{"id":2133,"date":"2011-05-10T00:01:44","date_gmt":"2011-05-10T06:01:44","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2133"},"modified":"2011-05-10T07:45:05","modified_gmt":"2011-05-10T13:45:05","slug":"seven-questions-over-breakfast-with-nikki-mcclure","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2133","title":{"rendered":"Seven Questions Over Breakfast with Nikki McClure"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/nikki-rely-frontnikki.jpg\" border=1><\/p>\n<p>I suppose it&#8217;s not often I&#8217;ve featured papercut artists here at 7-Imp, but I&#8217;m happy to have one such illustrator, <strong><a href=\"http:\/\/www.nikkimcclure.com\/\">Nikki McClure<\/a><\/strong>, visiting 7-Imp this morning. Nikki&#8212;a self-taught artist, who began her work in 1996&#8212;cuts illustrations away from a single piece of black construction paper with an X-Acto knife in a process that, to say the very least, is time-consuming and intricate. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/nikkimcclure.jpeg\" border=1>Nikki produces her own merchandise (posters, books, note cards, tee shirts, and yearly calendars), designs covers for records and books, and has contributed illustrations to <em><strong><a href=\"http:\/\/www.progressive.org\/\">The Progressive<\/a><\/strong><\/em> and <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Punk_Planet\">Punk Planet<\/a><\/strong><\/em>. <\/p>\n<p>But in the realm of children&#8217;s literature, Nikki has also brought us her delicate, beautiful papercut designs. In 2009, she illustrated <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Cynthia_Rylant\">Cynthia Rylant&#8217;s<\/a><\/strong> <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780810983212\/Cynthia-Rylant\/All-Day\">All in a Day<\/a><\/em><\/strong>, followed by her own two titles, 2010&#8217;s <em><strong><a href=\"http:\/\/www.amazon.com\/Mama-Summer-Yet-Nikki-McClure\/dp\/0810984687\">Mama, Is It Summer Yet?<\/a><\/strong><\/em> and this year&#8217;s <em><a href=\"http:\/\/www.indiebound.org\/book\/9780810997387\"><strong>To Market, To Market<\/strong><\/a><\/em>, just released this month (and all three published by Abrams). About Nikki&#8217;s illustrations for <em>All in a Day<\/em>, <em>School Library Journal<\/em> wrote, <em>&#8220;Astonishingly detailed, the artwork evokes the feel of classic 1940s and &#8217;50s picture books&#8230;. They successfully capture the magical childhood sense that a day can go on forever.&#8221;<\/em> <em>Kirkus<\/em> added, <em>&#8220;McClure&#8217;s bold cut-paper illustrations make such nebulous concepts as hope and renewal accessible to young readers. Her touching black-and-white tableaux, satisfying and solid with thick lines and sharp reliefs, offer simple scenes of rejuvenation.&#8221;<\/em> With bold lines and textures and complex, meticulous papercuts, McClure&#8217;s artwork delights. <!--more--><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0765nikki22.jpeg\" style=\"float:right;\">Nikki&#8217;s husband is going to treat us to pancakes while we chat this morning. &#8220;Every morning,&#8221; Nikki told me, &#8220;my husband {Jay T, pictured right} gets up early and makes <font size=4>blueberry pancakes<\/font>. Giant ones that fill the whole pan, with blueberries that we gathered by picking every day in August and September. Sometimes I break with tradition (he\u2019s been doing this for years and years and years) and make some kefir smoothie concoction. But today it will be pancakes again. They are so good, you really don\u2019t mind the same thing everyday. Someone in Japan once made a movie about it.&#8221;<\/p>\n<p>Well, I thank Nikki for visiting, and I thank Mr. Nikki for the breakfast treat. Without further ado, let&#8217;s chat a bit more with Ms. McClure about her work&#8230;<\/p>\n<p><center><font size=4>* * * * * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: Illustrator\/Author. The pictures usually come first and are the easiest part. I do look forward to the next book where I am just illustrator. It will be so relaxing! But first a wordless story is in the line-up. Does that make me just an illustrator for that one? Maybe it will be relaxing as well.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030553nikki2.jpg\" border=1><br \/>\n<center><em>Cover art for <\/em>To Market, To Market<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/tomarkettomarketcover2.JPG\" border=1><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0799nikki2.jpeg\" border=1><br \/>\n<center><em>Cover art for <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Cynthia_Rylant\">Cynthia Rylant&#8217;s<\/a><\/strong> <\/em>All in a Day<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/all in a day cover2.jpg\" border=1><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: <\/p>\n<ul>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780810997387\">To Market, To Market<\/a><\/em><\/strong>, Spring 2011 (Abrams)<\/li>\n<li><em><strong><a href=\"http:\/\/www.amazon.com\/Mama-Summer-Yet-Nikki-McClure\/dp\/0810984687\">Mama, Is It Summer Yet?<\/a><\/strong><\/em>, 2010 (Abrams)<\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780810983212\/Cynthia-Rylant\/All-Day\">All in a Day<\/a><\/em><\/strong> by Cynthia Rylant, 2009 (Abrams)<\/li>\n<li><strong><em><a href=\"http:\/\/www.sasquatchbooks.com\/cgi-bin\/WebObjects\/SBBooks.woa\/wa\/goToBook?productCode=5640\">Things to Make and Do<\/a><\/em><\/strong>, 2008 (Sasquatch)<\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780810993303\">Collect Raindrops<\/a><\/em><\/strong>, 2007 (Abrams)<\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9781570615078\">Awake to Nap<\/a><\/em><\/strong>, 2006 (Sasquatch)<\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9781570615085\">The First 1000 Days<\/a><\/em><\/strong>, 2006 (Sasquatch)<\/li>\n<li><em>In Between<\/em>, 2004<\/li>\n<li><strong><em><a href=\"http:\/\/www.buyolympia.com\/q\/Item=nikki_welcome\">Welcome<\/a><\/em><\/strong>, 2004<\/li>\n<li><em>This Yearning<\/em>, 2002<\/li>\n<li><em>C2C<\/em>, 2001<\/li>\n<li><em>Conmigo<\/em>, 2001<\/li>\n<li><em>Ten First Graders<\/em>, monotype, 2000<\/li>\n<li><em><strong><a href=\"http:\/\/www.buyolympia.com\/q\/Item=NIKKI_CHICKEN\">The Great Chicken Escape<\/a><\/strong><\/em>, 1998<\/li>\n<li><em>Solitude<\/em>, 1998<\/li>\n<li><em>Sent Out on the Tracks They Built<\/em>, text by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Sarah_Dougher\">Sarah Dougher<\/a><\/strong>, 1998<\/li>\n<li><em>How to Cook a Perfect Day<\/em>, 1997<\/li>\n<li><em>Apple<\/em>, 1996<\/li>\n<li><em>Wetlands<\/em>, 1991<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0779nikki2.jpeg\"><br \/>\n<center><em>Calendar sketches<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0780nikki2.jpeg\"><br \/>\n<center><em>Final image: &#8220;We are building a treehouse.&#8221;<\/em><\/center><\/p>\n<p><strong><a href=\"http:\/\/www.buyolympia.com\/q\/Artist=Nikki+McClure\">Calendars<\/a><\/strong> (I consider these temporal books)<\/p>\n<ul>\n<li>2011- <em>Endeavour<\/em><\/li>\n<li>2010 &#8211; <em>Revive<\/em><\/li>\n<li>2009 &#8211; <em>Wake Up!<\/em><\/li>\n<li>2008 &#8211; <em>Things to Make and Do: Volume 10<\/em><\/li>\n<li>2007 &#8211; <em>The Time is Now<\/em><\/li>\n<li>2006 &#8211; <em>The Next 1000 Years<\/em><\/li>\n<li>2005 &#8211; <em>Wishes &#038; Dreams<\/em><\/li>\n<li>2004 &#8211; <em>Onward! A Toolkit for Humanity<\/em><\/li>\n<li>2003 &#8211; <em>Work With Care<\/em><\/li>\n<li>2002 &#8211; <em>A Manual for Modern Living<\/em><\/li>\n<li>2001 &#8211; <em>How to be a Cat<\/em><\/li>\n<li>2000 &#8211; <em>Things to Make and Do for the Next 1000 Years<\/em><\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0776nikki2.jpeg\"><br \/>\n<center><em>Calendar image&#8230;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0777nikki2.jpeg\"><br \/>\n<center><em>&#8230;and its sketch.<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium, or&#8211;\u2013if you use a variety&#8212;your preferred one?<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: I cut my images from black paper \u2014 papercuts. Sometimes I add another color layer with paper, but it is hard to find good paper just the right color, so I add color sparingly with the aid of a computer. I say \u201cI,\u201d but I have a friend do that part. I like to draw and make things, not sit at a computer more than necessary (except to answer interview questions before breakfast. No pancakes yet. He is just waking up to make them for us now.) <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/P1030549.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030549nikki2.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030560ninkki2.jpg\" border=1><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/P1030564\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030564nikki2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Thank you, Colin and Genine, for this sweet and happy kale.&#8221;<br \/>&#8212; From<\/em> To Market, To Market.<br \/>(Click to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another?<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: I feel as though I have illustrated for all audiences. Baby to great-grandmother. <em><strong><a href=\"http:\/\/www.amazon.com\/Mama-Summer-Yet-Nikki-McClure\/dp\/0810984687\">Mama, Is It Summer Yet?<\/a><\/strong><\/em> was for the younger crowd, but also for mothers. You can put birds on shoulders in books for children. Magic can happen.<\/p>\n<p><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780810997387\">To Market, To Market<\/a><\/strong><\/em> was written for children, but it has a lot of information for curious adults, too. No birds on shoulders in there, though. I guess that makes it non-fiction.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/P1030544.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030544nikki2.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/P1030562.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030562nikki2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Michael is here. We have waited all summer for his fresh, sweet apples. Michael sets out small and crisp Akane apples. He picked them yesterday in his orchard.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/P1030548.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030548nikki2.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030561nikki2.jpg\" border=1><br \/>\n<em><center>Nikki: &#8220;I like the original &#8212; how he is part tree. But it seemed a bit creepy for a kid&#8217;s book. So, I lightened up the shadows some in the book art.&#8221;<\/center><\/em><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/P1030563.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030563nikki2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Thank you, Michael, for these crisp new apples.&#8221;<br \/>&#8212; From<\/em> To Market, To Market.<br \/>(Click to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: Olympia, Washington. I am a Puget Sound Lowlander. Within Olympia, I live at the top of a hill. Downtown is down the hill twelve blocks. I can be found at home most days, the Farmer\u2019s Market, the bakery, at the barber shop (getting my haircut and where I show my art), and at the beach just north of town. Oh, and in the blueberry patch when it is August and September.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030559nikki2.jpg\" border=1><br \/>\n<center><em>&#8220;Thank you, Benjamin; thank you, bees; thank you, flowers, for this sweet honey.&#8221;<br \/>&#8212; From<\/em> To Market, To Market.<br \/><em>(Nikki: &#8220;Honey! I got to wear a bee suit for this one.<br \/>The sound was amazing. No stings!&#8221;)<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font>  <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: I didn\u2019t wait for permission or the magic phone call. I just started making my own books &#8212; hand-coloring photocopies and binding with a ribbon. <em>Apple<\/em> was my first papercut story. It will be published (for real) by Abrams in the fall of  2012 (!!). After I made that book, I made a calendar which I also self-published. I hand-printed some books as well and kept making the calendar, which served as my spores, my calling card. Eventually the calendar landed on the desk and walls of an editor at Rizzoli (who moved to Abrams and took me with her) and a children\u2019s book agent. They both called me around the same week. The magic phone calls eventually happened. I made <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780810993303\">Collect Raindrops<\/a><\/strong><\/em>, and then my agent asked <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Cynthia_Rylant\">Cynthia Rylant<\/a><\/strong> to write something for me to illustrate, and <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780810983212\/Cynthia-Rylant\/All-Day\">All in the Day<\/a><\/strong><\/em> was made. Now I have four more books planned for Abrams. I am really happy with how it all happened. I couldn\u2019t have planned it. There was no map to follow.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030555nikki2.jpg\" border=1><br \/>\n<center><em>&#8220;The band plays one last song and the bell is rung. Market Day is done.&#8221;<br \/>&#8212; From<\/em> To Market, To Market.<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: <strong><a href=\"http:\/\/www.nikkimcclure.com\">www.nikkimcclure.com<\/a><\/strong>. It is pretty bare bones. It\u2019s the computer and all that sitting. I tweet a bit. (I have to hold back on the bird sightings. I like to tweet about what happened last week, more like a postcard delivered in the mail.) My calendar is my blog. It is my life and what I do, but with a time delay of up to a year-and-a-half.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0803nikki2.jpeg\" border=1><br \/>\n<center><em>Cover sketch ideas for Nikki&#8217;s <\/em>Mama, Is It Summer Yet?<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/IMG_0804.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0804nikki2.jpeg\" border=1><\/a><br \/>\n<center>(Click to enlarge slightly)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0791nikki2.jpeg\" border=1><br \/>\n<center><em>&#8220;Mama, is it summer yet?&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0793nikki2.jpeg\" border=1><br \/>\n<center><em>&#8220;I added some mushroom drawings and snowflakes. I loved cutting out the tape.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0792nikki2.jpeg\" border=1><br \/>\n<center><em>&#8220;Not yet, my little one. But the buds are swelling. Soon new leaves will unfold.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0807nikki2.jpeg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0806nikki2.jpeg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0805nikki2.jpeg\" border=1><br \/>\n<center><em>Early sketches from <\/em>Mama, Is It Summer Yet?<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you do school visits, tell me what they\u2019re like.<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: Yes, I do school visits. I usually dread them, but in the end totally enjoy them. Nothing like a school full of inspired children who think that you are a magician and a rock star to enliven the day. I wish I had artists visiting me when I was young. It would have made the path a little less uncertain. Dreaming of being an Artist could have been a real possibility instead of being akin to wishing I was a Princess. It also gives a sense of scale. When they started school in the last year, I started my book. Now another school year will be ending\u2026and the book is just coming out. And that is quick. I just got <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780618071869\">The Song of Robin Hood<\/a><\/strong><\/em>, illustrated by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Virginia_Lee_Burton\">Virginia Lee Burton<\/a><\/strong>. That took her three years just to make the pictures. What patience! I wonder what book took the longest to illustrate? Do you know?<\/p>\n<p><em>{Ed. Note: I do not! But now I&#8217;m curious.}<\/em><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0796nikki2.jpeg\" border=1><br \/>\n<center><em>Cover ideas for Cynthia Rylant&#8217;s <\/em>All in a Day<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0795nikki2.jpeg\"><br \/>\n<center><em>Sketches from <\/em>All in a Day<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0800nikki2.jpeg\" border=1><br \/>\n<center><em>Ideas for <\/em>All in a Day<em> that &#8220;didn&#8217;t make it&#8221;<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you teach illustration, by chance, tell me how that influences your work as an illustrator.<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: I teach very rarely. It is enough to be a mom right now for me. And that influences my work greatly. <\/p>\n<p>I taught last summer for three days. The class ended in tears (the good kind\u2026think transformative energy), and it was in the mountains. Class ended everyday at 4:00, so we could swim before dinner. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/nikkimcclureforinterview.jpg\" border=1><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780810997387\">To Market, To Market<\/a><\/strong><\/em> is out now. It is a book about my farmers&#8217; market and how the food I eat gets made. It is also about who makes the food. All the work, skill, patience, and tools that go into the making of my sustenance. <\/p>\n<p>I also have a journal for pregnancy, <em><strong><a href=\"http:\/\/www.amazon.com\/Embrace-Pregnancy-Journal-Nikki-McClure\/dp\/1570616817\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1304993764&#038;sr=8-1\">Embrace<\/a><\/strong><\/em>, coming out from Sasquatch Books, to follow up with the success of my baby journal, <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781570615085\">The First 1000 Days<\/a><\/strong><\/em>.<\/p>\n<p><a href=\"http:\/\/www.buyolympia.com\/q\/Item=nikki-poster-embrace\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/nikki-poster-embrace-lg-nikki.jpg\" border=1><\/a><br \/>\n<center><em>Poster print; Click on image for more information.<\/em><\/center><\/p>\n<p><em>Apple<\/em>, which features my first papercut ever, will be published in the fall of 2012. I am making a companion book as well. Hopefully, it will be wordless. Writing <em>To Market<\/em> just about did me in.<\/p>\n<p>I have two images done on my 2012 calendar, exploring interdependence. 1\/6th done! I am such an optimist.<\/p>\n<p>And I am illustrating <em>May the Stars Drip Down<\/em>, a lullaby song by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Cub_Country\">Cub Country<\/a><\/strong>. With tidepools and desert vales.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" alt=\"Mmm. Coffee.\" title=\"Mmm. Coffee.\"><font color=\"000066\">Pancakes are finally on, and our table&#8217;s set now for our breakfast interview. Let&#8217;s get a bit more detailed, and I thank Nikki again for stopping by.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: Process? I guess I should have one! <\/p>\n<p>I\u2019m just making this whole thing up as I go along. I mostly initiate my own stories, so it comes from a moment, a question, a need to explore an idea. Then the images start to arrive and lead me to the next page and the next. Then the words come into focus, and the pictures follow once again, becoming more refined and clear. I then show it to my editor and sometimes start running in a whole new path (usually excitedly, sometimes not). I make several pots of tea and eat chocolate to write text. My sketches get smaller and smaller as I work. The sketches for <em>Mama, Is It Summer Yet?<\/em> ended up being 1\u201dx2\u201d. These were approved! It was delightful, because I could still have spontaneous experiences happen in the final cutting out of the artwork. I like to be led by my muse, but this sometimes gets lost in the layers of the publisher\u2019s approval process. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/P1030545.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030545nikki2.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0757nikki2.jpeg\" border=1><br \/>\n<center><em>Nikki: &#8220;Sketch of blueberry turnover-making for<\/em> To Market, To Market.&#8221;<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0756nikki2.jpeg\" border=1><br \/>\n<center><em>Nikki: &#8220;Original art.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030558nikki2.jpg\" border=1><br \/>\n<center><em>Final art<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/P1030565.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030565nikki2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Thank you, Jessie and James, for this juicy, oozy blueberry turnover.&#8221;<\/em><br \/>(Click to enlarge)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0754nikki2.jpeg\" border=1><br \/>\n<center><em>Nikki: &#8220;Final sketch for <\/em>To Market, To Market<em>.<br \/>I trace this onto black paper and then start cutting.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0755nikki2.jpeg\" border=1><br \/>\n<center><em>Nikki: &#8220;Papercut with indigo paper &#8212; not quite fitted yet.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030556nikki2.jpg\" border=1><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/P1030566.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030566nikki2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;We need a napkin! Let&#8217;s go find Yukie. Yukie dyes fabrice with indigo,<br \/>using traditional Japanese methods&#8230;&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/IMG_0762.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0762nikki2.jpeg\" border=1><\/a><br \/>\n<center><em>Sketches for <\/em>To Market, To Market<br \/>(Click to enlarge slightly)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/IMG_0759.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0759nikki2.jpeg\" border=1><\/a><br \/>\n<center><em>Nikki: &#8220;More <\/em>To Market, To Market<em> sketches and goat teat.&#8221;<\/em><br \/>(Click to enlarge slightly)<\/center> <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0760nikki2.jpeg\" border=1><br \/>\n<center><em>&#8220;Thank you, Heather, Gary, Zach, Katelyn, and the mama and baby goats<br \/>for this fresh cheese.&#8221;<\/em><\/center><\/p>\n<p>Illustrating is another story. It is a bit intimidating to take an author\u2019s story and add a visual narrative to it &#8212; with no contact, no interaction at all between each other. Working with Cynthia Rylant for my first illustration assignment was daunting. Her words were so perfect, and then I had to scrawl my own story on top of them. I hoped she would be okay with that. But I comforted myself with the knowledge that she wrote it with my work in mind. So, I made my work. I looked out the window and started with my birch trees and my son climbing them and my chicken sitting outside my studio door keeping me company.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0775nikki2.jpeg\" border=1><br \/>\n<center><em>Nikki: &#8220;Notes to self.&#8221;<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/nikkistudio.jpeg\"><br \/>\n<center><em>Nikki&#8217;s studio in July<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/nikkistudio2.jpeg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0786nikki2.jpeg\"><br \/>\n<center><em>Nikki: &#8220;The dirt pile.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0748nikkia.jpeg\"><br \/>\n<center><em>Nikki: &#8220;My desk with cover of<\/em> To Market, To Market.&#8221;<\/center><\/p>\n<p><font size=4><strong>Nikki<\/strong><\/font><\/strong>: My studio is in my backyard. I walk about twenty feet, and there I am. It is big and red &#8212; the heart. My desk has windows to the north and west and a commanding view of the garden, digging pile, trees, bird visitors, and I can even see through my house (through windows, not super powers) to the front door. Helpful for UPS deliveries and guests bringing pies. The walls are thick, so it is very, very quiet. (I used to work downtown over a music company and next door to experimental noise artists.) It has a loft for guests or to read poetry to my son.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/nikkison.jpeg\"><br \/>\n<center><em>Nikki: &#8220;Trying to focus.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0753nikki2.jpeg\"><br \/>\n<center><em>Nikki: &#8220;Finn working behind me. He had a prolific mushroom phase.&#8221;<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><font size=4><strong>Nikki<\/strong><\/font><\/strong>: <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Blueberries_for_Sal\">Blueberries for Sal<\/a><\/strong><\/em>. <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Moominsummer_Madness\">Moominsummer Madness<\/a><\/strong><\/em>. (I only now understand the story! But the pictures are burned into my memory.) <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Secret_Garden\">The Secret Garden<\/a><\/strong><\/em> and <em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/A_Little_Princess\">A Little Princess<\/a><\/strong><\/em>. The first <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Boxcar_children\">Boxcar Children<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Maurice_sendak\">Maurice Sendak<\/a><\/strong>, and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Garth_Williams\">Garth Williams<\/a><\/strong> are others that come to mind. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0769nikki2.jpeg\"><\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: If you could have three (living) illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Tove_Jannson\">Tove Jannson<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Maurice_sendak\">Maurice Sendak<\/a><\/strong>, and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/D%27aulaires\">the D\u2019Aulaires<\/a><\/strong>. (I know that is four.) Tove and I take a walk along the beach afterwards and go swimming at sunset.<\/p>\n<p><em>{Below are some of Nikki&#8217;s sketches. Click each to enlarge. &#8220;I like drawing tiny!&#8221; she said.}<\/em><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/P1030546.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030546nikki2.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/P1030547.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030547nikki2.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/P1030550.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030550nikki2.jpg\" border=1><\/a><\/p>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Santigold\">Santogold<\/a><\/strong>, <strong><a href=\"http:\/\/www.bobmarley.com\/\">Bob Marley<\/a><\/strong>, <strong><a href=\"http:\/\/www.deadmeadow.com\/\">Dead Meadow<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/D%2B_(band)\">D+<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Karl_Blau\">Karl Blau<\/a><\/strong>, <strong><a href=\"http:\/\/www.myspace.com\/tenderforever\">Tender Forever<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Fela_Kuti\">Fela Kuti<\/a><\/strong>. I put on music for wild dance party breaks. But I mostly just listen to the birds.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/P1030552nikki2.jpg\" border=1><\/p>\n<p><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: All my cars have been at least twenty years old. I have a 1987 Volvo that feels new (to me!) &#8212; and, yes, it is a station wagon. Dark blue and in need of a wash.<\/p>\n<p><font color=\"000066\"><font size=5>7.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Is there something you wish interviewers would ask you &#8212; but never do? Feel free to ask and respond here.<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: <em>Can I come blueberry picking with you?<\/em><\/p>\n<p>Yes.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_0763nikki2.jpeg\"><br \/>\n<center><em>Nikki: &#8220;The floor when I am done or can&#8217;t think of anything to do.<br \/>There&#8217;s always sweeping!&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: &#8220;Catawampus.&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: &#8220;Stupid.&#8221; (Next up= &#8220;fat&#8221; and &#8220;shut up.&#8221; I never read them. I always switch words when reading aloud. Sorry, authors.)<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: Lying down on the spinning earth.   <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: Going to GiantOfficeSuperMax to get printer ink.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: &#8220;Onionsauce!&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: Wasps scraping wood to make paper for their nest.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: Dogs barking with no rhythm.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: Weaver.   <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: ER doctor. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>Nikki<\/font><\/strong>: &#8220;Welcome! Everyone is here, except that old man who yelled at you while you were using a payphone in Chicago.&#8221;<\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p>For more on Nikki&#8217;s artistic process, kick back and enjoy this:<\/p>\n<p><center><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/3627466?title=0&amp;byline=0&amp;portrait=0\" width=\"400\" height=\"304\" frameborder=\"0\"><\/iframe><\/center><\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All artwork and images (with the exception of the book covers) used with permission of <a href=\"http:\/\/www.nikkimcclure.com\/\"><strong>Nikki McClure<\/strong><\/a>. All rights reserved.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, \u00a9 2009 <a href=\"http:\/\/www.mattphelan.com\/\"><strong>Matt Phelan<\/strong><\/a>. Thanks to Matt, Alfred now lives permanently at 7-Imp and is always waiting to throw the Pivot Questionnaire at folks.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I suppose it&#8217;s not often I&#8217;ve featured papercut artists here at 7-Imp, but I&#8217;m happy to have one such illustrator, Nikki McClure, visiting 7-Imp this morning. Nikki&#8212;a self-taught artist, who began her work in 1996&#8212;cuts illustrations away from a single piece of black construction paper with an X-Acto knife in a process that, to say [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-2133","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2133"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2133\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2133"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}