{"id":2338,"date":"2012-04-24T00:01:22","date_gmt":"2012-04-24T06:01:22","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2338"},"modified":"2012-04-24T10:28:38","modified_gmt":"2012-04-24T16:28:38","slug":"seven-questions-over-breakfast-with-john-hendrix","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2338","title":{"rendered":"Seven Questions Over Breakfast with John Hendrix"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/john hendrix.jpg\" style=\"float:right;\" alt=\"John Hendrix\" title=\"John Hendrix\">I&#8217;ve written about author\/illustrator <strong><a href=\"http:\/\/johnhendrix.com\/portfolio\/\">John Hendrix<\/a><\/strong> previously at 7-Imp. Today, though, he&#8217;s joining me at the breakfast table, his breakfast-of-choice being only &#8220;about five gallons of coffee.&#8221; (I can go for that. I&#8217;m sturdy with my coffee intake. I feel confident I can handle it.) <\/p>\n<p>And I believe I&#8217;ve previously used the word &#8220;galvanic&#8221; when describing his art. <\/p>\n<p>Well, it is. Have you seen his artwork? <\/p>\n<p>His sweeping spreads are indicative of an artist who started out in editorial illustration &#8212; with spreads, <em>Kirkus<\/em> once wrote, that &#8220;combine the iconic and the realistic to compress the visual storytelling into one heightened image.&#8221; Or &#8220;larger-than-life,&#8221; if you&#8217;re <em>School Library Journal<\/em>. And it&#8217;s true: John knows how to get your attention, as you can see below in the mixed-media illustrations featured today. There&#8217;s an edgy, sometimes darker side to his art, too, that makes you look twice. (And, I must mention, he often hand-draws his text, as you can see in some examples below.)<\/p>\n<p>Most recently, John has brought readers the illustrations for <strong><a href=\"http:\/\/www.deborahhopkinson.com\/\">Deborah Hopkinson&#8217;s<\/a><\/strong> <strong><em><a href=\"http:\/\/store.subbooks.com\/book\/9780375867323\">A Boy Called Dickens<\/a><\/em><\/strong>. That was published by Schwartz &#038; Wade in January, and back then I invited John over for a breakfast chat. I may just now be getting to it, but better late than never. He shares art and early sketches below from Hopkinson&#8217;s book, as well his other three previously illustrated titles and other art from here and from there. <\/p>\n<p>So, let&#8217;s get right to it, and I thank him for visiting. <!--more--> <\/p>\n<p><center><font size=4>* * * * * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Author\/Illustrator and Illustrator, depending on the book. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/HP_expetcoFINAL_72 copy 3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/HP_expetcoFINAL_72 copy 3small.jpg\" border=1><\/a><br \/>\n<center><em>John: &#8220;[This] Harry Potter image was commissioned for <strong><a href=\"http:\/\/www.gallerynucleus.com\/\">Gallery Nucleus<\/a><\/strong>.<br \/>They had a show celebrating <\/em>Harry Potter<em> when the final movie came out last summer. Everyone got to pick a scene\/theme from the books. I love <\/em>Harry Potter<em>,<br \/>so it was a great thrill to actually imagine some of the characters.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: <\/p>\n<ul>\n<li><strong><em><a href=\"http:\/\/store.subbooks.com\/book\/9780375837685\">Abe Lincoln Crosses a Creek<\/a><\/em><\/strong> by <strong><a href=\"http:\/\/www.deborahhopkinson.com\/\">Deborah Hopkinson<\/a><\/strong>, 2008<\/li>\n<li><strong><em><a href=\"http:\/\/store.subbooks.com\/book\/9780810937987\">John Brown: His Fight for Freedom<\/a><\/em><\/strong>, writer\/illustrator, 2009<\/li>\n<li><strong><em><a href=\"http:\/\/store.subbooks.com\/book\/9780810997356\">Nurse, Soldier, Spy: The Story of Sarah Edmonds, a Civil War Hero<\/a><\/em><\/strong> by <strong><a href=\"http:\/\/www.marissamoss.com\/\">Marissa Moss<\/a><\/strong>, 2011<\/li>\n<li><strong><em><a href=\"http:\/\/store.subbooks.com\/book\/9780375867323\">A Boy Called Dickens<\/a><\/em><\/strong> by <strong><a href=\"http:\/\/www.deborahhopkinson.com\/\">Deborah Hopkinson<\/a><\/strong>, 2012<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p24-25FINAL72 copy-left.jpg\"><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/CD_p24-25FINAL72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p24-25FINAL72 copy-right.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;Yes, prison. Here, huddled in a room, are his mother and father, sister Letitia, and little brothers Frederick and Alfred. &#8230; Young Dickens looks into the fire. He misses the old days, when they all lived together. He misses his books and school. If things go on like this, he will lose hope of growing up to be someone&#8212;maybe even a writer.&#8221;<\/em><\/br>(Click second image to see entire spread from which it comes)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/CD_p12-13FINAL72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p12-13FINAL72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;After a bit, a scruffy lad named Bob Fagin speaks up. &#8216;Will you tell me a story today, Dickens? I laughed so hard at your tale yesterday, my ribs still hurt.&#8217; &#8230;&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/CD_p16-17FINAL72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p16-17FINAL72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;We must wait a long time for the workday to be done&#8212;ten hours.<br \/>Finally, Dickens and the other boys spill out into the darkness.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/CD_p26_27Final72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p26_27Final72 copy-left.jpg\" border=1><\/a><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p26_27Final72 copy-right.jpg\"><br \/>\n<center><em>&#8220;Winter gives way to the pale light of spring. And one May morning, the Dickens family, bags and bundles in hand, walk away from prison at last. &#8230;&#8221;<\/em><\/br>(Click first image to see entire spread from which it comes)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/CD_p28_29FINAL72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p28_29FINAL72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The one day his father visits the factory. He sees Charles on his stool, working, fast, fast, fast&#8212;so fast that people outside stop and watch through the window.<br \/>At last Mr. Dickens opens his eyes. Most likely his own pride is hurt&#8212;<br \/>he is ashamed to see his son on display.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/CD_p34-35FINAL72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p34-35FINAL72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The boy called Dickens grew up to stride through the streets of London, a well-known and beloved figure. (Though even years later, he couldn&#8217;t bear to go near the spot where Warren&#8217;s blacking factory once stood.) &#8230;&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Finaljacket_72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Finaljacket_72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/FinalCOVER_72 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/FinalCOVER_72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>Above: Final spreads and cover from <strong><a href=\"http:\/\/www.deborahhopkinson.com\/\">Deborah Hopkinson&#8217;s<\/a><\/strong><strong> <\/em><a href=\"http:\/\/store.subbooks.com\/book\/9780375867323\">A Boy Called Dickens<\/a><em><\/strong><br \/>(Schwartz &#038; Wade, January 2012)<\/em><br \/>(Click to enlarge cover)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium, or\u2013\u2013if you use a variety\u2014your preferred one?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Pen and ink, graphite with washes of fluid acrylics, and colored pencil.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/DragonDetector_v2_72 copy 2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/DragonDetector_v2_72 copy 2small.jpg\" border=1><\/a><br \/>\n<center><em>Dragon Detector<\/em> (click to enlarge)<br \/>(See <strong><a href=\"http:\/\/johnhendrix.blogspot.com\/2011\/09\/digital-vs-handmade.html\">here<\/a><\/strong> John&#8217;s &#8220;Digital vs. Handmade&#8221; post regarding this image)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: I\u2019ve done illustration for picture books and for YA chapter books &#8212; and rarely change my approach. I think the mark of a good illustration is its clarity. And the nature of clarity requires a kind of universal communication. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/CIVILWAR2-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/SE_p8-9Final_72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;Sarah&#8217;s ears burned red with shame. When the men left for basic training, the whole town of Flint, Michigan, saw them off. It was like a parade. Sarah cheered with<br \/>\neveryone else, but she wanted desperately to be one of those going, not one of those staying behind and waving handkerchiefs in a teary good-bye.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/SE_p24-25Final copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/SE_p24-25Final copysmall.jpg\" border=1><\/a><br \/>\n<center>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/CIVILWAR4-big.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/10_book copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;The other soldiers laughed at her small boots and called her &#8216;OUR LITTLE WOMAN!&#8217; Frank laughed louder than the rest of them at the nickname. If only they knew!&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/SE_p26-27Final copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/SE_p26-27Final copysmall.jpg\" border=1><\/a><br \/>\n<center>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/CIVILWAR3-big.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/14-book copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;Frank waited until the sun set, and then she headed toward the pickets, hoping she could slip by a soldier if he nodded off or got distracted. The only thing to hide her was the darkness. She hadn&#8217;t gone far, though, when a voice stopped her.<br \/>&#8216;YOU, THERE!&#8217; a thick-set officer called.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/11_book copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/11_book copysmall.jpg\" border=1><\/a><br \/>\n<center>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/13-book copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/13-book copysmall.jpg\" border=1><\/a><br \/>\n<center><em>Above: Final spreads and cover from <strong><a href=\"http:\/\/www.marissamoss.com\/\">Marissa Moss&#8217;<\/a><\/strong> <strong><\/em><a href=\"http:\/\/store.subbooks.com\/book\/9780810997356\">Nurse, Soldier, Spy:<br \/>The Story of Sarah Edmonds, a Civil War Hero<\/a><em><\/strong><br \/>(Abrams, 2011)<\/em><br \/>(For another spread, see <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2146\">this June 2011<\/a><\/strong> 7-Imp post)<br \/>(Click cover to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font> <\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Saint Louis, Missourah. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font> <\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Got my start in editorial illustration, magazines and newspapers. Started writing my own books for children on the side while I lived in New York, and I\u2019m five years into working with literature for children. Will continue to focus on my picture books for the near future, though I continue to take on a variety of different projects. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/JB_morning_copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/JB_morning_copy2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;As a sign of respect, John always made sure to call {his free black neighbors}<br \/>by their proper names, and not by their first names or nicknames<br \/>like many white people would do.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/JB_urailroad_copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/JB_urailroad_copy2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;John would smuggle escaped slaves to the next stop using furniture wagons. He was a devout Christian, also like his father. He taught his family to love God<br \/>with all their hearts, and to love their neighbor just as much,<br \/>even if that neighbor was different from them.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/JB_kansas.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/JB_kansas2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;Determined to make Kansas a slave state at any cost, the Ruffians destroyed crops, burned entire settlements, and killed those who got in their way.&#8221;<br \/><\/em>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/JB_Tornado_copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/JB_Tornado_copy2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Like a great fuming tornado, John swept across the plains<br \/>to fight for Kansas. He fought many battles on those windy plains, but it was a dark night along Pottawatomie Creek that made him notorious.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/JB_tubman.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/JB_tubman2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;At dinner one evening, {Harriet Tubman} heard John&#8217;s long-planned dream of grand liberation. Her eyes gleamed, and she swore to fight by his side! From that time on,<br \/>he took to calling her . . . General Tubman!&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/JB_harpersferry_copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/JB_harpersferry_copy2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;John led the assault on the armory. Swiftly coming down the mountain to the riverside, he and his men cut telegraph wires, took the bridge,<br \/>and crossed the Potomac River into Harpers Ferry.&#8221;<\/em><br \/>(Click to enlarge.)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/JB_hayward.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/JB_hayward2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;But before the train left, something horrible happened. The baggage master came searching for the missing armory watchman and was shot dead by one of the raiders. The first man killed during the raid was a free black man, Shephard Hayward.&#8221;<\/em><br \/>(Click to enlarge.)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/JB_doubt.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/JB_doubt2.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The unfolding events shook John to the core. He became a hesitant leader. &#8230;&#8221;<\/em><br \/>(Click to enlarge.)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/johnbrowncover.JPG\" border=1><br \/>\n<center><em>Above: Final spreads and cover from Hendrix&#8217;s <strong><\/em><a href=\"http:\/\/store.subbooks.com\/book\/9780810937987\">John Brown: His Fight for Freedom<\/a><em><\/strong><br \/>(Abrams, 2009)<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>John<\/font><\/strong>: <strong><a href=\"http:\/\/www.johnhendrix.com\">www.johnhendrix.com<\/a><\/strong>; <strong><a href=\"http:\/\/www.johnhendrix.blogspot.com\">www.johnhendrix.blogspot.com<\/a><\/strong>. <\/p>\n<p>Twitter! I love Twitter! <strong><a href=\"http:\/\/twitter.com\/#!\/hendrixart\">@hendrixart<\/a><\/strong>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/barebonedplane.jpg\"><br \/>\n<center><em>John&#8217;s cover for <a href=\"http:\/\/www.pollyhorvath.com\/\"><strong>Polly Horvath&#8217;s<\/strong><\/a><br \/><a href=\"http:\/\/www.indiebound.org\/book\/9780374315535\"><strong><\/em>The Corps of the Bare-Boned Plane<em><\/strong><\/a> (Farrar, Straus &#038; Giroux, 2007)<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you do school visits, tell me what they\u2019re like.<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Going to schools is something I do two or three times a year, and I always enjoy it. I usually read from one of my books, talk about drawing pictures for a living, and then we always play some sort of drawing game at the end. The one the kids seem to love the most goes like this: I ask them to shout out two animals, and then I draw a mash-up animal of the two. Total laughter every time!<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/abe1big.JPG\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/abe11.JPG\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;Uh-oh. I&#8217;m afraid this isn&#8217;t much better. Look&#8212;Abe&#8217;s in trouble from the start. His stomach feels queasy. His head&#8217;s all awhir. He gets halfway. He&#8217;s stuck. &#8230;&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/abecrosses.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/abecrosses1.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;Wait. Where&#8217;s Austin? Now, John, <\/em>don&#8217;t<em> let him wander off to chase a partridge&#8212;<br \/>not at the most important moment of his life!&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alcover1.jpg\" border=1><br \/>\n<center><em>Final spreads and cover from <strong><a href=\"http:\/\/www.deborahhopkinson.com\/\">Deborah Hopkinson&#8217;s<\/a><\/strong> <strong><\/em><a href=\"http:\/\/store.subbooks.com\/book\/9780375837685\">Abe Lincoln Crosses a Creek<\/a><em><\/strong> <br \/>(Schwartz &#038; Wade, 2008)<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you teach illustration, by chance, tell me how that influences your work as an illustrator.<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Teaching is a very important part of my life as an artist. The very act of trying to quantify processes that may be, occasionally, entirely intuitive is instructive to both teacher and student. I love being a part of a student\u2019s journey, even in a small way. Introducing them to a new artist that they fall in love with or seeing their visual voice suddenly emerge is very satisfying. Plus, being around younger people is inspiring. They make time for play in ways that professionals might see as wasteful. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/canary_FINAL_72 copy 2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/canary_FINAL_72 copy 2small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge image)<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: YES, a few new projects are in the works. But none I can chat about just yet. SOON! <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/BADUNICORNS_cover_72a.jpg\"><br \/>\n<center><em>John&#8217;s book jacket for an upcoming trilogy of young adult fantasy books<br \/>(Simon &#038; Schuster); read <strong><a href=\"http:\/\/johnhendrix.blogspot.com\/2012\/04\/bad-unicorn.html\">here<\/a><\/strong> for John&#8217;s reaction to the assignment<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" title=\"Mmm. Coffee.\" alt=\"Mmm. Coffee.\"><font color=\"000066\">Okay, the first gallon of coffee is on the table, and it&#8217;s time to get a bit more detailed with <em>six<\/em> questions over breakfast. I thank John again for visiting 7-Imp.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><strong><font size=4>John<\/font><\/strong>: The first thing that happens with any books is a bunch of looking. I collect visual sources and references, looking for inspiration in color, mood, setting, and character design. It is tempting to rush through this phase of \u2018doing nothing,\u2019 but I\u2019ve found you have to spend significant time doodling and absorbing some visual material before you can start outputting drawings and sketches. My books begin as tiny thumbnails, where I make a draft of the entire book in miniature. <\/p>\n<p>My working process is completely iterative. It is built on trying everything, rather than waiting for the perfect embodiment of any one idea. <\/p>\n<p><em>{Ed. Note: Below are sketches and final spreads (without text) from <strong><a href=\"http:\/\/www.deborahhopkinson.com\/\">Deborah Hopkinson&#8217;s<\/a><\/strong><\/em> <strong><a href=\"http:\/\/store.subbooks.com\/book\/9780375867323\">A Boy Called Dickens<\/a><em><\/strong> (Schwartz &#038; Wade, January 2012).}<\/em><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_clothes1.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/DK_sketch1_v31.jpg\"><br \/>\n<center><em>&#8220;This is Old London, on a winter morning long ago. Come along, now.<br \/>We are here to search for a boy called Dickens. &#8230;&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/DK_sketch7_v31.jpg\"><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/CD_p18-19FINAL72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p18-19FINAL72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230;Then Dickens walks on, surrounded by pickpockets; ladies with shattered hopes; a miserly old man; a young gentleman with great expectations; a proud, heartless girl. There are lawyers, clerks, convicts, and keepers of old curiosity shops. There are even ghosts and spirits. And children like Dickens, trying to hold on to a dream.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/DK_sketch8_v31.jpg\"><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/CD_p20-21FINAL72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p20-21FINAL72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;All these characters and their stories swirl about the boy like the fog. They follow him to a dingy house, where he climbs a narrow staircase to a tiny attic room. Inside are his cot, a washbasin, and the shelf to hold half of his loaf of bread for morning. Dickens carefully lights a candle and reaches under the thin blanket for his most prized possessions&#8212;a pencil and slate. For the first time, he smiles.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/DK_sketch9_v31.jpg\"><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/CD_p22_23FINAL72 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/CD_p22_23FINAL72 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Soon his drab room disappears. All day long, the story of the runaway boy called David has filled his thoughts. Now he begins to search out David&#8217;s journey&#8212;as the runaway trudges day after day, stopping to sell his jacket for a few pennies to buy some bread, reaching his aunt&#8217;s house at last. Dickens stops writing<br \/>and closes his eyes, picturing the scene in his mind. &#8230;&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><font size=4><strong>John<\/strong><\/font><\/strong>: My studio just moved from my attic to a big finished space in my basement. I work at home, mainly because I work so late each night and it makes it easier to spend time with my kids when I can run up the stairs and be \u2018home\u2019. I have a large table for drawing and painting, a desk for my digital stuff, and a huge light table. Plus giant piles of books that are growing like stalagmites. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/mysonsart1.jpg\"><br \/>\n<center><em>&#8220;My son&#8217;s art&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Lutjens_11.27.11_72a.jpg\"><br \/>\n<center><em>John&#8217;s drawing (from his &#8220;church sketchbooks&#8221;), inspired by his son&#8217;s robot<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/starwars_Jack copy1.jpg\" border=1><br \/>\n<center><em><em>Star Wars<\/em>: &#8220;[A] drawing &#8230; my son did about six months ago&#8230;&#8221;<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book-lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><font size=4><strong>John<\/strong><\/font><\/strong>: My list of early influences are not unusual. They include the books of <strong><a href=\"http:\/\/www.davidmacaulay.com\/\">David Macaulay<\/a><\/strong> &#8212; <strong><em><a href=\"http:\/\/store.subbooks.com\/book\/9780395329207\">Castle<\/a><\/em><\/strong>, <strong><a href=\"http:\/\/store.subbooks.com\/book\/9780395316689\"><strong><em>Cathedral<\/em><\/strong><\/a><\/strong>, and <strong><em><a href=\"http:\/\/store.subbooks.com\/book\/9780395938478\">The Way Things Work<\/a><\/em><\/strong>. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/cathedral cover.jpg\"><\/p>\n<p>I really have a vivid memory of reading <strong><em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Hobbit\">The Hobbit<\/a><\/strong><\/em><\/strong> and can still picture the illustrations from that book. <\/p>\n<p>I played a lot of board games that encouraged storytelling and creating characters (read: <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Dungeons_%26_Dragons\"><em>Dungeon &#038; Dragons<\/em><\/a><\/strong>). <\/p>\n<p><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/C._S._Lewis\">C.S. Lewis\u2019s<\/a><\/strong> <strong><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Chronicles_of_Narnia\">Narnia<\/a><\/em><\/strong> books changed my life, and I still enjoy reading them. <\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: If you could have three authors or illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose? (If they&#8217;re deceased, I won&#8217;t tell.)<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2228\">Brian Selznick<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Bill_Watterson\">Bill Watterson<\/a><\/strong>, <strong><a href=\"http:\/\/www.jkrowling.com\/\">J.K Rowling<\/a><\/strong>. (She draws, so she counts.) \t<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/JH_ROGUE_72 copy 2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/JH_ROGUE_72 copy 2small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Do Rogue Waves Exist?&#8221;<br \/>From <strong><a href=\"http:\/\/www.also-online.com\/\">Julia Rothman&#8217;s, Jenny Volvovski&#8217;s, and Matt Lamothe&#8217;s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781452108223\">The Where, the Why, and the How: 75 Artists Illustrate Wondrous Mysteries of Science<\/a><\/strong><em> (Chronicle Books, 2012); See more info <strong><a href=\"http:\/\/johnhendrix.blogspot.com\/2011\/10\/here-is-sneak-peak-of-my-spread-in.html\">here<\/a><\/strong><\/em><br \/>(Click to enlarge)<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: How to even answer this one? Yes, I listen to a lot of music\u2026any selection of artists for this interview will becomes a weird exercise in desert-island list making, which is making me self-conscious. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/50s_FINAL_72jh.jpg\"><br \/>\n<center><em>(This image was selected to appear in <\/em>American Illustration 31<em>;<br \/>See more info <strong><a href=\"http:\/\/johnhendrix.blogspot.com\/2012\/04\/american-illustration-31.html\">here<\/a><\/strong> and <strong><a href=\"http:\/\/johnhendrix.blogspot.com\/2011\/10\/rolling-stone-trivia-issue.html\">here<\/a><\/strong>)<\/em><\/center><\/p>\n<p>But I also listen to a lot of audio books. Just finished the <strong><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Hunger_Games\">The Hunger Games<\/a><\/em><\/strong> on audio. My wife and I argue about whether or not you can say you\u2019ve \u2018read\u2019 a book when it has been \u2018read to you.\u2019 I say: It\u2019s totally fine. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/9_editorial copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/9_editorial copysmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/ECOTRUST_final3_72 copy 2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/ECOTRUST_final3_72 copy 2small.jpg\" border=1><\/a><br \/>\n<center><em>Editorial art<\/em><br \/>(Click each to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>John<\/font><\/strong>: I\u2019ve fenced (the sport with swords, not the kind with pickets) since I was 13. I\u2019ve competed in Nationals twice, the last time in 2007. I was bounced from that tournament by a 75-year old French gentleman, who was better at sword-fighting than he looked. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/FinalENGLAND_72 copy 3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/FinalENGLAND_72 copy 3small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Phonetically: &#8220;Sequoia&#8221; or &#8220;Ticonderoga.&#8221;<br \/>\nConceptually: &#8220;Agape.&#8221; <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: &#8220;Moist.&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>John<\/font><\/strong>: I like sitting in churches during the daytime &#8212; to enjoy the stained glass windows. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Left-over clear tape on glass and people who see everything through a political lens (of either party).   <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: I take the Fifth. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Coins jingling in a pocket.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Fingernail-clipping while riding the subway. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: DRUMMER IN A WEEZER COVER BAND!<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: Anything that would require me to get up before 7 a.m. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>John<\/font><\/strong>: &#8220;Well done, good and faithful servant.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/GONE_final_72 copy 2-use.jpg\"><\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All artwork and images used with permission of <a href=\"http:\/\/www.johnhendrix.com\"><strong>John Hendrix<\/strong><\/a>.<\/em> <\/p>\n<p><em>A BOY CALLED DICKENS. Copyright \u00a9 2012 by Deborah Hopkinson. Illustrations copyright \u00a9 2012 by John Hendrix. Published by Schwartz &#038; Wade, New York. Images reproduced by permission of the illustrator.<\/em><\/p>\n<p><em>NURSE, SOLDIER, SPY: THE STORY OF SARAH EDMONDS, A CIVIL WAR HERO. Copyright \u00a9 2011 by Marissa Moss. Illustrations copyright \u00a9 2011 by John Hendrix. Published by Abrams, New York. Images reproduced by permission of the illustrator.<\/em><\/p>\n<p><em>JOHN BROWN: HIS FIGHT FOR FREEDOM. \u00a9 2009 by John Hendrix. Published by Abrams Books for Young Readers, New York, New York. Images reproduced by permission of the author\/illustrator in <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1778\">this 2009 7-Imp post<\/a><\/strong> (and re-posted here). All rights reserved.<\/em><\/p>\n<p><em>ABE LINCOLN CROSSES A CREEK. \u00a9 2008 by Deborah Hopkinson, illustration \u00a9 2008 by John Hendrix. Images posted by permission of Random House (re-printed from <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1566\">this earlier post<\/a><\/strong>). All rights reserved.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, \u00a9 2009 <strong><a href=\"http:\/\/www.mattphelan.com\/\">Matt Phelan<\/a><\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve written about author\/illustrator John Hendrix previously at 7-Imp. Today, though, he&#8217;s joining me at the breakfast table, his breakfast-of-choice being only &#8220;about five gallons of coffee.&#8221; (I can go for that. I&#8217;m sturdy with my coffee intake. I feel confident I can handle it.) And I believe I&#8217;ve previously used the word &#8220;galvanic&#8221; when [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-2338","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2338"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2338\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2338"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}