{"id":4095,"date":"2016-07-05T10:57:35","date_gmt":"2016-07-05T16:57:35","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4095"},"modified":"2016-07-05T15:46:46","modified_gmt":"2016-07-05T21:46:46","slug":"seven-questions-over-lunch-with-evan-turk","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4095","title":{"rendered":"Seven Questions Over Lunch with Evan Turk"},"content":{"rendered":"<p><a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/01large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/01small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Long, long ago, like a pearl around a grain of sand, the fertile Kingdom of Morocco formed near the edge of the great, dry Sahara. It had fountains of cool, delicious water to quench the dangerous thirst of the desert,<br \/>and storytellers to bring the people together.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/evanturk_pic_crop_sopening.jpg\">This is supposed to be Seven Questions Over Breakfast with <strong><a href=\"http:\/\/evanturk.com\/\">Evan Turk<\/a><\/strong> but it&#8217;s lunch instead, since I&#8217;m slow in getting started today. That&#8217;s okay, because Evan says he&#8217;s not a breakfast-eater anyway. He is, however, a fan of coffee, which we can have any time of day. Of course. <\/p>\n<p>Evan has illustrated what I think is one of the year&#8217;s most beautiful picture books, <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/em> (Atheneum, June 2016), which is the first book he&#8217;s both written and illustrated. (The book&#8217;s opening spread is pictured above.) It&#8217;s a story within a story within a story, and it&#8217;s a visual tour de force. In August, we&#8217;ll see his illustrations for the follow-up to <strong><a href=\"http:\/\/www.bethanyhegedus.com\/\">Bethany Hegedus&#8217;<\/a><\/strong> and <strong><a href=\"http:\/\/www.arungandhi.org\/\">Arun Gandhi&#8217;s<\/a><\/strong> <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781442423657\">Grandfather Gandhi<\/a><\/strong><\/em>, which was released in 2014 and was the book that first introduced readers to his artwork. In <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9781481442657\">Be The Change: A Grandfather Gandhi Story<\/a><\/em><\/strong>, Bethany and Arun examine how wastefulness can lead to violence. <\/p>\n<p>Evan is here today to share lots of art from each book, as well as preliminary images of all sorts (boy howdy, does this guy do his research &#8212; and what beautiful research it is), and he talks a bit about what&#8217;s next for him. I thank him for visiting and, especially, for sharing so much art. <\/p>\n<p><!--more--><\/p>\n<p><center><font size=4><strong>* * * * * * *<\/strong><\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: Both! My first book as author\/illustrator, <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/em>, was just published, and I\u2019ve always loved writing and illustrating my own stories.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/TheStoryteller-cover.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: <\/p>\n<ul>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781442423657\">Grandfather Gandhi<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.bethanyhegedus.com\/\">Bethany Hegedus<\/a><\/strong> and <strong><a href=\"http:\/\/www.arungandhi.org\/\">Arun Gandhi<\/a><\/strong>, 2014<\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/em>, 2016<\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9781481442657\">Be The Change<\/a><\/em><\/strong> by <strong><a href=\"http:\/\/www.bethanyhegedus.com\/\">Bethany Hegedus<\/a><\/strong> and <strong><a href=\"http:\/\/www.arungandhi.org\/\">Arun Gandhi<\/a><\/strong>, 2016<\/li>\n<li><em>Muddy<\/em> by <strong><a href=\"http:\/\/www.michaelmahin.com\/\">Michael Mahin<\/a><\/strong>, 2017<\/li>\n<\/ul>\n<p><BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/grandfather gandhi cover.jpg\" border=1><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/bethechangecover.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium, or\u2013\u2013if you use a variety\u2014your preferred one?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: I always like to find a different way of doing the art for a project, because I feel like every new topic demands a different kind of expression. <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781442423657\">Grandfather Gandhi<\/a><\/strong><\/em> and <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9781481442657\">Be The Change<\/a><\/em><\/strong> were both collage, which was a technique that came out of the desire to use cotton in the first book. One of Gandhi\u2019s platforms was that India spin and weave its own cotton so that they would not need to pay taxes on Indian-grown cotton spun and woven in England. It was all about discipline and self-sufficiency and turning a material into something useful. That was really the same story of Arun, in the book, learning to create something useful with his anger. So I wanted to use cotton, cotton yarn, and cotton fabric throughout the book to reinforce that. So, collage became the medium!<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread5large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread5small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Life at the Sevagram ashram, Grandfather&#8217;s service village, revolved around the sun. Before daybreak, we left our beds. All three hundred and fifty followers gathered for the morning prayer meeting. Peace descended on us like the rays of the sun.<br \/>All religions were welcome.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread6large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread6small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The purpose of ashram life was to live simply and nonviolently. Each day was filled, from sunrise to sunset, with service. The ashram worked as one: washing clothes, planting vegetables, picking fruit, spinning yarn&#8212;anything that needed doing was done for the good of all. Grandfather had dubbed our work &#8216;Experiments in Truth.'&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread8large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread8small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Soon, Grandfather asked that I accompany him to Poona. I was happy to get the break from ashram life, from waking early and working hard. But at the Nature Cure Clinic our routine was much the same: the same vows, the same self-discipline.<br \/>When Grandfather talked, thousands came, overflowing the gardens.<br \/>People young and old spilled into the streets.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread13large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread13small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8216;Did you recover the pencil?&#8217; Bapuji asked when I returned. I had&#8212;but I still hadn&#8217;t discovered what waste and nonviolence has to do with each other. Or what they had to do with me. That night I wrestled with my thoughts. How could throwing away a pencil hurt anyone? It made no sense. Why couldn&#8217;t I understand?&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread14large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread14small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;We returned to Sevagram. There, Grandfather set out to teach me the deeper meaning of the rule not to waste just as monsoon season had come. The skies erupted. For days on end, the rains beat the dry, cracked ground. The earth became messy and muddy as I struggled with how waste and violence were connected.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread20large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/spread20small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;As the rains trickled to an end and the sun returned, Grandfather took my hand.<br \/>We walked amid the hustle of ashram life: new planting, chores, prayers, work.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<center><em>Above: Final spreads (sans text) from <strong><a href=\"http:\/\/www.bethanyhegedus.com\/\">Bethany Hegedus&#8217;<\/a><\/strong> and <strong><a href=\"http:\/\/www.arungandhi.org\/\">Arun Gandhi&#8217;s <\/a><\/strong><br \/><strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9781481442657\">Be The Change<\/a><em><\/strong> (Atheneum, August 2016)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nFor <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/em>, a lot of the materials I used (ink, water-soluble crayons, pencil) came out of what I used while I was doing research drawing in Morocco. I like working on location, because it forces you to work with what you have and come up with new visual solutions. This book is a pretty direct translation of that energy into the final art. I used a technique with fire and sugared tea, which I learned from artists in Morocco, and indigo pigment that I brought back with me, so the whole look of the book came out of experiences from that trip.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_01large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_03.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_03small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_05large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_05small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_06large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_06small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_07large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_07small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_08large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_08small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_04large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/morocco_04small.jpg\" border=1><\/a><br \/>\n<center><em>Visit to Morocco<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you have illustrated for various age ranges (such as both early readers and picture books) can you briefly discuss the differences in illustrating for one age group to another?<\/font> <\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: I have only done picture books so far, so I can\u2019t speak on the difference. But I try to focus on making art that tells a story as completely and as clearly as I can, whether to an adult or child audience. I think there should always be different levels to something, and the best pieces of art are ones that get better the more you look and read. That applies to all ages, for me.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople02use.jpg\"><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/apprentice01large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/apprentice01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/apprentice02large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/apprentice02small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/apprentice03large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/apprentice03small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/benhaddou01blarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/benhaddou01bsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople01.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople03.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople03small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople04.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople04small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople05.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople05small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople06.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/mkchpeople06small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/oasis01large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/oasis01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/storyteller01large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/storyteller01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/storyteller02large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/storyteller02small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/storyteller03.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/storyteller03small.jpg\" border=1><\/a><br \/>\n<center><em>Morocco research<br \/>(Read <strong><a href=\"http:\/\/thestorytellerbook.com\/2016\/04\/22\/the-weaver-as-storyteller\/\">here<\/a><\/strong> and <strong><a href=\"http:\/\/evanturk.blogspot.com\/2014\/09\/people-of-marrakech.html\">here<\/a><\/strong> for more info)<\/em><br \/>(Click all but first image to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin\u2019 grounds?<\/font> <\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: I live in Jackson Heights, Queens, with my husband and two cats. I am originally from Colorado, but I have been in New York for ten years.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/03largestz.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/03smallz.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;At that same moment, in the hot, dry south of the kingdom, a thirsty young boy made his way through the clamor and smoke of the Great Square to look for a drink, but no one had any water to give. &#8216;Our fountains have run dry,&#8217; the last water-seller said.<br \/>&#8216;But here, take one of my brass cups. If you find water,<br \/>you can drink and share it with others.'&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/04largestz.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/04smallz.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;As the boy walked home, a voice called out to him. &#8216;My boy, are you looking for something to drink?&#8217; A withered old man was perched on the edge of a dry fountain. &#8216;That fountain doesn&#8217;t have any water!&#8217; the boy said. The man&#8217;s face cracked like dry mud to reveal a toothless grin. &#8216;Sit down, my boy, and your thirst shall be quenched.'&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/08largest.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/08smallst.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The next morning, the boy awoke at dawn and ran to meet the storyteller at the fountain again. &#8216;Would you like to hear the story of the Glorious Blue Water Bird?&#8217; he asked. The boy nodded, and the old man began &#8230;&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/13large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/13small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The little girl thanked the blind woman for her story. Then she crept out the door to tell her mother, who hatched a plan to steal the bird. &#8230;&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/16large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/16small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The next day, the entire city circled around the boy to hear his tale,<br \/>and soon the djinn arrived as well. &#8230;&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<center><em>Above: Final spreads from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><em> (sans text)<br \/>(Atheneum, June 2016)<br \/>(Read <strong><a href=\"http:\/\/thestorytellerbook.com\/2016\/04\/08\/the-art-of-the-storyteller-behind-the-scenes-part-1\/\">here<\/a><\/strong> and <strong><a href=\"http:\/\/thestorytellerbook.com\/2016\/03\/29\/artistic-influences-in-the-storyteller\/\">here<\/a><\/strong> for more behind-the-scenes on the book)<\/em><\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font> <\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: My senior thesis project at <strong><a href=\"http:\/\/www.newschool.edu\/parsons\/\">Parsons School of Design<\/a><\/strong> was a children\u2019s book and animation about a boy, set in India. At the end of the year, we gave three-minute presentations to a panel of people in the industry for critique. One of the people in the panel happened to be Ann Bobco, a wonderful art director at Simon &#038; Schuster. While I was talking, she put her hand to her ear in the \u201ccall me\u201d gesture, so after I was finished, I rushed over to talk to her. I came in to meet with her and Namrata Tripathi (now at Dial) at Atheneum, and it turned out that they had had the manuscript for <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781442423657\">Grandfather Gandhi<\/a><\/strong><\/em> for about ten years and had been looking for the right illustrator. After jumping up and down and e-mailing everyone I knew, I did a sort of \u201caudition\u201d of how I would interpret the book, and I got it! I couldn\u2019t have asked for a more amazing first job out of school.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/04large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/04small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/05large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/05small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/06large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/06small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/08large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/08small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/02large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/02small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/03large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/03small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/07large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/07small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/12blarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/12bsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/13blarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/13bsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/14blarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/14bsmall.jpg\" border=1><\/a><br \/>\n<center><em>Prep work for <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9781442423657\">Grandfather Gandhi<\/a><\/strong><br \/><em>(Read more <strong><a href=\"http:\/\/evanturk.blogspot.com\/2014\/04\/grandfather-gandhi-behind-scenes.html\">here<\/a><\/strong>)<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: <\/p>\n<ul>\n<li><strong><a href=\"http:\/\/www.evanturk.com\">www.evanturk.com<\/a><\/strong><\/li>\n<li><strong><a href=\"http:\/\/www.evanturk.blogspot.com\">www.evanturk.blogspot.com<\/a><\/strong><\/li>\n<li><strong><a href=\"http:\/\/www.thestorytellerbook.com\">www.thestorytellerbook.com<\/a><\/strong><\/li>\n<li><strong><a href=\"http:\/\/www.grandfathergandhi.com\">www.grandfathergandhi.com<\/a><\/strong><\/li>\n<\/ul>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you do school visits, tell me what they\u2019re like.<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: I love doing school visits. I like to talk to the kids about the idea of visual research, looking at art, and reading the art and symbolism in a book like you would the words. It\u2019s really exciting to see kids think about art in a different way. I talk about being an illustrator, and all that entails, and about the creation of the art for each book. I\u2019ve started doing readings for <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/em>, which has been amazing! It\u2019s so wonderful to see the kids get excited about the refrain and see things click as they start to understand the surprises towards the end.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/paris06use.jpg\"><br \/>\n<center><em>Paris sketch<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you teach illustration, by chance, tell me how that influences your work as an illustrator.<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: I do not teach but would love to at some point! I have taught private animation lessons.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/em>, my first book as author\/illustrator, is the story of a young boy in Morocco, who inadvertently becomes an apprentice to one of the last Moroccan master storytellers. Through a series of stories within stories, he learns the power of these tales and uses them to defeat a looming sandstorm.<\/p>\n<p>A companion book to <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781442423657\">Grandfather Gandhi<\/a><\/strong><\/em>, called <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9781481442657\">Be The Change<\/a><\/em><\/strong>, will be out August 28! It was great to work with <strong><a href=\"http:\/\/www.bethanyhegedus.com\/\">Bethany Hegedus<\/a><\/strong> and <strong><a href=\"http:\/\/www.arungandhi.org\/\">Arun Gandhi<\/a><\/strong> again to tell a different lesson that Arun learned while living with his grandfather. The first book was about channeling your anger into something useful, while this one is about realizing the impact that your actions have on the world. It\u2019s a great lesson, and I had a wonderful time doing the illustrations. In addition to the collage style from the first book, I used embroidery to take the symbol of the thread in a new direction for this story. I looked at a lot of Bangladeshi Kantha quilts and thought the stitching would be a great way to illustrate the continuing thread of a person\u2019s actions &#8212; and how all the pieces come together to form a greater whole.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/miss01use.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/miss07use.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/miss08use.jpg\"><br \/>\n<center><em>From Evan&#8217;s Mississippi research<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI also just finished working on <em>Muddy<\/em>, a picture book biography of <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Muddy_Waters\">Muddy Waters<\/a><\/strong>, written by <strong><a href=\"http:\/\/www.michaelmahin.com\/\">Michael Mahin<\/a><\/strong>. I am so excited about this book! The writing is beautiful, and it was really interesting for me to learn as much as I could about the history of blues and Muddy\u2019s music. I went down to the Mississippi Delta [more info <strong><a href=\"http:\/\/evanturk.blogspot.com\/2015\/10\/muddy-mississippi.html\">here<\/a><\/strong>], where he was born and grew up, to draw, listen to music, and talk to people. And then I went to Chicago [more info <strong><a href=\"http:\/\/evanturk.blogspot.com\/2016\/01\/chicago-blues.html\">here<\/a><\/strong>], where he went to make a career of music. While I was there, I got to see and draw some amazing blues performers, including <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Buddy_Guy\">Buddy Guy<\/a><\/strong>, who knew and played with Muddy. It was amazing to really delve into a topic that I didn\u2019t have a lot of experience with &#8212; and come up with a visual way to try and express what Muddy\u2019s history and his music were about.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/peaches07use.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/tenry04use.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/muddyhouseuse.jpg\" border=1><br \/>\n<center><em>From Evan&#8217;s Chicago research<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" title=\"Mmm. Coffee.\" alt=\"Mmm. Coffee.\"><font color=\"000066\">Okay, the coffee&#8217;s brewed, and it&#8217;s time to get a bit more detailed with seven questions over breakfast. I thank Evan again for visiting 7-Imp.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: If I am illustrating someone else\u2019s text, my first step is to read it over many times, making notes and visual notes in the margins. Then I start to research about the topic and continue rereading the manuscript. I\u2019ll do a lot of reading and visual research, trying to find what else I think is important about the topic and the story beyond what is written in the text. <\/p>\n<p>If I am writing and illustrating the story, the ideas usually come out of drawing and learning about something that I am interested in. The more I learn about something, the more I want to talk and draw about it, so eventually a story kind of comes to the surface. <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/em> initially came out of being exposed to Morocco at EPCOT Morocco in Disney World during a reportage drawing workshop with <strong><a href=\"http:\/\/www.dalveroacademy.com\/\">Dalvero Academy<\/a><\/strong>, a private school I continue to study with. That led to learning about the actual country, reading about it, and taking a trip there. While researching before our trip, I read a book called <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781848854918\">The Last Storytellers<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.richard-hamilton.com\/\">Richard Hamilton<\/a><\/strong>, which talked about the fading, thousand-year-old tradition of public storytellers in Morocco. That became the inspiration for <em>The Storyteller<\/em>.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/0405large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/0405small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/2627large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/2627small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/3839large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/3839small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/desert03.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/desert03small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/new1819large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/new1819small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/new2223large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/new2223small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/new2627large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/new2627small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/desert01large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/desert01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/notesepcotmoroccolarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/notesepcotmoroccosmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/preliminarythumbslarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/preliminarythumbssmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/preliminarythumbs02large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/preliminarythumbs02small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/preliminarythumbs03large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/preliminarythumbs03small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/preliminarythumbs04large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/preliminarythumbs04small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/thumbnailsmorocco02large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/thumbnailsmorocco02small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/thumbnailsmorocco03large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/thumbnailsmorocco03small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/thumnbailsmoroccolarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/thumnbailsmoroccosmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/sandstormthumbnaillarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/sandstormthumbnailsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/storytellersthumbnaillarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/storytellersthumbnailsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/weaversthumbnail.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/weaversthumbnailsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/weaverthumbnail.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/weaverthumbnailsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/thumbnailtofinallarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/thumbnailtofinalsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/charactersketchboylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/charactersketchboysmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/charactersketchstorytellerlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/charactersketchstorytellersmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/practicestorytellerlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/practicestorytellersmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/practiceweaverslarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/practiceweaverssmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/bluebirdlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/bluebirdsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/practicebird02large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/practicebird02small.jpg\" border=1><\/a><br \/>\n<center><em>Prep work for <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><em><\/strong>,<br \/>including sketches, notes, thumbnails, character sketches, etc.<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThen for either type of project, I try to look at as many different artistic influences as I can, including ones related to the topic (for instance, Moroccan carpets and Arabic calligraphy for <em>The Storyteller<\/em>) but also ones that may seem out of left field (Austrian artist <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Gustav_Klimt\">Gustav Klimt<\/a><\/strong> for <em>The Storyteller<\/em>) but that feel right for the type of story and type of illustration.<\/p>\n<p>I also spend a lot of time drawing people and places for a particular project &#8212; to help make the body language more natural. For <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781442423657\">Grandfather Gandhi<\/a><\/strong><\/em> and <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9781481442657\">Be The Change<\/a><\/em><\/strong>, I spent time drawing in my own neighborhood of Jackson Heights, which has a large South Asian population; for <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/em> I took a second research trip to Morocco to meet and draw storytellers, carpet weavers, and everyday Moroccans to help create the characters and places; for <em>Muddy<\/em>, I took a trip to the Mississippi Delta, where he was born, and to Chicago, where he made it big, to draw blues singers and get a feel for the places and the music. There are a lot of observations that come through from drawing on location that add to the authenticity and spontaneity of the illustrations in the final artwork.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/jacksonheights02large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/jacksonheights02small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/jacksonheights03large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/jacksonheights03small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/jacksonheightslarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/jacksonheightssmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/ashram01large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/ashram01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/bethechange_proposallarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/bethechange_proposalsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/bethechangepaginationlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/bethechangepaginationsmall.jpg\" border=1><\/a><br \/>\n<center><em>Prep work for <strong><a href=\"http:\/\/www.bethanyhegedus.com\/\">Bethany Hegedus&#8217;<\/a><\/strong> and <strong><a href=\"http:\/\/www.arungandhi.org\/\">Arun Gandhi&#8217;s <\/a><\/strong><br \/><strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9781481442657\">Be The Change<\/a><em><\/strong>, including the book&#8217;s proposal and pagination<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThen I will create a pagination of small thumbnail drawings to figure out how I will break down the text, page by page, and what I want to show on each spread. It allows me to see the whole book at once and see how each page relates to the next and the one before it. I\u2019ll also create a color pagination of tiny paintings to figure out how the colors will change throughout the book. In <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/em> [below], each nested story had its own color palette and design style. The color blue, representing stories and water, was central throughout the book, so I could figure out in the color pagination how to best set that off as the story progressed.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/storytellerpaginationlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/storytellerpaginationsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/storytellercolorpaginationlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/storytellercolorpaginationsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/storytellerpagination02large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/storytellerpagination02small.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\nIn <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9781481442657\">Be The Change<\/a><\/em><\/strong>, the book takes place during monsoon season where Arun\u2019s confusion over the lessons he\u2019s supposed to learn builds as the clouds build. So in the color pagination [below], you can see how the book starts bright and colorfully, then becomes black with the swelling clouds, grey when the clouds burst, and the color returns at the end as Arun learns the lesson.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/bethechange_color023large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/bethechange_color023small.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\nAfter that, I will sometimes make a small dummy of the book. Then I create sketches to figure out the expressions, poses, and final layouts of the pictures. And then from there, I work on the finals! The preparation usually takes much longer than the actual art, but because I\u2019ve figured everything out before, the finals are more playful for me.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method01.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method02.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method02small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method03.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method03small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method04.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method04small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method05.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method05small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method06.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method06small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method07.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method07small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method08.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/turk_method08small.jpg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<iframe loading=\"lazy\" width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Cr7-v2FdQw0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><font size=4><strong>Evan<\/strong><\/font><\/strong>: I have two desks, one with a computer and one with all of my materials for a certain project. I\u2019ll usually work on the non-computer desk until I fill it up with paper and too many materials, then move over to the computer desk until that one is full and messy. Then once I have no more desk space, I\u2019ll clean both desks and start the process over. Gradually, over the course of working on a book, my floor disappears under a pile of paper. [Below] is an unvarnished look at how messy my desks really are currently!<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/desk02large.JPG\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/desk02small.JPG\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/desk01large.JPG\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/desk01small.JPG\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book-lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><font size=4><strong>Evan<\/strong><\/font><\/strong>: As far as picture books, I tended to like folktales from around the world with beautiful illustrations. A few I read many many times are <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Why_Mosquitoes_Buzz_in_People%27s_Ears\">Why Mosquitos Buzz in People\u2019s Ears<\/a><\/strong><\/em> by <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Verna_Aardema\">Verna Aardema<\/a><\/strong> with illustrations by <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Leo_and_Diane_Dillon\">Leo and Diane Dillon<\/a><\/strong>; <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Girl_Who_Loved_Wild_Horses\">The Girl Who Loved Wild Horses<\/a><\/strong><\/em> by <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Goble\">Paul Goble<\/a><\/strong>; <em><strong><a href=\"http:\/\/www.publishersweekly.com\/978-0-396-08908-7\">The Hallowed Horse<\/a><\/strong><\/em> by <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Demi_(author)\">Demi<\/a><\/strong>. I also loved anything with a cute animal: <em><strong><a href=\"https:\/\/www.amazon.com\/Does-Anyone-Know-Where-Hermit\/dp\/0911635009\">Does Anyone Know Where a Hermit Crab Goes?<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.michaelglaser.com\/\">Michael Glaser<\/a><\/strong>; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Corduroy_(book)\">Corduroy<\/a><\/em><\/strong> by <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Don_Freeman\">Don Freeman<\/a><\/strong>; <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rainbow_Fish\">The Rainbow Fish<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/www.marcuspfister.ch\/\">Marcus Pfister<\/a><\/strong> (those *scales*!); <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Sign_of_the_Seahorse\">The Sign of the Seahorse<\/a><\/strong><\/em> by <strong><a href=\"http:\/\/graemebase.com\/\">Graeme Base<\/a><\/strong>. <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Velveteen_Rabbit\">The Velveteen Rabbit<\/a><\/strong><\/em> still makes me cry.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/Why_Mosquitoes_Buzzuse.jpg\" style=\"float:right;\"><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: If you could have three (living) authors or illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose? (Some people cheat and list deceased authors\/illustrators. I won\u2019t tell.)<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1576\">Ed Young<\/a><\/strong>, <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1553\">R. Gregory Christie<\/a><\/strong>, <strong><a href=\"http:\/\/www.davidgentleman.com\/\">David Gentleman<\/a><\/strong>. (And <strong><a href=\"http:\/\/www.xubing.com\/\">Xu Bing<\/a><\/strong>, who might not consider himself an illustrator, but I certainly do!) <\/p>\n<p><font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: Uhh right now it\u2019s still just <strong><a href=\"http:\/\/www.beyonce.com\/\">Beyonc\u00e9<\/a><\/strong> -\u2013 <em><strong><a href=\"http:\/\/www.beyonce.com\/album\/lemonade-visual-album\/\">Lemonade<\/a><\/strong><\/em>. Sometimes I\u2019ll listen to a lot of music related to a particular project to keep myself going while working all day. I usually have a playlist of songs for each project that I will pull out if I find myself getting distracted during the day. I listened to a lot of <strong><a href=\"http:\/\/<strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Muddy_Waters\">Muddy Waters<\/a><\/strong> and <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Son_House\">Son House<\/a><\/strong> while working on <em>Muddy<\/em>, which was great &#8212; particularly, in the research phase and while driving around Mississippi.<\/p>\n<p><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: I also love to do ceramics. I started taking classes with my husband about two years ago and was instantly hooked! It\u2019s very liberating for me to do something creative outside of drawing\/illustrating\/animating. Plus it\u2019s so tactile and engrossing.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/animalslarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/animalssmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/antelope_vase_01.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/antelope_vase_01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/elephant_vase_01large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/elephant_vase_01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/lotus01large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/lotus01small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/new_bigredlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/new_bigredsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/new_bluegreen.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/new_bluegreensmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/07\/stencil_together01.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/stencil_together01small.jpg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>7.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Is there something you wish interviewers would ask you &#8212; but never do? Feel free to ask and respond here.<\/font> <\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: <em>Are there any secrets in <\/em>The Storyteller?<\/p>\n<p>Why, yes, there are! Not necessarily secrets, but things you can find if you look closely enough.<\/p>\n<ol>\n<li>My two cats appear in the book. Pica is a brown manx cat, so she just has a little bobtail. And Bert is white and tan.<\/li>\n<li>The borders of each nested story change throughout the book. Look for how the color blue becomes important as stories and water become more present in each tale.<\/li>\n<li>Often, Moroccan storytellers will change their stories to relate to their specific audience. Sometimes they will reference members of the audience as characters to help draw listeners in. Take a look at the audience on the last spread &#8212; to see if there are any familiar faces.<\/li>\n<\/ol>\n<p><BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/07\/coverthumbnailsmall.jpg\"><br \/>\n<center><em>Cover thumbnail for <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9781481435185\">The Storyteller<\/a><\/strong><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: I feel like I\u2019ve been saying the word \u201cspectacular\u201d a lot recently. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: Can&#8217;t think of one!<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: Learning or seeing something new, authentic, and passionate.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: People being resistant to new experiences.<\/p>\n<p><font color=\"000066\"><strong><font size=4>7-Imp<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: I like all of them, particularly when directing them at whichever art material\u2019s fault it is that I messed something up.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: The sound of leaves blowing in the breeze.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: Car alarms. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: If I wasn&#8217;t doing children&#8217;s books, I&#8217;d like to be an international social journalist (or preferably, do both!). I love traveling, reportage illustration, and learning about people and places. So, even though I kind of get to do some of that with children&#8217;s books, I&#8217;d like to do it as an actual career too.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: Investment banker maybe?<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>Evan<\/font><\/strong>: \u201cWhew, nice one!\u201d<\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All artwork and images used with permission of <strong><a href=\"http:\/\/evanturk.com\/\">Evan Turk<\/a><\/strong>.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, \u00a9 2009 <strong><a href=\"http:\/\/www.mattphelan.com\/\">Matt Phelan<\/a><\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Long, long ago, like a pearl around a grain of sand, the fertile Kingdom of Morocco formed near the edge of the great, dry Sahara. It had fountains of cool, delicious water to quench the dangerous thirst of the desert,and storytellers to bring the people together.&#8221;(Click to enlarge spread) &nbsp; This is supposed to be [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-4095","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4095"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4095\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4095"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}