{"id":2381,"date":"2012-07-06T00:01:12","date_gmt":"2012-07-06T06:01:12","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2381"},"modified":"2012-07-17T20:23:06","modified_gmt":"2012-07-18T02:23:06","slug":"what-i-did-at-kirkus-last-week-a-follow-up-part-two","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2381","title":{"rendered":"What I Did at <em>Kirkus<\/em> Last Week, a Follow-Up (Part Two)"},"content":{"rendered":"<p><a href=\"http:\/\/blaine.org\/jules\/thumbnail_paper.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/thumbnail_papera.jpg\" border=1><\/a><br \/>\n<center><em>Thumbnail<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/sketch_12-13.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sketch_12-13a.jpg\" border=1><\/a><br \/>\n<center><em>Sketch<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/p_unfinishedlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/p_unfinishedsmall.jpg\" border=1><\/a><br \/>\n<center><em>Unfinished illustration<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/final_art.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/final_arta.jpg\" border=1><\/a><br \/>\n<center><em>Final art (without text): &#8220;And Georgia painted!&#8221;<br \/>Yuyi: &#8220;The first color image shows the pieces I used to assemble the final art. These were all hand-cut, painted individually, scanned, and then composed, cleaned, and &#8216;repainted&#8217; digitally, until it all looked like the second color piece&#8230;.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p>Last Friday at <em>Kirkus<\/em>, I chatted with illustrator <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1829\">Yuyi Morales<\/a><\/strong> about her research for Amy Novesky\u2019s <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152054205\">Georgia in Hawaii: When Georgia O\u2019Keeffe Painted What She Pleased<\/a><\/strong><\/em>, published by Harcourt in March. Just a few weeks ago, the book was named a <strong><a href=\"http:\/\/www.hbook.com\/2012\/06\/news\/boston-globe-horn-book-awards\/2012-boston-globe-horn-book-awards-for-excellence-in-childrens-literature\/\">Boston Globe-Horn Book Nonfiction Honor Book<\/a><\/strong>. <\/p>\n<p><strong><a href=\"http:\/\/www.kirkusreviews.com\/blog\/childrens\/capturing-georgia-hawaii\/\">Here&#8217;s<\/a><\/strong> that Q &#038; A, and let me also note that Jama Rattigan had a wonderful chat with Novesky in <strong><a href=\"http:\/\/jamarattigan.com\/2012\/03\/12\/author-chat-amy-novesky-on-georgia-in-hawaii\/\">March of this year<\/a><\/strong>. <\/p>\n<p>Below are some spreads from the book, as well as some thumbnails and work-in-progress images. Also included is the final question I asked Yuyi for this Q &#038; A. I ran out of room over at <em>Kirkus<\/em>, but you can read it here. <\/p>\n<p>Enjoy. <!--more--><\/p>\n<p><center><strong><font size=3>* * *<\/font><\/strong><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What are you working on now?<\/font><\/p>\n<p><strong><font size=4>Yuyi<\/font><\/strong>: I just finished my book, <em>Ni\u00f1o Wrestles the World<\/em>, and I am tremendously happy with it. This is a book with Roaring Brook Press and Neal Porter, and I couldn&#8217;t be more delighted working again with this group of artists, thinkers, [and] creative people, who are embedding into my work the richest of their talents. <em>Ni\u00f1o<\/em> is a <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Lucha_libre\">lucha libre<\/a><\/strong> story, filled with some of my favorite (scary) Mexican characters, and it is also a tribute to games and to my two sisters, <strong><a href=\"http:\/\/magalymorales.com\/home.html\">Magaly<\/a><\/strong> and Elizabeth, who were the truest terrors of my childhood. <\/p>\n<p>And on my painting\/construction table right now is a book about <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Frida_Kahlo\">Frida Kahlo<\/a><\/strong>, the Mexican painter. This is not a biography of the artist, but rather, as Neal likes to refer to it, more of a meditation about Frida. Hopefully, the result will be as delightful as the creation, for this book is a combination of puppetry, photography, paintings, cut out paper, and digital art. <\/p>\n<p>And I am loving every minute of this work.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/t_cover.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/t_covera.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/s_cover.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/s_coveraa.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/gih_cover.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/gih_covera.jpg\" border=1><\/a><br \/>\n<center><em>Yuyi: &#8220;Here are the thumbnail, sketch, and final image for the cover that we ended up not using. In the end, Harcourt decided on something lighter and more dynamic.<br \/>This is the first time I got all the way to creating an image that, in the end, is not used.<br \/>A strange feeling.&#8221;<\/em><br \/>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<center><em><font size=2.5>Below is a series of thumbnails from the book, what Yuyi called her<br \/>&#8220;very simple drawings, trying to decide the scenes for each page.&#8221;<br \/>Click on each image to enlarge it:<\/font><\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/1t_fallida12-13.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/1t_fallida12-13small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/2t_papel_1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/2t_papel_1small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/3t_paper5.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/3t_paper5left.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/3t_paper5.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/3t_paper5right.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/4t_paper5b.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/4t_paper5bleft.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/4t_paper5b.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/4t_paper5bright.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/5t_paper6.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/5t_paper61.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/6t_paper7.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/6t_paper7a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/7t_paper8.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/7t_paper8a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/8t_paper10.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/8t_paper10a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/9t_paper11.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/9t_paper11a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/zt_paper12.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/zt_paper12a.jpg\" border=1><\/a><\/p>\n<p><BR>&nbsp;<BR><br \/>\n<center><em><font size=2.5>Below are some spreads (sans text) from the book.<br \/>Click on each to enlarge it:<\/font><\/em><\/center><br \/>\n<BR>&nbsp;<BR><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/gih_10-11.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/gih_10-11a.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Despite the pineapple trouble, Georgia started her tour. She flew to the island of Maui. There she stayed on an old sugar plantation at the edge of a rainforest and carried a paper umbrella when it rained. In a borrowed banana wagon, she drove the tightly winding mountain roads. Georgia went where she wanted, when she wanted.&#8221;<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/gih14-15.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/gih14-15a.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Georgia painted waterfalls and green pleated mountains, lava hardened into fantastic shapes, and delicate, feathered fishhooks that she collected like seashells.<br \/>And Georgia painted the blue, blue sea.&#8221;<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/gih_26-27.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/gih_26-27a.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;But then she thought about Hawaii and all that it had given her. She decided to give the company what they wanted. Thirty-six hours later, a Hawaiian pineapple arrived at Georgia&#8217;s penthouse in New York City&#8212;though Georgia didn&#8217;t need it. When she<br \/>closed her eyes, she could still see Hawaii and its sharp and beautiful fruit.&#8221;<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/gih_endpapers.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/gih_endpapersa.jpg\" border=1><\/a><br \/>\n<center><em>Endpapers<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/georgia in hawaii cover.JPG\"><\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All images\/sketches from GEORGIA IN HAWAII are copyright \u00a9 2012 by Yuyi Morales and used with her permission.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thumbnail(Click to enlarge) Sketch(Click to enlarge) Unfinished illustration(Click to enlarge) Final art (without text): &#8220;And Georgia painted!&#8221;Yuyi: &#8220;The first color image shows the pieces I used to assemble the final art. These were all hand-cut, painted individually, scanned, and then composed, cleaned, and &#8216;repainted&#8217; digitally, until it all looked like the second color piece&#8230;.&#8221;(Click to [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-2381","post","type-post","status-publish","format-standard","hentry","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2381"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2381\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2381"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}