","date_gmt":"2009-12-03T06:01:45","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1844"},"modified":"2009-12-03T08:32:57","modified_gmt":"2009-12-03T14:32:57","slug":"seven-questions-over-breakfast-with-jackie-morris","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1844","title":{"rendered":"Seven Questions Over Breakfast with Jackie Morris"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/jackiemorris.jpg\" border=1>Author and illustrator <a href=\"http:\/\/www.jackiemorris.co.uk\/now.htm \"><strong>Jackie Morris<\/strong><\/a> visited 7-Imp <a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1507\"><strong>about this time last year<\/strong><\/a>, but she&#8217;s here this morning for a more detailed interview. Jackie, who trained as an illustrator at the <a href=\"http:\/\/www.artbathspa.com\/\"><strong>Bath Academy of Art<\/strong><\/a> in England, now lives <a href=\"http:\/\/en.wikipedia.org\/wiki\/St_David's\"><strong>here<\/strong><\/a> in Wales and has won international acclaim for the many books she has written and illustrated. As I said last year, I struggle to find the words to describe her art work without sounding&#8230;well, totally trite, and I ended up deciding to go with words of praise from <em>School Library Journal<\/em> about her illustrations, since they nail it: &#8220;The undeniable beauty of the delicate watercolor illustrations, with their dramatic use of line, coupled with soft, earthy tones, lend the characters and landscapes dignity and timelessness.&#8221; So, we&#8217;ll just go with their words again. Yeah, what they said. Or, in the words of the <em>New York Times<\/em>, Jackie is capable of bringing us gorgeous fantasies. <\/p>\n<p><!--more--><\/p>\n<p>Since last year, Jackie has brought us one of my favorite books of 2009, <a href=\"http:\/\/www.indiebound.org\/book\/9781845075347\"><strong><em>Tell Me a Dragon<\/em><\/strong><\/a>, which was released by Frances Lincoln Children&#8217;s Books in October and which showcases the dragons unique to the imaginations of a handful of children, inviting readers on the final page to &#8220;tell me about your dragon.&#8221; Jackie writes this about the book at her site:<\/p>\n<blockquote><p>The idea for <em>Tell Me a Dragon<\/em> came whilst working on the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Terry_Pratchett\"><strong>Terry Pratchett<\/strong><\/a> <a href=\"http:\/\/en.wikipedia.org\/wiki\/Discworld_(world)\"><em><strong>Discworld<\/strong><\/em><\/a> calendar. In <a href=\"http:\/\/en.wikipedia.org\/wiki\/Guards!_Guards!\"><em><strong>Guards! Guards!<\/strong><\/em><\/a>, there is a place where dragons sleep and wait to be summoned. They are created by the imagination of those who summon them, and when I was working in schools I began to ask children, if they had a dragon, what would it look like? Some answers were very simple, but some lit the children&#8217;s imagination until the air echoed with the sound of dragon wings. One day someone asked me, if I had a dragon, what would it be like. I realized that almost every day it would be different. Some days I would like a big dragon to fight battles for me, sometimes a small dragon to curl around my ear and tell me stories. Each day a different dragon, but each one mine. And so I wrote <em>Tell Me a Dragon<\/em>.<\/p><\/blockquote>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/starprincess4a.jpg\" border=1><br \/>\n<center><em>&#8220;My dragon is made from the sun and the stars. Sparkled with stardust, all night he follows the silver moon-path across the sky.&#8221;<\/em><\/center><\/p>\n<p><em>Kirkus<\/em> calls this a &#8220;beguiling invitation to the diverse, fantastical realms of dragons&#8230;Morris&#8217;s deft hand with watercolors expertly conjures an inky sky, fiery warmth radiating from a lamp and icily harsh climes while still capturing the striking details of sharp talons, delicate wings and snaggle-toothed faces. Together with the brief verses, the images will appeal to all who love to make believe.&#8221;<\/p>\n<p>So, let&#8217;s get right to our breakfast, especially since Jackie sent so much art for us to pore over. &#8220;Hmm\u2026 breakfast,&#8221; she told me. <font size=4>&#8220;A bowl of muesli, usually dorset cereal with cranberries, sprinkled over greek yoghurt.<\/font> A cup, and it has to be a lovely cup (I do like nice ceramics, because if you leave your washing up around it just looks like art and not like filth) of coffee, and then a walk with dogs and cats or both. I get up very early in the summer, around 5 or 5.30. Later in winter.&#8221; I have to say that I do own some lovely coffee cups, so let&#8217;s get them out, set the table for our breakfast chat, and get the basics from Jackie. I thank her for stopping by. <\/p>\n<p><center><font size=4>* * * * * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: Yes, both. I like to illustrate other people\u2019s words, but I also like to write. Very different experience. When you illustrate your own words, you can write and illustrate with the words and the pictures.<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/tellmeadragoncover.jpg\"><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: <\/p>\n<ul>\n<li><em><a href=\"http:\/\/www.indiebound.org\/book\/9781845075347\"><strong>Tell Me a Dragon<\/strong><\/a><\/em>, published by Frances Lincoln, 2009<\/li>\n<li><em><a href=\"http:\/\/www.indiebound.org\/book\/9781845076009\"><strong>The Snow Leopard<\/strong><\/a><\/em>, published by Frances Lincoln, 2008<\/li>\n<li><em><a href=\"http:\/\/www.amazon.com\/Can-You-See-Little-Bear\/dp\/1845072987\"><strong>Can You See a Little Bear?<\/strong><\/a><\/em>, written by <a href=\"http:\/\/en.wikipedia.org\/wiki\/James_Mayhew\"><strong>James Mayhew<\/strong><\/a>, published by Frances Lincoln, 2008<\/li>\n<li><em><a href=\"http:\/\/www.indiebound.org\/book\/9781846861857\"><strong>Starlight Sailor<\/strong><\/a><\/em> written by <a href=\"http:\/\/jamesmayhew-katiespictureshow.blogspot.com\/\"><strong>James Mayhew<\/strong><\/a>, published by Barefoot Books, 2009<\/li>\n<li><em><a href=\"http:\/\/www.indiebound.org\/book\/9780531303030\"><strong>How the Whale Became<\/strong><\/a><\/em> by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ted_hughes\"><strong>Ted Hughes<\/strong><\/a>, published by Frances Lincoln in paperback in 2008<\/li>\n<li><em><a href=\"http:\/\/www.indiebound.org\/book\/9781905236565\"><strong>The Barefoot Book of Classic Poems<\/strong><\/a><\/em> compiled by me, published by Barefoot Books 2007<\/li>\n<\/ul>\n<p><em>{Ed. Note: For a comprehensive listing of Jackie&#8217;s books, see <a href=\"http:\/\/www.jackiemorris.co.uk\/books.htm\"><strong>this page<\/strong><\/a> of her site.}<\/em><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/snaggletoothsketch.jpg\" border=1><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your usual medium, or&#8211;\u2013if you use a variety&#8212;your preferred one?<\/font> <\/p>\n<p><em>{Ed. Note: Pictured here is a sketch of one of the illustrations just below from <\/em><a href=\"http:\/\/www.indiebound.org\/book\/9781845075347\"><strong>Tell Me a Dragon<\/strong><\/a><em> (Frances Lincoln Children&#8217;s Books, October 2009).}<\/em><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: I usually paint in watercolour and also use gold leaf. I love the way the colour comes off the brush, the purity of the colours, and the way they can be layered and layered for a depth and richness of colour.<\/p>\n<p><center><em>{Ed. Note: Pictured here are images from Jackie&#8217;s<\/em> <a href=\"http:\/\/www.indiebound.org\/book\/9781845075347\"><strong>Tell Me a Dragon<\/strong><\/a><em>.}<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/cakedargondetail1.jpg\" border=1><br \/>\n<center><em>Cover art: &#8220;My dragon is as <font size=3><strong>big<\/strong><\/font> as a village, jade-winged and amber-eyed<br \/>with a tail as long as a river.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/onehatchingalmostfinisheda.jpg\" border=1><br \/>\n<center><em>Front endpapers<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/babydragona.jpg\" border=1><br \/>\n<center><em>From the title page<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/dragondetaila.jpg\" border=1><br \/>\n<center><em>Detail of the sun-and-the-stars dragon, pictured at top of post<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/flowerdragona.jpg\" border=1><br \/>\n<center><em>&#8220;My dragon eats sweet, perfumed flowers. When she laughs,<br \/>petals ride on her breath.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/philadelphia1.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/urbandragona.jpg\" border=1><br \/>\n<center><em>The City Dragon (and the photograph of Philadelphia used to create that spread):<br \/>&#8220;My dragon is snaggled-toothed, fierce and brave.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/dragonflywingsa.jpg\" border=1><br \/>\n<center><em>&#8220;My dragons are tiny, with whisper-thin wings of rainbow hues.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/winddragonfinishda.jpg\" border=1><br \/>\n<center><em>&#8220;My dragon is a sky dragon. Together we ride to the secret music of the wind.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/snowdragon3a.jpg\" border=1><br \/>\n<center><em>&#8220;My dragon is an ice-dragon. His breath is snowflakes.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/storydragonj1a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/storydragonja.jpg\" border=1><br \/>\n<center><em>Story Dragon (and detail): &#8220;Curled around my ear, my dragon sings sweet songs and tells me strange stories from far away and long ago.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/backendpaperfinished1.jpg\" border=1><br \/>\n<center><em>Back endpapers<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another?<\/font> <\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: Most of my picture books are for older children, though with <em><a href=\"http:\/\/www.amazon.com\/Can-You-See-Little-Bear\/dp\/1845072987\"><strong>Can You See a Little Bear?<\/strong><\/a><\/em> and <em><a href=\"http:\/\/www.indiebound.org\/book\/9781846861857\"><strong>Starlight Sailor<\/strong><\/a><\/em> the audience is much younger. Also <em><a href=\"http:\/\/www.indiebound.org\/book\/9781845075347\"><strong>Tell me a Dragon<\/strong><\/a><\/em>, although I try to squeeze in details and suggestions for stories that may be going on outside of the words attached to the picture. I try to free the imagination to wander into and out of a dreaming landscape.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/guardianbirdsl.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/guardianbirdsl1.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge.)<\/em><\/center><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/guardiansbig1.jpg\" border=1><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/pinkmoon.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pinkmoon1.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge.)<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>:  I live in Wales, or rather on the edge of Wales, in a small cottage which until recently was held together by spider webs. I hadn\u2019t realized until a few months ago quite how literally this was. As I sit typing, I still only have half a roof and the front of my house is still waiting to be re-rendered and a new cooker put in, etc.<\/p>\n<p>I am almost surrounded by the salt sea with its ever-changing light, by moorland and craggy rock, by birds of sea and land, by heather and harebells. I came here 17\u00bd years ago and fell in love with the place, and living here has only deepened that feeling, for place and for people.<\/p>\n<p>The only other place I would like to live is Venice. What a contrast!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/arca.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bluea.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/topoftheworlda.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/outthewindow2a.jpg\" border=1><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font>  <\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: I had no intention of working in children\u2019s books, and my early career was as an illustrator for magazines and newspapers and jackets for adult publishers. After a series of greetings cards for <a href=\"http:\/\/en.wikipedia.org\/wiki\/Greenpeace\"><strong>Greenpeace<\/strong><\/a> and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Oxfam\"><strong>Oxfam<\/strong><\/a>, I was approached by a publisher to work on my first children\u2019s book, <em><a href=\"http:\/\/www.jackiemorris.co.uk\/images\/josstormcover.jpg\"><strong>Jo\u2019s Storm<\/strong><\/a><\/em> by <a href=\"http:\/\/www.carolinepitcher.co.uk\/\"><strong>Caroline Pitcher<\/strong><\/a>. I started this the week after my son, Tom, was born. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: <\/p>\n<ul>\n<li><a href=\"http:\/\/www.jackiemorris.co.uk\"><strong>www.jackiemorris.co.uk<\/strong><\/a><\/li>\n<li><a href=\"http:\/\/www.wethreecats.blogspot.com\"><strong>www.wethreecats.blogspot.com<\/strong><\/a><\/li>\n<li><a href=\"http:\/\/www.starlightjourney.blogspot.com\"><strong>www.starlightjourney.blogspot.com<\/strong><\/a><\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/threeharessnowdropssma.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bigcatsmalla.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/goldhare1a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/harea.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/harelabyrinthdetail2a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/haresketch2a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/inthehareseyethemoona.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/threeharesa.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/threeharesinvitea.jpg\" border=1><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: If you do school visits, tell me what they\u2019re like.<\/font> <\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: School visits are always a great opportunity to see how books work with their audience, to play with new ideas, and to pick up new ideas and nits!<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/mbfbig.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/mbfbiga.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/wintercaravan.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/wintercaravana.jpg\" border=1><\/a><br \/>\n<center><em>Two pieces for the <a href=\"http:\/\/www.mbf.org.uk\/\"><strong>Musicians Benevolent Fund<\/strong><\/a><\/em><br \/>(Click to enlarge each.)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font> <\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: I am currently working on <em><a href=\"http:\/\/www.jackiemorris.co.uk\/icebear.htm\"><strong>The Ice Bear<\/strong><\/a><\/em>, a book that started with a very vivid image of a child surrounded by polar bears, like the centre of a daisy with polar bear petals. I had to find out then how he got there and what happened next. <\/p>\n<p>I have written a few stories now, and most have transformation as a central theme. I always try to leave space in my stories &#8212; for conversation. This is hard to explain and may come out all wrong, but <em><a href=\"http:\/\/www.jackiemorris.co.uk\/seal_children.htm\"><strong>The Seal Children<\/strong><\/a><\/em>, <em><a href=\"http:\/\/www.indiebound.org\/book\/9781845076009\"><strong>The Snow Leopard<\/strong><\/a><\/em> and <em><a href=\"http:\/\/www.jackiemorris.co.uk\/icebear.htm\"><strong>The Ice Bear<\/strong><\/a><\/em> all have at their centre a creature that is human but also animal. In <em><a href=\"http:\/\/www.jackiemorris.co.uk\/seal_children.htm\"><strong>The Seal Children<\/strong><\/a><\/em>, the mother is a Selkie &#8212; part seal, part human. Each book deals with the subject of loss or death or separation without being preachy about it, I hope, and seemingly without bookshops noticing. Makes them sound grim, but they aren\u2019t. <\/p>\n<p>In <em><a href=\"http:\/\/www.jackiemorris.co.uk\/icebear.htm\"><strong>The Ice Bear<\/strong><\/a><\/em>, the polar bear gives birth to twin cubs, but Raven steals away one of the cubs and places it where the hunter will find it. But when he unwraps the bundle of fur, he finds inside a child. Children never question this magic of transformation. Though once I was talking at a school about <em><a href=\"http:\/\/www.jackiemorris.co.uk\/seal_children.htm\"><strong>The Seal Children<\/strong><\/a><\/em>, and a young boy said, &#8220;we know that mermaids are real, but are Selkies, too?\u201d How I loved that child.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/icebearcovera.jpg\" border=1><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/sevenbears.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sevenbearsa.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge.)<\/em><\/center><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/amber.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/ambera.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge.)<\/em><\/center><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/icebearcloseupa.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/icebearpagedesigna.jpg\" border=1><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/ravensketches.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/ravensketchesa.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge.)<\/em><\/center><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/sketchesforicebear.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sketchesforicebeara.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge.)<\/em><\/center><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/icebear3a.jpg\" border=1><\/p>\n<p>Soon I will be working on a book of nursery rhymes, and I love these anarchic rhythm dancing nonsense verses. Also, I have been chasing a dragon story to follow the success of <em><a href=\"http:\/\/www.indiebound.org\/book\/9781845075347\"><strong>Tell Me a Dragon<\/strong><\/a><\/em>, and only when I stopped chasing it did I find it, so now I need to gather the words and rough sketches together for that.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" alt=\"Mmm. Coffee.\" title=\"Mmm. Coffee.\"><font color=\"000066\">Our table&#8217;s set now for <em>six<\/em> questions over breakfast, and we&#8217;ve got our coffee in our lovely cups. Let&#8217;s get a bit more detailed, and I thank Jackie again for stopping by.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/writingmorris.jpg\" border=1><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: It depends on what it is I am working on as to how I work. <\/p>\n<p>Sometimes, as with <em><a href=\"http:\/\/www.jackiemorris.co.uk\/seal_children.htm\"><strong>The Seal Children<\/strong><\/a><\/em>, a story comes to me. <em>The Seal Children<\/em> is set in a real place and real landscape, where I live. Day after day I wandered past and among the ruins here until they whispered a story to me, threaded through with myth. Most of the story came when I was walking in mist, and I could hear the seals singing in the cove about a mile away. It is strange how sound travels on misty days.<\/p>\n<p>But, even though I had the story, it was only the encouragement of friends that persuaded me to write it. I was stuck in traffic on the M25 London ringroad with a friend, Catherine Davies, and we were talking about stories, and I was explaining to her why it was that I couldn\u2019t write and how I wanted to illustrate this story that was in my head. She gave me the courage to put pen to paper, as did <a href=\"http:\/\/en.wikipedia.org\/wiki\/James_Mayhew\"><strong>James Mayhew<\/strong><\/a>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/icefireja.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/icefiresma.jpg\" border=1><br \/>\n<center><em>Illustrations for <a href=\"http:\/\/en.wikipedia.org\/wiki\/Robin_Hobb\"><strong>Robin Hobb&#8217;s<\/strong><\/a> <a href=\"http:\/\/en.wikipedia.org\/wiki\/Liveship_Traders_Trilogy\"><strong><\/em>Liveship Traders<em> Trilogy<\/strong><\/a><\/em><\/center><\/p>\n<p>There was something very painful about working on <em><a href=\"http:\/\/www.jackiemorris.co.uk\/seal_children.htm\"><strong>The Seal Children<\/strong><\/a><\/em>. Both emotionally and physically, the story was very close to me. I had recently separated from my husband and was broken in many ways. I painted by day and, when evening came, I would wander through the landscape that I had been painting, watching the seals and the birds that lived both here and on the paper.  <\/p>\n<p>With <em><a href=\"http:\/\/www.indiebound.org\/book\/9781845076009\"><strong>The Snow Leopard<\/strong><\/a><\/em>, I wanted to do a book about a snow leopard. Simple. I thought I was in control, but somehow a story came into my head about this guardian spirit and a child and a search and soldiers. Later, as I wandered the World Wide Web (the publishers budget didn\u2019t allow for wandering the Himalayas), I found stories that echoed mine, shapeshifting snow leopard women, leopards that changed into snow storms of leopards to drive deamons away. I wrote out a sketch of what I wanted in the story, then drew out small thumbnail pictures and worked the words and the stories together. I went in search of snow leopards and found them in <a href=\"http:\/\/en.wikipedia.org\/wiki\/Welwyn_Garden_City\"><strong>Welwyn Garden City<\/strong><\/a>, a leopard called Shadow and his family. The words and the pictures worked together.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/leopard1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/leopard1a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/leopard2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/leopard2a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/leopard3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/leopard3a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/leopard4.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/leopard4a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/leopard5.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/leopard5a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/leopard6.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/leopard6a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/leopard7.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/leopard7a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/leopard8.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/leopard8a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/leopard9.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/leopard9a.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge all leopard images.)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/inthebath.jpg\" border=1>With <em><a href=\"http:\/\/www.amazon.com\/Can-You-See-Little-Bear\/dp\/1845072987\"><strong>Can You See a Little Bear?<\/strong><\/a><\/em>, I had the great good fortune to work with <a href=\"http:\/\/en.wikipedia.org\/wiki\/James_Mayhew\"><strong>James Mayhew<\/strong><\/a>, author and illustrator of many books for children. I, as an illustrator, think he is a wonderful writer of picture books, as he leaves so much space in the text for the illustrator to colour. He wrote <em>Little Bear<\/em> for me so that I could play. We had had many hours on the phone talking about ideas for books and how we wanted a simple text that gave space for a child\u2019s imagination and paintings full of detail so that they could read the picture as well as the words. I worked quite closely with James on both this book and on <em><a href=\"http:\/\/www.indiebound.org\/book\/9781846861857\"><strong>Starlight Sailor<\/strong><\/a><\/em>. (The process for <em>Starlight Sailor<\/em> can be seen <a href=\"http:\/\/www.starlightjourney.blogspot.com\"><strong>on the blog<\/strong><\/a>, sometimes long and tortuous. I learned a great deal from doing this book, not all of it good.)<\/p>\n<p><em><a href=\"http:\/\/www.indiebound.org\/book\/9781845075347\"><strong>Tell Me a Dragon<\/strong><\/a><\/em> is another book that I wrote and illustrated, and this one is different again. The idea is that on each spread a different child talks about their dragon, and each one is different. My hope is that the book will inspire children to imagine what their own dragon would be like. Each page also has a story or more locked up in the image for the imaginative child to pull out if they wish. It should have been easy, but it wasn\u2019t, and right at the end a small dragon leapt into it, demanding that he had his own story. Over the next few months, I searched and <img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bysilvermoon2.jpg\" style=\"float:right;\">searched but only came up with dead ends for my little hatchling, until the other day when I went walking in sunshine to look for the story and decided instead to let the story look for me. And so now I have another dragon to catch, but some idea of some of the words that I need to catch him. And I think I will work on the images first and let the words come second.<\/p>\n<p>(I also worked on lots of religious books. The last of these is <em><a href=\"http:\/\/www.indiebound.org\/book\/9780316523912\"><strong>Little One, We Knew You\u2019d Come<\/strong><\/a><\/em> {pictured right}. This was written by <a href=\"http:\/\/sallylloyd-jones.com\/welcome.html\"><strong>Sally Lloyd-Jones<\/strong><\/a> and published in the U.S. by Little Brown and in the U.K. by Frances Lincoln. I tried to dissuade the publishers from commissioning me. I had done far too many religious books and am not a Christian, though I did grow up with these wonderful stories. In the end, I was persuaded, as the publishers wanted a book that was more about the human side of waiting for a baby to be born.)<\/p>\n<p><center><em>{Ed. Note: Pictured here is an illustration&#8217;s journey from beginning to end.<br \/>This is from <\/em> Little One<em>.}<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies1a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies2.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies3.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies4.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies5.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies6.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies7.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies8.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies9a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/lilies10.jpg\" border=1><\/p>\n<p><center><em>{Ed. Note: Pictured here is another illustration&#8217;s journey. This is the cover art for<br \/><\/em> <a href=\"http:\/\/www.indiebound.org\/book\/9781905236565\"><strong>The Barefoot Book of Classic Poems<\/strong><\/a><em> (Barefoot Books, 2007)<\/em>.}<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn1a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn2a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn3a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn4a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn5a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn6a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn7a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn8a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn9a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn10a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn11a.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/unicorn12a.jpg\" border=1><\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/owlsandbearsa.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/paintsa.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/workingonicebeara.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/studiowithdogsa.jpg\" border=1><\/p>\n<p><font size=4><strong>Jackie<\/strong><\/font><\/strong>: I have worked in many places &#8212; the corner of a bedroom, the corner of a living room, a caravan, a room in my house. Recently, I had my attic converted into a very long and low studio space. The views from the window are stunning &#8212; across to <a href=\"http:\/\/www.stdavidscathedral.org.uk\/\"><strong>St. Davids Cathedral<\/strong><\/a> and <a href=\"http:\/\/www.welshwildlife.org\/skomerIntro_en.link\"><strong>Skomer<\/strong><\/a> and <a href=\"http:\/\/www.ramseyisland.co.uk\/\"><strong>Ramsey Islands<\/strong><\/a> or up the hill, where I love to walk. The studio is still in the process of being built and is cramped at the moment with two tables and three plan chests and a sofa, various polar bears and a raven, two stuffed owls and a kingfisher. Out of the window I can also see my glorious copper weather vane which was made for me by <a href=\"http:\/\/www.greensvanes.co.uk\/the_artists.htm\"><strong>Karen Green of Greens Vanes<\/strong><\/a>. I gave her a story that I had written, a retelling of <em>East of the Sun and West of the Moon<\/em> (which is still looking for a publisher, if anyone would like to see the manuscript), and she made my beautiful bear who fits so very well with the story.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/asilencelikeintimacya.jpg\" border=1><\/p>\n<p>When I write, I like to do so on the hill above the house where I live. I find that it helps to walk to catch the words and to sit and watch the birds fly; away from the distractions of the computer and phone is essential to the peace of mind I need to catch a story. I usually walk with dogs and cats to the top of the hill and sit among heather and long golden grass in a place in the shadow of the wind. I usually write with a pen in a moleskine notebook, sometimes just catching ideas like butterflies and pinning them to the paper, sometimes writing whole passages. Then, at home in my studio, I would work it up on either a macbook or desktop.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/windowa.jpg\" border=1><\/p>\n<p><font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: As a book lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><font size=4><strong>Jackie<\/strong><\/font><\/strong>: When I was young, I really struggled with reading. I persisted, because I wanted stories. I love listening to really good storytellers, those ones that make pictures dance in your head.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/AWizardOfEarthsea.jpg\" border=1>We had few books in the house when I was growing up, but once I had cracked the code of reading, I would take out book after book from the library. I seem to remember long hot summers reading in the garden or in the hills, books about horses, including <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/My_Friend_Flicka\"><strong>My Friend Flicka<\/strong><\/a><\/em> and <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Silver_Brumby\"><strong>The Silver Brumby<\/strong><\/a><\/em> books. And also wild wolf books, like <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Call_of_the_wild\"><strong>Call of the Wild<\/strong><\/a><\/em> and <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/White_Fang\"><strong>White Fang<\/strong><\/a><\/em>. I loved books about animals. <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Tarka_the_otter\"><strong>Tarka the Otter<\/strong><\/a><\/em> was a favorite, and only when I re-read it again last year did I appreciate how utterly beautifully written it is, like a long prose poem in praise of wild Britain.<\/p>\n<p>I didn\u2019t go to a gallery until I was about sixteen, but wanted to be an artist from the age of six. I was told that I couldn\u2019t be. I was told that I had to learn a proper trade so that I would have something to fall back onto. But all I wanted to do was to draw and paint. <\/p>\n<p>Favorite books of mine are <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/A_Wizard_of_Earthsea\"><strong>A Wizard of Earthsea<\/strong><\/a><\/em> books by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ursula_K._Le_Guin\"><strong>Ursula Le Guin<\/strong><\/a>, so so so much better than the turgid <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Harry_potter\"><strong>Potter<\/em> books<\/strong><\/a>. (Can I say that?) In <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ged_(Earthsea)\"><strong>Sparrowhawk<\/strong><\/a>, Ursula Le Guin created a character who is flawed and oh-so-much more human than the perfect Mr. Potter. And dragons with style. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/gildedfoxa.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/loversja.jpg\" border=1><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/strawberryfox.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/strawberryfoxa.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge.)<\/em><\/center><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/todogsa.jpg\" border=1><\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: If you could have three (living) illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: <a href=\"http:\/\/angelabarrett.com\/\"><strong>Angela Barrett<\/strong><\/a>, <a href=\"http:\/\/brianwildsmith.com\/\"><strong>Brian Wildsmith<\/strong><\/a>, <a href=\"http:\/\/www.shauntan.net\/\"><strong>Shaun Tan<\/strong><\/a> (illustrators). <a href=\"http:\/\/en.wikipedia.org\/wiki\/John_Irving\"><strong>John Irving<\/strong><\/a>, <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ursula_K._Le_Guin\"><strong>Ursula Le Guin<\/strong><\/a>, and <a href=\"http:\/\/www.robinhobb.com\/\"><strong>Robin Hobb<\/strong><\/a> (authors). And, by time travel, <a href=\"http:\/\/en.wikipedia.org\/wiki\/J._M._Barrie\"><strong>J.M. Barrie<\/strong><\/a>, <a href=\"http:\/\/en.wikipedia.org\/wiki\/Arthur_Rackham\"><strong>Arthur Rackham<\/strong><\/a>, and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ted_hughes\"><strong>Ted Hughes<\/strong><\/a>.<\/p>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/violin3a.jpg\" border=1><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: I listen to <a href=\"http:\/\/www.bbc.co.uk\/radio4\/\"><strong>Radio 4<\/strong><\/a> a great deal when painting. I don\u2019t have an iPod, but CDs that go round and around are all things by <a href=\"http:\/\/www.karinepolwart.com\/\"><strong>Karine Polwart<\/strong><\/a>, <a href=\"http:\/\/www.sethlakeman.co.uk\/\"><strong>Seth Lakeman<\/strong><\/a>, <a href=\"http:\/\/www.urusen.co.uk\/\"><strong>Urusen<\/strong><\/a>, <a href=\"http:\/\/www.yo-yoma.com\/\"><strong>Yo Yo Ma<\/strong><\/a>, <a href=\"http:\/\/www.leonardcohen.com\/\"><strong>Leonard Cohen<\/strong><\/a>. If all my CDs were taken away and I could only keep one, it would be <a href=\"http:\/\/unit.bjork.com\/specials\/albums\/vespertine\/\"><strong><em>Vespertine<\/em><\/strong><\/a> by <a href=\"http:\/\/bjork.com\/\"><strong>Bjork<\/strong><\/a> with its wonderful music box magic and snow music.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/threeprincesses1.jpg\" border=1><br \/>\n<center><em>From <a href=\"http:\/\/www.vivianfrench.com\/\"><strong>Vivian French&#8217;s<\/strong><\/a> <\/em><a href=\"http:\/\/www.indiebound.org\/book\/9781933605944\"><strong>Singing to the Sun: A Fairy Tale<\/strong><\/a><em><br \/>(Kane\/Miller, 2008)<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: I carry a tremendous weight of guilt that I put my work before all things. I feel that I don\u2019t really give enough of my time to my children, because I am so wrapped up in stories and at the end of the day am happier when left in peace to get on with work than at most other times. I fear sometimes that I miss so much of my children\u2019s growing up, because my mind is somewhere else. But then I guess loads of parents feel like that.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: &#8220;Yes.&#8221; &#8220;Shubunkin.&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: &#8220;No.&#8221; &#8220;Hate.&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: Beauty, colour, animals, beautiful music.  <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/whitehare.jpg\" border=1><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: TV, celebrity, violence, drunkenness, coke heads and self indulgent hippies, merchant bankers, junk mail, greenwashing bullshit, marketing people. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your favorite curse word? (optional)<\/font> <\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: I have long-favoured the anglo saxon &#8220;f&#8221; word. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: Musical boxes, waves on a shingle beach, wind in the heather, blackbirds singing, porpoise breathing, cello, fiddle, seal song, rain, wind in a raven\u2019s feathers.<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: Christian hymns (the devil has all the best songs), crowds, gunfire, fighter jets overhead, screaming, bombs, Abba songs (set my teeth on edge), anything from <em>The Sound of Music<\/em>. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: Tattoo artist. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: Soldier. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>Jackie<\/font><\/strong>: I would like her to say, &#8220;I think there are a lot of cats here waiting to see you.&#8221;   <\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>Photos of Jackie and her studio and all the illustrations and sketches are courtesy of <a href=\"http:\/\/www.jackiemorris.co.uk\/now.htm\"><strong>Jackie Morris<\/strong><\/a> and used with his permission. All rights reserved.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred. He was created by <a href=\"http:\/\/www.mattphelan.com\/\"><strong>Matt Phelan<\/strong><\/a>, and he made his 7-Imp premiere in <a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1790\"><strong>mid-September<\/strong><\/a>. Matt told Alfred to just pack his bags and live at 7-Imp forever and always introduce Pivot. All that&#8217;s to say that Alfred is \u00a9 2009, Matt Phelan.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author and illustrator Jackie Morris visited 7-Imp about this time last year, but she&#8217;s here this morning for a more detailed interview. Jackie, who trained as an illustrator at the Bath Academy of Art in England, now lives here in Wales and has won international acclaim for the many books she has written and illustrated. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-1844","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1844"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1844\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1844"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}