{"id":4254,"date":"2017-01-31T00:01:42","date_gmt":"2017-01-31T06:01:42","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4254"},"modified":"2017-03-14T09:16:21","modified_gmt":"2017-03-14T15:16:21","slug":"seven-questions-over-breakfast-with-david-soman","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4254","title":{"rendered":"Seven Questions Over Breakfast with David Soman"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/who's theresmallz.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/david soman.jpeg\" style=\"float:right;\">Author-illustrator David Soman visits 7-Imp this morning for a cyber breakfast and gives <em>just<\/em> the right answer to my question about what he would like to have on our cyber-table. <em>&#8220;Coffee,&#8221;<\/em> he says. <em>&#8220;Coffee and blueberry banana pancakes. With coffee. <strong><a href=\"http:\/\/www.sweetsuesweets.com\/\">Sweet Sue\u2019s<\/a><\/strong>, a great breakfast joint in somewhat nearby Phoenecia, New York, calls blueberry banana pancakes &#8216;blue monkeys,&#8217; which is what we call them at home. I love them on the weekends. With coffee. Did I mention coffee?&#8221;<\/em><\/p>\n<p>Coffee it is, and I&#8217;m pleased to say that David shares a whole bunch of art and preliminary images today. Pictured above is an illustration from last year&#8217;s <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780525427834\">The Monster Next Door<\/a><\/em><\/strong>, released by Dial in September. David both wrote and illustrated this one, though he&#8217;s most well-known for the series on which he collaborates with his wife, author Jacky Davis &#8212; the bestselling <em>Ladybug Girl<\/em> series. (If I&#8217;m counting correctly there have been over 20 sequels to the opener in the series, <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780803731950\">Ladybug Girl<\/a><\/em><\/strong>, published in 2008.) Let us also not forget 2014&#8217;s beautiful <strong><em><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=3413\">Three Bears in a Boat<\/a><\/em><\/strong>, one of my favorite picture books from that year. <\/p>\n<p>But David&#8217;s first illustrated picture book, written by <strong><a href=\"http:\/\/www.ajohnsonauthor.com\/\">Angela Johnson<\/a><\/strong>, was published in 1989. He&#8217;s been making picture books for a while, in other words, and so it&#8217;s a pleasure to talk to him today about his work, his technique, his teaching, and much more. Let&#8217;s get to it, and I thank him for visiting today. <\/p>\n<p><!--more--><\/p>\n<p><center><font size=4><strong>* * * * * * *<\/strong><\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Technically, I guess I am an author\/illustrator, but in my heart of hearts, I still really think of myself as more of a visual artist. Which makes sense, as there\u2019s really no comparison in terms of the amount of time that I put into each of these endeavors; it\u2019s like 40 to 1 illustrator. Or more. Probably a lot more.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/monsternextdoorcover.jpg\"><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: I\u2019ve been a part of quite a few books, some that I\u2019ve written and illustrated, some co-written and illustrated, and some that I only illustrated. A few of my favorites are:<\/p>\n<ul>\n<li><strong><em><a href=\"http:\/\/www.ladybuggirl.com\/\">The Ladybug Girl<\/a><\/em><\/strong> Series (by <strong><a href=\"http:\/\/www.ladybuggirl.com\/author.html\">Jacky Davis<\/a><\/strong> and myself)<\/li>\n<li><strong><em><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=3413\">Three Bears in a Boat<\/a><\/em><\/strong><\/li>\n<li><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780531070352\">When I Am Old With You<\/a><\/em><\/strong> (by <strong><a href=\"http:\/\/www.ajohnsonauthor.com\/\">Angela Johnson<\/a><\/strong> &#8212; I actually did several books with Angela, and I love them all)<\/li>\n<li><strong><em><a href=\"http:\/\/images.betterworldbooks.com\/080\/The-Key-Into-Winter-Anderson-Janet-9780807541708.jpg\">The Key Into Winter<\/a><\/em><\/strong> (by <strong><a href=\"http:\/\/www.penguinrandomhouse.com\/authors\/235918\/janet-anderson\">Janet Anderson<\/a><\/strong>)<\/li>\n<li>And most recently, <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780525427834\">The Monster Next Door<\/a><\/em><\/strong><\/li>\n<\/ul>\n<p><BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/threebearsinanboatcover.JPG\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: While I\u2019ve worked in just about every 2D medium at some point, watercolors are by far the one that I have used most as an illustrator, though lately I have been combining it with pen and ink, colored pencils, and charcoal.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin&#8217; grounds?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: I live in the lovely, little town of <strong><a href=\"http:\/\/www.townofrosendale.com\/\">Rosendale<\/a><\/strong>, here in New York\u2019s Hudson Valley. It\u2019s a really fun and funky place, filled with interesting shops and awesome people. Every now and again, we seem to be on the verge of being gentrified, but somehow we resist it. Fun fact: Rosendale is where they mined and made the cement for the Brooklyn Bridge, the base of the Statue of Liberty, and the U.S. Capitol building back in the 19th century. On account of that, we now have a lot of man-made caves hidden in the woods.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/cave photolarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/cave photosmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font> <\/p>\n<p><strong><font size=4>David<\/font><\/strong>: I wish I could say that I was discovered as a handsome young artist, who did spectacular chalk drawings on the streets of New York, but here\u2019s the real story: My stepfather is <strong><a href=\"http:\/\/www.maxginsburg.com\/\">Max Ginsburg<\/a><\/strong>, who back in the late &#8217;80s was one of the top paperback book cover illustrators working. At one point, as a side project, he did the jacket and interior pencil illustrations for <strong><a href=\"https:\/\/www.kirkusreviews.com\/features\/special-anniversary-mildred-d-taylor\/\">Mildred Taylor\u2019s<\/a><\/strong> <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Roll_of_Thunder,_Hear_My_Cry\">Roll of Thunder, Hear My Cry<\/a><\/strong><\/em>, which brought him to the attention of none other than the great <strong><a href=\"http:\/\/www.simonandschuster.com\/authors\/Richard-Jackson\/413349869\">Richard Jackson<\/a><\/strong>, then an editor at Orchard Books. Dick wanted to hire him to illustrate a manuscript by a new writer (none other than the utterly brilliant <strong><a href=\"http:\/\/www.ajohnsonauthor.com\/\">Angela Johnson<\/a><\/strong>), and Max agreed &#8212; at least until he discovered that the pay for an entire picture book was the same as the pay for one (one!) Harlequin Romance cover.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/Tell Me A Story, Mamalarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/Tell Me A Story, Mamasmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nNow, it just so happened that I had just arrived back in NYC (temporarily, I thought) from my summer job on Nantucket. Although I had not gone to art school, Max knew that I was a capable artist and said that he would introduce me to Dick if I wanted to do this job. I had loved drawing and reading my whole life, and so I lept at the chance (and thus spared Nantucket from any more of my \u201ccarpentry\u201d skills). I went to meet Dick with a portfolio that&#8212;while including political cartoons from my college paper, paintings from classes in the <strong><a href=\"https:\/\/www.theartstudentsleague.org\/\">Art Students League<\/a><\/strong>, and wooden masks I carved during a semester I did abroad in Bali, Indonesia&#8212;contained no proof whatsoever that I should be trusted to illustrate a 32-page picture book. For some reason, though, Dick hired me. Over the next year with his guidance&#8212;and that of a long list of other people, in particular my step-father Max and his good friends, Irwin Greenberg and <strong><a href=\"http:\/\/www.burtonsilverman.com\/\">Burt Silverman<\/a><\/strong>&#8212;I learned how to do paint and was able to illustrate my first book, <em><strong><a href=\"http:\/\/www.publishersweekly.com\/978-0-531-05794-0\">Tell Me A Story, Mama<\/a><\/strong><\/em> <em>[pictured immediately above]<\/em>.<\/p>\n<p><em>[Below here are some illustrations from <\/em><strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=3413\">Three Bears in a Boat<\/a><\/strong><em>, published by Dial in 2014.]<\/em><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_CV copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_CV copysmall.jpg\" border=1><\/a><br \/>\n<center><em>Cover art<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page6-7 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page6-7 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Once there were three bears,<br \/>Dash, Charlie, and Theo, who lived by the sea.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bearslarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bearssmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;But the bears on the first boat did not have any idea where to look. &#8230;&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page13 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page13 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;And the bears in the third boat seemed a bit busy.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page18-19 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page18-19 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Their voyage was not without incident.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page20-21_REV copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page20-21_REV copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;They sailed on farther than they had ever gone before.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page23 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page23 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;They didn&#8217;t find it underwater.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page26 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page26 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The three were most unhappy, and stared at each other with<br \/>very squinty, very mad bear eyes, all the way back to their boat. &#8230;&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page28-29_REV copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page28-29_REV copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;BOOM!&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page30-31 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page30-31 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Dash, Charlie, and Theo were scared. They didn&#8217;t care<br \/>whose fault it was anymore, they were all in the same boat. &#8230;&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page32-33_REV copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ThreeBears_Page32-33_REV copysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;And then, like turning a page, the little boat sailed<br \/>out of the storm and into the sun. &#8230;&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 bears mama kiss.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 bears mama kisssmallzzz.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;And Mama Bear, being a mother, looked at each one of her three little bears, hugged them all very, very tight, kissed the tops of their furry heads, and forgave them.<br \/>Then she brought them inside for a warm supper.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Website? Blog? What are these?<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you do school visits, can you tell me what they\u2019re like?<\/font> <\/p>\n<p><strong><font size=4>David<\/font><\/strong>: I love doing school visits. I actually think it might be the best job perk that comes with doing picture books for a living (that <em>and<\/em> working in your pajamas). While it\u2019s true that I learn a lot about my work from the children\u2019s reactions to it, the truth is I just find hanging out with them to be really fun &#8212; and funny. One of my favorite moments was when Jacky and I were doing a school visit for a group of about 300 kindergarteners and first-graders; as part of the presentation, we asked if they had any questions for us, and one little girl raised her hand and said \u201cCould you tie my shoelaces?\u201d So I did.<\/p>\n<p>The visits themselves vary, depending on the size and age of the classes. While they can be more involved and creative if the group is small enough (I will help the kids make their own four-page stories), usually I read two books with a break in the middle to do some audience interactive drawing demonstrations. As I am a ham (and shameless), this can include some singing, posing, and lots of feedback from the audience, telling me when I get the number of polka dots wrong. Also, I reveal the secret of drawing a tutu. (Shhh. Don\u2019t tell.)<\/p>\n<p><em>[Below here are some illustrations from <strong><\/em><a href=\"http:\/\/www.indiebound.org\/book\/9780525427834\">The Monster Next Door<\/a><em><\/strong>, published by Dial in 2016.]<\/em><br \/>\n<BR>&nbsp;<BR><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND k2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND k2small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND faces and pulleylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND faces and pulleysmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8230; Then the boy had an idea, and<br \/>the Monster caught on right away.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/everything was greatlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/everything was greatsmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Everything was great.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND insultslarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND insultssmallz.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/monsters treehouse interiorlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/monsters treehouse interiorsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/knock knocklarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/knock knocksmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;When he stood up, there was the Monster. &#8230;&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND paradelarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND paradesmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you teach illustration, by chance, tell me how that influences your work as an illustrator.<\/font> <\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Yes, I am an art teacher. I\u2019ve been teaching in the illustration department at the <strong><a href=\"http:\/\/www.sva.edu\/get-info\">School of Visual Arts<\/a><\/strong> for over twenty years, and the influence that teaching has had on my work has been tremendous. Though I did study drawing and painting at the <strong><a href=\"https:\/\/www.theartstudentsleague.org\/\">Art Students League<\/a><\/strong> in New York (while I was in, or on vacation from, high school and college), I never formally studied art or illustration. So when I started working in picture books, I just sort of made it up as I went along. When I started teaching, however, I realized that if I wanted to convey information usefully, I had to think about my work in a more orderly way. <\/p>\n<p>When I started doing this, I began to teach myself as much as I was teaching my students. But much more importantly, as part of class I would often bring in picture books that I loved, and in discussing why I thought these books were so fantastic, I began to really look at them not just as a lover of reading and art, but critically &#8212; in terms of <em>how did they do that?<\/em> In a lot of ways, I think that is where my education as a picture book-maker really began. And, of course, I also have learned an incredible amount from my students. For me, part of teaching art is recognizing that you aren\u2019t teaching a subject that has one particular, definite way of approaching or doing the work, or a limited set of rules and methods. Rather, you\u2019re there to help each student figure out who they are artistically &#8212; and to help them learn how to develop their work. You have to be open to their ideas, their creativity. This being the case, I\u2019ve been exposed to so many more ways of thinking and working than I ever would have if I were not teaching. It\u2019s been amazing. Some of these students are brilliant, and I have very much found my work influenced by what they have done themselves, as well as by the artists they\u2019ve exposed me to. I owe them a lot.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/AdventuresBumblebeeBoy-04 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/AdventuresBumblebeeBoy-04 copysmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/AdventuresBumblebeeBoy-08 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/AdventuresBumblebeeBoy-08 copysmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/AdventuresBumblebeeBoy-18large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/AdventuresBumblebeeBoy-18small.jpg\" border=1><\/a><br \/>\n<center><em>Illustrations from <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780803734180\">The Amazing Adventures of Bumblebee Boy<\/a><\/strong><em> (2011)<\/em><br \/>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font> <\/p>\n<p><strong><font size=4>David<\/font><\/strong>: At the moment, Jacky (my wife and co-writer of <em>The Ladybug Girl<\/em> books) and I are writing Lulu\u2019s next adventure, and I am in the color-proofing stage with the book we just finished, <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780803740327\">Ladybug Girl\u2019s Day Out with Grandpa<\/a><\/strong><\/em> <em>[pictured below]<\/em>, which allowed me to illustrate the American Museum of Natural History. This was an incredible experience for me, as I grew up across the street from the Museum and spent much of my childhood there. After that, I will be working on a new solo project. It&#8217;s going to be a sort-of counting book.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LGB &#038;GP 1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LGB &#038;GP 1small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; Gp 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; Gp 2small.jpg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" title=\"Mmm. Coffee.\" alt=\"Mmm. Coffee.\"><font color=\"000066\">Okay, we&#8217;ve got our coffee, and it&#8217;s time to get a bit more detailed with <em>six<\/em> questions over breakfast. I thank David again for visiting 7-Imp.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><font size=4><strong>David<\/strong><\/font><\/strong>: Okay, so my process &#8230;<\/p>\n<p>Back when I began working as an illustrator, I did have a rather definite approach to each project. As I understood it, my job was to work with what I was given; the manuscript was somewhat sacred. It was important to me that I understood the text as the author had meant, and everything that I did was built on that. Of course, my own interpretations of characters and places were a big part of the books, too, but I think my concern with staying true to the author\u2019s intent made me a little more formal in my approach.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/When I am Old With Yoularge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/When I am Old With Yousmall.jpg\" border=1><\/a><br \/>\n<center><em>Illustration from <strong><a href=\"http:\/\/www.ajohnsonauthor.com\/\">Angela Johnson&#8217;s<\/a><\/strong> <strong><\/em><a href=\"https:\/\/images-na.ssl-images-amazon.com\/images\/I\/51EpiRnjjZL._SX258_BO1,204,203,200_.jpg\">When I Am Old With You<\/a><em><\/strong>, published in 1990<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/One of Three 3large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/One of Three 3small.jpg\" border=1><\/a><br \/>\n<center><em>Illustration from <strong><a href=\"http:\/\/www.ajohnsonauthor.com\/\">Angela Johnson&#8217;s<\/a><\/strong> <strong><\/em><a href=\"https:\/\/images-na.ssl-images-amazon.com\/images\/I\/51E3kc3kiJL._SX258_BO1,204,203,200_.jpg\">One of Three<\/a><em><\/strong>, published in 1991<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/Key into Winter 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/Key into Winter 2small.jpg\" border=1><\/a><br \/>\n<center><em>Illustration from <strong><a href=\"http:\/\/www.penguinrandomhouse.com\/authors\/235918\/janet-anderson\">Janet Anderson&#8217;s<\/a><\/strong> <strong><\/em><a href=\"http:\/\/images.betterworldbooks.com\/080\/The-Key-Into-Winter-Anderson-Janet-9780807541708.jpg\">The Key Into Winter<\/a><em><\/strong>, published in 1994<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/The Aunt in Our Houselarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/The Aunt in Our Housesmall.jpg\" border=1><\/a><br \/>\n<center><em>Illustration from <strong><a href=\"http:\/\/www.ajohnsonauthor.com\/\">Angela Johnson&#8217;s<\/a><\/strong> <strong><\/em><a href=\"https:\/\/images-na.ssl-images-amazon.com\/images\/I\/51Q26XF91DL._SX258_BO1,204,203,200_.jpg\">The Aunt in Our House<\/a><em><\/strong>, published in 1996<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/The Weddinglarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/The Weddingsmall.jpg\" border=1><\/a><br \/>\n<center><em>Illustration from <strong><a href=\"http:\/\/www.ajohnsonauthor.com\/\">Angela Johnson&#8217;s<\/a><\/strong> <strong><\/em><a href=\"https:\/\/images-na.ssl-images-amazon.com\/images\/I\/51lZeQhe8-L._SX258_BO1,204,203,200_.jpg\">The Wedding<\/a><em><\/strong>, published in 1999<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nSince I\u2019ve begun to both write and illustrate my books, my way of working has become much more fluid, and I feel freer to allow changes to the written story to arise out of the process of drawing and doodling. The process for each book is a little different, but this back and forth between the writing and the artwork is really exciting. Also, as the writer of the book, the whole creative process begins differently &#8212; and, at times, unexpectedly. <\/p>\n<p>For instance, <em>Ladybug Girl<\/em> began this way: For a while, Jacky and I had been talking about working together. We and our 2\u00bd-year-old daughter Lucy did a lot of sitting around together on the floor, and I would make doodles of Lucy while we played together. We would watch Lucy go about her day, and what really struck us was how much of her daily life was, to her, an adventure. That became something we wanted to explore in a book, but we weren\u2019t sure how to put it together until one morning when Lucy came downstairs (dressed in wings, a tutu, and a pile of about six or seven hats), and Jacky looked at her and said, \u201cHello, Ladybug Girl.\u201d That spark helped us combine what I wanted to draw with the story we wanted to tell. Of course, after that there was over a year of trying to write the story (and learn to work together!), while trying to discover what the art should look like. The character, the style of the art, and the story all evolved together (though I decided to lose the hats).<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 1.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 1small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 2small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 3small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 4.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 4small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 5.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 5small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 6.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 6small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 7large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 7small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 8large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 8small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 9.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG concept 9small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LGB concept 10 (early bug squad)large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LGB concept 10 (early bug squad)small.jpeg\" border=1><\/a><br \/>\n<center>Ladybug Girl <em>concept art<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780803734180\">The Amazing Adventures of Bumblebee Boy<\/a><\/strong><\/em> was obviously a part of the <em>Ladybug Girl<\/em> world, so there was much less need to go through figuring out the style of the art. But even so, some interesting things popped up, and I had a really good time designing all of his imaginary opponents.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/BBB concept 1.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/BBB concept 1small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/BBB concept 2large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/BBB concept 2small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/BBB concept 3large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/BBB concept 3small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/BBB concept 4.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/BBB concept 4small.jpeg\" border=1><\/a><br \/>\n<center>Bumblebee Boy <em>concept art<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nOne, in particular, was a bit of an education in and of itself, The Story of Giganto:<\/p>\n<p>Sam (a.k.a. Bumblebee Boy) was imagining that his cat, Rhubarb, was a ferocious sabre-toothed lion (a.k.a. Giganto), and they were going to do battle.<\/p>\n<p>I didn\u2019t really know what Giganto would look like. He first time I drew him he came out like this:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/Giganto 1large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/Giganto 1small.jpeg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAfter looking at what I had done, I was like, \u201cNo. No, no, no, no.&#8221; He was a bit too ferocious-looking. In trying to figure out where I had gone wrong, I realized \u201cDuh! He\u2019s supposed to be based on Bumblebee Boy&#8217;s cat, not on a lion! There\u2019s the problem.\u201d I then also realized that I had not yet figured out what I wanted the cat to look like. I have always liked the way tabby cats looked, so presto! Problem solved. Except that when I started to paint him this way &#8230;<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/Giganto 2large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/Giganto 2small.jpeg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n&#8230; I realized I still had the same problem: He still looked too scary. How could I make a giant cat not too threatening &#8212; and yet tough enough for the story? Then, I remembered that we had stolen the name Rhubarb from our friends\u2019 cat and that the actual Rhubarb was a calico, and so &#8230;<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/Giganto 3large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/Giganto 3small.jpeg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAnd there he was. The actual drawing hadn\u2019t changed at all; he was still imposing, but the pattern made him seem really ridiculous. I think there may be a moral to this story, but I have no idea what it is. <\/p>\n<p><strong><em><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=3413\">Three Bears in a Boat<\/a><\/em><\/strong> began with a dream that woke me up in the middle of the night. It included this image:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears dream imagelarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears dream imagesmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI felt compelled to figure out who these bears were and why they were in this boat, and I started writing the story at the kitchen table at about 3:00 in the morning. An interesting part of doing this early concept art, for me anyway, is that&#8212;no matter how clearly I think I know what I am going to do or what will happen when I sit down to work&#8212;I often have no idea what is going to come out.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears concept 1large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears concept 1small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears concept 2large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears concept 2small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears concept 3large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears concept 3small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears concept 4large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears concept 4small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 bears concept studylarge.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 bears concept studysmall.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/Salty Bear study.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/Salty Bear studysmall.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/three bears in a boatlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/three bears in a boatsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nA digression:<\/p>\n<p>Making a book is a long and large endeavor (for me, anyway); it\u2019s a lot like making a movie by yourself. And a big part of the experience of it is emotional and psychological. You get this idea, this trail you have to follow, and you begin to find yourself drawn into the world that you are creating. It\u2019s very exciting, very energizing, and very necessary in order to make the story come alive. So you work and work, but the work is long, and often you run into blocks and dead ends. And that initial spark fades a little, and uncertainty and doubt creep in. You go from thinking \u201cthis is great, and so am I!\u201d to \u201cthis is terrible, who am I kidding?\u201d At this point there may be a lot of dark nights of the soul or funny panda videos on YouTube, but hey, we won\u2019t judge. Happily, I have found that this stage passes (because you grit it out, or there is an inversion in the weather, or the muse smiles, or Jacky says, rightfully, \u201cyou go through this every time; you\u2019ll be fine, sheesh!\u201d), and you sit down to work and it feels like the sun is shining again.<\/p>\n<p>I have an incredible <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Martha_Graham\">Martha Graham<\/a><\/strong> quote in both my studio and in my classroom at SVA that helps me with this. I won\u2019t quote the whole thing, but it says that artists shouldn\u2019t judge themselves, that they should just keep on creating, and that:<\/p>\n<blockquote><p><em>There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. &#8230;<\/em><\/p><\/blockquote>\n<p>It\u2019s intense. (Of course it is. It&#8217;s Martha f-ing Graham!) And she was speaking about dance, but I find it helpful to recognize all creative people go through the same kind of emotional journeys while doing their work and have the same bouts of doubt and questioning.<\/p>\n<p><strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780525427834\">The Monster Next Door<\/a><\/em><\/strong> was also its own process. There were some ideas I was wrestling with, but I found that as I worked, the Boy and the Monster had ideas of their own. They sort of hijacked the book. In some ways, the story was never really written. The book sort of evolved out of the drawings.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 1large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 1small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 2large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 2small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 3.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 3small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 4.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 4small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 5large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 5small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 6.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 6small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 7.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 7small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 8large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND 8small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/treehouse conceptlarge.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/treehouse conceptsmall.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/treehouse studylarge.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/treehouse studysmall.jpeg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAfter I have the concept art and stories are done, I start trying to find the best way to tell the story in the picture book format (mostly I do 40-page books these days), and to do that I need to give myself a sort of overview of how it will all fit together. That means I spend a lot of time figuring out what scenes in the manuscript matter (which, in practice, means lots of scribbling and circling all over the type-written pages) and then drawing little picture maps of the book to help me see if everything is fitting together well. Here are some examples from <em>Three Bears<\/em> and <em>Ladybug Girl and the Bug Squad<\/em>:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears picture maplarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears picture mapsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG sample breakdownlarge.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG sample breakdownsmall.jpeg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAfter that, I\u2019ll get down to the nitty gritty of figuring out each page, which means everything from the overall composition, to the type placement, to the gestures and expressions. I do a lot of sketching and refining of the drawings and  go through a lot of paper. I find it\u2019s only when I am doing the drawings that I really begin to understand my books, and it is where I usually notice things that could be changed, whether by taking stuff out, adding stuff in, changing the writing &#8212; there\u2019s a lot of discovery. It\u2019s also really fun. I mean, I get to sit here and figure out what a dancing Monster or hula-hooping bear look like.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/Charli hula hooping sketches 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/Charli hula hooping sketches 2small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/Charlie hula hoop stketcheslarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/Charlie hula hoop stketchessmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/monster &#038; boy dancing sketcheslarge.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/monster &#038; boy dancing sketchessmall.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/monster dancing sketcheslarge.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/monster dancing sketchessmall.jpeg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nIf you want the technical details, all my preparatory work is done in pencil. Once I have a firm idea of what the scene needs to contain and be about, I do a lot of thumbnails. Then I take the composition I like best and work at it. I work at the actual size of the book, and use my light box to trace and re-trace each drawing, refining and making changes along the way. (I read that Degas did that with his drawings and tracing paper, so you know, as they say, steal from the best!) Here is an example of making up one of the pages for <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780803735842\">Ladybug Girl and the Dress-Up Dilemma<\/a><\/strong><\/em>:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 1small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 2small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 3large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 3small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 4large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 4small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 5large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow 5small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow finallarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the scarecrow finalsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThen I put it all together with the type to make the dummy. The dummy is an amazing part of the process. It\u2019s really the first time you get to see how your work works as a book. It is a good time to make a few&#8212;or a lot of&#8212;changes. When it\u2019s finally all together, off it goes to my editor and art director.<\/p>\n<p>And then it comes back, digitally these days, and with any varying amount of suggested changes, regarding anything from the pacing, to the compositions, to the type placement. Sometimes I agree with their notes; sometimes, not. We talk it through and try to come up with what we all agree will work best. Sometimes that has involved making more than one dummy.<\/p>\n<p>Same pages in different dummies. I swear:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/dummy photolarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/dummy photosmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAs for the final art, these days I do most of my work with watercolors and pen and ink, although colored pencils, charcoal, and gouache have all made their appearances. And Jasmin Rubero, Dial Book\u2019s brilliant designer, has also helped me with some digital compositing and repairs. (There have been more than a few unsightly ink splotches all over the artwork that she has kept from the public\u2019s view.) To do the finished art, I enlarge the image from the sketch dummy, refine the drawing, and then trace it onto watercolor paper &#8212; and get to work. <\/p>\n<p>Working in watercolors is like working with a mysterious partner or performing live; it\u2019s exciting, but you never quite know what\u2019s going to happen. When I climb the hill to my studio, I am not sure if the picture I\u2019m working on will take a couple hours or a couple days, or if it will be one take or work only after several failed attempts (which we\u2019ll call \u201clearning experiences\u201d). I also do lots of color studies <em>[pictured below]<\/em>, as it is so hard in watercolors to change anything once you begin painting. (I admit to being a little bit envious of those who work digitally.)<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears color study 1large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears color study 1small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears color study 3large.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears color study 3small.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears Mama clor studylarge.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 Bears Mama clor studysmall.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/13 Bears color study 3large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/13 Bears color study 3small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LGB &#038; scarcrow color studylarge.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LGB &#038; scarcrow color studysmall.jpeg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND color studylarge.jpeg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/TMND color studysmall.jpeg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAs a matter of fact, I have an Ikea bag under one of the tables in my studio that I fill up with all the mess-ups and studies and scraps from each book. When the art is finally accepted, I bring the bag to the dump to be recycled. Sort of a sage-burning kind of thing.<\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><font size=4><strong>David<\/strong><\/font><\/strong>: After having several different studio spaces in places like the back of an industrial cabinet-making shop, a semi-rehabilitated t-shirt factory, a quasi-legal artists\u2019 squat, the unused office of a Moroccan rug store (all of which were either unheated, un-air-conditioned, leaky, or all of the above), I finally built my own studio on a hill behind my house. The fact that I built it mostly myself&#8212;and that it is still standing&#8212;makes me impossibly happy. It is also a handy place for my daughter to have big sleep-over movie parties. Hence, the rolled up futon and spare mattresses.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/IMG_0610large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/IMG_0610small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/IMG_0612large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/IMG_0612small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/IMG_0614large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/IMG_0614small.jpg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book-lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/ferdinandcover.jpg\" style=\"float:right;\"><font size=4><strong>David<\/strong><\/font><\/strong>: I really hate to make lists, because I know I am leaving so much out, but here are the picture books that most immediately spring to mind from my childhood: <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Go,_Dog._Go!\">Go, Dog. Go!<\/a><\/strong><\/em>; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Little_Bear_(book)\">Little Bear<\/a><\/em><\/strong>; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Story_of_Ferdinand\">The Story of Ferdinand<\/a><\/em><\/strong>; <strong><em><a href=\"http:\/\/www.indiebound.org\/book\/9780394818238\">Richard Scarry&#8217;s What Do People Do All Day<\/a><\/em><\/strong>; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Snowy_Day\">The Snowy Day<\/a><\/em><\/strong>; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Cat_in_the_Hat\">The Cat in the Hat<\/a><\/em><\/strong>; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Horton_Hears_a_Who!\">Horton Hears a Who!<\/a><\/em><\/strong>; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Alexander_and_the_Terrible,_Horrible,_No_Good,_Very_Bad_Day\">Alexander and the Terrible, Horrible, No Good, Very Bad Day<\/a><\/em><\/strong>; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Caps_for_Sale\">Caps For Sale<\/a><\/em><\/strong>; and a really cool book about dinosaurs back from when there was still such a thing as a brontosaurus. I can\u2019t say how all these books may have influenced me (the way I can say that <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/John_Singer_Sargent\">John Singer Sargent<\/a><\/strong> influenced my approach to watercolors), but all of these books&#8212;and more&#8212;are part of my DNA. I don\u2019t think I would be who I am without them.<\/p>\n<p><font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: If you could have three (living) authors or illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose? (Some people cheat and list deceased authors\/illustrators. I won\u2019t tell.)<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Can I preface this by saying many of the artists I admire most I have been lucky enough to meet. (So I can leave out <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2189\">Jon Klassen<\/a><\/strong>, <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1567\">Laurie Keller<\/a><\/strong>, <strong><a href=\"http:\/\/www.lorenlong.com\/\">Loren Long<\/a><\/strong>, <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2136\">Carson Ellis<\/a><\/strong>, <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1422\">Lane Smith<\/a><\/strong>, <strong><a href=\"http:\/\/jilliantamaki.com\/illustration\/\">Jillian Tamaki<\/a><\/strong>, <strong><a href=\"http:\/\/www.tedlewin.com\/\">Ted<\/a><\/strong> and <strong><a href=\"http:\/\/www.betsylewin.com\/\">Betsy Lewin<\/a><\/strong>, among many others.) But even still, this is crazy hard to answer. Keeping it in the picture book family, I\u2019d say: <strong><a href=\"https:\/\/www.kirkusreviews.com\/features\/lisbeth-zwerger-being-drawn-stories\/\">Lisbeth Zwerger<\/a><\/strong>, my biggest art crush, whose work takes my breath away; <strong><a href=\"http:\/\/www.shauntan.net\/\">Shaun Tan<\/a><\/strong>, whose art shows me how far we can really go if we are unafraid of how much work it takes to get there; and <strong><a href=\"http:\/\/www.milkmonitor.com\/\">Lauren Child<\/a><\/strong>, because: brilliant, wise, and so damn funny. So, yeah. Them. Could I get a bigger table next time?<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LadybugGirl-12 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LadybugGirl-12 copysmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LadybugGirl-19 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LadybugGirl-19 copysmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LadybugGirlBumblebeeBoy-05 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LadybugGirlBumblebeeBoy-05 copysmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; Bingolarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; Bingosmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; Bingo 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; Bingo 2small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; Bingo 3large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; Bingo 3small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Best Playdate Ever 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Best Playdate Ever 2small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Best Playdate Everlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Best Playdate Eversmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Big Snowlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Big Snowsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Big Snow 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Big Snow 2small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Big Snow 3large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Big Snow 3small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Dress up Dilemnalarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Dress up Dilemnasmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Dress up Dilemna 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Dress up Dilemna 2small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Dress up Dilemna 3large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG &#038; the Dress up Dilemna 3small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG at the Beachlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG at the Beachsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG at the Beach 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG at the Beach 2small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBGlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBGsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG 2small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LGB &#038; the Bug Squadlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LGB &#038; the Bug Squadsmall.jpg\" border=1><\/a><br \/>\n<center><em>Art from the <\/em>Ladybug Girl<em> series<\/em><br \/>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Good question! <\/p>\n<p>While I listen to just about anything that isn\u2019t death metal or show tunes, the truth is that music effects me so much that I have to be really careful about what I put on, depending upon where I am in my work. I find I write best when it&#8217;s quiet, otherwise the music takes me somewhere that I maybe don\u2019t want to go (though trying to pick out the perfect music for what I am writing is a wonderful way of procrastinating &#8212; just sayin&#8217;). When I\u2019m trying to layout a book, I like wordless music, so there is a good a mount of jazz: <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/John_Coltrane\">Coltrane<\/a><\/strong>, <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Miles_Davis\">Miles<\/a><\/strong>, <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Thelonious_Monk\">Monk<\/a><\/strong>, <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Charles_Mingus\">Mingus<\/a><\/strong>, and <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Django_Reinhardt\">Django Reinhardt<\/a><\/strong>, as well as some ambient <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Brian_Eno\">Brian Eno<\/a><\/strong> tracks and the occasional dip into <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Johann_Sebastian_Bach\">Bach<\/a><\/strong> and <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Philip_Glass\">Philip Glass<\/a><\/strong>. <\/p>\n<p>When I\u2019m drawing, any and everything could be playing. But in recent months, and depending on my mood, there\u2019s been a lot of <strong><a href=\"http:\/\/www.andrewbird.net\/\">Andrew Bird<\/a><\/strong>, <strong><a href=\"http:\/\/mwardmusic.com\/\">M. Ward<\/a><\/strong>, <strong><a href=\"http:\/\/chanceraps.com\/\">Chance the Rapper<\/a><\/strong>, <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/FKA_Twigs\">FKA Twigs<\/a><\/strong>, <strong><a href=\"http:\/\/www.kendricklamar.com\/\">Kendrick Lamar<\/a><\/strong>, <strong><a href=\"http:\/\/tomrosenthal.co.uk\/\">Tom Rosenthal<\/a><\/strong>, <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Lou_Reed\">Lou Reed<\/a><\/strong>, <strong><a href=\"http:\/\/www.decemberists.com\/\">The Decemberists<\/a><\/strong>, movie soundtracks, <strong><a href=\"http:\/\/gillianwelch.com\/\">Gillian Welch<\/a><\/strong>, <strong><a href=\"http:\/\/www.tomwaits.com\/\">Tom Waits<\/a><\/strong>, <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Johnny_Cash\">Johnny Cash<\/a><\/strong> (always and forever Johnny Cash), and <strong><a href=\"http:\/\/www.beyonce.com\/\">Queen Bey<\/a><\/strong> herself. (<strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Lemonade_(Beyonc%C3%A9_album)\">Lemonade<\/a><\/em><\/strong> just gets better and better every time I listen to it.) I\u2019ll admit: I\u2019m a little eclectic.<\/p>\n<p>But during the long, and at times lonely, workdays and nights of doing the finished art, I have found that I like listening to someone talk or tell me a story. So podcasts, recorded books, or the dulcet tones and mind-bendingly bad (though often amusing) calls of <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/John_Sterling_(sportscaster)\">John Sterling<\/a><\/strong>, as he does the play by play for New York Yankees\u2019 radio, are more often on than not.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/squirrel Nutkinlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/squirrel Nutkinsmall.jpg\" border=1><\/a><br \/>\n<center>&#8220;How did she do it? &#8230; It was magic.&#8221;<em><br \/>David: &#8220;I was asked to contribute to Penguin\u2019s <\/em><strong><a href=\"https:\/\/www.kirkusreviews.com\/features\/beatrix-potter-turns-150\/\">A Celebration of Beatrix Potter<\/a><\/strong><em>, which came out in honor of her 150th year, and I was lucky enough to nab Squirrel Nutkin, one of my all-time favorite ne\u2019er-do-wells. There is an incredible array of amazing illustrators who are sharing their different takes on Ms. Potter\u2019s incredible universe of characters, and I am honored to be among them. (I\u2019m in a book with Tommie dePaola! I\u2019m in a book with Tommie dePaola! I\u2019m in a book with Tommie dePaola!)&#8221;<br \/><\/em>(Click to enlarge image and see David&#8217;s text;<br \/>also see <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4151\">this previous 7-Imp post<\/a><\/strong> for more)<\/em><\/center><\/p>\n<p><font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Well, one thing that most people don\u2019t know about me but that that I am willing to share is that there is a \u201cDavid doll\u201d in just about every book I\u2019ve done since the mid &#8217;90s. It began when my sister Liana (who is an amazing artist) and I  were doing what we do, which is to say being somewhat ridiculous (or as our mother would put it \u201cbeing idiots\u201d) and drawing insulting cartoons of each other (wish I could say we were little kids, but this was in our 20s). She did one of me that was so funny that we both fell off our chairs laughing. I\u2019ve since appropriated it and, while adjusting it to meet my (disappearing) hairline, turned it into a doll. It\u2019s ugly and wears a striped shirt. Sometimes it\u2019s a balloon. It has even changed species. <\/p>\n<p>P.S.: Jacky hates it.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 bears honey jar.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/3 bears honey jarsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/boys treehouse.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/boys treehousesmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/David beach balloonlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/David beach balloonsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/DAvid Dolllarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/DAvid Dollsmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG Bingo_04-05 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LBG Bingo_04-05 copysmall.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/01\/NothingToDo copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/NothingToDo copysmall.jpg\" border=1><\/a><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/01\/LadybugGirlBumblebeeBoy-01 copyuse.jpg\"><br \/>\n<center><em>(Click all but last image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: &#8220;Monkey.&#8221; I don\u2019t know why. I just like to say it.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Hmm, I\u2019m not sure. A lot of the worst words really do work for what they mean, like \u201cunctuous\u201d or \u201cpus.\u201d \u201cOintment\u201d is particularly gnarly.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Great art, the natural world, kindness, honesty, my wife.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Bad art, hypocrisy, cruelty.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: I\u2019m not English, and I never say it, but I love \u201cwanker.\u201d<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: The pop of a cork.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Private cell phone conversations in public.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Professional ball player, either baseball (which I was okay at) or soccer (of which I\u2019ve never had any of the requisite skills or talents, but it seems so glamorous).<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: Banker. It seems like a fine job, but I don\u2019t really like dealing with money, I\u2019m terrible at math, and I don\u2019t really like to shave.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>David<\/font><\/strong>: &#8220;Well, you certainly kept me waiting.&#8221;<\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>All art is used by permission of David Soman.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, copyright \u00a9 2009 <strong><a href=\"http:\/\/www.mattphelan.com\/\">Matt Phelan<\/a><\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Author-illustrator David Soman visits 7-Imp this morning for a cyber breakfast and gives just the right answer to my question about what he would like to have on our cyber-table. &#8220;Coffee,&#8221; he says. &#8220;Coffee and blueberry banana pancakes. With coffee. Sweet Sue\u2019s, a great breakfast joint in somewhat nearby Phoenecia, New York, calls blueberry [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-4254","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4254"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4254\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4254"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}