{"id":2104,"date":"2011-03-28T00:01:15","date_gmt":"2011-03-28T06:01:15","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2104"},"modified":"2011-12-27T15:22:10","modified_gmt":"2011-12-27T21:22:10","slug":"seven-questions-over-breakfast-with-claire-a-nivola","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2104","title":{"rendered":"Seven Questions Over Breakfast with Claire A. Nivola"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/claire5-use.jpg\" border=1>At <strong><a href=\"http:\/\/www.ourwhitehouse.org\/contribbios\/nivola.html\">this profile<\/a><\/strong> of author\/illustrator Claire A. Nivola (in celebration of <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1470\">this 2008 Candlewick title<\/a><\/strong>), she states, &#8220;Writing for children is a serious business.&#8221; Claire would know. Her first illustrated title was back in 1970, though she did take a break from it all for many years. &#8220;Being a mother absorbed my heart and intellect,&#8221; she writes at that link. (See also her response to the final two questions in my interview below, what I find to be a profoundly reflective response that made me nod my head an awful lot and just so happens to capture something I think about a great deal myself.) Nevertheless, Claire has been working in the field for a long time and has seen many trends in publishing books for children come and go. <\/p>\n<p>I&#8217;m so pleased to have Ms. Nivola over for coffee this morning and share her rich and intricate folk-art-style illustrations with readers. She&#8217;s here to discuss her upcoming Spring picture book, all about her father&#8217;s hometown on the island of Sardinia, and I&#8217;ve got a sneak-peek into some of the illustrations from that beautiful title. And if you missed last year&#8217;s <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780547171845\">Emma&#8217;s Poem: The Voice of the Statue of Liberty<\/a><\/strong><\/em>, written by <strong><a href=\"http:\/\/www.lindaglaserauthor.com\/\">Linda Glaser<\/a><\/strong> (2010) and which was awarded the 2011 Sydney Taylor Honor Award in the Younger Readers category, you&#8217;re in for a treat this morning with some spreads here from that, as well. Claire&#8217;s very stylized, detailed illustrations are captivating, and so many of the books she&#8217;s both written and illustrated or illustrated have been nonfiction titles, thus making this a fitting post for the kidlitosphere&#8217;s <strong><a href=\"http:\/\/nonfictionmonday.wordpress.com\/\">Monday celebrations of nonfiction<\/a><\/strong>.<\/p>\n<p>Let&#8217;s get right to it, and I really appreciate Claire taking the time to visit. <!--more--><\/p>\n<p><center><font size=4>* * * * * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: Illustrator and Author\/Illustrator. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/KENYA_1-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/KENYA_1_72-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/KENYA_2-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/KENYA_2_72-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/KENYA_3-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/KENYA_3_72-small.jpg\" border=1><\/a><br \/>\n<center><em>Spreads from Claire&#8217;s <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780374399184\">Planting the Trees of Kenya:<br \/>The Story of Wangari Maathai<\/a><\/strong><em>, Farrar, Straus and Giroux, 2008<\/em><br \/>(Click each spread to enlarge.)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/KENYA_COV-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/KENYA_COV_72-small.jpg\" border=1><\/a><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Please list your books-to-date.<\/font><\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: Written and illustrated by me: <\/p>\n<ul>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780374399184\">Planting the Trees of Kenya: The Story of Wangari Maathai<\/a><\/strong><\/em> (2008, Frances Foster Books, Farrar, Straus &#038; Giroux)<\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780374324520\">The Forest<\/a><\/strong><\/em> (2002, Frances Foster Books, Farrar, Straus &#038; Giroux)<\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780374320850\">Elisabeth<\/a><\/strong><\/em> (1997, Frances Foster Books, Farrar, Straus &#038; Giroux)<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/elisabethcover.jpg\"><\/p>\n<p>Illustrated only: <\/p>\n<ul>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780547171845\">Emma&#8217;s Poem: The Voice of the Statue of Liberty<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.lindaglaserauthor.com\/\">Linda Glaser<\/a><\/strong> (2010, Houghton Mifflin)<\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780618442300\">The Silent Witness<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.robinfriedman.com\/\">Robin Friedman<\/a><\/strong> (2005, Houghton Mifflin)<\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780618267576\">The Flag Maker<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.scbartoletti.com\/\">Susan Campbell Bartoletti<\/a><\/strong> (2004, Houghton Mifflin)<\/li>\n<li><em><strong><a href=\"http:\/\/www.amazon.com\/Friday-Nights-Nana-Amy-Hest\/dp\/0763606588\">The Friday Nights of Nana<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.amyhest.com\/\">Amy Hest<\/a><\/strong> (Candlewick Press, 2001)<\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780374350833\">The Mouse of Amherst<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.poetryfoundation.org\/bio\/elizabeth-spires\">Elizabeth Spires<\/a><\/strong> (Frances Foster Books, FSG, 1999)<\/li>\n<li><em><strong><a href=\"http:\/\/www.amazon.com\/Tell-Me-Real-Adoption-Story\/dp\/0679806296\">Tell Me a Real Adoption Story<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.bjlifton.com\/\">Betty Jean Lifton<\/a><\/strong> (Alfred A. Knopf, 1994)<\/li>\n<li><em><strong><a href=\"http:\/\/www.amazon.com\/Messy-Rabbit-Ruth-Nivola\/dp\/0394937643\">The Messy Rabbit<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.easthamptonstar.com\/DNN\/Default.aspx?tabid=4623\">Ruth Nivola<\/a><\/strong> (my mother!), (Pantheon Books, 1978)<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/emmaspoemcover.JPG\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium, or&#8211;\u2013if you use a variety&#8212;your preferred one?<\/font> <\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: Watercolor and gouache. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another?<\/font><\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: Almost every book I have worked on has been a picture book. <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780374350833\">The Mouse of Amherst<\/a><\/strong><\/em> was for slightly older readers, and I did the illustrations in pencil, but it didn&#8217;t feel different &#8212; maybe because I draw sketches in pencil for all my books before painting the final versions in color. In general, I often prefer drawings to paintings. In a drawing, something is being worked out; the process is visible.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/mouse of A 1-pic only.jpg\"><br \/>\n<center><em>&#8220;Day by day and year by year, \/ You soon will find by living here \/ That words you thought you knew so well&#8212; \/ Big ones, small ones, short ones, tall ones&#8212; \/ Words in every shape and size \/ Hold many meanings, more surprise \/<br \/>Than you would give them credit for!&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/mouse of A 1-pic only right.jpg\"><br \/>\n<center><em>&#8220;I set my notebook, a gift from my parents when I first went out into the world, on the table. I seldom used it. I was not much of a letter writer, list maker, or note taker. I didn&#8217;t keep a diary. Still, seeing it there next to the pen<br \/>made me feel immediately at home.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/mouse of A 2-pic only.jpg\"><br \/>\n<center><em>&#8220;Hidden from sight, I watched Lavinia carry in a delicious-looking cheese plate which she set on the table. The intermingled smells of Cheddar, Swiss, and blue were sweet torture to my soul. As the courses were brought in,<br \/>my famished brain made a perfect picture of the feast.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/mouse of A3-small.jpg\"><br \/>\n<center><em>&#8220;Outraged at Higginson&#8217;s opinion, and without stopping to consider the consequences of my actions, I gave the vase a mighty heave. It teetered on the mantel&#8217;s edge,<br \/>then crashed to the floor, missing him by a hair.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/mouse of A4-small.jpg\"><br \/>\n<center><em>&#8220;I sailed on a Leaf\/ By the name of Belief \/ Over the wide, wide Sea \/ The Moon on my left \/ The Stars on my right \/ Were there to guide only me. \/ Alone and free \/<br \/>It felt good to be Me \/ On the Ship of my Life&#8212;BELIEF!&#8221;<\/em><\/center><\/p>\n<p><center><em>Illustrations from <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780374350833\">The Mouse of Amherst<\/a><\/strong><em> by <strong><a href=\"http:\/\/www.poetryfoundation.org\/bio\/elizabeth-spires\">Elizabeth Spires<\/a><\/strong>,<br \/>Frances Foster Books, FSG, 1999<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/mouseofcover.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin&#8217; grounds?<\/font><\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: I live in Newton, MA, a suburb of Boston, in an old house that I love. There&#8217;s a lake nearby to swim in and a park to walk in and good neighbors. I have no car, and&#8212;living here&#8212;I can do everything by bicycle, trolley, or on foot.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font>  <\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: I illustrated my first book in 1970, right after graduating from college. My father, who was Italian and an artist, was asked by <strong><a href=\"http:\/\/www.nytimes.com\/1998\/08\/31\/arts\/fabio-coen-80-edited-acclaimed-children-s-books.html\">Fabio Coen<\/a><\/strong>, a fellow Italian and then head of Pantheon Books at Random House, if he would illustrate a children&#8217;s book of Italian fables called <em><strong><a href=\"http:\/\/www.amazon.com\/Disobedient-Eels-other-Italian-Tales\/dp\/039482024X\">The Disobedient Eels<\/a><\/strong><\/em>. My father said he did not illustrate but that he had a daughter who could draw. In a nearby office on the same floor was a young editor named Frances Foster. After illustrating <em>The Disobedient Eels<\/em>, <img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/disobedienteels1.jpg\" style=\"float:right;\">I illustrated a book that Frances was publishing for Knopf, called <em><strong><a href=\"http:\/\/www.amazon.com\/Earth-Things-Ecology-Handbook-Kids\/dp\/0394826582\">Save the Earth<\/a><\/strong><\/em>. Fabio Coen then decided to publish <em><strong><a href=\"http:\/\/www.amazon.com\/Messy-Rabbit-Ruth-Nivola\/dp\/0394937643\">The Messy Rabbit<\/a><\/strong><\/em>, written by my mother, and I illustrated that one, too. <\/p>\n<p>I wanted to go on illustrating, but after my lucky start I found it hard to find work. In those days, one could drop in on art directors at all the big New York publishing houses and sit down with them, as they leafed through one&#8217;s portfolio. I hated carrying my portfolio around, as if I were wearing a tag that said &#8220;artist.&#8221; When enough art directors said they liked my work but had no stories for me, I eventually gave up and pursued other work. Years passed, a good fifteen of them. My son was 11 and my daughter 8 when chance put me back in touch with Frances Foster, by now a renowned and beloved children&#8217;s book editor. A friend called me and said he knew someone who had a book in process, but the illustrator had fallen through. Would I be interested? It was my great good fortune&#8212;one of those happy twists of fate&#8212;that the editor for the book was Frances. I have been working with Frances ever since on most of my projects; she is an old friend by now and I can think of absolutely no one better to work with.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you do school visits, can you tell me what they\u2019re like?<\/font> <\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: I have done only a few. I feel good in the company of children, but I don&#8217;t really like appearing in front of them as if I&#8217;m somehow special because I&#8217;ve written and illustrated books.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/EMMASPOEM_14-15-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/EMMASPOEM_14-15-small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;At that time in the 1880s people believed that a fine lady like Emma should not mingle with poor people. But Emma often visited the immigrants. She helped them learn English and get training for jobs. In time, she made friends with many of them.&#8221;<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/EMMASPOEM_20-21-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/EMMASPOEM_20-21-small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;And what if the statue were a real live woman? What might <\/em>she<em> think when she saw immigrants arriving hungry and in rags? What might she feel? And, Emma pondered, what would the statue say if she could actually speak?<br \/>Emma took up her pen and began to write.&#8221;<\/em><\/center><\/p>\n<p><center><em>Spreads from <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780547171845\">Emma&#8217;s Poem: The Voice of the Statue of Liberty<\/a><\/strong><em><br \/>by <strong><a href=\"http:\/\/www.lindaglaserauthor.com\/\">Linda Glaser<\/a><\/strong> (2010, Houghton Mifflin)<\/em><br \/>(Click to enlarge spreads.)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font> <\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: This spring I finished a book about my father&#8217;s hometown on the island of Sardinia, a place I visited many times in my childhood, loved with a passion, and continue to return to. The book doesn&#8217;t really have a story line; it&#8217;s a composite of those dizzying childhood visits. How to make American children experience what I felt then? That was the challenge. I tried with words and many painted images to recreate the excitement and emotion I felt as I ran through the streets with my cousins collecting the nectar of village life here and there. In the author&#8217;s note, I was able to step back and think about that village from the perspective of the passage of time. The book is called <em><strong><a href=\"http:\/\/www.amazon.com\/Orani-Fathers-Village-Claire-Nivola\/dp\/0374356572\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1301197662&#038;sr=8-1\">Orani: My Father&#8217;s Village<\/a><\/strong><\/em> (another Frances Foster book, due out this Spring).<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/ORANI_1_72.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/ORANI_1_72-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/ORANI_2_72.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/ORANI_2_72-small.jpg\" border=1><\/a><br \/>\n<center><em>(Click each spread to enlarge and see in detail.)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/oranicover.JPG\" border=1><\/p>\n<p>Right now, I&#8217;m working on a non-fiction book about the oceanographer, deep sea diver, and passionate environmentalist, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Sylvia_Earle\">Sylvia Earle<\/a><\/strong>. In it, I tell a bit about her childhood and her underwater adventures, and in the author&#8217;s note I drive home the message she has devoted her career to: the vital importance of the ocean to our survival. When Sylvia Earle speaks publicly about the ocean, she first enchants us with descriptions of all she has seen and then tells us of the abuses we are subjecting that magical world to. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" alt=\"Mmm. Coffee.\" title=\"Mmm. Coffee.\"><font color=\"000066\">Okay, coffee&#8217;s brewed, and let&#8217;s continue with <em>six<\/em> questions over breakfast (despite this post&#8217;s title&#8230;it&#8217;s fibbing, I tell you):<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: I always begin with the idea and the written word. If I illustrate someone else&#8217;s story, there is a manuscript, the written word. If the book is mine, there is the idea. I suppose the idea could be visual, beginning with images and the writing coming after, but in my case, I always begin with the writing. I work on that as if I weren&#8217;t even an illustrator. <\/p>\n<p>Then I hand myself the manuscript and think about it as an illustrator, breaking it down into page spreads. (I wrote one story that I realized only later wouldn&#8217;t work &#8212; not enough would happen in the illustrations to make it interesting visually!) After I&#8217;ve plotted out the book as a whole, I make a &#8220;dummy&#8221; with pencil sketches. If the book has been approved for publication, the dummy will be detailed with all the correct measurements for the illustrations, since a book size, margins, etc. will all have been worked out with the publisher. Once the dummy is approved, I paint the final illustrations following the sketches quite closely.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/FridayNightsofNana6.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/FridayNightsofNana6-small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8216;Now tell about tonight,&#8217; I say. &#8216;The family is coming!<br \/>The family is coming for Sabbath and we have work to do!&#8217;&#8230;&#8221;<br \/>From <\/em><strong><a href=\"http:\/\/www.amazon.com\/Friday-Nights-Nana-Amy-Hest\/dp\/0763606588\">The Friday Nights of Nana<\/a><\/strong><em> by <strong><a href=\"http:\/\/www.amyhest.com\/\">Amy Hest<\/a><\/strong> (Candlewick Press, 2001)<\/em><br \/>(Click to enlarge spread and see in more detail.)<\/center><\/p>\n<p>The main point here is that I love every step of the process. Having an idea for a story is a wonderful thing, even if it gestates slowly and with difficulty over years. Sometimes it comes from something I&#8217;ve heard or read, sometimes from something more internal. I never try to think, &#8220;what would children want?&#8221; I start with something that means something to me and then I try to put it in a form that a child would understand. Writing out the idea, trying to say it simply and well, trying to get it as right as I can, is a challenging process that I love. <\/p>\n<p>Next comes taking the manuscript and seeing how to break it down into images. For some reason, this comes easily to me; I do it quickly and enjoy it. Images often come to me as if magically from the words, and I rarely have to struggle to think of a way to illustrate a page &#8212; though it has happened from time to time. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/FridayNightsofNana8.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/FridayNightsofNana8-small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;She checks for missing buttons on her Sabbath dress, navy blue with a round white collar and white cuffs, too. Nana washes the good china and irons all the wrinkles<br \/>in her lace tablecloth. I fold napkins with lace borders.&#8221;<br \/>From <\/em><strong><a href=\"http:\/\/www.amazon.com\/Friday-Nights-Nana-Amy-Hest\/dp\/0763606588\">The Friday Nights of Nana<\/a><\/strong><em> by <strong><a href=\"http:\/\/www.amyhest.com\/\">Amy Hest<\/a><\/strong> (Candlewick Press, 2001)<\/em><br \/>(Click to enlarge spread.)<\/center><\/p>\n<p>Now on to the planning of the book. I am hopelessly opinionated about typefaces and the overall look of the book. Art departments have been indulgent in allowing me to choose the book&#8217;s proportions, etc. and giving me free reign in laying out the images on the page. All this, too, gives me great pleasure. The final sketches come next, often involving research for images (a whole chapter unto itself), and then the final paintings. The sketches take concentration, as does the writing, though in a different way, also pleasurable. Painting is the dessert. I work with my tiny brushes and listen to music or public radio as I work. The beautiful colored paints, watercolor and gouache, are before me, and I can choose. There are new decisions to make&#8212;the sketches give no indication of color&#8212;but these decisions are almost instinctive to me or like play. Nothing comes out quite as I thought it would. <\/p>\n<p>When I&#8217;m done, I lay all the illustrations out on the floor in order and can imagine the finished book for the first time. That is a thrill! And finally, as anyone who has done a book knows, there is the excitement, shared with the editor and the designer, of bringing everything together in a whole. From beginning to end, it is a wonderful and varied process. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Friday_Nights_of_Nana1.jpg\" border=1><\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><font size=4><strong>Claire<\/strong><\/font><\/strong>: I work in our &#8220;dining room,&#8221; right on the big table. I know this isn&#8217;t optimal, but I&#8217;ve never really wanted a studio. Having a &#8220;studio,&#8221; like calling oneself an &#8220;artist,&#8221; has always seemed a step too far for me. I write and illustrate books, and by now I&#8217;ve done so over enough years that I almost feel that&#8217;s what I do. But at the end of each project, there is the possibility I will never do one again, not have the inspiration for another story, or not be sent a manuscript by an editor. If I had a studio waiting and nothing to work on &#8212; what then? So, I&#8217;ve always worked in a provisory way, like a nomad just camping out for a while. Now that I am in my &#8217;60s, I&#8217;ve thought that maybe it&#8217;s time to outgrow this tentativeness. After all, my children are grown up and live away from home. There are rooms empty in the house and free for the taking. I&#8217;m considering\u2026. But then I can&#8217;t quite shake that sense that work, when it comes my way&#8212;that the birth of a book&#8212;is such an extraordinary thing, such a stroke of luck, that how can I presume it will go on forever! <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Silent1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Silent1-small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Lula McLean lived in Manassas, Virginia, on a plantation overlooking Bull Run Creek in a peaceful countryside dotted with cedars and pines.&#8221;<\/em><br \/>(Click to enlarge.)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Silent2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Silent2-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/Silent3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Silent3-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/Silent4.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Silent4-small.jpg\" border=1><\/a><br \/>\n<center><em>Spreads from <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780618442300\">The Silent Witness<\/a><\/strong><em> by <strong><a href=\"http:\/\/www.robinfriedman.com\/\">Robin Friedman<\/a><\/strong> (2005, Houghton Mifflin);<\/em><br \/>(Click each illustration to super-size.)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Silent Witness.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Silent Witness-small.jpg\" border=1><\/a><\/p>\n<p><font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/435px-Pinocchio-niv.jpg\" style=\"float:right;\" alt=\"Enrico Mazzanti's Pinocchio; image in the public domain\" title=\"Enrico Mazzanti's Pinocchio; image in the public domain\"><font size=4><strong>Claire<\/strong><\/font><\/strong>: I don&#8217;t know about influence, but I loved all the classics, which I either read myself or my mother read aloud to me, often (my favorite thing!) while I drew. <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Adventures_of_Pinocchio\">Pinocchio<\/a><\/strong><\/em> {Enrico Mazzanti&#8217;s Pinocchio pictured right; image in the public domain}, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Winnie-the-Pooh_(book)\">Winnie-the-Pooh<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Alice_in_wonderland\">Alice in Wonderland<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Wind_in_the_willows\">The Wind in the Willows<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Little_Fur_Family\">The Little Fur Family<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Bambi,_A_Life_in_the_Woods\">Bambi<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Treasure_island\">Treasure Island<\/a><\/strong><\/em> and <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Kidnapped_(novel)\">Kidnapped<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Stuart_Little\">Stuart Little<\/a><\/strong><\/em> and <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Charlotte%27s_Web\">Charlotte&#8217;s Web<\/a><\/strong><\/em>, The <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/King_Arthur\">King Arthur<\/a><\/strong> stories, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Gulliver%27s_travels\">Gulliver&#8217;s Travels<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Arabian_nights\">The Arabian Nights<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Secret_Garden\">The Secret Garden<\/a><\/strong><\/em> and <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/A_Little_Princess\">A Little Princess<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Doctor_Doolittle\">Doctor Doolittle<\/a><\/strong><\/em>, <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Mary_poppins\">Mary Poppins<\/a><\/strong><\/em>, etc. etc. &#8212; the whole canon. I remember poring over the illustrations in <em>A Little Princess<\/em> and those in <em>The Wind in the Willows<\/em>. I liked detail &#8212; I think most children do.<\/p>\n<p>Since growing up, and having spent some of my happiest hours reading to my own children, I have discovered many other marvels &#8212; among them, the delightful books of <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/William_Steig\">William Steig<\/a><\/strong>. <\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music  while you create books?<\/font><\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: I listen to music, to <strong><a href=\"http:\/\/www.teach12.com\/greatcourses.aspx?ai=16281\">The Teaching Company<\/a><\/strong> CDs, and to radio. (NPR&#8217;s <em><strong><a href=\"http:\/\/onpoint.wbur.org\/\">On Point<\/a><\/strong><\/em> is my favorite.) I find that the listening part of my brain does not interfere in any way with the part that directs my eye and my hand. In fact, I listen particularly well while painting. Of course, if I&#8217;m writing, or making decisions about a sketch, that&#8217;s another matter. I need my full concentration for that. But, if a sketch is all worked out and I&#8217;m painting the final version, even little decisions about which color to put where seem to get made easily while I listen to something else. In fact, if I&#8217;m nervous about starting a new illustration or painting a particularly tricky part of a picture, listening to an interview or music distracts me just enough to give me the boldness to dive in and take a chance!<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Flag2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Flag2-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/Flag3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Flag3-small.jpg\" border=1><\/a><br \/>\n<center><em>Spreads from <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780618267576\">The Flag Maker<\/a><\/strong><em> by <strong><a href=\"http:\/\/www.scbartoletti.com\/\">Susan Campbell Bartoletti<\/a><\/strong><br \/>(2004, Houghton Mifflin)<\/em><br \/>(Click to enlarge illustrations.)<\/center><\/p>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font><br \/>\n<font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Is there something you wish interviewers would ask you \u2014 but never do? Feel free to ask and respond here.<\/font> <\/p>\n<p><strong><font size=4>Claire<\/font><\/strong>: In answer to {both} 5 and 6: When people see your work or hear the facts of your life from the outside, they see accomplishment, certainty, a clear pattern of a life. What they don\u2019t know (though they may feel it about their own lives) is how the story line was not so clear, as it was lived. The pattern only appears in hindsight. Now as I listen to music and paint, I can say that this was just what I did as a child when my mother read me stories and I drew or when I worked in my father&#8217;s studio by his side, and that it all makes perfect sense. But what of all the detours, false starts, and other yearned-for directions? What of the twenty years totally absorbed in being a mother and never touching my brushes? What of all the ways in which we are not consistent, the impasses and changes that make the fact that our lives seem to be a solid, single story surprising &#8212; most of all, to ourselves.<\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All illustrations secured from respective publishers. All rights reserved. THE MOUSE OF AMHERST images are used with permission of Claire A. Nivola.<\/em><\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p>Today&#8217;s Nonfiction Monday round-up is at Diane Chen&#8217;s <strong><em><a href=\"http:\/\/blog.schoollibraryjournal.com\/practicallyparadise\/2011\/03\/28\/nonfiction-monday-is-the-best-day-of-the-week\/\">Practically Paradise<\/a><\/em><\/strong>, for those wanting to read up on more nonfiction titles. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>At this profile of author\/illustrator Claire A. Nivola (in celebration of this 2008 Candlewick title), she states, &#8220;Writing for children is a serious business.&#8221; Claire would know. Her first illustrated title was back in 1970, though she did take a break from it all for many years. &#8220;Being a mother absorbed my heart and intellect,&#8221; [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-2104","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2104"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2104\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2104"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}