{"id":2184,"date":"2011-08-11T00:01:44","date_gmt":"2011-08-11T06:01:44","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2184"},"modified":"2011-08-11T06:52:47","modified_gmt":"2011-08-11T12:52:47","slug":"seven-questions-over-breakfast-with-tim-egan","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2184","title":{"rendered":"Seven Questions Over Breakfast with Tim Egan"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/serious farma.jpg\"><\/p>\n<p>Nope, that&#8217;s not author\/illustrator <strong><a href=\"http:\/\/timegan.com\/\">Tim Egan<\/a><\/strong>, though I promise he&#8217;s pictured below in the interview. That&#8217;s Farmer Fred, one of my favorite picture book protagonists. He&#8217;s from Egan&#8217;s 2003 title, <em><a href=\"http:\/\/www.indiebound.org\/book\/9780618226948\"><strong>Serious Farm<\/strong><\/a><\/em>. Farmer Fred doesn&#8217;t smile much. &#8220;He wasn&#8217;t a sad fellow,&#8221; Egan writes, &#8220;just very serious.&#8221; He subscribes to the notion that there&#8217;s nothing funny about corn, not to mention there is no humor in tomatoes. (He kinda <em>does<\/em> have a point there, doesn&#8217;t he?) And, because he owns the farm, his farm animals are all extremely serious, too. See what I mean?<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/serious farm page1fromsite.jpg\"><\/p>\n<p>Until, that is, one night when Edna, the cow, declares that &#8220;it&#8217;s okay to be serious, but not all the time. We need some laughter.&#8221; Thus begins the animals&#8217; secret plan to &#8220;make the farm more fun.&#8221; <!--more--><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/inside studio 3egan for intro.jpg\" border=1> <\/p>\n<p>I already covered last week at my <a href=\"http:\/\/www.kirkusreviews.com\/blog\/childrens\/seven-impossible-things-delightful-dodsworth\/\"><strong><em>Kirkus<\/em> column<\/strong><\/a> why I like Egan&#8217;s books so much. Today he visits for a 7-Imp cyber-breakfast to showcase some art and tell us a bit more about his work. But I will summarize here again: He&#8217;s quite droll\u2014in both his writing and cartoon illustrations\u2014and I happen to like a good Droll. So far, in the over ten picture book titles he&#8217;s brought readers, he&#8217;s treated us to an understated, low-key humor. \u201cOffbeat,\u201d as I wrote last week, is used often to describe his humor, and in the picture book world, offbeat is refreshing. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/dodsworth on scooter1.jpg\" style=\"float:right;\">I took the chance to invite Egan over for a cyber-breakfast, once I saw he had a new Dodsworth title out. Dodsworth, pictured here, is the star of Egan&#8217;s beginning reader series. He&#8217;s the same mouse who appeared in 2007\u2019s <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780618631544\">The Pink Refrigerator<\/a><\/em><\/strong>\u2014though in this series he is joined by a dry-witted duck\u2014which was launched in 2007 with <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780547248318\">Dodsworth in New York<\/a><\/em><\/strong>. Dodsworth is a committed traveler, taking us on journeys all over the globe. In each title, child readers are introduced to the landmarks famous to each city he visits, Dodsworth all the while serving as the duck\u2019s very funny straight man. As a <em>Kirkus<\/em> reviewer for the first title pointed out, these are <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/James_Marshall_(author)\">James Marshall<\/a><\/strong>-esque in style, more character-driven than plot-driven. And they&#8217;re funny, some of the best early readers you can hand a child learning to read on his or her own. In this <strong><a href=\"http:\/\/www.indiebound.org\/book\/9780547390062\">latest title<\/a><\/strong>, they zoom through the streets of Rome, the duck finds some white paint and attempts to add a duck to the Sistine Chapel, and they find themselves having to replace coins in Trevi Fountain. Needless to say, other fun adventures ensue. <\/p>\n<p>I like Tim&#8217;s answer to my breakfast-of-choice question: &#8220;Hmm. I love almost every kind of breakfast, but I suppose Eggs Benedict would top the list. I don\u2019t have it very often, usually only when we\u2019re traveling to pretty places, for some reason. Maybe that\u2019s why I love it so much, because it means we\u2019re on vacation, and I just love being on vacation. Aside from that, my wife, Ann, and I start our mornings with <font size=4>at least two hot mugs of coffee<\/font>. If we\u2019re not going anywhere, we have three or more cups. We actually call these &#8216;three-cup mornings.&#8217; I love coffee. And orange juice. And waffles, pancakes, bacon, sausage, bagels, muffins, omelettes and even an occasional piece of chocolate cake. And more coffee.&#8221;<\/p>\n<p>What a coincidence, because I love all those things, too, especially coffee. This is going to be a good meal. Good food, good company, Tim&#8217;s stories and art to make me laugh. I also hope that occasionally an occasional piece of chocolate cake with some occasional (or more than occasional) chocolate icing shows up as we chat. Anyway, yup, I definitely like to laugh along with his books, and so has every child with which I&#8217;ve ever shared them. I thank Tim for stopping by, and let&#8217;s get to it. <\/p>\n<p><center><font size=4>* * * * * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: Author\/Illustrator. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/metropolitan cow_book1.jpg\" border=1><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: <\/p>\n<ul>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780395680766\">Friday Night at Hodges\u2019 Caf\u00e9<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780395698235\">Chestnut Cove<\/a><\/em><\/strong><\/li>\n<li><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780613178273\"><em>Metropolitan Cow<\/em><\/a><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780395796184\">Burnt Toast on Davenport Street<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780395858080\">Distant Feathers<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780395910078\">The Blunder of the Rogues<\/a><\/em><\/strong><\/li>\n<li><strong><a href=\"http:\/\/www.amazon.com\/Experiments-Dr-Vermin-Tim-Egan\/dp\/0618132244\"><em>The Experiments of Doctor Vermin<\/em><\/a><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780618003938\">A Mile From Ellington Station<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780618226948\">Serious Farm<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780618337187\">Roasted Peanuts<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780618402373\">The Trial of Cardigan Jones<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780618631544\">The Pink Refrigerator<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780547248318\">Dodsworth in New York<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780547331928\">Dodsworth in Paris<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780547414409\">Dodsworth in London<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780547390062\">Dodsworth in Rome<\/a><\/em><\/strong><\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/books different languagesa.jpg\" border=1><br \/>\n<center><em>Tim&#8217;s books around the world<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium, or&#8211;\u2013if you use a variety&#8212;your preferred one?<\/font> <\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: Ink and watercolor and sometimes just plain watercolor.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pink refrigerator0a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pink refrigerator_1a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pink refrigerator_2a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pink refrigerator_3a.jpg\"><br \/>\n<center><em>Spreads from <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780618631544\">The Pink Refrigerator<\/a><\/strong> <em>(Houghton Mifflin, 2007)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pinkrefrigeratorcover.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pink refrigerator different languagesa.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another? <\/font> <\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: My drawings usually consist of nicely-dressed animals (Armani seems to be the preferred formal wear), so I\u2019m not sure if one age group stands out more than another. When I write, the picture books allow a bit more freedom in terms of sentence structure and vocabulary, and the early readers are broken into short chapters, but the animals are still fairly well-groomed and the illustrations are done the same.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/serious farm dummy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/serious farm dummya.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/serious farm_1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/serious farm_1a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/serious farm_2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/serious farm_2a.jpg\" border=1><\/a><br \/>\n<center><em>Dummy and spreads from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780618226948\">Serious Farm<\/a><em><\/strong> (Houghton Mifflin, 2003)<\/em><br \/>(Click each image to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/serious farm.jpg\" border=1><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: We live in sunny California, in a quiet area of L.A., close to pretty canyons and the beautiful, sparkling Pacific Ocean. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/burnt toast on davenport st_1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/burnt toast on davenport st_1a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/burnt toast on devenport street_2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/burnt toast on devenport street_2a.jpg\" border=1><\/a><br \/>\n<center><em>Spreads from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780395796184\">Burnt Toast on Davenport Street<\/a><em><\/strong> (Houghton Mifflin, 1997)<\/em><br \/>(Click each spread to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/burnttoastcover.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font>  <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Friday Night at Hodges Cafe page-cutting.jpg\"><strong><font size=4>Tim<\/font><\/strong>: I graduated from <strong><a href=\"http:\/\/www.artcenter.edu\/accd\/index.jsp\">Art Center College of Design<\/a><\/strong> and did editorial, advertising and greeting card work for a few years. I then sent a few story ideas and illustrations to different publishers. The stories were actually rather serious and the drawings weren\u2019t very funny either, and I received an array of rejection letters. But I was always sketching odd little characters in my sketchbooks, and my wife, Ann, suggested I work with those guys more and just write about their funny little lives. <\/p>\n<p>I took that sage advice and sent a story, called <em>Root\u2019s Pond<\/em> to Margaret Raymo, an editor at Houghton Mifflin. She liked the story and called to see if I had any other ideas. I lied and said, \u201cOf course\u201d and then started writing in a panic that night. About two months later, I sent her a story called <em><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780395680766\">Friday Night at Hodges\u2019 Caf\u00e9<\/a><\/em><\/strong><\/em> {illustration pictured upper left}, and she called and said, \u201cWe love this. Let\u2019s do it.\u201d That was over fifteen years ago, and I still can\u2019t believe it. Since then, Margaret has been my editor on all my books with Houghton, and she\u2019s just amazing at knowing what works and what doesn\u2019t. What a special gift that is.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/friday night at hodges cafe sketch.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/friday night at hodges cafe sketcha.jpg\" border=1><\/a><br \/>\n<center><em>Sketch from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780395680766\">Friday Night at Hodges\u2019 Caf\u00e9<\/a><em><\/strong> (Houghton Mifflin, 1994)<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/fridaynighthodgescover.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: <strong><a href=\"http:\/\/www.timegan.com\">www.timegan.com<\/a><\/strong>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/roasted peanuts_1a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/roasted peanuts_2a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/roasted peanuts_3a.jpg\"><br \/>\n<center><em>Spreads from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780618337187\">Roasted Peanuts<\/a><em><\/strong> (Houghton Mifflin, 2006)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/roastedpeanutscover.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>:  If you do school visits, tell me what they\u2019re like.<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: They\u2019re one of my very favorite things to do. I love hearing what kids think and showing them how books are made. Mostly, I love drawing for them, because they sometimes applaud when I\u2019m finished. I do a slide presentation and talk all about the mistakes I make in both writing and illustrating, and they seem relieved to know that I make so many mistakes. It\u2019s also fun getting them all excited and worked up. Then, just as their screaming reaches a crescendo, I leave. Great fun!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/dr vermin_1a.jpg\"><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/dr vermin_2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/dr vermin_2a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/dr vermin_3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/dr vermin_3a.jpg\" border=1><\/a><br \/>\n<center><em>Spreads from <strong><a href=\"http:\/\/www.amazon.com\/Experiments-Dr-Vermin-Tim-Egan\/dp\/0618132244\"><\/em>The Experiments of Doctor Vermin<em><\/a><\/strong> (Houghton Mifflin, 2002)<\/em><br \/>(Click on last two to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/experiments of doctor vermin.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you teach illustration, by chance, tell me how that influences your work as an illustrator.<\/font> <\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: I do teach in the summers at <strong><a href=\"http:\/\/www.artcenter.edu\/accd\/index.jsp\">Art Center<\/a><\/strong>, my alma mater. It\u2019s invigorating and inspiring to see all the amazing talent out there. It can also be very intimidating when your students are so damn good. I just smile and tell them that they\u2019re brilliant and then go to my car and cry.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/dodsworth_paris_1a.jpg\"><br \/>\n<center><em>Illustration from<\/em> Dodsworth in Paris<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font> <\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: I\u2019m currently working on a series of early reader books about a little guy named Dodsworth and a crazy duck that\u2019s traveling the world with him. They\u2019re great fun to work on. I have a few different stories of where they\u2019re going next, but I\u2019m not 100% sure which one it will be. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/dodsworth books1.jpg\" border=1><\/p>\n<p>I\u2019m also working on some animation projects with our sons, Chris and Brian. Chris is a great writer and musician and also the voice of the main character, and Brian is a fantastic artist and animator and is doing amazing things that I can\u2019t do. They\u2019re helping me develop a short little cartoon series, along with the voice talents of Ann and some really close friends. It\u2019s always fun heading down new roads, and I love seeing the characters finally start to move and talk, as they\u2019ve been doing in my head for years.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/3 men in tuba.jpg\" border=1><br \/>\n<center><em>Three Men in a Tub<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/party at ben franklinsa.jpg\" border=1><br \/>\n<center><em>Party at Ben Franklin&#8217;s<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" title=\"Mmm. Coffee.\" alt=\"Mmm. Coffee.\"><font color=\"000066\">Coffee&#8217;s ready, and the table&#8217;s set now. Let&#8217;s get a bit more detailed, and I thank Tim again for visiting 7-Imp.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: My work always starts in my sketchbooks and almost always with a drawing of some sort. I start doodling little drawings and, if things are going well, I\u2019ll begin developing some sort of story. It\u2019s a very loose and organic process, and I never really start with any kind of concrete idea. I realized years ago that I need to begin in order to get anywhere. If I actually just sat and waited for some great idea to materialize, it wouldn\u2019t. For me, it\u2019s better to just start creating and see what happens.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/metropolitan cow_dummy 2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/metropolitan cow_dummy 2a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/metropolitan cow_dummy 3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/metropolitan cow_dummy 3a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/metropolitan cow_dummy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/metropolitan cow_dummya.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/metropolitan cow_1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/metropolitan cow_1a.jpg\" border=1><\/a><br \/>\n<center><em>Dummy and final illustration from <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780613178273\">Metropolitan Cow<\/a><\/strong> <em>(Houghton Mifflin, 1996)<\/em><br \/>(Click each to enlarge)<\/center><\/p>\n<p>Once an idea begins to develop, I\u2019ll do a very rough mapping out of how it might fit within the confines of a book, sometimes 32 pages, sometimes 48. From then on, it\u2019s pure frustration and sweat to try and make things work. If I actually get to the point of making a dummy (usually a few months and dozens of versions later), I\u2019ll hand it to my wife, Ann. I\u2019ll pace around nervously in the studio, waiting for her response. If she comes out and says, \u201cI like it,\u201d I know it\u2019s a failure and she\u2019s just being nice (because she is nice). But if she comes out and says, \u201cI love it!\u201d, I\u2019m on to something and I proceed from there. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/tim and ann egan1.jpg\" border=1><br \/>\n<center><em>Tim and Ann Egan<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/sketchbook insanity.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sketchbook insanitya.jpg\" border=1><\/a><br \/>\n<center><em>Tim: &#8220;Sketchbook insanity&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/sketchbook_1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sketchbook_1a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/sketchbook_2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sketchbook_2a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/sketchbook_3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sketchbook_3a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/sketchbook_4.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sketchbook_4a.jpg\" border=1><\/a><br \/>\n<center><em>From Tim&#8217;s sketchbooks; click each to enlarge<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><font size=4><strong>Tim<\/strong><\/font><\/strong>: My studio is about twenty steps from our back door. It\u2019s a quiet, great space and I love being in there. It\u2019s filled with old tin toys and other fun things we collect. We built a large bookcase that opens up like a secret door and behind it is a small workshop where four elves live. Okay, there are no elves, but the bookcase really does open into a little workshop.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/studio bookcase 2a.jpg\" border=1><br \/>\n<center><em>The super secret stealthy bookcase<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/inside studio.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/inside studioa.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/inside studio 3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/inside studio 3a.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/outside studioa.jpg\" border=1><br \/>\n<center><em>Tim outside his studio<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><font size=4><strong>Tim<\/strong><\/font><\/strong>: I\u2019ve been a huge fan of illustrators, painters, and designers of all kinds since I was a kid. Everything from old <em>TV Guide<\/em> covers by <strong><a href=\"http:\/\/www.americanartarchives.com\/davis,jack.htm\">Jack Davis<\/a><\/strong> to great painters like <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Winslow_Homer\">Winslow Homer<\/a><\/strong> and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Edward_Hopper\">Edward Hopper<\/a><\/strong>. And, in no particular order, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/N.C._Wyeth\">N.C. Wyeth<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Al_Hirschfeld\">Al Hirschfeld<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Seymour_Chwast\">Seymour Chwast<\/a><\/strong>, <strong><a href=\"http:\/\/miltonglaser.com\/\">Milton Glaser<\/a><\/strong>, <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2092\">Etienne Delessert<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Norman_Rockwell\">Norman Rockwell<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Rembrandt\">Rembrandt<\/a><\/strong> (I love putting Norman Rockwell and Rembrandt in the same sentence just to get a reaction), <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Leonardo_da_Vinci\">Leonardo Da Vinci<\/a><\/strong> and the great <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Bernie_Fuchs\">Bernie Fuchs<\/a><\/strong>. And, of course, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Dr._Seuss\">Dr. Seuss<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Maurice_Sendak\">Maurice Sendak<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/William_Steig\">William Steig<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/James_Marshall_(author)\">James Marshall<\/a><\/strong> and three hundred and forty-seven other people. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/blunder of the rogues_1a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/blunder of the rogues_2a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/blunder of the rogues_3a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/blunder of the rogues_4a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/blunder of the rogues_5a.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/blunder of the rogues_6a.jpg\"><br \/>\n<center><em>Spreads from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780395910078\">The Blunder of the Rogues<\/a><em><\/strong> (Houghton Mifflin, 1999)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/blunderof.jpg\"><\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: If you could have three (living) illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Maurice_Sendak\">Maurice Sendak<\/a><\/strong>, <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2092\">Etienne Delessert<\/a><\/strong> and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Seymour_Chwast\">Seymour Chwast<\/a><\/strong>. I\u2019ll bring the wine.  <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/distant feathers_color studya.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/distant feathers_1a.jpg\"><br \/>\n<center><em>Color study and illustration from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780395858080\">Distant Feathers<\/a><em><\/strong> (Houghton Mifflin, 1998)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/distantfeatherscover.jpg\"><\/p>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: I do listen to music while I draw, but I write in silence, because my brain can\u2019t think and listen at the same time. My musical taste is all over the place, so a huge mix of <strong><a href=\"http:\/\/www.thebeatles.com\/\">The Beatles<\/a><\/strong>, <strong><a href=\"http:\/\/www.sinatra.com\/\">Sinatra<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Wolfgang_Amadeus_Mozart\">Mozart<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Miles_Davis\">Miles Davis<\/a><\/strong>, <strong><a href=\"http:\/\/jonimitchell.com\/\">Joni Mitchell<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Keith_Jarrett\">Keith Jarrett<\/a><\/strong>, <strong><a href=\"http:\/\/www.csny.com\/\">Crosby, Stills, Nash and Young<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Nina_Simone\">Nina Simone<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Louis_Armstrong\">Louis Armstrong<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Benny_Goodman\">Benny Goodman<\/a><\/strong>, <strong><a href=\"http:\/\/www.ellafitzgerald.com\/\">Ella Fitzgerald<\/a><\/strong>, <strong><a href=\"http:\/\/www.willienelson.com\/\">Willie Nelson<\/a><\/strong>. Too many to name, but they\u2019re all great.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/trial of cardigan jones.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/trial of cardigan jonesa.jpg\" border=1><\/a><br \/>\n<center><em>Illustration from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780618402373\">The Trial of Cardigan Jones<\/a><em><\/strong> (Houghton Mifflin, 2004)<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/trialofcover.jpg\"><\/p>\n<p><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: I\u2019m left-handed when I draw and write, but I throw with my right hand. And I can stand on my head.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/watercolor_romea.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/watercolor_venicea.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/watercolor_yosemitea.jpg\"><br \/>\n<center><em>Tim&#8217;s watercolors of Rome, Venice, and Yosemite<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: &#8220;Hilarious.&#8221; <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: &#8220;Depressing.&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: Love, trees, the ocean, the mountains, traveling, dogs, birds, food, laughter, good conversation, wine, chocolate, beef tacos, life. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: Mayonnaise. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: &#8220;Balderdash!&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: Waterfalls. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: Shattering glass. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: Monkey trainer. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: Shark trainer. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>Tim<\/font><\/strong>: &#8220;Hey, Tim. Sorry you fell off the roof, but there\u2019s a party with all of your old friends down the road. Just take this classic red 1957 convertible Thunderbird through the forest until you get to the little independent bookstore on the corner. There\u2019ll be plenty of free drinks, the best food you\u2019ve ever had and a spectacular view of Lake Tahoe. Friends and family that are still alive will be here in the blink of an eye and from here on out, it\u2019s all good times\u2026and you don\u2019t need sunscreen! Enjoy!&#8221;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/serious farm pagefromsite2.jpg\"><\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All artwork and images used with permission of <a href=\"http:\/\/www.timegan.com\"><strong>Tim Egan<\/strong><\/a>. All rights reserved.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, \u00a9 2009 <a href=\"http:\/\/www.mattphelan.com\/\"><strong>Matt Phelan<\/strong><\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nope, that&#8217;s not author\/illustrator Tim Egan, though I promise he&#8217;s pictured below in the interview. That&#8217;s Farmer Fred, one of my favorite picture book protagonists. He&#8217;s from Egan&#8217;s 2003 title, Serious Farm. Farmer Fred doesn&#8217;t smile much. &#8220;He wasn&#8217;t a sad fellow,&#8221; Egan writes, &#8220;just very serious.&#8221; He subscribes to the notion that there&#8217;s nothing [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-2184","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2184"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2184\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2184"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}