{"id":3507,"date":"2014-08-26T09:19:08","date_gmt":"2014-08-26T15:19:08","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=3507"},"modified":"2014-08-27T20:35:13","modified_gmt":"2014-08-28T02:35:13","slug":"seven-questions-over-breakfast-with-mike-curato","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=3507","title":{"rendered":"Seven Questions Over Breakfast with Mike Curato"},"content":{"rendered":"


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\nDebut author-illustrator Mike Curato<\/a><\/strong> is visiting for breakfast this morning to share lots of art and talk about his new book, Little Elliot, Big City<\/a><\/strong><\/em> (which I think actually comes out today — I swear I don’t plan these things, but I just get lucky with my timing sometimes). Clearly, based on the sketch of Elliot above, we must<\/em> have cupcakes for breakfast. Actually, Mike agrees, when I ask him what he’d like on his plate. “If I could choose whatever I wanted without consequence,” he told me, “I\u2019m sure I\u2019d start off my morning with a cupcake. (Aren\u2019t muffins just really boring cupcakes anyway?)” He went on to say that he usually starts his day with something a bit healthier, but I’m all for this cupcake plan (healthy schmealthy), so let’s just DO IT. <\/p>\n

Little Elliot<\/em> tells the story of a tiny (cupcake-loving) elephant, who heads intrepidly into the big city and eventually makes a new friend. Booklist<\/em> praises Mike’s “almost cinematic artwork,” and the Kirkus<\/em> review notes “the meticulous beauty” of the illustrations. Mike’s here today to show us some of that, as well as some other illustrations. I’ll get the cupcakes and coffee out, and I thank him for visiting. <\/p>\n

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Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n

Mike<\/font><\/strong>: Both! <\/p>\n

While thinking about this question, I started wondering if I should just go by “storyteller,” since I love to tell stories whether it\u2019s visual, written, or spoken. But then people might roll their eyes if I say that, so let\u2019s stick with Illustrator\/Author.<\/p>\n


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An animated GIF showing Mike’s process;
this is a spread from <\/em>Little Elliot, Big City<\/center><\/p>\n

Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n

Mike<\/font><\/strong>: My very first book, Little Elliot, Big City<\/a><\/strong><\/em>, comes out August 26th. It\u2019s the first in a three-book series with Henry Holt Books for Young Readers (Macmillan), starring my favorite polka-dotted elephant.<\/p>\n


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Books of Wonder’s storefront window<\/em>
(Click to enlarge)<\/center>
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\nAlso, before that I illustrated a self-published book called Mabel McNabb and the Most Boring Day Ever<\/a><\/strong><\/em> by Amy Jones [pictured below].
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Jules<\/font><\/strong>: What is your usual medium?<\/font><\/p>\n

Mike<\/font><\/strong>: Usually, I draw in graphite-on-paper, then scan and color in Photoshop. For a super detailed explanation, click here<\/a><\/strong>. <\/p>\n

Jules<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font> <\/p>\n

Mike<\/font><\/strong>: I currently live in Brooklyn, NY. I actually grew up in the NYC suburbs, then went to college upstate at Syracuse, then lived in Seattle for ten years, and I just moved here last November. I think what I like most about Brooklyn is that you could throw a kneaded eraser and you\u2019d hit two or three illustrators. <\/p>\n

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(Click to enlarge)<\/em><\/center><\/p>\n

Jules<\/font><\/strong>: Can you tell me about your road to publication?<\/font> <\/p>\n

Mike<\/font><\/strong>: You mean aside from wanting to do this forever? <\/p>\n

Well, in 2012 I attended my first SCBWI<\/a><\/strong> Winter Conference here in NYC. I entered the portfolio show and won. Everyone was smitten with Elliot, who appeared throughout my portfolio. The week after was filled with emails and calls from agents and publishers. I signed with Brenda Bowen, a literary agent at Greenburger (who is now officially my favorite strawberry blonde person). I worked on a manuscript for several months. We took it to several houses, and then it went to auction. I signed with Holt for a three-book deal and have been blessed to be able to work with my editor, Laura Godwin.<\/p>\n

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(Click to enlarge)<\/em><\/center><\/p>\n

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Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n

Mike<\/font><\/strong>: You can see my portfolio at www.MikeCurato.com<\/a><\/strong>.
\nYou can read my blog at mikecurato.wordpress.com\/<\/a><\/strong>. <\/p>\n

Jules<\/font><\/strong>: If you do school visits, tell me what they’re like.<\/font> <\/p>\n

Mike<\/font><\/strong>: I just had my very first school visit this July at a preschool on the Lower East Side. In addition to reading Little Elliot, Big City<\/em>, we wrote our own Elliot story: \u201cElliot woke up. Elliot ate breakfast. Elliot brushed his teeth. Elliot went to the beach. Elliot ate ice cream.\u201d The kids told me what to draw in each scene, and some details were quite interesting. It was super fun, and I can\u2019t wait to do it again!<\/p>\n

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(Click to enlarge)<\/em><\/center><\/p>\n

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Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font> <\/p>\n

Mike<\/font><\/strong>: I just finished the second book in the Little Elliot<\/em> series, Little Elliot, Big Family<\/em>, which comes out Fall 2015. Soon I\u2019ll start working on the third, and I honestly have no idea what it\u2019s going to be about yet. <\/p>\n

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Meanwhile, there are two projects I just agreed to illustrate, but I can\u2019t talk about them just yet. (Eep! I can\u2019t wait to shout them from the rooftops!) <\/p>\n

I have also been working on an idea for a YA graphic novel, but it will be some time before it\u2019s ready to be shown to anybody.<\/p>\n

\"Mmm.Okay, I’ve got coffee and more cupcakes, and it’s time to get a bit more detailed with seven questions over breakfast. I thank Mike again for visiting 7-Imp.<\/font> <\/p>\n

1.<\/font> Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n

Mike<\/strong><\/font><\/strong>: DANCE. My \u201cprocess\u201d isn\u2019t sequential. I jump back and forth between writing and illustrating, almost like a dance. Doing one will inspire the other, or sometimes when I\u2019m feeling stuck, I\u2019ll switch to get back in the rhythm. So, I start with sketches, then do some writing, then back and forth. <\/p>\n

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KEEP IT LOOSE. The initial dummy is very loose. The sketches just show enough to convey what is going on in the spread; that way I don\u2019t get too hung up on the details. However, I did start out both Little Elliot, Big City<\/em> and Little Elliot, Big Family<\/em> with one finished piece of art that I made before the book deal. <\/p>\n

RESEARCH. When you\u2019re illustrating a non-abstract scene, you need reference materials. Little Elliot<\/em> is set in the late 1930s\/early ’40s, so I had to do my homework on the look and feel of the time period. One of my favorite parts of the research was going to the MTA archives to look at photos of the subway and then going to the MTA museum to see vintage subway cars. (High-fives to my fellow history nerds!)<\/p>\n

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(Click to enlarge)<\/em><\/center><\/p>\n

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(Click to enlarge)<\/em><\/center><\/p>\n

DRAW, DRAW, DRAW. Once my thumbnails are approved and I have all the reference materials I need, I create a detailed comp for each spread. Sometimes I\u2019ll create a mock-up by stitching together all of my reference materials in Photoshop. I check in with the editor one more time with the comps before taking everything to finish, giving me a window to make adjustments to the drawings. Once all adjustments are made, based on feedback, I will finish the drawing. <\/p>\n

COLOR. After I scan, I touch up anything that sticks out, then start coloring. Each color is a separate layer in Photoshop with different opacities, almost like a glazing technique one would use in painting.<\/p>\n

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2.<\/font> Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n

Mike<\/strong><\/font><\/strong>: I have a workroom in my apartment. It\u2019s a pretty easy commute! It\u2019s spacious (by New York standards) and gets good light. I love being there. <\/p>\n

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Mike: “Let there be light!”<\/em>
(Click to enlarge)<\/center><\/p>\n

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Mike: “The wall to the right houses some illustrations by friends (and artists I WANT to be friends with). I made that picture of a cat when I was four. The image of Elliot above the desk appears in <\/em>Little Elliot, Big Family.”<\/em>
(Click to enlarge)<\/center><\/p>\n

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Mike: “Books and flatfiles of drawings and books and art supplies and books.”<\/em>
(Click to enlarge)<\/center><\/p>\n

3.<\/font> Jules<\/font><\/strong>: As a book-lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n

Mike<\/strong><\/font><\/strong>: My Mom says that my favorite books when I was little were The Little Red Caboose<\/a><\/strong><\/em> and The Poky Little Puppy<\/a><\/strong><\/em>. She used to read to me all the time from a Golden Book compilation entitled Tibor Gergely\u2019s Great Big Book of Bedtime Stories<\/a><\/strong><\/em>, which I still have and I still love. I think Gergely\u2019s<\/a><\/strong> work still influences me today. I also loved Richard Scarry\u2019s<\/a><\/strong> What Do People Do All Day?<\/a><\/strong><\/em>, Dr. Seuss\u2019<\/a><\/strong> The Cat in the Hat<\/a><\/strong><\/em> and Green Eggs and Ham<\/a><\/strong><\/em>, and Mabel Watt\u2019s Hiram\u2019s Red Shirt<\/a><\/strong><\/em> (illustrated by Aurelius Battaglia<\/a><\/strong>?). <\/p>\n

4.<\/font> Jules<\/font><\/strong>: If you could have three (living) authors or illustrators—whom you have not yet met—over for coffee or a glass of rich, red wine, whom would you choose? (Some people cheat and list deceased authors\/illustrators. I won\u2019t tell.)<\/font><\/p>\n

Mike<\/font><\/strong>: Since moving to Brooklyn, I\u2019ve had the pleasure of meeting so many amazing illustrators, but I have yet to meet this handful of heroes. (Okay, okay. I know I\u2019m only supposed to choose three, but who do you expect me to cut from this list?)<\/p>\n

Chris Van Allsburg<\/a><\/strong>, Ian Falconer<\/a><\/strong>, Peter McCarty<\/a><\/strong>, and Renata Liwska<\/a><\/strong>. <\/p>\n

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5.<\/font> Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n

Mike<\/font><\/strong>: I often listen to music while I\u2019m illustrating (or I have a movie playing in the background). While working on the latest book, I listened to a lot of Fiona Apple<\/a><\/strong> (The Idler Wheel<\/em>), Robyn (Bodyrock), Mark Ronson<\/a><\/strong> (Record Collection<\/em>), Gossip<\/a><\/strong> (A Joyful Noise<\/em>), MS MR<\/a><\/strong> (Secondhand Rapture<\/em>), and everything\/anything by Vampire Weekend<\/a><\/strong> and Rufus Wainwright<\/a><\/strong>. I\u2019m also really into soundtracks such as Am\u00e9lie<\/em>, Chicago<\/em>, Pride & Prejudice<\/em>, Sleepless in Seattle<\/em>, and Pina<\/em>. And when I really want to burn the midnight oil, I usually default to either my ’80s pop or ’90s grunge playlists. Oh, and Weezer\u2019s Blue Album<\/em><\/a><\/strong> is always playing at some point when I make art. It\u2019s a tradition that my former college studio-mates and I share.<\/p>\n

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6.<\/font> Jules<\/font><\/strong>: What’s one thing that most people don’t know about you?<\/font> <\/p>\n

Mike<\/font><\/strong>: One thing I must confess is that I was not a voracious reader in my teens. I\u2019m not sure what happened, but once I grew out of picture books, the idea of reading seemed like such a chore. It was cutting into my drawing and TV time! Thank goodness for comic books. They are pretty much all I read from the ages of 12 to 15. I was very passionate about my X-Men collection from then into my early 20s. I did dream about making my own picture books when I was very young, but for the duration of middle and high school, I aspired to be a comic book artist. Though my interest in classic superheroes has diminished, I am hoping to break into graphic novels one day.<\/p>\n

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7.<\/font> Jules<\/font><\/strong>: Is there something you wish interviewers would ask you — but never do? Feel free
\nto ask and respond here.<\/font> <\/p>\n

Mike<\/font><\/strong>: One question I\u2019d like to hear is: \u201cAside from other children\u2019s books, is there anything that influences your work?\u201d And the answer would be: \u201cYES!”<\/p>\n

I am really inspired by film. Good cinematography, like picture books, can tell a story with very few words. My favorite movies (and picture books) have both amazing imagery and compelling narrative. Movies like Am\u00e9lie<\/em>, The Last Emperor<\/em>, American Beauty<\/em>, Inception<\/em>, Marie Antoinette<\/em>, The Royal Tenenbaums<\/em>, and Lord of the Rings<\/em> are not only riveting stories; everything is also visually stunning. There is attention to detail in every scene. Every object is carefully placed — and the color adjusted to convey the feeling in the atmosphere. The framing of each scene is dynamic and directs the eye. I could watch any of these on mute and just revel in their beauty. I try to take the visual lessons I learn from films like these and apply them to my work. <\/p>\n


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* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n

Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n

Mike<\/font><\/strong>: “Cake.”<\/p>\n

Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n

Mike<\/font><\/strong>: “Literally.” When it’s misused. <\/p>\n

Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n

Mike<\/font><\/strong>: See: What is your favorite word?<\/em> <\/p>\n

Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n

Mike<\/font><\/strong>: Celery.<\/p>\n

7-Imp<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n

Mike<\/font><\/strong>: I couldn’t possibly choose one. <\/p>\n

Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n

Mike<\/font><\/strong>: <\/p>\n