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I’m happy to have here at 7-Imp this morning some new artwork from Spanish illustrator Ana Juan<\/a><\/strong>, one of my favorites. Ana is the illustrator of Catherynne M. Valente’s<\/a><\/strong> Fairyland<\/em> series<\/strong><\/a>, as well as picture books and, here in the States, many New Yorker<\/em> covers. The fourth book in the Fairyland<\/em> series, The Boy Who Lost Fairyland<\/a><\/strong><\/em>, will be on shelves in early March. Pictured here today are the illustrations from the book. (Under each illustration is the name of the chapter from which it comes.) Just above is the illustration from one of the book’s final chapters, “The Spinster and the King of Fairyland.”<\/p>\n I also asked Ana about these books and her work, including her January New Yorker<\/em> cover in response to the Charlie Hebdo<\/strong><\/a><\/em> shooting. Here she is below, in her own words. <\/p>\n I thank her for visiting. <\/p>\n [There’s more <\/em>Fairyland art in this 2011 7-Imp post<\/a><\/strong>, as well as a Q&A with Valente.]<\/em><\/p>\n <\/p>\n Sometimes, it is not easy to build the characters in my mind, because I have no reference. But this is a challenge that makes working on this series different than other fantasy books. The Boy Who Lost Fairyland<\/em> is the fourth book, so I have worked with some of the characters’ faces, but there are continuously characters coming into the pages of the story. Every chapter is a surprise. I don’t like too much to work in color — I can express better in black and white. Drawing and sculpting are my fields, the places where I feel safe and well. The cover idea of “Solidarit\u00e9”<\/a><\/strong> is fairly simple, and I’m pretty sure that another artist had the same idea. How does one image differ from the others? The voice and the language the author uses to convey his emotions. <\/p>\n This is not a conventional war, and every creator has a commitment to himself and to society. We have to work against intolerance with the weapons we have. THE BOY WHO LOST FAIRYLAND. Text copyright \u00a9 2015 by Catherynne M. Valente. Illustrations copyright \u00a9 2015 by Ana Juan. Published by Feiwel and Friends, New York. Illustrations reproduced by permission of the publisher.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" I’m happy to have here at 7-Imp this morning some new artwork from Spanish illustrator Ana Juan, one of my favorites. Ana is the illustrator of Catherynne M. Valente’s Fairyland series, as well as picture books and, here in the States, many New Yorker covers. The fourth book in the Fairyland series, The Boy Who […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,12,2],"tags":[],"class_list":["post-3672","post","type-post","status-publish","format-standard","hentry","category-intermediate","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/3672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3672"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/3672\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3672"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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\nFirst of all, I am one of the luckiest readers who gets to read and enjoy the manuscripts long before publication. The unlimited richness of the language of Cat Valente makes reading this fantasy series mysterious and very personal. I love the sane and politically incorrect touch in her stories.<\/p>\n
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\nI have no method. Simply, at the same time than I am reading the text, images come to my mind. I can choose images that will give a global idea of the story.
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\nMy favorite medium is one of the oldest in the world: coal pencil on paper. Nothing can be more sublime than to tell a lot with just one line.<\/p>\n
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\n![](\"http:\/\/blaine.org\/7pics\/2015\/02\/anajuannycover.jpg\")
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\nIn a really short time and inside a brainstorm, I thought of Paris and its icons — and about the basic drawing tool: a pencil. The pencil became the symbol of press freedom. Not as easy as adding a pencil to the Eiffel Tower … <\/p>\n
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\nSpain is a small market. On one hand, our lists are smaller and on the other hand, the illustrator is freer, having the chance to take risks and experiment with new things.
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\nSince I wrote and illustrated my latest book for children, The Pet Shop Revolution<\/a><\/strong><\/em>, I haven’t worked on any children\u2019s books.
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\n![](\"http:\/\/blaine.org\/7pics\/2015\/02\/petshoprevolutioncover.jpg\")
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\nNowadays, I am only illustrating books for an older audience. In fact, the Fairyland<\/em> series is my youngest audience and work.
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\n![](\"http:\/\/blaine.org\/7pics\/2015\/02\/BoyWhoLostsmall.jpg\")
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