{"id":2391,"date":"2012-07-25T10:05:01","date_gmt":"2012-07-25T16:05:01","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2391"},"modified":"2012-07-25T11:14:41","modified_gmt":"2012-07-25T17:14:41","slug":"seven-questions-over-breakfast-with-marisabina-russo","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2391","title":{"rendered":"Seven Questions Over Breakfast with Marisabina Russo"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Cookie_Age501.jpg\" alt=\"Photo credit: Gerard Malanga\" title=\"Photo credit: Gerard Malanga\">This morning I&#8217;m having breakfast with author\/illustrator <strong><a href=\"http:\/\/www.marisabinarusso.com\/\">Marisabina Russo<\/a><\/strong>. To be precise, we&#8217;re having a glass of orange juice, some whole wheat English muffins with honey, and some caf\u00e9 lattes. &#8220;My husband makes French toast on the weekends,&#8221; Marisabina told me. &#8220;In the summer, I buy granola at the local farmers market and fresh blueberries. That\u2019s really my favorite.&#8221; (Note to self: Though it all sounds good, next time interview her on a weekend for some of those pancakes. I&#8217;ll bring the syrup.) <\/p>\n<p>Marisabina grew up in Queens and knew from a young age that she loved art and wanted to make a career of it. At the very bottom of this post, she shares the comprehensive list of books she&#8217;s both written and illustrated in her career, including two YA novels. <\/p>\n<p><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780375866951\">I Will Come Back for You: A Family in Hiding During World War II<\/a><\/em><\/strong>, one of her latest picture books (released by Schwartz &#038; Wade), has been named a <strong><a href=\"http:\/\/bankstreet.edu\/center-childrens-literature\/childrens-book-committee\/best-books-year\/best-books-year-2012\/\">Bank Street Best Book for 2012<\/a><\/strong>, as well as a <strong><a href=\"http:\/\/www.jewishlibraries.org\/ajlweb\/awards\/stba\/STBA_AbouttheAward.htm\">Sydney Taylor Award Notable Book<\/a><\/strong>. The book, based on her mother&#8217;s own experiences, tells the story of a Jewish girl living in Rome with her family until Italy aligns itself with Nazi Germany, making life dangerous for Jews. <!--more--><\/p>\n<p>Russo works in gouache, bringing young readers bright, crisp, and expressive paintings. Her books are detailed yet never too busy, and the two bunny books you see featured below are both funny and emotionally-resonating &#8212; that is, for anyone who either feels or has felt like a misfit in the classroom or who simply doesn&#8217;t want to go to bed. (I fall into both categories, and I&#8217;m sure many others do.)<\/p>\n<p>Plus, Russo can communicate a whole flippin&#8217; lot through her bunnies&#8217; ears alone. It&#8217;s a delight to see. <\/p>\n<p>Let&#8217;s get right to the Q &#038; A so that we can all see more art. I thank Marisabina for visiting. <\/p>\n<p><center><font size=4>* * * * * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: Author\/Illustrator. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Me sitting at my drawing table2.jpeg\" border=1><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/always remember me cover.jpg\"><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: Well, I\u2019ve written and illustrated 25 books (23 picture books and two YA novels), plus illustrated eight books by other authors, including <strong><a href=\"http:\/\/www.kevinhenkes.com\/\">Kevin Henkes<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Nikki_Giovanni\">Nikki Giovanni<\/a><\/strong>, and <strong><a href=\"http:\/\/www.stephaniecalmenson.com\/\">Stephanie Calmenson<\/a><\/strong>. The books I\u2019ve written and illustrated include:<\/p>\n<ul>\n<li><strong><em><a href=\"http:\/\/www.stephaniecalmenson.com\/\">The Line Up Book<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780688170967\">The Big Brown Box<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780689869204\">Always Remember Me: How One Family Survived World War II<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780307981264\">The Bunnies Are Not in Their Beds<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780375844638\">A Very Big Bunny<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780375866951\">I Will Come Back for You: A Family in Hiding During World War II<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780802853844\">Peter is Just a Baby<\/a><\/em><\/strong><\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/thelineupbook1.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium, or\u2013\u2013if you use a variety\u2014your preferred one?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: Gouache on Arches cold pressed watercolor paper. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Peter - page 521.jpg\" border=1><br \/>\n<center><em>&#8220;That&#8217;s because my grandma has been teaching me French. She tries to teach Peter too, but he just says &#8216;baba&#8217; again. Then Grandma laughs and calls him her <\/em>petit chou<em>. <\/em>Petit chou<em> means &#8216;little cabbage&#8217; in French.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Peter - Quel dommage.jpeg\" border=1><br \/>\n<center><em>&#8220;Or missing my best friend&#8217;s birthday party because I&#8217;ve got the chicken pox. Then I cry and cry and say <\/em>&#8216;Quel dommage!&#8217;<em> which means &#8216;too bad&#8217; in French.<br \/>It&#8217;s much more dramatic than &#8216;too bad&#8217; and always gets attention.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/PeterIsJustABaby-LR1.jpeg\" border=1><br \/>\n<center><em>Spread and cover from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780802853844\">Peter is Just a Baby<\/a><em><\/strong> (Eerdmans, 2011);<br \/>The <\/em>New York Times<em> covered this one <strong><a href=\"http:\/\/www.nytimes.com\/2012\/01\/18\/books\/baby-brothers.html?_r=4\">here<\/a><\/strong> in January of this year,<br \/>and see also <strong><a href=\"http:\/\/eerdword.wordpress.com\/2012\/01\/20\/the-making-of-peter-is-just-a-baby-or-how-did-those-bears-end-up-on-my-drawing-table-by-marisabina-russo\/\">this post<\/a><\/strong> from Marisabina at Eerdman&#8217;s blog<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: My first books were picture books for younger children, and I developed a very flat, clean, graphic style, often called \u201cna\u00eff\u201d by reviewers. I think you can tell how much I love color. <\/p>\n<p>In college, I did a lot of silkscreening and acrylic painting. After a while, I found the flat quality of the screen prints sneaking into my paintings. Just before graduation, one of my professors gave me a box of gouache paints and told me to try them. I was soon hooked! <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/RUSS_The Bunnies Are Not In Their Beds_pg08.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSS_The Bunnies Are Not In Their Beds_pg08small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/RUSS_The Bunnies Are Not In Their Beds_pg26-27.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSS_The Bunnies Are Not In Their Beds_pg26-27small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSS_The Bunnies Are Not In Their Beds_Jacket1.jpg\" border=1><br \/>\n<center><em>Illustrations and cover from <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780307981264\">The Bunnies Are Not in Their Beds<\/a><\/strong><em><br \/>(Schwartz &#038; Wade, 2007)<\/em><\/center><\/p>\n<p>When I worked on <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780689869204\">Always Remember Me<\/a><\/em><\/strong>, which is a book about the Holocaust for older children, it was clear that I had to use a different technique. The story is told through old family photographs. Not wanting to literally recreate the photos, I experimented a lot. Gouache is a very versatile medium. I was able to water it down, use dryer brushes, etc. to create the look of old photos. But I didn\u2019t want replicas, so I decided to use one color in each sepia or black &#038; white photo painting. It made the pictures come to life for me. The hardest part was the two page spread of documents that the family needed to collect if they wanted to emigrate. I had been thinking we could use a collage of actual documents, but Anne Schwartz, my editor, said, &#8220;No, I want you to paint them.&#8221; <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/1pencil sketch girls with dollsa.jpeg\"><br \/>\n<center><em>&#8220;Early pencil sketch for one of the photograph illustrations, no faces.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/2abstract painting girls with dolls.jpeg\"><br \/>\n<center><em>&#8220;Before settling on the sepia with one-color approach,<br \/>I painted a lot of full-color pictures like this.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/3painting girls with dolls.jpeg\"><br \/>\n<center><em>&#8220;Finished art. This also appears on the jacket.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/4proof documents.jpeg\"><br \/>\n<center><em>&#8220;One half of the dreaded spread of documents that Anne asked me to paint.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/5proof war page 1.jpeg\"><br \/>\n<center><em>&#8220;For the war pictures, I limited the palette to shades of gray.&#8221;<\/em><\/center><\/p>\n<p>Working on that book was very rewarding but also emotionally draining. I was happy to do <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780307981264\">The Bunnies Are Not in Their Beds<\/a><\/em><\/strong> next [pictured above] with mischievous bunnies and lots of bright color. <\/p>\n<p>My most recent book for Anne is <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780375866951\">I Will Come Back for You<\/a><\/em><\/strong>, again dealing with my family\u2019s history during World War II. I spent some time in Italy to research the pictures and get a feeling for the light and color of the <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Marche\">Marche region<\/a><\/strong>. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/During my visit to the Marche region in Italy to research I WILL COME BACK FOR YOUa.jpeg\"><\/p>\n<p>I had never seen the places where my mother and brothers were in hiding during the war. Luckily, my mother wrote a lot of her life story before she died, so I had plenty of information to guide me from village to village. It was another very emotional journey for me.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Marisabina and Whitney Piazza del Popolo March 20101.jpeg\"><br \/>\n<center><em>Marisabina and her husband, Whitney, at the <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Piazza_del_Popolo\">Piazza del Popolo<\/a><\/strong> in March 2010<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font> <\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: I live in the Hudson Valley, about an hour north of New York City.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_pg07.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_pg07a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_pg10-11.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_pg10-11a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_pg28-29.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_pg28-29a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_pg35.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_pg35a.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_Jacket.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSS_I Will Come Back For You_Jacketa.jpg\" border=1><\/a><br \/>\n<center><em>Illustrations and jacket from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780375866951\">I Will Come Back for You:<br \/>A Family in Hiding During World War II<\/a><em><\/strong> (Schwartz &#038; Wade, 2011)<\/em><br \/>(Click each image to enlarge)<\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font> <\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: Early on, I pounded the Manhattan pavement with my portfolio, looking for freelance illustration work. I was very shy, so making phone calls to set up appointments with art directors was torture! But I did it. I got a lot of magazine work and then started selling spots and covers to <em>The New Yorker<\/em>. I did a lot of pen and ink spot drawings for them in the &#8217;70s and &#8217;80s:<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sc000ec1931.jpeg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sc000e0f11a.jpeg\"><\/p>\n<p>I illustrated three cookbooks, including <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Marcella_Hazan\">Marcella Hazan\u2019s<\/a><\/strong> second one.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Hazan cookbook1.jpeg\"><br \/>\n<center><em>&#8220;Jacket (under the dust jacket) for Marcella Hazan&#8217;s <\/em><strong><a href=\"http:\/\/www.amazon.com\/Classic-Italian-Cooking-Marcella-Hazan\/dp\/0394498550\">More Classic Italian Cooking<\/a><\/strong><em> (my first book-illustrating job after a lot of magazine work)&#8230;&#8221;<\/em><\/center><\/p>\n<p>Things were going pretty well, but I had always dreamed of doing picture books. After I had my third child, I took a break from freelancing, but then fate intervened. A new friend, <strong><a href=\"http:\/\/www.tinkelmanstudio.com\/\">Murray Tinkelman<\/a><\/strong>, saw my art and insisted I meet Susan Hirschman at Greenwillow Books. She looked at my portfolio and encouraged me to write my own story. She even gave me a couple of blank dummies to take home. I wrote <strong><em><a href=\"http:\/\/www.stephaniecalmenson.com\/\">The Line Up Book<\/a><\/em><\/strong>, my first published picture book, and then went on to make many more books for Greenwillow. It was a wonderful environment for a new author, very much like family. Susan is retired now, but we are still close.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: My website is <strong><a href=\"http:\/\/www.marisabinarusso.com\">www.marisabinarusso.com<\/a><\/strong>.<\/p>\n<p>I\u2019ve also got a Facebook page: <strong><a href=\"http:\/\/www.facebook.com\/marisabinarusso\">www.facebook.com\/marisabinarusso<\/a><\/strong>. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/HeaderArt1.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you do school visits, tell me what they\u2019re like.<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: I don\u2019t do as many as I used to. My favorite grade is first. They really get my sense of humor. I tell them stories from my childhood, show them all the steps I use to create a book from idea, through writing, dummies, paintings, and then even talk a little about the printing process. (I was lucky enough to go to Hong Kong once with my art director at Greenwillow, Ava Weiss, and see one of my books roll off the presses.) I always end my presentations by drawing a large picture for the children using their suggestions. The classes get to keep the drawings and many teachers use them as jump off points for writing projects. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/WhatsNew_37_610615657a.jpg\"><\/p>\n<p>What I love is how the children keep getting closer and closer to me as the presentation goes on until they\u2019re almost sitting on my lap. <\/p>\n<p>I have also done workshops with older children on memoir-writing and illustrating. They\u2019ll interview someone in their family and go from there. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you teach illustration, can you tell me how that influences your work as an illustrator?<\/font> <\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: I don\u2019t teach, but a few months ago I talked to an illustration class at <strong><a href=\"http:\/\/www.pratt.edu\/\">Pratt<\/a><\/strong>, taught by <strong><a href=\"http:\/\/www.patcummings.com\/\">Pat Cummings<\/a><\/strong>. Really great to see what the students are up to. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/cropped reading always1.jpeg\" border=1><br \/>\n<center><em>Two photos above: Reading <\/em>Always Remember Me<em><br \/>to a class at The Bank Street Bookstore<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: I have a few new stories in the works. I\u2019ve also embarked on a graphic novel for adults. It is a long way from being finished. I consider it my passion project. It has me in its grips and won\u2019t let go! An editor has given me some great feedback that I am using to shape the narrative. I love the challenge. Really forces me out of my comfort zone. That\u2019s always a good thing.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" title=\"Mmm. Coffee.\" alt=\"Mmm. Coffee.\"><font color=\"000066\">Okay, the lattes are on the table, and it&#8217;s time to get a bit more detailed with seven questions over breakfast. I thank Marisabina again for visiting 7-Imp.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: I almost always start with the story. I write and revise and re-write a picture book manuscript many times before I even think about the illustrations. There is only one book I ever wrote that I don&#8217;t remember re-writing at all \u2013 <strong><em><a href=\"http:\/\/www.amazon.com\/Waiting-Hannah-Marisabina-Russo\/dp\/0688080154\">Waiting for Hannah<\/a><\/em><\/strong>. I actually hid it under a pile of papers, thinking it wasn\u2019t really a picture book and then one day decided to send it to Susan. She immediately accepted it. And it went on to be a <em>Horn Book<\/em> Fanfare book.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Finished painting for jacket - I WILL COME BACK.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Finished painting for jacket - I WILL COME BACK1.jpeg\" border=1><\/a><br \/>\n<center><em>&#8220;Finished painting for the jacket of <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780375866951\">I Will Come Back For You<\/a><\/strong><em>.<br \/>It is the entire wrap-around cover, sans type.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p>There are exceptions to my &#8220;story first&#8221; rule, however. For example, <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780689869204\">Always Remember Me: How One Family Survived World War II<\/a><\/em><\/strong>: While I knew the story I wanted tell (it was a family story I grew up with) and I had the photos that inspired me, it still took almost two years to figure out how to pull it all together. I worked on both the words and pictures at the same time. It was so different from my previous books. (It possessed me the way the graphic novel does now.) <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/photo of Hirschl1.jpeg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/sketch of Hirsch1.jpeg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/painting of Hirsch1.jpeg\"><br \/>\n<center><em>&#8220;Photo of my great grandfather; pencil sketch; [final] painting&#8230;&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Sabina in baby carriage from ALWAYS1.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Anny, Emmy, &#038; Sabina1.jpeg\"><br \/>\n<center><em>Two other paintings from <\/em>Always Remember Me<em>:<br \/>First image: Sabina in baby carriage; Second: Anny, Emmy, and Sabina<\/em><\/center><\/p>\n<p>I was very lucky when Anne Schwartz saw my dummy and immediately understood and embraced the project. Another time I painted a very large bunny head for an <strong><a href=\"http:\/\/www.randomhouse.com\/kids\/ecorpse\/index.html\">&#8220;exquisite corpse&#8221;<\/a><\/strong> project for my editors at Schwartz &#038; Wade. (They grouped three illustrators together to create three figures.) Lee Wade loved my bunny head and bugged me for months to write a story about a big bunny. That turned into the aptly-titled <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780375844638\">A Very Big Bunny<\/a><\/em><\/strong>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Big Bunny jacket front1.jpeg\"><br \/>\n<center><em>Jacket sketch<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Big Bunny new sketch p.241.jpeg\"><br \/>\n<center><em>An interior sketch<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_1692mr.jpeg\"><br \/>\n<center><em>Unfinished art<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSSO__A Very Big Bunny_pg06a.jpg\"><br \/>\n<center><em>&#8220;Amelia was a bunny. A very big bunny.&#8221;<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/RUSSO__A Very Big Bunny_pg08.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSSO__A Very Big Bunny_pg08a.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;In school, Amelia was the biggest bunny in her class.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/RUSSO__A Very Big Bunny_pg13.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSSO__A Very Big Bunny_pg13a.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;After school, Amelia walked home by herself. Along the way she practiced ballet twirls. She sang, &#8216;I&#8217;m a Little Teapot.&#8217; She picked dandelions and made herself a crown. On her walk home, Amelia never felt big.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/WhatsNew_43_3215064464large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/WhatsNew_43_3215064464small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;One day, the door to the classroom opened, and in walked the principal, Mrs. Radish. &#8216;I would like you to welcome your new classmate, Susannah,&#8217; she said.<br \/>&#8216;What a pip-squeak,&#8217; whispered Lavinia. &#8216;What a peanut,&#8217; whispered Justine.<br \/>&#8216;What a shrimp,&#8217; whispered Daphne.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/RUSSO__A Very Big Bunny_pg31.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSSO__A Very Big Bunny_pg31a.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Susannah was waiting for Amelia by the schoolyard. The two bunnies finished getting ready for the class picture. Then they hurried into school.&#8221;<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/RUSSO__A Very Big Bunny_jacket1.jpg\" border=1><br \/>\n<center><em>Final jacket<\/em><\/center><\/p>\n<p>I do a lot of sketches and thumbnails before I actually make the dummy. As I move through the dummy, I start to see how the words and page turns will work. It\u2019s like a dance, and sometimes I find places to prune the text. Dummying is probably the most challenging part of making a book (for me) and takes great focus and concentration. No music, no telephone, no plaintive dog begging to go out, please!<\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><font size=4><strong>Marisabina<\/strong><\/font><\/strong>: I have a studio in my house with high ceilings and north light. It\u2019s not as big as I want, but it works. For years I let my sons use it for their bedroom, because I felt guilty that they were squeezed into a tiny bedroom. So, I got the little room where only my dog and I could fit! As the old joke goes, you had to step outside to change your mind. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Me with Hannah, Sam, Ben at Harvest1.jpeg\"><br \/>\n<center><em>&#8220;With my children, who inspired many of my early books.<br \/>(Their names will be recognizable to anyone who has read those books.<br \/>Left to right: Hannah, Me, Ben, and Sam.)&#8221;<\/em><\/center><\/p>\n<p>Soon as those boys were off to college, I reclaimed my studio. It is still crowded. I\u2019ve got too much art to fit in my flat files, too many books, a bunch of craft projects and, of course, another dog who likes to hang out with me.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Drawing table with lights1.jpeg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Desk corner of my studio1.jpeg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/One corner of my crowded but comfy studio1.jpeg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/IMG_1281mr.jpeg\"><br \/>\n<center><em>&#8220;The controlled chaos of my studio. Definitely need more bookshelves.&#8221;<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book-lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><font size=4><strong>Marisabina<\/strong><\/font><\/strong>: My mother was a single, working mother, who had a thick German accent that kind of embarrassed her. She never read aloud to me. But I clearly remember a number of books that had a profound effect on me. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Mom &#038; mea.jpg\"><br \/>\n<center><em>&#8220;My mother and me in Queens, N.Y., where I grew up.&#8221;<\/em><\/center><\/p>\n<p>My brothers were 12 and 13 years older than I was, and they had books that were too hard for me to read but mesmerized me because of the illustrations: <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Hans_Brinker,_or_The_Silver_Skates\"><em>Hans Brinker, or The Silver Skates<\/em><\/a><\/strong>; <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Toby_Tyler,_or_Ten_Weeks_with_a_Circus\"><em>Toby Tyler<\/em><\/a><\/strong>; and a book in Italian of traditional fairy tales that had the most magical pictures of all. <\/p>\n<p>My aunt gave me <strong><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Struwwelpeter\">Slovenly Peter<\/a><\/em><\/strong>, a translation of German cautionary tales with dark, menacing illustrations that fascinated and terrified me in equal measure. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Page from Slovenly Peter1.jpeg\"><br \/>\n<center><em>&#8220;Notice how my mother has helpfully written my full name across the top of this opening page from <\/em>Slovenly Peter<em>, just in case I happened to lose it.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/detail from Slovenly Peter1.jpeg\"><br \/>\n<center><em>&#8220;&#8216;Cheerful Stories and Funny Pictures&#8217;? Huh?<br \/>Detail from the story entitled &#8216;The Cry Baby'&#8221; &#8230;<\/em><\/center><\/p>\n<p>Then I got <strong><a href=\"http:\/\/www.indiebound.org\/book\/9780385003438\">the book<\/a><\/strong> based on the film <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Red_Balloon\"><em>The Red Balloon<\/em><\/a><\/strong>. As a child, I never saw the film, but I adored the book with its photographs of a lonely little boy in Paris. I often felt lonely and I also had a single mother, something I never saw in other books. And one of my brothers lived in Paris. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/The Red Balloon.jpeg\"><\/p>\n<p>Finally (is this answer too long?), when I was older, my favorite book was by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Rumer_Godden\">Rumer Godden<\/a><\/strong> &#8212; <strong><em><a href=\"http:\/\/www.amazon.com\/Fairy-Doll-Rumer-Godden\/dp\/0330442260\">The Fairy Doll<\/a><\/em><\/strong>. Oh, how I loved that book. What a thrill it was for me when I met Ms. Godden one day in the Greenwillow offices. <\/p>\n<p><em>[Pictured below is the cover of <strong><a href=\"http:\/\/www.amazon.com\/Fairy-Other-Tales-Dolls-House\/dp\/0230755054\/ref=sr_1_2?ie=UTF8&#038;qid=1343228847&#038;sr=8-2&#038;keywords=the+fairy+doll+rumer+godden\">a September-2012 release<\/a><\/strong> of the book from Macmillan.]<\/em><\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: If you could have three (living) authors or illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/thefairydollcover.jpg\"><strong><font size=4>Marisabina<\/font><\/strong>: This is a very hard question. I\u2019ve met and know many of my favorites. Only three? Okay \u2013 <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2315\">Maira Kalman<\/a><\/strong>, <strong><a href=\"http:\/\/www.mollybang.com\/main.html\">Molly Bang<\/a><\/strong>, and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Marc_Simont\">Marc Simont<\/a><\/strong>. <\/p>\n<p>I also admire <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Jean-Jacques_Semp%C3%A9\">Jean Jacques Semp\u00e9<\/a><\/strong>, but I\u2019m not sure he does children\u2019s books? I would be thrilled to meet him, too. <\/p>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: I only listen to music while I\u2019m painting. Sometimes, when I\u2019m under deadline pressure, I will start the day with the same song every morning to pump myself up. It\u2019s like I\u2019m still in high school, playing a Motown record loud enough to annoy my mother. <\/p>\n<p>I love jazz, especially stuff from the 1950s and &#8217;60s, like <strong><a href=\"http:\/\/artblakey.com\/\">Art Blakey<\/a><\/strong>, <strong><a href=\"http:\/\/www.horacesilver.com\/\">Horace Silver<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Thelonious_Monk\">Thelonius Monk<\/a><\/strong>, and also contemporary people like <strong><a href=\"http:\/\/www.daveholland.com\/\">Dave Holland<\/a><\/strong> and <strong><a href=\"http:\/\/www.greenleafmusic.com\/davedouglas\">Dave Douglas<\/a><\/strong> &#8212; whom I am lucky enough to call a friend. He kindly let me use some of his music in my <strong><a href=\"http:\/\/www.youtube.com\/watch?v=rR2WbEqjqnM\">book trailer<\/a><\/strong> for <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780375866951\">I Will Come Back for You<\/a><\/em><\/strong>.<\/p>\n<p>And, speaking of deadlines, sometimes I stream a jazz station from the West Coast. It always makes me feel like I have more hours in the day.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Portrait at age 8 with my parakeet, Buttonsa.jpeg\" style=\"float:right;\"><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: I\u2019m a certified scuba diver. <\/p>\n<p><font color=\"000066\"><font size=5>7.<\/font> <strong><font size=4>7-Imp<\/font><\/strong>: Is there something you wish interviewers would ask you &#8212; but never do? Feel free to ask and respond here.<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: <em>Who was the first artist to inspire you?<\/em>  <\/p>\n<p>My brother, Piero. He was a brilliant poet, painter, and underground filmmaker. He took me to The Louvre when I was a child, sent me books and records from Europe, pretty much opened my eyes to the possibilities at a very young age. Every envelope that arrived from him was a work of art. His paintings and assemblages hung all over our apartment when I was growing up. <\/p>\n<p><em>[Pictured above right is Marisabina at age eight with her parakeet, Buttons.]<\/em><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: It is impossible to choose just one. I like the words on paint tubes: &#8220;alzarin crimson,&#8221; &#8220;indigo,&#8221; &#8220;vermillion,&#8221; &#8220;cadmium yellow.&#8221; <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: Hands down, &#8220;moist.&#8221; Don\u2019t know what it is, but the sound of that word makes my skin crawl. And forget &#8220;moist towelette.&#8221; <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: Hand-made things. Old photographs. The light, color, fish, and coral you find under the sea. People who are curious. Paintings and the <strong><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Jazz_(Henri_Matisse)\">Jazz<\/a><\/em><\/strong> collages of <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Henri_Matisse\">Matisse<\/a><\/strong>. <strong><a href=\"http:\/\/soundsuitshop.com\/\">Soundsuits<\/a><\/strong> by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Nick_Cave_(performance_artist)\">Nick Cave<\/a><\/strong>. The work of <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Saul_Steinberg\">Saul Steinberg<\/a><\/strong>. I could go on and on. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: People who are set in their old cranky ways. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: My mother was from Germany but lived from ages 18 to 33 in Italy before coming to the U.S. She cursed in Italian, and I remember picking up my first curse from her, &#8220;Porca miseria!&#8221; or the elegant English translation, &#8220;Miserable swine!&#8221; Doesn\u2019t sound like a curse, but she assured me it was the first time I blurted it out.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: My grandson\u2019s laughter.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: People talking on their cell phones on the train or bus or anywhere.  <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: Maybe a playwright or a set designer? But another dream is to be a lounge singer. If only I could sing!  <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: Accountant.  <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>Marisabina<\/font><\/strong>: &#8220;You don\u2019t ever have to wear shoes again.&#8221; <\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>Photo credit for opening image of Marisabina: Gerard Malanga.<\/em><\/p>\n<p><em>All other artwork and images used with permission of <strong><a href=\"http:\/\/www.marisabinarusso.com\/\">Marisabina Russo<\/a><\/strong>.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, \u00a9 2009 <strong><a href=\"http:\/\/www.mattphelan.com\/\">Matt Phelan<\/a><\/strong>.<\/em><\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><strong><em>Marisabina&#8217;s Comprehensive List of Children&#8217;s Books:<\/em><\/strong> <\/p>\n<p><em>Written &#038; illustrated:<\/em><\/p>\n<p>THE LINE UP BOOK,  Greenwillow 1986.<br \/>\nWHY DO GROWN-UPS HAVE ALL THE FUN?, Greenwillow  1987.<br \/>\nONLY SIX MORE DAYS, Greenwillow 1988.<br \/>\nWAITING FOR HANNAH, Greenwillow  1989.<br \/>\nWHERE IS BEN?, Greenwillow 1990.<br \/>\nA VISIT TO OMA, Greenwillow  1991.<br \/>\nALEX IS MY FRIEND, Greenwillow 1992.<br \/>\nTRADE-IN MOTHER, Greenwillow  1993.<br \/>\nTIME TO WAKE UP!, Greenwillow 1994.<br \/>\nI DON\u2019T WANT TO GO BACK TO SCHOOL, Greenwillow 1994.<br \/>\nGRANDPA ABE, Greenwillow 1996.<br \/>\nUNDER THE TABLE, Greenwillow 1997.<br \/>\nWHEN MAMA GETS HOME, Greenwillow 1998.<br \/>\nHANNAH\u2019S BABY SISTER, Greenwillow 1998.<br \/>\nMAMA TALKS TOO MUCH, Greenwillow 1999.<br \/>\nTHE BIG BROWN BOX, Greenwillow  2000.<br \/>\nCOME BACK, HANNAH!, Greenwillow 2001.<br \/>\nTHE TROUBLE WITH BABY Greenwillow 2003.<br \/>\nALWAYS REMEMBER ME; HOW ONE FAMILY SURVIVED WORLD WAR II, Atheneum 2003.<br \/>\nTHE BUNNIES ARE NOT IN THEIR BEDS, Schwartz &#038; Wade 2006.<br \/>\nA VERY BIG BUNNY, Schwartz &#038; Wade 2009.<br \/>\nI WILL COME BACK FOR YOU; A FAMILY IN HIDING DURING WORLD WAR II, Schwartz &#038; Wade 2011.<br \/>\nPETER IS JUST A BABY, Eerdmans 2012.<\/p>\n<p><em>YA Novels:<\/em><\/p>\n<p>HOUSE OF SPORTS, Greenwillow (New York, NY), 2002.<br \/>\nA PORTRAIT OF PIA, Harcourt (Orlando, FL), 2007.<\/p>\n<p><em>Illustrator:<\/em><\/p>\n<p>Nikki Giovanni, VACATION TIME: POEMS FOR CHILDREN, Morrow 1980.<br \/>\nElizabeth Burton Brown, VEGETABLES: AN ILLUSTRATED HISTORY WITH RECIPES, Prentice-Hall, 1981.<br \/>\nMary and Dewey Blocksma, EASY-TO-MAKE SPACESHIPS THAT REALLY FLY, Simon &#038; Schuster 1983.<br \/>\nNancy Van Laan, THE BIG FAT WORM, Knopf 1987.<br \/>\nHelen Plotz, editor, A WEEK OF LULLABIES, Greenwillow 1988.<br \/>\nSusi Gregg Fowler, WHEN SUMMER ENDS, Greenwillow  1989.<br \/>\nStephanie Calmenson, IT BEGINS WITH AN A, Hyperion  1993.<br \/>\nSusan Straight, BEAR E. BEAR, Hyperion 1995.<br \/>\nKevin Henkes, GOOD-BYE, CURTIS, Greenwillow 1995.<br \/>\nEve Rice, SWIM!, Greenwillow 1996.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This morning I&#8217;m having breakfast with author\/illustrator Marisabina Russo. To be precise, we&#8217;re having a glass of orange juice, some whole wheat English muffins with honey, and some caf\u00e9 lattes. &#8220;My husband makes French toast on the weekends,&#8221; Marisabina told me. &#8220;In the summer, I buy granola at the local farmers market and fresh blueberries. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-2391","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2391"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2391\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2391"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2391"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}