{"id":2534,"date":"2013-03-19T00:01:19","date_gmt":"2013-03-19T06:01:19","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2534"},"modified":"2013-03-19T07:45:00","modified_gmt":"2013-03-19T13:45:00","slug":"seven-questions-over-breakfast-with-lauren-stringer","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2534","title":{"rendered":"Seven Questions Over Breakfast with Lauren Stringer"},"content":{"rendered":"<p><a href=\"http:\/\/blaine.org\/jules\/5.early sketch of S&#038;N.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/5.early sketch of S&#038;Nfinalintrouse.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Self portrait and breakfast-1.jpg\" style=\"float:right;\">I love it. The above sketch, that is. <\/p>\n<p>It&#8217;s one of author\/illustrator <strong><a href=\"http:\/\/www.laurenstringer.com\/Home.html\">Lauren Stringer&#8217;s<\/a><\/strong> early sketches from her newest picture book, which she both wrote and illustrated, <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780547907253\">When Stravinsky Met Nijinsky: Two Artists, Their Ballet and One Extraordinary Riot<\/a><\/strong><\/em>, released by Harcourt in early March. <\/p>\n<p>Have you seen this book? I recommend it, particularly for those who love the arts. It tells the true story of two early-20th century artists&#8212;the composer <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Igor_Stravinsky\">Igor Stravinsky<\/a><\/strong> and the danseur and choreographer <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Vaslav_Nijinsky\">Vaslav Nijinsky<\/a><\/strong>&#8212;who both yearn to make &#8220;something different and new&#8221; and who eventually collaborate on a ballet (<strong><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Rite_of_Spring\">The Rite of Spring<\/a><\/em><\/strong>), which revolutionizes music and dance. And causes a riot, no less, as the book&#8217;s delicious sub-title tells you. Stringer&#8217;s writing teems with reverence for the artists and tells a well-paced story with tension and exuberance. The brightly-colored illustrations swirl, swoop, and dip and, as <em>Publishers Weekly<\/em> writes, make music and dance &#8220;entertaining and joyous,&#8221; bringing this momentous meeting of minds to life for young readers. <!--more--><\/p>\n<p>Lauren&#8217;s certainly not new to picture books and I&#8217;ve read and enjoyed many of her books over the years (and those she&#8217;s illustrated for others), so I invited her over&#8212;on the occasion of this book release&#8212;to have breakfast with me and discuss her work. &#8220;I love oatmeal and fruit for breakfast,&#8221; she told me. &#8220;Just a little bit of oats mixed with a cup of blueberries and usually a whole pear chopped up with a few walnut pieces broken over the top. A splash of vanilla almond milk &#8212; and I am ready for the day. Oh! And a cup of black coffee. Still need that.&#8221; As you can see pictured above, she&#8217;s all ready to go. <\/p>\n<p>Let&#8217;s get the basics before our seven questions over breakfast, and I thank her for visiting. <\/p>\n<p><center><font size=4><strong>* * * * * * *<\/strong><\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: I illustrate the stories of others and some of my own.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/winteristhewarmestseasoncover.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: <\/p>\n<ul>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780547907253\">When Stravinsky Met Nijinsky: Two Artists, Their Ballet and One Extraordinary Riot<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781416990062\">Tell Me About Your Day Today<\/a><\/strong><\/em>, written by <strong><a href=\"http:\/\/www.memfox.net\/welcome.html\">Mem Fox<\/a><\/strong><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781416997801\">The Princess and Her Panther<\/a><\/strong><\/em>, written by <strong><a href=\"http:\/\/www.wendyorr.com\/\">Wendy Orr<\/a><\/strong><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152053031\">Snow<\/a><\/strong><\/em>, written by <strong><a href=\"http:\/\/www.cynthiarylant.com\/\">Cynthia Rylant<\/a><\/strong><\/li>\n<li><em><strong><a href=\"http:\/\/www.powells.com\/biblio\/62-9780152049676-0\">Winter Is the Warmest Season<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152025014\">Fold Me a Poem<\/a><\/strong><\/em>, written by <strong><a href=\"http:\/\/www.kristinegeorge.com\/\">Kristine O\u2019Connell George<\/a><\/strong><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152017729\">Our Family Tree: An Evolution Story<\/a><\/strong><\/em>, written by <strong><a href=\"http:\/\/www.lisawestbergpeters.com\/\">Lisa Westberg Peters<\/a><\/strong><\/li>\n<li><em><strong><a href=\"http:\/\/www.powells.com\/biblio\/2-9780152022112-1\">Castles, Caves, and Honeycombs<\/a><\/strong><\/em>, written by <strong><a href=\"http:\/\/www.lindaashman.com\/\">Linda Ashman<\/a><\/strong><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152053987\">Red Rubber Boot Day<\/a><\/strong><\/em>, written by Mary Lyn Ray<\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152024802\">Scarecrow<\/a><\/strong><\/em>, written by <strong><a href=\"http:\/\/www.cynthiarylant.com\/\">Cynthia Rylant<\/a><\/strong><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152024611\">Mud<\/a><\/strong><\/em>, written by Mary Lyn Ray<\/li>\n<li><em><strong><a href=\"http:\/\/www.sheilaoconnor.com\/comehome.html\">Come Home Before Dark<\/a><\/strong><\/em>, edited by <strong><a href=\"http:\/\/www.sheilaoconnor.com\/\">Sheila O\u2019Connor<\/a><\/strong><\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/caves_castles_honeycombs cover.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium, or\u2013\u2013if you use a variety\u2014your preferred one?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: Acrylic on 140 lb. hot press watercolor paper.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/14.snowflake +blackhaired girl copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/14.snowflake +blackhaired girl copy-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/15.snow title page.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/15.snow title page-small.jpg\" border=1><\/a><br \/>\n<center><em>Art from <strong><a href=\"http:\/\/www.cynthiarylant.com\/\">Cynthia Rylant&#8217;s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152053031\">Snow<\/a><\/strong> <em>(Harcourt, 2008)<\/em><br \/>(Click each image to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/13.5Rylant_SNOW-usefinal.jpg\" border=1><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: I live in Minneapolis, Minnesota, but I was born in Montana and lived my formative years in Northern California and New York City &#8212; with a brief year as an au pair in Paris. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/20scarecrow- fall copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/20scarecrow- fall copy-small.jpg\" border=1><\/a><br \/>\n<center><em>Final art from <strong><a href=\"http:\/\/www.cynthiarylant.com\/\">Cynthia Rylant&#8217;s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152053031\">Scarecrow<\/a><\/strong> <em>(Harcourt, 1998)<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/21cover copy1.jpg\" border=1><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you tell me about your road to publication?<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: I was busy minding my own business, which at that time in 1994 was parenting a two-year-old and building sculptures out of wood, then painting them. When I gave birth to my daughter, my sculptures went from very large-standing sculptures to very small boxes, about the size of a picture book. The wooden boxes had doors on them that opened and closed, a bit like turning the page of a picture book. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/cover of Mud.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/cover of Mud-small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p>My friend, author\/illustrator <strong><a href=\"http:\/\/www.debrafrasier.com\/\">Debra Frasier<\/a><\/strong>, came to see an exhibition of my sculptures at a gallery and thought I should try illustrating a picture book. She asked if she could take pictures of my work to her editor, Allyn Johnston of Harcourt Brace, and I thought, &#8220;why not?&#8221; Allyn Johnston, being an adventurous editor, was willing to try out an artist who had never studied illustration; an artist who had ambitions to get into the Whitney Biennial; an artist who had no idea what a Caldecott Medal was. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/pile of sketches for mud.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/pile of sketches for mud-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/2. Cuttings (closed).jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/2. Cuttings (closed)-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/3. Cuttings (open).jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/3. Cuttings (open)-small.jpg\" border=1><\/a><br \/>\n<center><em>Early sketches and art from Mary Lynn Ray&#8217;s <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152024611\">Mud<\/a><\/strong> <em>(Harcourt, 1996)<\/em><br \/>(Click each image to enlarge)<\/em><\/center><\/p>\n<p>Allyn sent me the manuscript for the picture book <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152024611\">Mud<\/a><\/strong><\/em>, written by Mary Lyn Ray. I was immediately taken with Mary Lyn\u2019s poetic story and the images it brought to mind. I had no idea what I was doing and couldn\u2019t understand why my new editor would not let me talk with the author about the story. At first I sent my editor every idea &#8212; not one or two, but hundreds of drawings and painted studies. I learned after the book was published that usually the author is kept abreast of how the book is coming, but Mary Lyn Ray never saw a thing until the proofs! Allyn told her it was just too confusing but reassured her everything would turn out fine. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/6. Heart of Gardener(closed) .jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/6. Heart of Gardener(closed)-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/7. Heart of Gardener (open) .jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/7. Heart of Gardener (open)-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/spread from mud.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/spread from mud-small.jpg\" border=1><\/a><br \/>\n<center><em>More from <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152024611\">Mud<\/a><\/strong><br \/>(Click each image to enlarge)<\/em><\/center><\/p>\n<p>And it did. And, as it turned out, I loved painting picture books and my editor loved working with me, so we have been working together for nearly twenty years. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: <strong><a href=\"http:\/\/www.laurenstringer.com\">www.laurenstringer.com<\/a><\/strong> and <strong><a href=\"http:\/\/artistand3cats.blogspot.com\">artistand3cats.blogspot.com<\/a><\/strong>.<\/p>\n<p>I am also part of a group blog: <strong><a href=\"http:\/\/onepotatoten.blogspot.com\">onepotatoten.blogspot.com<\/a><\/strong>. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/redrubberbootdaycover.jpg\"><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: If you do school visits, tell me what they\u2019re like.<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: When I visit schools, I present an interactive slide show that tells the story of a visit to my studio through the eyes of my cat Buster. I live with three cats, and Buster is the only one who can visit my studio without getting into the paint and pawing at the brushes. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/me &#038; Buster-school visit-small.jpg\" border=1><\/p>\n<p>I have created several &#8220;movies&#8221; of my books with recordings of the author reading. My husband is a composer, and he made music to go with the different readings. When I present at a school, I usually play one of the readings at the end or the beginning. And I always end with folding a simple origami animal in celebration of <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152025014\">Fold Me a Poem<\/a><\/strong><\/em>, written by <strong><a href=\"http:\/\/www.kristinegeorge.com\/\">Kristine O\u2019Connell George<\/a><\/strong>.<\/p>\n<p>You can listen to some of the readings with music on my website:<\/p>\n<p><strong><a href=\"http:\/\/www.lisawestbergpeters.com\/\">Lisa Westberg Peters<\/a><\/strong> reading <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152017729\">Our Family Tree: An Evolution Story<\/a><\/strong><\/em> <strong><a href=\"http:\/\/www.laurenstringer.com\/Books%28OFT%29.html\"><font color=\"#CC0E0E\">here<\/font><\/a><\/strong>.<\/p>\n<p>Me reading <em><strong><a href=\"http:\/\/www.powells.com\/biblio\/62-9780152049676-0\">Winter Is the Warmest Season<\/a><\/strong><\/em> <strong><a href=\"http:\/\/www.laurenstringer.com\/Books%28WITWS%29.html\"><font color=\"#CC0E0E\">here<\/font><\/a><\/strong>. <\/p>\n<p><strong><a href=\"http:\/\/www.cynthiarylant.com\/\">Cynthia Rylant<\/a><\/strong> reading <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152024802\">Scarecrow<\/a><\/strong><\/em> <strong><a href=\"http:\/\/www.laurenstringer.com\/Books%28Scarecrow%29.html\"><font color=\"#CC0E0E\">here<\/font><\/a><\/strong>. <\/p>\n<p>Mary Lyn Ray reading <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152053987\">Red Rubber Boot Day<\/a><\/strong><\/em> <strong><a href=\"http:\/\/www.laurenstringer.com\/Books%28RRBD%29.html\"><font color=\"#CC0E0E\">here<\/font><\/a><\/strong>. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/folding in India-use.jpg\" border=1><br \/>\n<center><em>Paper-folding in India<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: If you teach illustration, by chance, tell us how that influences your work as an illustrator.<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: I don\u2019t teach regularly, but once I taught a three-day workshop in picture book illustration. During those three days, my students and I shared so much, we felt like family. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/shapeimage_14.jpg\">When I set up the classroom, I filled all of the large window wells with picture books &#8212; hundreds of picture books. I began the class by telling my students to please feel free to stop and look through picture books any time. Seeing them curled up in corners or hunched over their drafting tables, paging through picture books, reminded me how important it is to read and read and read both words and pictures in picture books all of the time. I am still in touch with most of the students from those intensive three days. I think it was the magic of the picture books.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Split Rock Illustration workshop-small.jpg\" border=1><br \/>\n<center><em>Split Rock illustration workshop<\/em><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: I am currently illustrating a book titled <em>Deer Dancer<\/em>, written by Mary Lyn Ray. It will be my third book by her that I have illustrated. I love her voice, her way with words. She leaves so many openings for pictures to expand the story. My studio is glowing with the green of summer grass and leaves, which is a very wonderful place to be through this long Minnesota winter. It is like being on vacation while I work. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/1.DD wall of sketches and research-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/1.DD wall of sketches and research-small.jpg\" border=1><\/a><br \/>\n<center><em>Wall of sketches and research for <\/em>Deer Dancer<br \/>(Click to enlarge)<\/center><\/p>\n<p>I have a new book, called <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780547907253\">When Stravinsky Met Nijinsky: Two Artists, Their Ballet and One Extraordinary Riot<\/a><\/strong><\/em>. It is a book I had started to write eight years ago after going to a concert at Symphony Hall in Minneapolis. As I leafed through the program, I saw a photo of the composer <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Igor_Stravinsky\">Igor Stravinsky<\/a><\/strong> and the dancer\/choreographer <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Vaslav_Nijinsky\">Vaslav Nijinsky<\/a><\/strong>. They were both so young and expressive, one in coat and tails, the other with the costume and make-up of a sad puppet. I remember saying out loud: &#8220;I wonder what it was like when Stravinsky met Nijinsky,&#8221; and then I laughed and both my husband Matthew and I agreed that &#8220;When Stravinsky met Nijinsky&#8221; would be a great title for a picture book. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/2.WSMN cover-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/2.WSMN cover-small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p>The next morning I clipped the photo out and began to write. When I realized how much research was necessary, I set my pen down and did not return to the story for a year. But despite other deadlines and raising children, I kept returning to the story. I checked out library books on <strong><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Rite_of_Spring\">The Rite of Spring<\/a><\/em><\/strong>, Stravinsky, Nijinsky, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Ballets_Russes\">the Ballets Russes<\/a><\/strong>. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/3.First notes for WSMN.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/3.First notes for WSMN-small.jpg\" border=1><\/a><br \/>\n<center><em>First notes<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/8. journal with images research-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/8. journal with images research-small.jpg\" border=1><\/a><br \/>\n<center><em>Research journal with images<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p>As more words came together to make a story, I did not think I could possibly illustrate it. I imagined <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Marjorie_Priceman\">Marjorie Priceman<\/a><\/strong> or <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2315\">Maira Kalman<\/a><\/strong> doing a beautiful job. But the more I looked at photos of Stravinsky and Nijinsky, the more I fell in love with them and the Ballets Russes. I knew I had to illustrate the book myself, if it ever found a publisher. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/6.early sk. of S.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/6.early sk. of S-small.jpg\" border=1><\/a><br \/>\n<center><em>Early sketch of Stravinsky<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/7.early study-wsmn-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/7.early study-wsmn-small.jpg\" border=1><\/a><br \/>\n<center><em>Early study<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/9.wsmn color sketches2 copy-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/9.wsmn color sketches2 copy-small.jpg\" border=1><\/a><br \/>\n<center><em>Color sketches<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p>Fast forward to 2010. My husband suggests collaborating on a story together. Since he is a composer, I thought, why not begin with <em>When Stravinsky Met Nijinsky<\/em>, a book about a profound and creative collaboration for our new collaborative efforts. We took turns working on the story, emailing it back and forth to one another. The collaborative process was exhilarating. When we got the story to a place we felt quite excited about, I sent it to my editor, but she needed back matter with more specific information to even consider it. That meant more time and research, and the story went back into the file while Matthew and I went on to other projects. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/10.wsmn sketch-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/10.wsmn sketch-small.jpg\" border=1><\/a><br \/>\n<center><em>Early sketch<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/11.WSMN Book Dummy3 2012 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/11.WSMN Book Dummy3 2012 copy-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/12.WSMN Book Dummy10 2012 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/12.WSMN Book Dummy10 2012 copy-small.jpg\" border=1><\/a><br \/>\n<center><em>Book dummy images<\/em><br \/>(Click each to enlarge)<\/center><\/p>\n<p>Another year passed before pulling the story out of the file, dusting it off and deciding to make it my own again. I re-wrote lines [and] back matter and began making a book dummy of illustrations to go with the text. I decided to submit it to the <strong><a href=\"https:\/\/www.loft.org\/programs__awards\/grants__awards\/mcknight_artist_fellowships\/\">McKnight Fellowship for Children\u2019s Literature<\/a><\/strong>, which comes around every two years in Minnesota. <\/p>\n<p>At 3 a.m. the morning before the McKnight deadline, I awoke, realizing for the first time that May 29, 2013, was the centennial of the premiere of <em>The Rite of Spring<\/em>, Stravinsky and Nijinsky\u2019s ballet with the Ballets Russes, which caused a legendary riot to break out at the <strong><a href=\"http:\/\/www.theatrechampselysees.fr\/\">Th\u00e9\u00e2tre des Champs Elys\u00e9es<\/a><\/strong> in Paris. I realized right then in the wee hours of the morning: <em>I must  publish this book on time for the centennial!<\/em> I submitted the manuscript for the McKnight in October of 2011, had a contract for the manuscript by November 2011, and was painting the final illustrations by February 2012. I finished the illustrations in record time: 2 months and 8 days. Most of my books take nearly eight months to paint! <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/13.Stravinsky met Nijinsky interior 6_7 copy-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/13.Stravinsky met Nijinsky interior 6_7 copy-small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p>I think my favorite illustrations to paint were the meeting of Stravinsky and Nijinsky and the riot. When I was in college at the University of Santa Cruz, I majored in art and art history. My favorite period was the beginning of the 20th century. After studying slides of <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Pablo_Picasso\">Picasso\u2019s<\/a><\/strong> Cubist paintings, including the ground-breaking <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Les_Demoiselles_d'Avignon\">Les Demoiselles d&#8217;Avignon<\/a><\/strong> and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Henri_Matisse\">Matisse\u2019s<\/a><\/strong> <strong><a href=\"http:\/\/www.moma.org\/collection\/object.php?object_id=78389\">The Red Studio<\/a><\/strong> and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Dance_(Matisse)\">La Danse<\/a><\/strong>, I nearly swooned the first time I visited <strong><a href=\"http:\/\/www.moma.org\/\">MoMA<\/a><\/strong> in New York City and saw them in real life. When I realized that Stravinsky and Nijinsky met in the year 1911, the very same year Matisse painted <em>The Red Studio<\/em>, I could not resist painting the background red behind the two men meeting one another for the first time. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Stravinsky met Nijinsky p10-11-full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Stravinsky met Nijinsky p10-11-left.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/Stravinsky met Nijinsky p10-11-full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Stravinsky met Nijinsky p10-11-right.jpg\" border=1><\/a><br \/>\n<center><em>(Click either image to see spread in its entirety)<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/14.Stravinsky met Nijinsky 26-27 copy-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/14.Stravinsky met Nijinsky 26-27 copy-small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The crowd poured into the street when the curtain went down, rioting and bellowing, buzzing and hurdling, wild with the night that brought something brand-new!&#8221;<br \/>(Click to enlarge spread)<\/em><\/center><\/p>\n<p>I also enjoyed painting tiny paintings, inspired by Picasso\u2019s early Cubist paintings, referencing the influence of Cubism on both the music and dance for <em>The Rite of Spring<\/em>. I loved writing and painting this book, a celebration of the spirit of shock and the surprise of <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Modernism\">Modernism<\/a><\/strong> in the 20th Century &#8212; and a celebration of the power of art and artists. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" title=\"Mmm. Coffee.\" alt=\"Mmm. Coffee.\"><font color=\"000066\">Okay, I&#8217;ve brewed more coffee, and it&#8217;s time to get a bit more detailed with seven questions over breakfast. I thank Lauren again for visiting 7-Imp.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: When I receive a manuscript that I love or write a story that I love, a story that is sure to inspire me for a year at least, the first thing I do is write it very large on sheets of paper and hang them on a wall in my studio. The process of hand-writing the words of the story very large helps me become familiar with the story, one letter at a time. When it is so big on the wall, there is no chance of losing the story in the piles of papers that seem to grow in my studio all by themselves.<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/2.WITWS studio copy 2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/2.WITWS studio copy 2-small.jpg\" border=1><\/a><br \/>\n<center><em>Manuscript for <\/em><strong><a href=\"http:\/\/www.powells.com\/biblio\/62-9780152049676-0\">Winter Is the Warmest Season<\/a><\/strong> <em>(Harcourt, 2006)<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p>I like to visit an art store at this point to choose just the right sketchbook to fit the new story. Once found, I staple the manuscript onto the first page so I never lose it, and I begin sketching out my initial responses to the story; it might be just a few images that come to mind [after] the first few read-throughs. Then I go into my &#8220;hunting and gathering&#8221; phase where I gather images from magazines and postcards I have collected and put them up all over my studio for ideas. I visit my &#8220;friends&#8221; &#8212; that is, artists I have come to love and admire over the years. My studio is filled with art books and monographs of many of my favorite artists. When I page through them, it is like visiting old friends. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/4.book shelves with art books.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/4.book shelves with art books-small.jpg\" border=1><\/a><br \/>\n<center><em>Art books<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/3.snow journal-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/3.snow journal-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/7.snow journal-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/7.snow journal-small.jpg\" border=1><\/a><br \/>\n<center><em>Journal for <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152053031\">Snow<\/a><\/strong><br \/>(Click each image to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/6. scarcrow journal.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/6. scarcrow journal-small.jpg\" border=1><\/a><br \/>\n<center><em>Journal for <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152053031\">Scarecrow<\/a><\/strong><br \/>(Click to enlarge)<\/center><\/p>\n<p>I then create a sort of &#8220;nest&#8221; in my studio, surrounded by books, files filled with images and postcards I have gathered over the years, and my sketchbook. Here the story begins to come to life in hundreds of small sketches, quick storyboards, small dummy books &#8212; whatever is necessary to get the right visual and dramatic flow for the story. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/5. studio nest-small.JPG\" border=1><\/p>\n<p>This gestation period usually lasts anywhere from two to four months. When I illustrated <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152025014\">Fold Me a Poem<\/a><\/strong><\/em>, this period lasted six months, as I had to teach myself to fold 48 origami animals. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/9.origami animals fmap-use.jpg\" border=1><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/10.FMAP - origami.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/10.FMAP - origami-small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge spread)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/8.Cover-FMAP copy-use.jpg\" border=1><\/p>\n<p>And it was nearly a year of intensive research at libraries and anthropology labs before I felt comfortable enough to paint the illustrations for <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152017729\">Our Family Tree: An Evolution Story<\/a><\/strong><\/em>. At one point, all of the research and information became so overwhelming and profound that I had to break out of the confines of the picture book format. I stretched an eight-foot by eight-foot sheet of paper on my studio wall and used charcoal to draw the family tree. It was a cathartic experience to work so large and enabled me to return to illustrating the book with new confidence. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/12.chardraw1 copy-large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/12.chardraw1 copy-small.jpg\" border=1><\/a><br \/>\n<center><em>Charcoal drawing for <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152017729\">Our Family Tree<\/a><\/em><\/strong><em> (Harcourt, 2003)<\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/13.4Australopithecenes-full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/13.4Australopithecenes-left.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/13.4Australopithecenes-full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/13.4Australopithecenes-right.jpg\" border=1><\/a><br \/>\n<center><em>(Click either image to see spread in its entirety)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/11..oft cover-use.jpg\" border=1><\/p>\n<p>Finding characters is like holding auditions for a play. For <strong><a href=\"http:\/\/www.cynthiarylant.com\/\">Cynthia Rylant&#8217;s<\/a><\/strong> story <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152053031\">Snow<\/a><\/strong><\/em>, one of my favorite lines was:<\/p>\n<blockquote><p>And the snow, while it is here,<br \/>\nreminds us that nothing lasts forever<br \/>\nexcept memories.<\/p><\/blockquote>\n<p>I thought a lot about memories and how we hold onto them. I decided to paint a grandmother in the book, based on my own mother, who was a wonderful grandmother to my children when she was alive. Grandparents are great vessels of memories. When I found pictures of my mother as a little girl, I decided to cast her as the little girl in the story. So the Grandma and the little girl in the story are actually the same person, which I love. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/15.5Grandma as a little girl in MN-use.jpg\" border=1><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/13.Snow sketch with grandma.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/13.Snow sketch with grandma-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/14.5final grandma reading.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/14.5final grandma reading-small.jpg\" border=1><\/a><br \/>\n<center><em>Sketch and final art from <\/em>Snow<br \/>(Click each image to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/13.6Grandma reading to Ruby-use.jpg\" border=1><\/p>\n<p>I have been accused of creating book dummies that are barely legible, but I do not like to be too exact early in the process. For me the magic of making art lies in the painting of the final illustrations. I want to leave room for change, experimenting, and even mistakes, because mistakes all too often ignite some image I could not have foreseen. Sometimes there are color studies inside the book dummy, but more often than not my editor, who has learned to read my chicken scratches, will say go ahead &#8212; and the transformation from sketch to final painting is exhilarating. <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/19Scarecrow057.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/19Scarecrow057-small.jpg\" border=1><\/a><br \/>\n<center><em>Early sketches from <strong><a href=\"http:\/\/www.cynthiarylant.com\/\">Cynthia Rylant&#8217;s<\/a><\/strong><\/em> <strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152024802\">Scarecrow<\/a><\/strong><br \/>(Click to enlarge)<\/center><\/p>\n<p><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><font size=4><strong>Lauren<\/strong><\/font><\/strong>: I live with my family in a large, old Victorian house in Minneapolis. The front two rooms of the second floor I have turned into my studio. The light pours in my windows, and I look out on the branches of an old Burr Oak. It is a good working space for me, conducive to painting and making a mess. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/1. house-use.jpg\" border=1><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/3.Studio view with art books..jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/3.Studio view with art books1.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/4.studio views1.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/7.palette1.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nMy studio becomes a sort of shrine for each book, as the story is written very large on one of the walls and surrounded by images I have found that might feed ideas for the illustrations. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/5.oft-studio process copy1.jpg\"><\/p>\n<p>When I worked on <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152017729\">Our Family Tree: An Evolution Story<\/a><\/strong><\/em>, my studio was not big enough for all of the images I collected from researching 4\u00bd billion years of earth\u2019s history, so I made a timeline in the hallway outside my studio that began at my bedroom and ran down the front stairs. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/8.timeline for OFT1.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\nWhen I painted the illustrations for <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781416997801\">The Princess and Her Panther<\/a><\/strong><\/em>, I hung a red tent to paint from.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/9.studio P&#038;P tent1.jpg\"><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/10.Panther_32_33 copy 2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/10.Panther_32_33 copy 2small.jpg\"><\/a><br \/>\n<center><em>(Click to enlarge art from the book)<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/11.5Cover-TPAHP-final copy1.jpg\" border=1><\/p>\n<p>I paint on a wall, and as the illustrations are finished, they fill the wall. This way I can always refer to them to keep characters and colors consistent. When the book is done, I strip the walls of everything, and it feels quite naked and vulnerable, which is a good place to be before embarking on the next creative project. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/6.studio wall during Fold Me A Poem1.jpg\" border=1><br \/>\n<center><em>Studio wall for <strong><a href=\"http:\/\/www.kristinegeorge.com\/\">Kristine O\u2019Connell George&#8217;s<\/a><\/strong><br \/><\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152025014\">Fold Me a Poem<\/a><\/strong> <em>(Harcourt, 2005)<\/em><\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/11.Snow studio copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/11.Snow studio copy1.jpg\" border=1><\/a><br \/>\n<center><em>Studio wall for <strong><a href=\"http:\/\/www.cynthiarylant.com\">Cynthia Rylant&#8217;s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780152053031\">Snow<\/a><\/strong><\/em><br \/>(Click to enlarge)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/12.wsmn process03large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/12.wsmn process03-small.jpg\" border=1><\/a><br \/>\n<center><em>Studio wall for <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780547907253\">When Stravinsky Met Nijinsky<\/a><\/strong><br \/>(Click to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/13. Naked studio-small.jpg\" border=1><br \/>\n<center><em>Naked studio<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book-lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/millions-of-cats-cover1.jpg\" style=\"float:right;\"><font size=4><strong>Lauren<\/strong><\/font><\/strong>: I loved <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780394800028\">The Cat in the Hat Comes Back<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Dr._Seuss\">Dr. Suess<\/a><\/strong>. The pink spot that takes over the house and, eventually, the snow fascinated me. <\/p>\n<p>Another favorite was <strong><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Millions_of_Cats\">Millions of Cats<\/a><\/em><\/strong> by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Wanda_G%C3%A1g\">Wanda G\u00e1g<\/a><\/strong>. Again, the sheer number of cats that took over the landscape and drank up the lake caught my attention again and again. <\/p>\n<p><em><strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Little_Bear_(book)\">Little Bear<\/a><\/strong><\/em>, illustrated by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Maurice_Sendak\">Maurice Sendak<\/a><\/strong>, was my favorite series of books to read, but mostly [to] look at the pictures. I have always loved looking at pictures. We had a book of illustrated poems and nursery rhymes that I loved, especially the poem of <strong><a href=\"http:\/\/www.poetry-archive.com\/r\/little_orphant_annie.html\">&#8220;Little Orphant Annie&#8221;<\/a><\/strong> by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/James_Whitcomb_Riley\">James Whitcomb Riley<\/a><\/strong>. The illustrations for it were so dark and spooky, yet I could not stop reading it and looking at the pictures. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/littlebearcover.jpg\"><\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: If you could have three (living) authors or illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose? (Some people cheat and list deceased authors\/illustrators. I won\u2019t tell.)<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: <strong><a href=\"http:\/\/www.guardian.co.uk\/childrens-books-site\/gallery\/2011\/apr\/14\/childrens-books-8-12-years\">Angela Barrett<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/John_Burningham\">John Burningham<\/a><\/strong>, and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Wolf_Erlbruch\">Wolf Erlbruch<\/a><\/strong>. <\/p>\n<p>Can I invite more? (If these three cannot make it, then I want to invite <strong><a href=\"http:\/\/www.petersis.com\/\">Peter S\u00eds<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Lisbeth_Zwerger\">Lizbeth Zwerger<\/a><\/strong>, and <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1447\">Paul O. Zelinsky<\/a><\/strong>, and if they cannot make it, then I want to invite <strong><a href=\"http:\/\/www.beatricealemagna.com\/\">Beatrice Alemagna<\/a><\/strong>, <strong><a href=\"http:\/\/www.shauntan.net\/\">Shaun Tan<\/a><\/strong>, and <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1910\">Oliver Jeffers<\/a><\/strong>, but in truth I would like to have them all at the same time. I live in a big old house. They would all be welcome.) <\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/16.tmaydt - page 3003 copy.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/16.tmaydt - page 3003 copy-small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/jules\/17.greedy goose tell me about your day today.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/17.greedy goose tell me about your day today-small.jpg\" border=1><\/a><br \/>\n<center><em>Early sketch and final art from <strong><a href=\"http:\/\/www.memfox.net\/welcome.html\">Mem Fox&#8217;s<\/a><\/strong><br \/><\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781416990062\">Tell Me About Your Day Today<\/a><\/strong> <em>(Beach Lane, 2012)<\/em><br \/>(Click each image to enlarge)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/18.TellMeAboutYourDayToday-1-use.jpg\"><\/p>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: Each book seems to beg for a different soundtrack. Of course, <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780547907253\">When Stravinsky Met Nijinsky<\/a><\/strong><\/em> consisted of hundreds of listenings to <strong><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Rite_of_Spring\">The Rite of Spring<\/a><\/em><\/strong> and <strong><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Petrushka_(ballet)\">Petrushka<\/a><\/em><\/strong>. While working on the illustrations for <em>Deer Dancer<\/em>, I have been listening to <strong><a href=\"http:\/\/www.zoekeating.com\/\">Zo\u00eb Keating<\/a><\/strong>. Her music seems to capture the yearning I sense in my main character and the magic of the deer dance in Mary Lyn Ray\u2019s manuscript. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/1. circusJuventas-use.jpg\" border=1><\/p>\n<p><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: When my son began taking Circus classes at <strong><a href=\"http:\/\/www.circusjuventas.org\/\">Circus Juventas<\/a><\/strong> [pictured above] ten years ago, I too ran away with the circus. I am the script writer, set designer, and set painter for Circus Juventas, the largest youth circus school in the US. <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/2. showdown set painting1.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/cooper in 7 man1.jpg\"><\/p>\n<p>Every summer the advanced students perform in a brilliant show with a theme, a narrative, full costumes, and interactive sets. Go <strong><a href=\"http:\/\/www.circusjuventas.com\/index.php\/performances\/past-shows\/showdown-2012\/showdown-video\">here<\/a><\/strong> to view excerpts from last summer\u2019s show, <em>Showdown<\/em> or <strong><a href=\"http:\/\/www.circusjuventas.com\/index.php\/performances\/past-shows\/grimm-2011\/grimm-2011-video\">here<\/a><\/strong> to see <em>Grimm<\/em> from two summers ago. Every fall I begin a new script and begin designing sets simultaneously. <\/p>\n<p>Someday it is sure to inspire a circus book!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/PUtting up cinderella's castle43use.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/PUtting up the castle34 copy1.jpg\" border=1><\/p>\n<p><font color=\"000066\"><font size=5>7.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Is there something you wish interviewers would ask you &#8212; but never do? Feel free to ask and respond here.<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: &#8220;What is the best piece of advice someone gave you?&#8221;<\/p>\n<p><em>Follow your heart. No matter what you do in life, follow your heart.<\/em><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: &#8220;Whimsical.&#8221; I also like &#8220;whim&#8221; and &#8220;whimsy.&#8221; <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: I can never remember my least favorite words. I suppose that is a good thing? <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: The arts: Dance, Music, Theatre, Opera, Paintings, Sculpture, Literature. <\/p>\n<p>And the ocean. Mountains. Tall forests.  <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: The Tea Party. Polluters. Extremists. <\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: A good friend of mine with a lingering Texan accent always says, &#8220;Mother of Guaaaad.&#8221; I find myself saying it in times of stress and dismay, but you really need the accent to pull it off. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: Ocean waves. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: Sirens. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: I have always wanted to be a violinist in an orchestra.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: Anything where I had to commute to work 9 to 5 in a suit.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>Lauren<\/font><\/strong>: &#8220;Remember all of those books you never got to read during your lifetime? And all of the places you never got to visit? Well, step right up. You have all the time in the world to read and travel to your heart\u2019s desire. Enjoy!&#8221;<\/p>\n<p><a href=\"http:\/\/blaine.org\/jules\/Me at the beach with my favorite sounds-large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/Me at the beach with my favorite sounds-small.jpeg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All artwork and images are used with permission of <strong><a href=\"http:\/\/www.laurenstringer.com\/Home.html\">Lauren Stringer<\/a><\/strong>.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, \u00a9 2009 <strong><a href=\"http:\/\/www.mattphelan.com\/\">Matt Phelan<\/a><\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Click to enlarge) I love it. The above sketch, that is. It&#8217;s one of author\/illustrator Lauren Stringer&#8217;s early sketches from her newest picture book, which she both wrote and illustrated, When Stravinsky Met Nijinsky: Two Artists, Their Ballet and One Extraordinary Riot, released by Harcourt in early March. Have you seen this book? I recommend [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-2534","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2534"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/2534\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2534"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}