{"id":3572,"date":"2014-11-11T06:54:34","date_gmt":"2014-11-11T12:54:34","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=3572"},"modified":"2015-10-27T21:52:51","modified_gmt":"2015-10-28T03:52:51","slug":"seven-questions-over-breakfast-with-rick-allen","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=3572","title":{"rendered":"Seven Questions Over Breakfast with Rick Allen"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/Rickopener.jpg\" alt=\"\" \/>It&#8217;s such a pleasure to have printmaker and illustrator <strong><a href=\"http:\/\/www.kenspeckleletterpress.com\/\">Rick Allen<\/a><\/strong> visit 7-Imp this morning, especially to read his thoughtful responses to my questions below &#8212; and, of course, to see his compelling prints as well.<\/p>\n<p>Rick is up in cold, windy Minnesota in a city on Lake Superior&#8217;s north shore, and as you&#8217;ll read below, it&#8217;s just the right place for him to be. His first book was self-published via <strong><a href=\"http:\/\/www.kenspeckleletterpress.com\/\">Kenspeckle Letterpress<\/a><\/strong>, which he describes as &#8220;original letterpress artwork, giclees, notecards, prints and posters&#8230;[with] his creative muse: <strong><a href=\"https:\/\/kenspeckleletterpress.com\/blogspeckle\/category\/marian-lansky\/\">Marian Lansky<\/a><\/strong>.&#8221; His other two books were published by Houghton Mifflin Harcourt and written by award-winning children&#8217;s book author and poet <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1915\">Joyce Sidman<\/a><\/strong>. The first, <em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547152288\">Dark Emperor &amp; Other Poems of The Night<\/a><\/strong><\/em>, received a <strong><a href=\"http:\/\/www.ala.org\/alsc\/2011-newbery-medal-and-honor-books\">2011 Newbery Honor<\/a><\/strong>. And I wrote <strong><a href=\"https:\/\/www.kirkusreviews.com\/features\/animals-full-life\/\">here<\/a><\/strong> at <em>Kirkus<\/em> about their latest collaboration, <em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547906508\">Winter Bees &amp; Other Poems of The Cold<\/a><\/strong><\/em>, released just last week. Allen&#8217;s illustrations for each are exquisite.<\/p>\n<p>For our fake cyber-breakfast, which I very much wish were real and in-person, Rick&#8217;s going to be brave and go for coffee. &#8220;Breakfast,&#8221; he told me, &#8220;is multiple cups of tea, usually black tea of varying strength, depending upon how long I forget it\u2019s been steeping (credit <a href=http:\/\/www.dresshead.com\/dresshead-staff-profile-chris-richter\/ style=\"text-decoration: none; color: #000\">chris<\/a>). In the last few years, I\u2019ve been experimenting with drinking coffee in the morning; to make it palatable I generally lash in great quantities of half-and-half, so perhaps it\u2019s coffee-tinted cream that I\u2019m drinking. We had a Swedish great-grandmother, who used to slurp coffee from a saucer into my siblings and me when we were just months old, and it may have taken a half-century to overcome that early cultural conditioning to try coffee, or near-coffee, again.&#8221;<\/p>\n<p>I can <em>always<\/em> help people find their way to coffee!<\/p>\n<p>I thank him for visiting. <!--more--><\/p>\n<p><center><span style=\"font-size: large;\"><strong>* * * * * * *<\/strong><\/span><\/center><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: Are you an illustrator or author\/illustrator?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: Illustrator &#8212; and definitely not author slash illustrator. I tend to be wordy but haven\u2019t ever tried to push those words around into anything like a narrative, beyond the title for a print. And since book illustration itself hasn\u2019t been a primary focus for me, I should probably say I\u2019m a printmaker\/illustrator, just for accuracy\u2019s sake.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/RNAatdesk1 copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick working on a block<\/em><\/center><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: Can you list your books-to-date?<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/WinterBeescover1.jpg\" alt=\"\" border=\"1\" \/><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/firstchinookcover.jpg\" alt=\"\" \/><\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>:<\/p>\n<ul>\n<li><em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780976467601\">The First Chinook: The Adventures of Arthur T. Walden and His Legendary Sled Dog, Chinook<\/a><\/strong><\/em> by David Pagel (The Kenspeckle Letterpress, 2005)<\/li>\n<li><em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547152288\">Dark Emperor &amp; Other Poems of The Night<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1915\">Joyce Sidman<\/a><\/strong> (Houghton Mifflin Harcourt, 2010)<\/li>\n<li><em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547906508\">Winter Bees &amp; Other Poems of The Cold<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1915\">Joyce Sidman<\/a><\/strong> (Houghton Mifflin Harcourt, November 2014)<\/li>\n<\/ul>\n<p><a href=\"http:\/\/blaine.org\/7pics\/2014\/11\/DARK_EMPEROR_10-11full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/DARK_EMPEROR_10-11small.jpg\" alt=\"\" border=\"1\" \/><\/a><\/p>\n<p><center><em>&#8220;Love Poem of the Primrose Moth&#8221;<\/em><br \/>\n(Click image to read the poem and see the spread in its entirety)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/7pics\/2014\/11\/DARK_EMPEROR_16-17full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/DARK_EMPEROR_16-17small.jpg\" alt=\"\" border=\"1\" \/><\/a><\/p>\n<p><center><em>&#8220;Night-Spider&#8217;s Advice&#8221;<\/em><br \/>\n(Click image to read the poem and see the spread in its entirety)<\/center><\/p>\n<p><a href=\"http:\/\/blaine.org\/7pics\/2014\/11\/DARK_EMPEROR_20-21full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/DARK_EMPEROR_20-21small.jpg\" alt=\"\" border=\"1\" \/><\/a><\/p>\n<p><center><em>&#8220;Cricket Speaks&#8221;<\/em><br \/>\n(Click image to read the poem and see the spread in its entirety)<\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/darkemperorsidmanallencover.jpeg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Pictured above: Spreads and cover from <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1915\">Joyce Sidman\u2019s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547152288\">Dark Emperor<\/a><\/strong><\/center><\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What is your usual medium?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: I most often work in wood engraving and linoleum block prints, both traditional relief print media, with some drawing and painting (usually in gouache) wrapped up into that process. Relief printing involves cutting away material from the block until only the image remains to take ink and print the image, and it\u2019s cut in reverse to make the image print right. The farther you get into the cutting and the more time you\u2019ve got invested into the block, the less room you have to make a mistake and the more probable it is you\u2019re going to make that mistake. It\u2019s like playing a game of graphic Jenga: How much can you remove before you cause the whole thing to collapse? And until you pull a proof of the image, you can\u2019t be entirely sure you haven\u2019t made a slip of the hand that is either a fatal mistake or an inspired accident that makes the picture. I\u2019ve frequently had to start the whole thing over and begin a new block because of a cut too far. It\u2019s exciting, in the way watching two snails race can be exciting &#8212; you\u2019ve got to have a long attention span and an appreciation for the small detail.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/8x12CandP copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;Our oldest platen press, an 8&#215;12 (the size of the printing chase in inches) Chandler &amp; Price, built in 1897. Still works beautifully.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/CandPwithInkcans copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;Our trusty 1897 C&amp;P with a load of ink cans stacked on it,<br \/>\nas we print blocks.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/Tools copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Lino and engraving tools on Rick&#8217;s desk<\/em><\/center><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: Where are your stompin\u2019 grounds?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: Duluth, Minnesota. Where the winds hit heavy on the borderline.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/cuttingblocks copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;What my desk looks like while working on a multiple-block printing project &#8230;&#8221;<\/em><\/center><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: Can you tell me about your road to publication?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: We self-published <em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780976467601\">The First Chinook<\/a><\/strong><\/em>, a <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Robert_W._Service\">Robert W. Service<\/a><\/strong>-like epic poem featuring a true-life sled dog story from the 1920s. (We\u2019re still astonished that Disney hasn\u2019t ever found and wagged this amazing tale.) It was written by a friend whose journalistic day job was writing and editing for climbing and mountaineering magazines. I did almost forty wood engravings in six months and developed a nearly permanent squint. My wife, Marian, digitally colored the engravings and designed the book. In this adventure, we learned that book publishing is a noble undertaking and that we didn\u2019t want to do it again.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/DkEmp-mousie.jpg\" alt=\"\" \/><\/p>\n<p><center><em>Another image from <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1915\">Joyce Sidman\u2019s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547152288\">Dark Emperor<\/a><\/strong><em>,<br \/>\nprinted from three blocks and hand-colored<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/manyowls copy.jpg\" alt=\"\" \/><\/p>\n<p><center><em>Rick: &#8220;Working on <\/em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547152288\">Dark Emperor<\/a><\/strong><em>, owls and raccoons became sort of a leitmotif<br \/>\nin our shop. This is a sheet of random pen and ink doodles,<br \/>\nexploring the possibilities of owl personalities.&#8221;<\/em><\/center><\/p>\n<p>For <em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547152288\">Dark Emperor<\/a><\/strong><\/em>, I was contacted by Ann Rider, <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1915\">Joyce Sidman\u2019s<\/a><\/strong> incredible editor at Houghton Mifflin Harcourt, who lives just a little bit farther up Lake Superior\u2019s north shore and had become aware of my work through a local gallery.<\/p>\n<p>With <em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547906508\">Winter Bees<\/a><\/strong><\/em>, both Ann and Joyce were willing to take me along on the ride again.<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: Can you please point readers to your web site and\/or blog?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: <strong><a href=\"http:\/\/www.kenspeckleletterpress.com\/\">www.kenspeckleletterpress.com\/<\/a><\/strong> and<br \/>\n<strong><a href=\"http:\/\/www.kenspeckleletterpress.com\/blogspeckle\/\">www.kenspeckleletterpress.com\/blogspeckle\/<\/a><\/strong>.<\/p>\n<p><a href=\"http:\/\/blaine.org\/7pics\/2014\/09\/WINTER_BEES_HI-4.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/09\/WINTER_BEES_HI-4small.jpg\" alt=\"\" border=\"1\" \/><\/a><\/p>\n<p><center><em>&#8220;Dream of the Tundra Swan&#8221; spread<br \/>\n<\/em>(Click to enlarge)<\/center><a href=\"http:\/\/blaine.org\/7pics\/2014\/09\/WINTER_BEES_HI-8.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/09\/WINTER_BEES_HI-8small.jpg\" alt=\"\" border=\"1\" \/><\/a><\/p>\n<p><center><em>&#8220;Winter Bees&#8221; spread<br \/>\n<\/em>(Click to enlarge)<\/center><a href=\"http:\/\/blaine.org\/7pics\/2014\/09\/WINTER_BEES_HI-11.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/09\/WINTER_BEES_HI-11small.jpg\" alt=\"\" border=\"1\" \/><\/a><\/p>\n<p><center><em>&#8220;Vole in Winter&#8221; spread<\/em><br \/>\n(Click to enlarge)<\/center>&nbsp;<\/p>\n<p><center><em>Pictured above: Spreads from <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1915\">Joyce Sidman&#8217;s<\/a><\/strong> <\/em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547906508\">Winter Bees<\/a><\/strong><br \/>\n(Houghton Mifflin, November 2014)<\/center><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: No new titles in hand for the now, so I\u2019m working on drawings, paintings, and prints for the annual gallery show we do in April. Which in Duluth truly can be the cruelest month, with measurable snowfall still being more likely than green grass and with lilacs that won\u2019t bloom in the dooryard for another two months.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/boygirl copy.jpg\" alt=\"\" \/><\/p>\n<p><center><em>Rick: &#8220;A random pen and ink sketch of two girls, actually. The soccer player might could be my wife as a soccer player in an earlier alternate life.&#8221;<\/em><\/center><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/skatingraccoon copy.jpg\" alt=\"\" \/><\/p>\n<p><center><em>Rick: &#8220;Another doodle of favorite shop animal, possibly from an unwritten story.<br \/>\nWe might have a name for the raccoon, but no story.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" title=\"Mmm. Coffee.\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" alt=\"Mmm. Coffee.\" \/>Okay, we&#8217;ve got more coffee, and it&#8217;s time to get a bit more detailed with seven questions over breakfast. I thank Rick again for visiting 7-Imp.<\/p>\n<p><span style=\"font-size: x-large;\">1.<\/span> <strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/p>\n<p><span style=\"font-size: large;\"><strong>Rick<\/strong><\/span>: Definitely that thing with the muse and seeing where we all end up. But I\u2019ve only worked on three books (and, oddly enough, they\u2019ve all been poetry) and each book has been done differently, so it\u2019s hard to say that I\u2019ve got a process in place.<\/p>\n<p>The first book was done in wood engravings, the second (<em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547152288\">Dark Emperor<\/a><\/strong><\/em>or) consisted of 12 multiple-block linoleum prints finished with hand coloring, and the last (<em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547906508\">Winter Bees<\/a><\/strong><\/em>) was made from nearly 200 individual blocks that were printed, hand-colored, and then scanned and digitally composed for the final spread. Most of my time early on is spent reading and re-reading the poems and trying to track the visuals which occur to me as I go, like walking through the woods and noticing the small half-heard or almost-glimpsed animals as you pass through.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/undericelayouts copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;A progression of sketches from the first scrawl with pen and watercolor, to a photocopy of the next-stage chalk and pencil sketch, to the cut-and-pasted working comp [for the &#8216;Under Ice&#8217; spread in <\/em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547906508\">Winter Bees<\/a><\/strong><em>]&#8221;<\/em><\/center>&nbsp;<\/p>\n<p>I recall poetry being defined as something that explains nothing but makes everything understandable, and I think of images accompanying the poetry as being similar: There has to be enough room left in an image for the viewer to bring their own imagination to it &#8212; and take away their own meaning from it. I\u2019ll do some very rough sketches, rough enough so that they\u2019re entirely cryptic to anyone else without a paragraph of explanation accompanying them. Those rough sketches leave me ample sea room to continue changing and refining the image as I get the drawing onto the block and then begin cutting the block for printing.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/beaverlodge-progression copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;Progressive proofs of the beaver lodge from &#8216;Under Ice&#8217; &#8212;<br \/>\nfrom sketch to initial color separation trials of two registered blocks.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/swimmingbeaver copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;The sketch, cut block, and first proof from the bullet-like swimming beaver<br \/>\nin &#8216;Under Ice&#8217; [in <\/em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547906508\">Winter Bees<\/a><\/strong><em>]&#8221; &#8230;<\/em><\/center><\/p>\n<p>As I mentioned earlier, printmaking by its nature can be an extremely controlled and controlling medium, but since I\u2019m largely self-taught as a printmaker, I\u2019ve contrived my own left-handed ways of going about it that encourage a degree of improvisation throughout. For example, if the drawing on the block is too tightly finished, you\u2019re apt to just reproduce its lines in the cutting, which may take a little life out of the final print. So I keep the drawing on the block loose enough to serve only as a suggested starting place and to cut the image as freely as I can, departing from the drawing as seems advisable or necessary as it goes along. This process also requires an extremely patient and tolerant editor, who can accommodate a deal of uncertainty, which I\u2019ve been incredibly fortunate to have in Ann Rider at Houghton.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/Janelle printing Dark Emp.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;Our assistant and colleague, Janelle Miller (a.k.a. the Warrior Printress, or Jenspeckle), working on pulling the print for <\/em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547152288\">Dark Emperor<\/a><\/strong><em><br \/>\non our little Vandercook proof press #1 &#8230;&#8221;<\/em><\/center><span style=\"font-size: x-large;\">2.<\/span> <strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: Describe your studio or usual work space.<\/p>\n<p><span style=\"font-size: large;\"><strong>Rick<\/strong><\/span>: I currently work with my wife and creative partner, Marian, in a warren of three randomly connected offices in an old factory building in Duluth, about a block from Lake Superior; in one form or another we\u2019ve been in the building since 1989. The largest room houses our four presses (the oldest dating back to 1897 and the youngest to the mid-1950s) and cabinets of wood and metal type, flat files of paper, paper cutter, ink, and all the outdated odds and ends that we use in the lino blocks, wood engravings, and typeset projects we produce.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/Rickstudio copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick&#8217;s desk<\/em><\/center><\/p>\n<p>Marian has her own office where she spends time in the 21st-century work (she was an early adopter of Mac computers in her graphic design business back in \u201889) with an array of computers and their attendant scanners and giclee printers. I\u2019m located in still another studio\/gallery space with an old drafting desk, bookshelves, and an easel; we open the gallery space in a random sort of way to show and sell our work when we can. All the rooms have huge north-facing windows that make for a fantastic working light. We couldn\u2019t be more fortunate in our workplace; this building is its own village, with shops and offices and people we\u2019ve come to know over more than 25 years of residence, right on the shore of the greatest of the Great Lakes.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/OverTheShoulder copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick, working on a project and using a variety of tools on a lino block<\/em><\/center><span style=\"font-size: x-large;\">3.<\/span> <strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: As a book-lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/p>\n<p><span style=\"font-size: large;\"><strong>Rick<\/strong><\/span>: How early is early? I think reading became important to me first in high school under the influence of several memorable English and history teachers, who got the canon of classic Western lit drilled into our bones. <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Herman_Melville\">Melville<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Emily_Dickinson\">Dickinson<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Walt_Whitman\">Whitman<\/a><\/strong>, and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Mark_Twain\">Twain<\/a><\/strong>. <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/William_Shakespeare\">Shakespeare<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Alfred,_Lord_Tennyson\">Tennyson<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/W._B._Yeats\">Yeats<\/a><\/strong>, and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Dylan_Thomas\">Dylan Thomas<\/a><\/strong>. <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Robert_Frost\">Frost<\/a><\/strong> and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Abraham_Lincoln\">Lincoln<\/a><\/strong>.<\/p>\n<p>And illustrators? There are far too many: <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Winslow_Homer\">Winslow Homer<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Arthur_Rackham\">Arthur Rackham<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Elizabeth_Shippen_Green\">Elizabeth Shippen Green<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Beatrix_Potter\">Beatrix Potter<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Howard_Pyle\">Howard Pyle<\/a><\/strong> and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/N._C._Wyeth\">N. C. Wyeth<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Rockwell_Kent\">Rockwell Kent<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Lynd_Ward\">Lynd Ward<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Robert_Lawson_(author)\">Robert Lawson<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Wanda_G%C3%A1g\">Wanda G\u00e1g<\/a><\/strong> (there\u2019s an accent in there I can\u2019t manufacture), the <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Ingri_and_Edgar_Parin_d'Aulaire\">d\u2019Aulaires<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Edward_Gorey\">Gorey<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Maurice_Sendak\">Sendak<\/a><\/strong>. &#8230;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/Still Life With Lincoln &amp; copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;A detail from our shop, featuring the 16th president, wearing a pressman&#8217;s paper hat (just like the carpenter in <\/em><strong><a href=\"http:\/\/www.alice-in-wonderland.net\/alicepic\/disney-movie\/carpenter.jpg\">Alice<\/a><\/strong><em>), and an ad from the 1920s offering big bucks for a career in art; we still make those very same big bucks now,<br \/>\nnot adjusted for inflation.&#8221;<\/em><\/center><\/p>\n<p>We had a Carnegie Library here in Duluth as I grew up, with a large, comprehensive children\u2019s room that I escaped as soon as I was old enough to head up the stairs to the large copper-domed adult reference room and the thick translucent glass floors in the stacks that allowed spectrally-diffused feet to appear above you and shadows that passed quietly beneath your own feet as you browsed through books that had been on the shelves since Moses, or at least since Andrew Carnegie put them there. It was a place that gave books a living presence for me &#8212; and where I first had the sense that you could use books to help create your own interior life.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/TD blocks underway copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;Another unwritten story of ours featuring our very own The Trapper&#8217;s Daughter, which has gone through 12 or so prints over as many or more years. We do a new one every Spring, making hers a story without words, or a story looking for words.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/TD Pickerel.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;An early <\/em>Trapper&#8217;s Daughter<em> print: tone block and lots of hand-coloring &#8230;&#8221;<\/em><\/center><\/p>\n<p><span style=\"font-size: x-large;\">4.<\/span> <strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: If you could have three (living) authors or illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose? (Some people cheat and list deceased authors\/illustrators. I won\u2019t tell.)<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: While I\u2019d really like to see (and talk to) dead people, at least some of those listed above, among the living I wouldn\u2019t mind having a pint with <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1906\">Christopher Wormell<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Michael_Sowa\">Michael Sowa<\/a><\/strong>, or <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Tomi_Ungerer\">Tomi Ungerer<\/a><\/strong>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/TD Long view on press1 copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;The print of <\/em>The Trapper&#8217;s Daughter<em> and <\/em>The Long View<em>, midway through the printing process on our #14 Vandy press, with about 12 of the 26 blocks printed.<br \/>\nA work literally in progress&#8230;.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/TDLongView-sketch.jpg\" alt=\"\" \/><\/p>\n<p><center><em>Rick: &#8220;The final drawing for <\/em>The Long View<em>,<br \/>\ntaped together in preparation for transfer to the first block &#8230;&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/Trapper's Daughter Inking copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;Our inking table with brayers and inks laid out for <\/em>The Trapper&#8217;s Daughter<em><br \/>\nand <\/em>The Long View<em>. Some of the inks&#8230;.&#8221;<\/em><\/center><\/p>\n<p><span style=\"font-size: x-large;\">5.<\/span> <strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: For most of my life, I listened constantly to the radio while I worked: pop, classical, or talk. (Once, pulling an all-nighter on a project, I listened to the BBC World Service interview a farmer in the English Midlands, who collected potatoes that resembled famous people, which has left me with an almost hallucinogenic-seeming memory.) The last few years I\u2019ve gone through a period of not listening to anything while working, and I\u2019m just now starting to have an iPod, shuffling music at my desk. The shuffle function may be the most wonderful technological advance in my cast-iron shop: the resulting playlists are often startling and, occasionally, gobstopperingly magical. Today\u2019s shuffle started with bagpipes and then moved on to Finnish accordionist <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Maria_Kalaniemi\">Maria Kalaniemi<\/a><\/strong>; <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/June_Tabor\">June Tabor<\/a><\/strong>, singing <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Body_and_Soul_(1930_song)\">&#8220;Body And Soul&#8221;<\/a><\/strong>; a local blues guitarist, named <strong><a href=\"http:\/\/www.charlieparr.com\/\">Charlie Parr<\/a><\/strong>; <strong><a href=\"http:\/\/www.marygauthier.com\/\">Mary Gauthier<\/a><\/strong> from New Orleans; and a Swedish fiddle trio called <strong><a href=\"http:\/\/www.vasen.se\/\">V\u00e4sen<\/a><\/strong>. This was followed by <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/George_Frideric_Handel\">Handel<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Ella_Fitzgerald\">Ella Fitzgerald<\/a><\/strong>, <strong><a href=\"http:\/\/hottuna.com\/\">Hot Tuna<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Johann_Sebastian_Bach\">Bach<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Pogues\">The Pogues<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Keith_Jarrett\">Keith Jarrett<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Bonnie_Raitt\">Bonnie Raitt<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Dire_Straits\">Dire Straits<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Roches\">The Roches<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Leonard_Cohen\">Leonard Cohen<\/a><\/strong>, <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Jim_Hall_(musician)\">Jim Hall<\/a><\/strong>, and <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Tom_Waits\">Tom Waits<\/a><\/strong>. And, always, there\u2019s the uneasy memory of a British tuber that may have resembled Margaret (or was it Dennis?) Thatcher lingering in the background of my ear\u2019s mind.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/tomwaits-engrvg.jpg\" alt=\"\" \/><\/p>\n<p><center><em>A 5&#215;7 wood engraving Rick did for their friend in Ireland, who does their website development and who is an ardent Tom Waits fan &#8230;<\/em><\/center><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/tomwaitsblock5 copy.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;The sketch transferred onto the block with the engraving in process.<br \/>\nVery squinty work.&#8221;<\/em><\/center><span style=\"font-size: x-large;\">6.<\/span> <strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: I didn\u2019t learn to tie my shoes until first grade. But I did learn it well enough then to retain the skill up to now.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/TDhighest.jpg\" alt=\"\" \/><\/p>\n<p><center><em>Rick: &#8220;The final print of The <\/em>Trapper&#8217;s Daughter<em> and <\/em>The Long View<em>.<br \/>\nTwenty-six blocks, no hand-coloring. It almost beat us.&#8221;<\/em><\/center><span style=\"font-size: x-large;\">7.<\/span> <strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: Is there something you wish interviewers would ask you &#8212; but never do? Feel free to ask and respond here.<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: I haven\u2019t been interviewed enough to know. I\u2019m still surprised by the questions that are asked.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2014\/11\/TDclosereach.jpg\" alt=\"\" border=\"1\" \/><\/p>\n<p><center><em>Rick: &#8220;The most recent <\/em>Trapper&#8217;s Daughter<em><br \/>\n&#8212; from 12 blocks with some hand-coloring.&#8221;<\/em><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\" alt=\"\" \/><\/p>\n<p><center><span style=\"font-size: large;\">* * * The Pivot Questionnaire * * *<\/span><\/center><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What is your favorite word?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: That\u2019s like being asked to choose a favorite child. I love \u2018em all, each in their own way. Although &#8220;hystricine&#8221; is very nice. And &#8220;phillumeny.&#8221; Or &#8220;flosculation.&#8221; &#8230;<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What is your least favorite word?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: &#8220;Should,&#8221; as in what you <em>should<\/em> do, or <em>should<\/em> be, or <em>should<\/em> have done. &#8230;<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What turns you on creatively, spiritually or emotionally?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: Damp, drizzly November-in-your-soul weather, like a nor\u2019easter with great waves and horizontal rain\/sleet\/snow driving in off the lake. Wonderful, as long as you\u2019re on shore. And words. Music. Printing shops. Surprising and random idle associations of unconnected ideas. My wife, always.<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What turns you off?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: Emotional conflict of nearly any kind. Hot humid weather; I\u2019m primarily a psychrophilic animal, which made <em><strong><a href=\"http:\/\/www.redballoonbookshop.com\/book\/9780547906508\">Winter Bees<\/a><\/strong><\/em> a good fit for me. Nothing like spending a couple of years in winter on a book.<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What is your favorite curse word? (optional)<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: Entirely situational.<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What sound or noise do you love?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: Any kind of boat moving through water. A brayer rolling up ink &#8212; and a platen letterpress in operation.<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What sound or noise do you hate?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: A boat\u2019s keel hitting ledge rock, or a case of six-point metal type falling to the floor &#8212; the unpleasant knell of an incipient disaster in either instance.<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What profession other than your own would you like to attempt?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: I\u2019ve taken a long and indirect path to reach a point where I\u2019m doing pretty much just what I want to do and can make a living by doing just that; it\u2019s so rare a condition for someone working at their art that I don\u2019t for a moment wish there were anything else I could be doing. Before getting here, I had years and years of varied and odd jobs: I was a canoe guide in the very-nearly-far north and a partner in an ice-climbing school in the even-slightly-further north. I worked retail in an outdoor gear store and in a tiny neighborhood bookstore, specializing in children\u2019s books (back when neighborhood bookstores weren\u2019t all that rare), which was conveniently located next to a bakery that made chocolate croissants fresh every morning. While living in Germany I had a part-time job as a kindermaedchen&#8212;a nanny&#8212;for three kids aged two, three, and five. And like many failed humanists with a degree in History (in my case, in the relationship between art and science during the Italian Renaissance, which predictably proved to have little traction in the real world of gainful employment), I worked as a paralegal for a large law firm, as I pondered a possible future as an attorney. And I delivered a large wooden sloop from the far western end of Lake Superior to New York City via the Great Lakes and the Erie Canal without once sinking it in 1,500 miles. Now I stay in the print shop to pet the presses and to be mindful of my immense good luck in being able to do what I most want to do, for as long as I can do it.<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: What profession would you not like to do?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: Anything, absolutely anything, requiring numeracy.<\/p>\n<p><strong><span style=\"font-size: large;\">Jules<\/span><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/p>\n<p><strong><span style=\"font-size: large;\">Rick<\/span><\/strong>: &#8220;You certainly took your time getting here.&#8221;<\/p>\n<p><em>All photos are used with permission of <strong><a href=\"http:\/\/www.kenspeckleletterpress.com\/\">Rick Allen<\/a><\/strong>.<\/em><\/p>\n<p><em>WINTER BEES &amp; OTHER POEMS OF THE COLD. Text copyright \u00a9 2014 by Joyce Sidman. Illustrations copyright \u00a9 2014 by Rick Allen. Illustrations reproduced by permission of the publisher, Houghton Mifflin Harcourt, Boston.<\/em><\/p>\n<p><em>DARK EMPEROR &amp; OTHER POEMS OF THE NIGHT. Text copyright \u00a9 2010 by Joyce Sidman. Illustrations copyright \u00a9 2010 by Rick Allen. Illustrations reproduced by permission of the publisher, Houghton Mifflin Harcourt, Boston.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, copyright \u00a9 2009 <strong><a href=\"http:\/\/www.mattphelan.com\/\">Matt Phelan<\/a><\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s such a pleasure to have printmaker and illustrator Rick Allen visit 7-Imp this morning, especially to read his thoughtful responses to my questions below &#8212; and, of course, to see his compelling prints as well. Rick is up in cold, windy Minnesota in a city on Lake Superior&#8217;s north shore, and as you&#8217;ll read [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-3572","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/3572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3572"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/3572\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3572"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}