{"id":1914,"date":"2010-03-30T03:31:42","date_gmt":"2010-03-30T09:31:42","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1914"},"modified":"2010-03-30T14:29:35","modified_gmt":"2010-03-30T20:29:35","slug":"visiting-the-farm-with-elisha-cooper","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1914","title":{"rendered":"Visiting the Farm with Elisha Cooper"},"content":{"rendered":"

If I may say so myself, here’s dedication for you: I seem to have the rotten ‘ol stomach bug from which my husband suffered over the weekend. Since 90% of this post on Elisha Cooper’s<\/a><\/strong> brand-new picture book, Farm<\/a><\/em><\/strong> (to be released by Orchard Books in April), was already done before the unwelcome visitor arrived, I’m going to go ahead and post. Yes, it’s four a.m. (you know when you’re too sick to sleep properly?), and I sit here—barely vertical, since food is my sworn enemy right now—with my trusty laptop we’ll call…um…Trusty. <\/p>\n

Now, I had planned<\/em> for this introduction here to Elisha’s new book to be so eloquent and beautiful and pitch-perfect that you 7-Imp readers would say to yourselves, “Selves: Now, why in the big wide world won’t some professional review publication hire Jules to write for them?” It was going to be stupendous and awe-inspiring and leave you misty-eyed and perfectly nail this beautiful book. <\/p>\n

No? Well, maybe one day. <\/p>\n

For now, you’ll have to accept this humble introduction — and believe me when I say this picture book is worth your time. It is a detailed, intimate look at a contemporary farm, one that looks at modern family farms with a clear eye and with great reverence. It’s luminous is what it is. When I first got my review copy, I recall gasping lightly at that gorgeous cover. And spending about five minutes just taking in the colors and composition and all-around Elisha goodness. If the room weren’t spinning lightly, I’d do my usual bit in which I tell you what the professional reviewers have said about the book thus far, but you can hit a site like Barnes and Noble (my favorite for compiling reviews clearly in one spot, though supporters of independent bookstores should know I always link to IndieBound when I can). <\/p>\n


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“After a storm, the farm swells with sound. The corn rustles. The cattle bellow. A tractor echoes in and out. Birds quarrel. Bugs hum. Their hum is constant. Even the clouds seem to make sound as they bump across the sky. For a quiet place,
the farm is not so quiet.”<\/em>
(Click to enlarge spread.)<\/center><\/p>\n

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Elisha visited me in 2008 at this breakfast interview<\/a><\/strong>. I invited him back to the 7-Imp bungalow, this time to ask him a few mostly impossible questions about this newest title of his. So, won’t you join us for a look at this book, including some art and early sketches? Just don’t get too close to me. And, for crying out loud, bring the disinfectant wipes for your hands and such. <\/p>\n

The last thing I’ll say before I fall over and attempt to get more sleep? You’ll see below that Elisha tells us, “I think we pass by so many things. Writing about farms was a chance to slow down and take a closer look at what\u2019s under our noses.” That, my friends, is something he has accomplished with this book. <\/p>\n

Here’s Elisha, and I thank him for stopping by. <\/p>\n

* * * * * * *<\/center><\/p>\n

7-Imp<\/font><\/strong>: I suspect authors sometimes hate to be asked about “inspiration,” but can you tell me what brought on this particular book idea?<\/font><\/p>\n

Elisha<\/font><\/strong>: I actually love those moments of inspiration and usually I remember them. This time I don\u2019t quite. (I\u2019m getting older\u2026what was the question?)<\/p>\n

In any case, there probably were many inspirations for Farm<\/em>. I grew up on a farm. I loved driving out from Chicago past these wide flat Illinois farms. I\u2019d just read Michael Pollan\u2019s<\/a><\/strong> The Omnivore\u2019s Dilemma<\/a><\/strong><\/em>.<\/p>\n

So, when I went for a walk through SoHo with my editor, the subject of farms must have been in the back of my head. We were playing with ideas for a book after Beach<\/em> (we were also going to my editor\u2019s friend\u2019s store to buy me a shirt, one with a collar, as my editor was trying, unsuccessfully, to raise the level of my style). So, we walked and looked at shirts and talked about ideas, west on Prince, south on Thompson, back up Broadway. I think on the corner of Broadway and Spring we settled on this farm book. <\/p>\n

The idea felt sticky to me, because…well, farms are sticky. I also felt that children\u2019s books romanticize farms (with the exception of Charlotte\u2019s Web<\/em>, which is romantic, but also real) with their cute pigs and red tractors. I knew the reality would be much more interesting. <\/p>\n

From Elisha’s sketchbook:<\/font>
(Most of these images are linked to larger versions; click to enlarge.)<\/center><\/p>\n


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Barn loft<\/em><\/center><\/p>\n

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(Click to enlarge.)<\/em><\/center><\/p>\n

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7-Imp<\/font><\/strong>: Tell me about the making of this book.<\/font><\/p>\n

Elisha<\/font><\/strong>: After flying back to Chicago, I started driving around DeKalb County. I drove along straight county roads, pulling over to draw fields, tractors, barns. I knocked on doors. At one farm, while I was talking with the farmer, his barn cats crawled through the open door of my car and started playing \u2013 a detail I used in the book. I returned to this man\u2019s farm in Hinckley, a bunch of times. In the Fall, I flew out for the harvest and rode his combine harvester.<\/p>\n

I think we pass by so many things. Writing about farms was a chance to slow down and take a closer look at what\u2019s under our noses.<\/p>\n


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(Click to enlarge.)<\/em><\/center>
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7-Imp<\/font><\/strong>: Are there specific experiences that formed the essential basis, the fundamental building blocks, of your artistic vision? Books, movies, artists, events, images, anything else, etc\u2026.?<\/font><\/p>\n

Elisha<\/font><\/strong>: That\u2019s too broad! Impossible to answer. Because how do any of us know what combination of building blocks we\u2019re made from?\t<\/p>\n

But I do know I grew up around animals. I loved van Gogh paintings. I loved Hemingway. The spareness of his sentences. I grew up rooting for the Pittsburgh Steelers. (The incomparably beautiful Lynn Swann inspired me to play receiver.) I loved traveling, and my parents allowed me that.<\/p>\n

My parents also gave me a love for beauty — in its broadest sense. And a love for goats.<\/p>\n

<\/p>\n

7-Imp<\/font><\/strong>: What do you, as an artist, find most challenging and satisfying in the creative processes you employ?<\/font><\/p>\n

Elisha<\/font><\/strong>: Oh, goodness. Another impossible question! My creative process isn\u2019t challenging, not really. It\u2019s creative, after all. And what could be more joyful than that? Not that it doesn\u2019t present difficult choices, or can\u2019t be work. But, challenging? No. Challenging is raising my children (something I also love doing, though sometimes I forget that at 7:42 on a Tuesday morning).<\/p>\n

I would say that the challenge lies in what is beyond my control: throwing a book out into the world and hoping it will stick. Will Farm<\/em> stick? I hope so. So, things like this interview are challenging.<\/p>\n

But the actual making of the book is intensely intensely satisfying. From sketching to writing to painting to designing. It\u2019s something I\u2019m lucky to be doing. I try not to forget that.<\/p>\n


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Elisha’s notes for <\/em>Farm<\/center><\/p>\n

<\/a>
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(Click to enlarge.)<\/em><\/center><\/p>\n

7-Imp<\/font><\/strong>: What’s next for you? What books\/projects are you working on now, if you can talk about them?<\/font><\/p>\n

Elisha<\/font><\/strong>: I\u2019m focused on Farm<\/em>. But, like the seasons, that will change. I have a book coming out this summer called Beaver is Lost<\/em>. It has no words. Actually, it has four words. It\u2019s fun, I hope. A beaver from the country gets lost in the city (based on Chicago) and must find his way back home. He\u2019s a resolute little guy.<\/p>\n

Other projects, which I can\u2019t talk about! I went for another walk with my editor recently, this time along the Hudson, and we came up with a few ideas.<\/p>\n

But what I\u2019m really excited about now? Wood! My brother lives on a farm in Massachusetts, which has a wood shop. Last Winter, we built a kitchen table. (He built it, I stood around, sanded the top, and said encouraging things.) This year we built an end table. We made bowls. (He has a lathe.) And we made cutting boards, which I\u2019ve been sanding on our balcony here in Manhattan (I\u2019m learning that using power tools late at night in the city will draw the attention of ones\u2019 neighbors) and mailing to friends. Okay, I\u2019m wood-obsessed.\t<\/p>\n


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FARM by Elisha Cooper \u00a9 2010. Published by Orchard Books, an imprint of Scholastic, New York, NY. All images and sketches and art work used with permission of the author.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

If I may say so myself, here’s dedication for you: I seem to have the rotten ‘ol stomach bug from which my husband suffered over the weekend. Since 90% of this post on Elisha Cooper’s brand-new picture book, Farm (to be released by Orchard Books in April), was already done before the unwelcome visitor arrived, […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-1914","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1914"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/1914\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1914"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}