{"id":2177,"date":"2011-07-26T00:01:40","date_gmt":"2011-07-26T06:01:40","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2177"},"modified":"2011-07-26T07:02:04","modified_gmt":"2011-07-26T13:02:04","slug":"some-very-possible-dreamy-doldrums-before-breakfast","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2177","title":{"rendered":"Some Very Possible Dreamy Doldrums Before Breakfast"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/ArcherTheSubmersible1.jpg\"><\/p>\n<p>I&#8217;m still trying to catch up from being out of town (not to mention getting ready to leave town again for a bit), so I&#8217;m happy today to hand this post over to fledgling New York City writer and illustrator <strong><a href=\"http:\/\/nicholasjgannon.com\/\">Nicholas Gannon<\/a><\/strong>, who formerly attended <strong><a href=\"http:\/\/www.newschool.edu\/parsons\/\">Parsons The New School for Design<\/a><\/strong> (where he learned that &#8220;coffee and cigarettes at 3:00 am make you feel pretty crappy&#8221;). Nicholas, it seems, is finding his footing in the field of illustration by experimenting with stories and art over at his site, <em><strong><a href=\"http:\/\/nicholasjgannon.com\/\">Dreams in Doldrums<\/a><\/strong><\/em>, and his monthly publication, <strong><em><a href=\"http:\/\/doldrumspress.com\/\">The Doldrums&#8217; Press<\/a><\/em><\/strong>. <strong><a href=\"http:\/\/doldrumspress.com\/editor.html\">Here<\/a><\/strong> he is at <em>The Doldrums&#8217; Press<\/em>, but you&#8217;ll note, if you read closely, that he doesn&#8217;t always look so startled and, quite possibly, panic-stricken. Perhaps he just needs some coffee? I can help. (It&#8217;s not quite 3AM as I type this, and I won&#8217;t give him any cigarettes. I can do my best, though I do find surprised and fearful people quite interesting, in point of fact. So. Either way, I think we&#8217;re set.)<\/p>\n<p>I&#8217;ve invited Nicholas to tell me a bit more about his art and writing. As you&#8217;ll see for yourselves, fans of Gorey and Dahl may very well enjoy Nicholas&#8217;s wry, macabre style, one that&#8217;s not afraid to embrace the doldrums with a dollop of camp, a little bit of poison and pathos, and some tragic twisty-turns. Or, as he puts it below, the &#8220;real world at a 45-degree angle.&#8221; (Oh, and Snicket fans would approve, too. I feel sure of this. And perhaps Lemony would come along and say something like, &#8220;if you don&#8217;t like this, you should be smushed by a falling truck from the sky.&#8221; Or something similar.)<\/p>\n<p>See? You&#8217;ll read more about him below, but for now, meet Archer B. Helmsley: <\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/26244138?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"225\" frameborder=\"0\"><\/iframe><\/p>\n<p>And now here&#8217;s Nicholas, in his own words, along with lots more art . . . I thank him for sharing today. <!--more--><\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><strong><font size=4>Nicholas<\/font><\/strong>: <em>The Doldrums\u2019 Press<\/em> is an online paper I created to help tell my stories that revolve around the world of Archer B. Helmsley, a young boy who dreams of great adventure but rarely makes it past the windowsill. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RecordPlayer1.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/ChartingtheCourse1.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/OuttheWindow1.jpg\"><\/p>\n<p>The way I like to work, which is in little ideas here and there, fits the newspaper well. I can put small, incomplete ideas out there for people that otherwise would just sit in a pile on my desk. While the paper tells a large story, it also allows for me to diverge and tell little ones along the way.   <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/DoldrumsPress_June.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/DoldrumsPress_June1.jpg\" border=1><\/a><br \/>\n<center><em>June 2011 issue of <\/em>The Doldrum Press<br \/>(Click to super-size)<\/center><\/p>\n<p>Ad\u00e9laide is a dancer, who lost a leg when a flock of birds chased a bakery truck into a lamp post, which collided with Ad\u00e9laide across the street. While Archer prefers to sit in his room dreaming, Ad\u00e9laide was out actively pursuing her dreams of being a great dancer. As it happens, Archer is somewhat responsible for Ad\u00e9laide\u2019s accident. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/AdelaideDance1.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/bench1.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RoyalPalaceTheater1.jpg\"><\/p>\n<p>I like to write down little ideas as they come. Many of them don\u2019t have a purpose in the beginning, aside from my desire to put them down. Afterwards, I stitch them into different stories I\u2019m working on. Creating a story linearly is difficult for me. The lack of clarity keeps me interested and I love the surprise when things come together in a way I didn\u2019t necessarily intend. <\/p>\n<p>It\u2019s similar for drawing. If I have an idea for an image, I don\u2019t worry about the context. I know it fits somewhere and I\u2019ll figure that out later. My sketches are more dear to me than finished images. I find it hard to recreate the energy of a spontaneous sketch with a completed image. I\u2019m working to find a way to merge the two that works for my world. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/ArcherTea1.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/stilts1.jpg\"><\/p>\n<p>My favorite ideas come from life. Where I grew up in the countryside of upstate New York, there was an Italian-style villa that an Italian man had built for his wife, because they were moving to America and he wanted her to have a little taste of home here. When the villa was completed and they were ready to move, she divorced him. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Divorce1.jpg\"><\/p>\n<p>There are so many beautiful vignettes that happen everyday in the real world, and I love to make them my own and put them into my work. <\/p>\n<p>The first book I ever loved was <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Roald_Dahl\">Roald Dahl\u2019s<\/a><\/strong> <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Matilda_(novel)\"><em>Matilda<\/em><\/a><\/strong>. I think I read it three times in a row, cover to cover. I liked that he addressed you as the reader and never spoke down to you. I loved his dark humor and all that good stuff. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/cover171836a.jpg\"><\/p>\n<p>I want my stories have that similar magical reality to them, sort of a real world at a 45-degree angle. It\u2019s point-of-view, really. We all see the world in different ways and some people, like Archer, see it a bit more magically than others. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Giraffe1.jpg\"><\/p>\n<p>My work is done basically with lots of pencils. I was never very good with a paintbrush. I like that I can easily take them with me wherever I go and switch back and forth between writing and drawing. I suppose it\u2019s a question of what materials you feel at home with. <\/p>\n<p>I love pencils.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/aubreylittleton1.jpg\"><\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All images are copyright \u00a9 2011 by Nicholas Gannon and used with permissions.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m still trying to catch up from being out of town (not to mention getting ready to leave town again for a bit), so I&#8217;m happy today to hand this post over to fledgling New York City writer and illustrator Nicholas Gannon, who formerly attended Parsons The New School for Design (where he learned that [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-2177","post","type-post","status-publish","format-standard","hentry","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2177"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2177\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2177"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}