{"id":2112,"date":"2011-04-07T00:01:22","date_gmt":"2011-04-07T06:01:22","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2112"},"modified":"2011-04-07T07:30:26","modified_gmt":"2011-04-07T13:30:26","slug":"seven-questions-over-breakfast-with-sonia-lynn-sadler","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2112","title":{"rendered":"Seven Questions Over Breakfast with Sonia Lynn Sadler"},"content":{"rendered":"<p><a href=\"http:\/\/blaine.org\/jules\/W_Cover.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/W_Cover-a.jpg\" border=1><\/a><br \/>\n<center><em>Cover art for <strong><a href=\"http:\/\/www.jencullertonjohnson.com\/yahoo_site_admin\/\">Jen Cullerton Johnson&#8217;s<\/a><\/strong><\/em> <strong><a href=\"http:\/\/www.indiebound.org\/book\/9781600603679\">Seeds of Change<\/a><\/strong><em> (Lee &#038; Low, 2010)<\/em><br \/>(Click to enlarge.)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Sonia Lynn Sadler-finaluse.jpg\" border=1>Won&#8217;t you join me in welcoming to 7-Imp this morning scratchboard illustrator <strong><a href=\"http:\/\/www.SoniaLynnSadlerArts.com\">Sonia Lynn Sadler<\/a><\/strong>? Sonia is the recipient of the 2011 Coretta Scott King\/John Steptoe New Talent (Illustrator) Award for her illustrations in <strong><a href=\"http:\/\/www.jencullertonjohnson.com\/yahoo_site_admin\/\">Jen Cullerton Johnson&#8217;s<\/a><\/strong> <strong><a href=\"http:\/\/www.indiebound.org\/book\/9781600603679\"><em>Seeds of Change<\/em><\/a><\/strong>, featured <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1976\">here<\/a><\/strong> at 7-Imp last August. <em>Kirkus<\/em>, in describing this book as &#8220;{v}ibrant and accomplished,&#8221; praised Sadler&#8217;s ability to so joyfully celebrate the community spirit that the book&#8217;s subject&#8212;2004 Nobel Peace Prize recipient <strong><a href=\"http:\/\/greenbeltmovement.org\/w.php?id=59\">Wangari Maathai<\/a><\/strong>, a Kenyan environmental and political activist&#8212;brought to those with whom she worked.   <\/p>\n<p>Sonia is visiting for breakfast this morning&#8212;<font size=4>&#8220;a home-made veggie omelet with gouda and a cup of hot tea with lemon&#8221;<\/font> is her meal-of-choice&#8212;-to tell me what she&#8217;s working on now and to share some art from <em>Seeds of Change<\/em>, as well as her previous titles. I&#8217;m pleased to have her here, and I hope you enjoy all the bright art she&#8217;s sharing today. She opts for tea, not coffee, but I dare say I don&#8217;t need coffee to wake me up, what with her beautiful images here this morning. Let&#8217;s get right to it (mostly &#8217;cause I really want to talk to her, but also &#8217;cause SHE IS BRINGING GOUDA), and I thank her for stopping by. <!--more--><\/p>\n<p><center><font size=4>* * * * * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: Illustrator. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Ma Dear's Cover.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Ma Dear's Cover-finaluse.jpg\"><\/a><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: <\/p>\n<ul>\n<li><strong><a href=\"http:\/\/gershator.com\/phillis\/phillis-goatgoestotown.html\"><em>The Goat Goes To Town<\/em><\/a><\/strong><\/li>\n<li><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780940975552\"><em>Ma Dear\u2019s Green House<\/em><\/a><\/strong><\/li>\n<li><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781600603679\"><em>Seeds of Change<\/em><\/a><\/strong><\/li>\n<\/ul>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium, or&#8211;\u2013if you use a variety&#8212;your preferred one?<\/font> <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: My medium for illustration is scratchboard painting.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/WC8-9.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/WC8-9-a.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Sometimes when her brother, Nderitu, returned from school, he and Wangari played among the arrowroot plants by the stream, where thousands of eggs hatched into tadpoles and tadpoles turned into frogs.&#8221;<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/WC28-29.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/WC28-29-a.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Kenya turned green again. Birds nested in new trees. Monkeys swung on branches. Rivers filled with clean water. Wild figs grew heavy in mugumo branches.&#8221;<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/WC36-37.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/WC36-37a.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Wangari began to travel, telling her story to teachers, presidents, farmers, ambassadors, and schoolchildren all over the world. She dug in the dirt, planted seedlings, and spoke about women&#8217;s rights. With everyone she met,<br \/>she shared the seeds of change.&#8221;<\/em><br \/><em>Three spreads from <strong><a href=\"http:\/\/www.jencullertonjohnson.com\/yahoo_site_admin\/\">Jen Cullerton Johnson&#8217;s<\/a><\/strong><\/em> <strong><a href=\"http:\/\/www.indiebound.org\/book\/9781600603679\">Seeds of Change<\/a><\/strong><em> (Lee &#038; Low, 2010)<\/em><br \/>(Click to enlarge all spreads)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: <em><strong><a href=\"http:\/\/gershator.com\/phillis\/phillis-goatgoestotown.html\">The Goat Goes to Town<\/a><\/strong><\/em> is an early reader book; it has a simple story with more pictures than words. <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780940975552\">Ma Dear\u2019s Green House<\/a><\/strong><\/em> and <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781600603679\">Seeds of Change<\/a><\/strong><\/em> are picture books, but the writing is more intense and descriptive. In <em>Seeds of Change<\/em>, written by <strong><a href=\"http:\/\/www.jencullertonjohnson.com\/yahoo_site_admin\/\">Jen Cullerton<\/a><\/strong>, the writing is very detailed, which lead to my sketches being detailed.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/MaDear1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/MaDear1-a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/MaDear2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/MaDear2-a.jpg\" border=1><\/a><br \/>\n<center><em>Illustrations from <strong><a href=\"http:\/\/www.deniselewispatrick.com\/\">Denise Lewis Patrick&#8217;s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780940975552\">Ma Dear&#8217;s Old Green House<\/a><\/strong><br \/><em>(Just Us Books, 2004)<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: I live in West New York, NJ, and have friends in Brooklyn and Bowie, Maryland. Usually, when something social is going on, it is not where I live. I guess I am used to traveling.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font>  <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>:  I was in an art show, and one of the children\u2019s book editors saw my work and then assigned a book for me to illustrate. Also, one editor in one company called another and told them about me.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Sew Down_edited-1-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Sew Down_edited-1a.jpg\" border=1><\/a><br \/>\n<center>&#8220;Sew Down <em>is a story about everyone pitching in together to sew and get ready for an event the next day. My friends, relatives, and I have been through this<br \/>more than once. Even the dog hangs in.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>:  <strong><a href=\"http:\/\/www.SoniaLynnSadlerArts.com\">www.SoniaLynnSadlerArts.com<\/a><\/strong><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you do school visits, tell me what they\u2019re like.<\/font> <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: I have only visited one school to date, but I will be doing others. The kids were very interested in the process of the medium that I use and how I use color. The one I visited had a really good art program, and the kids were regularly exposed to art.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Juneteenth At Oak Bluffsa.jpg\" border=1><br \/>\n<center>&#8220;Juneteenth at Oak Bluffs<em> is about a celebrating <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Juneteenth\">Juneteenth<\/a><\/strong> at a resort town in Martha&#8217;s Vineyard. This had traditionally been an area where people of color could go and spend time relaxing, just being themselves.&#8221;<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you teach illustration, by chance, tell me how that influences your work as an illustrator.<\/font> <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: I do not teach illustration, but what have influenced me as an illustrator are artists such as <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Henri_Matisse\">Matisse<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Romare_Bearden\">Romare Bearden<\/a><\/strong>, the art period of <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Art_nouveau\">Art Nouveau<\/a><\/strong>, and vintage Japanese woodcuts.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Steal Away into the Nighta.jpg\" border=1><br \/>\n<center>&#8220;Steal Away Into the Night<em> is a theme and series that I do in scratchboard, which tells the storiy of the Underground Railroad. I was influenced by the book<\/em><br \/><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780385491372\">Hidden in Plain View<\/a><\/strong><em>. The story goes that a quilt would be hung out as a<br \/>message for runaway slaves.&#8221;<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font> <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: I have decided to put some of my own works together into a picture book which tells a story. Also, I am currently writing a couple of my own children\u2019s books.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/teacup.jpg\" alt=\"Mmm. Tea.\" title=\"Mmm. Tea.\"><font color=\"000066\">Our table&#8217;s set now for our breakfast interview, and our tea has steeped. Let&#8217;s get a bit more detailed, and I thank Sonia again for stopping by for <em>six<\/em> questions over breakfast.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: First, I read a couple of times the script that was sent and visualize what has been written. Then I sketch the ideas &#8230; Just free thumbnail sketches.<\/p>\n<p>I did quite a bit of research for <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9781600603679\">Seeds of Change<\/a><\/em><\/strong>, which was about a living person (<strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Wangari_Maathai\">Wangari Maathai<\/a><\/strong>) as a child in Kenya. I looked up everything from hair, clothes, textile patterns, landscapes, cities, everything. I had not been to Kenya, so I wanted to get the best feel for the area and people that I could.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/3 Little Girls Pencil.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/3 Little Girls Pencil-a.jpg\" border=1><\/a><br \/>\n<center>&#8220;Three Little Girls <em>is an example of my pencil drawings that I do mainly for myself. Pencil drawing is the way I started out in my fine art training. These were little girls on the side of the road in Jamaica, having a snack after church.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/goatgoestotownjacketa.jpg\" style=\"float:right;\">There is a lot of back and forth with the editors, and they will have comments on book design or if a scene needs to be added or deleted, because there are so many pages to a book. Sometimes my ideas about the look are different from what the editors had in mind, and I need to illustrate further what I had in mind. There are a few deadlines, and the rough images must be scanned and reviewed a few times before I begin to paint. When I have all my layout approved, then I transfer all of the layouts to the scratchboard. I mix some colors beforehand to make them consistent throughout. Finally, after all that I paint all the layouts. The layouts are reviewed again before I put on the final touch, which is scratching out the lines. Sometimes I will go back and paint a color back in the line. I have to be careful, because the photography process will show any mistakes.<\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><font size=4><strong>Sonia<\/strong><\/font><\/strong>: My studio usually looks like a hurricane came through. I work on the first paint-stained desk my parents bought me, surrounded by paint, brushes, and pencils. On the floor near the desk are a light box and a box with more paint. On the other side of my desk is usually a pile of papers, which are inspiration and research. There are shelves with books and more large books on the floor that don\u2019t fit on the shelves. There is plenty of light coming from windows that line one wall. I do more than illustrate. I also am an artist and designer. I paint, make fine art prints, collages, and clothing. There is always an area for fabric, patterns, and yarns. The actual projects that are finally finished are neat and in order. I keep my paintings on the wall, so I am surrounded by art.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/GGTT1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/GGTT1a.jpg\" border=1><\/a><br \/>\n<center><em>Spread from <strong><a href=\"http:\/\/gershator.com\/phillis\/\">Phillis Gershator&#8217;s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/gershator.com\/phillis\/phillis-goatgoestotown.html\">The Goat Goes to Town<\/a><\/strong><em> (Bebop Books, 2004)<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><font size=4><strong>Sonia<\/strong><\/font><\/strong>: <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Cat_in_the_hat\">The Cat in the Hat<\/a><\/strong> books by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Dr._Seuss\">Dr. Seuss<\/a><\/strong>, the <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Babar_the_Elephant\">Babar<\/a><\/strong> series by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Jean_de_Brunhoff\">Jean de Brunhoff<\/a><\/strong>, and the <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Madeline\">Madeline<\/a><\/strong> books by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Ludwig_Bemelmans\">Ludwig Bemelmans<\/a><\/strong> are some that I remember as a child. My family was in the military, so we moved around a lot; these books always seemed to be around, though. The pictures interested me, of course, but the stories had an adventurous nature to them.<\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: If you could have three (living) illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pics of me 01small.JPG\" border=1><strong><font size=4>Sonia<\/font><\/strong>: I have not met <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1653\">Sean Qualls<\/a><\/strong> {pictured here}. I really like the way he composes his figures on a page.<\/p>\n<p>Another author and illustrator I admire is <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Holly_Hobbie\">Holly Hobbie<\/a><\/strong>. Her <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Toot_%26_Puddle#Toot_.26_Puddle_series\">Toot and Puddle<\/a><\/strong> books are wonderful. <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780316033831\">I&#8217;ll be Home for Christmas<\/a><\/strong><\/em> reminds me of the times I used to try to get home for the holidays. The story is simple and the illustrations are complex and expressive, more than filling in the areas where there are no words. <\/p>\n<p><strong><a href=\"http:\/\/www.ezra-jack-keats.org\/\">Ezra Jack Keats<\/a><\/strong>, although no longer physically here, has made a great impact on me and many other artists. His stories are also simple but have a great visual impact with his use of collage, gauche, and color. He is one of my all time favorites. <\/p>\n<p><strong><a href=\"http:\/\/www.bryancollier.com\/\">Bryan Collier<\/a><\/strong> to me is one of the masters of fine art in children&#8217;s books. I admire his style, and he has given me great advice as a children&#8217;s book illustrator. He is another artist that uses collage and watercolor and is very expressive in his work.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/GGTT-3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/GGTT-3a.jpg\" border=1><\/a><br \/>\n<center><em>Spread from <strong><a href=\"http:\/\/gershator.com\/phillis\/\">Phillis Gershator&#8217;s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/gershator.com\/phillis\/phillis-goatgoestotown.html\">The Goat Goes to Town<\/a><\/strong><em> (Bebop Books, 2004)<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: I have a little of this and that &#8212; techno with a beat, but to name some, <strong><a href=\"http:\/\/www.moby.com\/\">Moby<\/a><\/strong>, <strong><a href=\"http:\/\/www.hipsonmusic.com\/hip_son.htm\">Hip Son<\/a><\/strong>. I listen to these to get energy to exercise or clean. I really like to listen to a story or video while working. For some reason, music does not work for me, while I am painting.<\/p>\n<p><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: I tend to be quite and observant, which may appear to be standoffish. I have had to work on the shyness factor. I don\u2019t like being in huge crowds, except when showing my work. I do love a good conversation.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: &#8220;Great!!&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: There are two least favorite words that are expletive-deletives that begins with &#8220;f&#8221; and &#8220;n.&#8221; These words permeate conversations. I find them seriously uncreative and pointless.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: Kindness, genuine attention. I think artists thrive on attention. We speak through our work and like the feedback and discussion.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: Disrespect, rudeness, cruelty.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: I love the sound of drums. Someone who is playing live who knows what they are doing. Also the sound of children laughing when something cracks them up or they are being silly.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: Car sirens. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: I would like to design a line of dresses, clothing, and accessories that are based on real figures and lifestyles. I have had a career as a designer but would love to do it full-time again.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: Any profession that deals with poop or germs. Mortician is another one that I would have a problem doing, though someone has to do it well. I could not.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>Sonia<\/font><\/strong>: &#8220;Alright. People have put in a good word for you. You can come in.&#8221; <\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All artwork and images used with permission of <a href=\"http:\/\/www.SoniaLynnSadlerArts.com\"><strong>Sonia Lynn Sadler<\/strong><\/a>. All rights reserved.<\/em><\/p>\n<p><em>Photo of <strong><a href=\"http:\/\/www.seanqualls.com\/\">Sean Qualls<\/a><\/strong> taken from my <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1653\">2009 interview<\/a><\/strong>.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, \u00a9 2009 <a href=\"http:\/\/www.mattphelan.com\/\"><strong>Matt Phelan<\/strong><\/a>. Thanks to Matt, Alfred now lives permanently at 7-Imp and is always waiting to throw the Pivot Questionnaire at folks.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cover art for Jen Cullerton Johnson&#8217;s Seeds of Change (Lee &#038; Low, 2010)(Click to enlarge.) Won&#8217;t you join me in welcoming to 7-Imp this morning scratchboard illustrator Sonia Lynn Sadler? Sonia is the recipient of the 2011 Coretta Scott King\/John Steptoe New Talent (Illustrator) Award for her illustrations in Jen Cullerton Johnson&#8217;s Seeds of Change, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-2112","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2112"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2112\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2112"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}