{"id":4292,"date":"2017-03-14T12:04:23","date_gmt":"2017-03-14T18:04:23","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4292"},"modified":"2017-03-15T14:36:53","modified_gmt":"2017-03-15T20:36:53","slug":"seven-questions-over-lunch-with-viviane-schwarz","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4292","title":{"rendered":"Seven Questions Over Lunch with Viviane Schwarz"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/breakfast in the parklargez.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\nAlthough I&#8217;ve featured art from her books over the last several years, the last time British author-illustrator <strong><a href=\"http:\/\/www.vivianeschwarz.co.uk\/\">Viviane Schwarz<\/a><\/strong> visited was 2009. <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1563\">(That was fun.)<\/a><\/strong> It&#8217;s a pleasure to have her visit today for some coffee. We&#8217;re having lunch, not breakfast, because I had a slow start to my day. But we&#8217;ll still have coffee, while she shows me some of her art, because she&#8217;s a fan. &#8220;I have one cup of black coffee,&#8221; she said when I asked her about breakfast, &#8220;on the sofa, watching whatever black-and-white movie is on. That is a good breakfast. An excellent breakfast is when it\u2019s sunny, and I have time to cook up eggs and marmite soldiers and take them into the park to eat under a tree.&#8221;<\/p>\n<p>I had to look up what marmite soldiers are, but I fully approve. I also approve of going to the park. (Right about now, I wish this weren&#8217;t a cyber-breakfast and that we were <em>really<\/em> heading outside.) And I think that what was once going to be breakfast would still serve as a great lunch. <\/p>\n<p>Not only do I enjoy Viviane&#8217;s books and her artwork, but I enjoyed reading many of her responses today. I thank her for sharing art in this interview &#8212; and for creating some of the pieces, such as the one above, specifically for her 7-Imp visit. <\/p>\n<p>Let&#8217;s get to it. &#8230;.<\/p>\n<p><!--more--><\/p>\n<p><center><font size=4><strong>* * * * * * *<\/strong><\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Are you an illustrator or author\/illustrator?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: Artist. Although \u201cAuthor\u201d is important as well. Often I\u2019m \u201ccollaborator.\u201d I\u2019m pure \u201cIllustrator\u201d quite rarely. There are usually things I need to invent that aren\u2019t illustrations.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/some characterssmall.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you list your books-to-date?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: <\/p>\n<ul>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780545033299\">Timothy and the Strong Pajamas<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.vivianeschwarz.co.uk\/?page_id=42\">Shark and Lobster\u2019s Amazing Undersea Adventure<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1563\">There are Cats in This Book<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763649548\">There Are No Cats in This Book<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763669911\">Is There a Dog in This Book?<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763653606\">A Place to Call Home<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763666088\">Cheese Belongs to You!<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763662301\">The Sleepwalkers<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9781909263000\">Welcome to your Awesome Robot<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"https:\/\/www.kirkusreviews.com\/features\/bunnies-badgers-picture-book-round-\/\">How to Find Gold<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"https:\/\/www.kirkusreviews.com\/features\/reading-across-borders\/\">I Am Henry Finch<\/a><\/strong><\/em><\/li>\n<li><em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763694623\">Counting with Tiny Cat<\/a><\/strong><\/em><\/li>\n<\/ul>\n<p><strong><font size=4>Jules<\/font><\/strong>: What is your usual medium?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I like to build with cardboard &#8230;<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/cardboarduse.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n&#8230; and to write on my laptop and to draw with Blackwing Pencils and ink. Ink is my favourite medium of all. I always have ink-stained hands. I use a collection of flexible fountain pens and dipping nibs. I make my own inking implements from animal hair, plants, twigs, feathers. I have a nice scratchy nib made from a bird\u2019s foot and a set of brushes made from clippings from people\u2019s pets that they sent me. So far, horse hair suits me best. Then, goat.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/drawing with inksmall.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\n<strong><font size=4>Jules<\/font><\/strong>: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another? <\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: It feels like the people who care most about matching style to age are parents trying to buy appropriate books, so I did try to signal a bit \u201cthis is for little children, so it\u2019s very chunky and primary coloured\u201d and \u201cLook, this is a bit more fiddly, for slightly older children.&#8221; But it turns out adults really like the simple stuff, and toddlers often go for the more complicated style. I do what fits the world of the book without thinking about age too much. We\u2019re all people with different tastes, whatever age, and it\u2019s good for us to be confronted with a wide range of stuff all through life, not just with what we like best already.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/rainbowlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/rainbowsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Where are your stompin&#8217; grounds?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I live in South London. It\u2019s very busy and ridiculously expensive, but after a decade here I have finally found a place I love that has trees and a cat and a good space for my desk.<\/p>\n<p>I often go out for walks. I love London. In other places (including Germany), the first question people ask me is: <em>Where are you from?<\/em> It\u2019s an odd question to keep answering somewhere you lived half your life.<\/p>\n<p>In London, people ask me: <em>What do you do?<\/em> And they are usually happy if I don\u2019t ask them where they are from either. We are from everywhere. I like that a lot.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/walk londonsmall.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you briefly tell me about your road to publication?<\/font> <\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I\u2019ve been determined to make books, since I found out that it is a job, and I have always drawn a lot, made inventions, and thought up stories and games. My first published piece was a comic in a children\u2019s magazine when I was thirteen. When I left school, I couldn\u2019t find a specialised illustration course in Germany, so I emigrated. I studied at Falmouth College of Arts and made contact with London publishers from there.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you please point readers to your web site and\/or blog?<\/font> <\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: <strong><a href=\"http:\/\/www.vivianeschwarz.co.uk\">www.vivianeschwarz.co.uk<\/a><\/strong> is my main website. <strong>vivianeschwarz.blogspot.com<\/strong><a href=\"http:\/\/vivianeschwarz.blogspot.com\"><\/a> is my blog, but @vivschwarz at Twitter is where you can follow me day-to-day. <strong><a href=\"http:\/\/Catandbag.org\">Catandbag.org<\/a><\/strong> is a web comic I am drawing about anxiety.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/brave1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/brave1small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/brave2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/brave2small.jpg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you do school visits, can you tell me what they\u2019re like?<\/font> <\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I usually start by reading them a book, then do some drawing on a flipchart to do with it. I ask the children what to draw, and we create a scene together. Sometimes I bring a suitcase full of paintboxes and a big roll of paper, so we can paint together. I imported a load of paints of the same sort I used when I was in school. They are really good, made by Pelikan. The standard UK school paints are tiny chalky watercolours that just look pretty and polite, even if you paint a massive screaming dinosaur with lasers on. They make me very cross.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/school visit flipchart.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/school visit flipchartsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI\u2019ve worked out a way to improvise a huge picture book with a class of children on the spot &#8212; on a long roll of paper that I fold into a book and read to them in the end. Then it goes to the school library &#8212; with a glowing review by the librarian, hopefully.<\/p>\n<p>A well-prepared school visit is brilliant fun. I\u2019ve mostly been visiting schools that had staff training from the Centre for Literacy in Primary Education recently, and they are a joy to work with. They help the teachers to get the best out of a visit, so they can tie it into their curriculum and put it in context as education rather than entertainment. Big props to them. They have had a huge positive impact on UK school visits already.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/rainy daysmall.jpg\"><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/data collection projectsmall.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If you teach illustration, by chance, tell me how that influences your work as an illustrator.<\/font> <\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I do sometimes teach illustration at University. It\u2019s a great way of teaching myself at the same time. If I tell the students something that sounds clever but actually makes no sense, it\u2019ll show in their artwork right away, and I can apologise and never say it again. Without them, I\u2019d believe a lot of nonsense for a lot longer. I did a 24-hour comic drawing session with the students some time ago. We all set up in a museum and drew a 24-page comic each in 24 hours. I learned a lot doing that, both from drawing the comic and from working alongside other people that way.<br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/teaching data visualisationsmall.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\nI really enjoy seeing families work together, and it feels like a great thing to facilitate that, so I like to do family workshops. When I see parents take everything out of their children\u2019s hands to neaten it up, I try to stop them in a kind and encouraging way and not be cross. The parents need more guidance than the children, because they hold so much responsibility. You need to be nice and not make them look silly when they don\u2019t know how to do something. It\u2019s more important to me that they feel the power of making something real than that it\u2019s a perfect result. Ideally, I want them to go home and make more things, not just frame up whatever they made with me.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/family workshopsmall.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\nI also sometimes do workshops for primary school teachers under the CLPE Power of Pictures programme. The aim is to give them more confidence to do creative writing exercises and use picture books. It\u2019s inspirational. The teachers are extremely dedicated, excited, curious, and critical. They really want to get the best out of the system they must adhere to. I used to just ignore what teachers might make of my books and how to use them with groups and in schools, because I was rather fed up with the state of early education, but I am happy to say that I\u2019ve learned from them, too. Teachers are awesome. I am honored to be on their team some of the time.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Any new titles\/projects you might be working on now that you can tell me about?<\/font> <\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: <em><strong><a href=\"https:\/\/www.kirkusreviews.com\/features\/bunnies-badgers-picture-book-round-\/\">How to Find Gold<\/a><\/strong><\/em> came out last year, a book about two adventurers (Anna and Crocodile), who decide to find gold &#8212; and succeed. <em>[Art from that is pictured immediately below.]<\/em> Those two have become like friends to me, and I often think of them and what they\u2019d be up to right now, so I\u2019ve just finished writing a sequel.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/03\/9780763681043.int.1use.jpg\"><br \/>\n<center><em>&#8220;&#8216;Let&#8217;s find gold,&#8217; said Anna.<br \/>&#8216;That would be dangerous and difficult,&#8217; said Crocodile.<br \/>&#8216;Good!&#8217; said Anna. &#8216;Let&#8217;s go!'&#8221;<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2016\/03\/9780763681043.int.2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/03\/9780763681043.int.2small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;&#8216;Wow,&#8217; said Anna. &#8216;Is it really like that?&#8217; &#8216;Yes,&#8217; said Crocodile. Anna got the boat.<br \/>&#8216;Let&#8217;s find the things on your drawing,&#8217; she said, &#8216;and then dive for gold.'&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2016\/03\/HowToFindGolduse.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nAnd this very month, one of the cats from my earlier books got their own series. The first book, <em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763694623\">Counting with Tiny Cat<\/a><\/strong><\/em>, is out now. <em>[It releases in the U.S. this July.]<\/em> It is very simple, but I think it\u2019s funny. And silly and strangely useful. The whole series will be all about Tiny Cat teaching us things without quite understanding how they work &#8212; but with great enthusiasm.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/CT1small.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/CT2small.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/CT9small.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/COUNTINGTINY_FRONTCOVER3use.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/tiny cat shopuse.jpeg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/coffee cup8.jpg\" title=\"Mmm. Coffee.\" alt=\"Mmm. Coffee.\"><font color=\"000066\">Okay, we&#8217;ve got our coffee, and it&#8217;s time to get a bit more detailed with seven questions over breakfast. I thank Viviane again for visiting 7-Imp.<\/font> <\/p>\n<p><font color=\"000066\"><font size=5>1.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What exactly is your process when you are illustrating a book? You can start wherever you\u2019d like when answering: getting initial ideas, starting to illustrate, or even what it\u2019s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?<\/font> <\/p>\n<p><font size=4><strong>Viviane<\/strong><\/font><\/strong>: The illustrations always come last. Most often, I have a notion about what I want the book to be good for, first of all. Examples would be: A book that is like a pet you can play with. A book that is a game. A book that helps with nightmares. There is a growing, changing list of these that I carry in my head since childhood: Books that I want to exist.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/moonpiebox.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\nEvery so often, I suddenly realise that one of these books fits with something I\u2019ve just noticed or understood, maybe while walking around London or talking to a friend. Next, I think about what sort of book it needs to be &#8212; what size, what medium. I imagine reading it. I wonder who would live in that book. At that point, the characters start to arrive.<\/p>\n<p>I draw the characters in the sketchbook I always carry &#8212; actually, a bundle of slim sketchbooks and notebooks that I bound into a leather sleeve, one for each thing I\u2019m working on. I sketch them simply, not considering style or finish. They interact. They develop through dialogue, find their stance, develop notions. I use improvisation techniques that mostly come from theatre. I make them argue, see if they will forgive one another, change their status, give them secret needs, make them be boring to see if they become more interesting. They go through many changes, while I try to be honest with myself and not let them settle until I feel that they are real.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/improvised character design 1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/improvised character design 1small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/improvised character design 2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/improvised character design 2small.jpg\" border=1><\/a><br \/>\n<center><em>Improvised character design<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI won\u2019t make any book that I don\u2019t completely, honestly believe in. I love every single one of my characters in some way. That doesn\u2019t mean that I approve of everything they do at all times. The love I feel for them is that of seeing something that is alive and reacting to the world. I keep notes about the story and allow it to change with the characters.<\/p>\n<p>It\u2019s not easy getting a book contracted. Publishers hardly ever hand out contracts for ideas any more; they expect a full, presentable dummy. It\u2019s a lot of work to get to that point, every time. By the time I get a contract, most often it\u2019s just a question of finishing the illustrations and honing the text a little. I make sure I always do some other projects&#8212;toy camera photography, songwriting, novel drafts, comics&#8212;that can run on their own pace so that the ups and downs of making picture books don\u2019t get to me. Those projects usually feed into the books, but that\u2019s not their main purpose.<\/p>\n<p>I do a lot of digital work, and I love computers, but I need to use analogue materials as well to feel connected to the world. If I don\u2019t, I get sad.<\/p>\n<p><font color=\"000066\"><font size=5>2.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Describe your studio or usual work space.<\/font> <\/p>\n<p><font size=4><strong>Viviane<\/strong><\/font><\/strong>: I have a very large desk in the lounge. It needs to be, because of the digital set-up which takes up more space than the drawing. I have a massive old Cintiq tablet embedded into the desk. (I built that myself, as I did most of my studio furniture over the years.)<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/at-the-desksmall.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nEvery so often I go to a caf\u00e9 to draw comics. For some reason, the comics need to be drawn in a caf\u00e9 &#8212; maybe because they are usually about anxiety attacks, and it\u2019s reassuring to be in a friendly place with other people, with nothing else to do at all, and to be brought tea and snacks. I generally go out to do work that I can do away from home. I like to research in the British Library, take long walks with a friend and talk about ideas, or walk alone and just think.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/IS THERE A DOG IN THIS BOOK 9780763669911.int.1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/IS THERE A DOG IN THIS BOOK 9780763669911.int.1small.jpg\" border=1><\/a><br \/>\n<center><em>&#8212; From <\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763669911\">Is There a Dog in This Book?<\/a><\/strong> <em>(Candlewick, 2014)<br \/><\/em>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/IS THERE A DOG COVER.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>3.<\/font> <strong><font size=4>Jules<\/font><\/strong>: As a book-lover, it interests me: What books or authors and\/or illustrators influenced you as an early reader?<\/font><\/p>\n<p><font size=4><strong>Viviane<\/strong><\/font><\/strong>: Most of the names of authors I was aware of as a child are German &#8212; <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/F._K._Waechter\">F. K. Waechter<\/a><\/strong>, <strong><a href=\"https:\/\/de.wikipedia.org\/wiki\/Simon_Ruge\">Simon<\/a><\/strong> and <strong><a href=\"https:\/\/de.wikipedia.org\/wiki\/Desi_Ruge\">Desi Ruge<\/a><\/strong>, <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Erwin_Moser\">Erwin Moser<\/a><\/strong>, <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Ende\">Michael Ende<\/a><\/strong>. <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Astrid_Lindgren\">Astrid Lindgren<\/a><\/strong> was the greatest human being I could imagine, except for <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Tove_Jansson\">Tove Jansson<\/a><\/strong>. I was in love with their worlds and their stories. <\/p>\n<p>But just as important was the family collection of nonfiction books: craft books, encyclopedias, volumes about science and natural history. I especially remember <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/How_and_Why_Wonder_Books\">The How and Why Wonder Books<\/a><\/strong>. The one about the microscope was my favourite, followed by the one about time. I read everything I could get my hands on &#8212; books for adults, books for children, instructional booklets, magazines, everything. I could read before anyone realised, so no one bothered to take away adult crime novels or books on child psychology. Everyone thought it was funny and cute that I held them upside down. I just found that reading upside down made the books last a bit longer.<\/p>\n<p>My mother used to take me to the library very often, and I took out as many books as I could carry every time &#8212; picture books at first, then novels. The library became my favourite place in the world. I spent a few hours there after school most days when I got a bit older. They extended the old building with a glass structure, which I always love. It was best when it rained. The glass roof over what used to be the yard dipped down in the middle to a drain embedded in a pillar next to the crime section. I used to hug it and listen to the water running down. There were too many influences to list in that library. Every few weeks, I had a new project to research and a little reading table piled with different books, and every afternoon I sat in the cafe with a cup of greasy instant broth and another exciting story to get through before I took the bus home.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/librarysmall.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\nI collected pop-up books and science fiction novels. My mother has a great collection of children\u2019s books, as she worked as a teacher and writes and edits textbooks for primary schools. There were a lot of amazing books from the &#8217;70s around the house, as I have elder sisters. My childhood was spent in houses lined with books. Every day another rises up in my memory like a strange sea creature. Everything I see and hear drags them up. There are no favourite fish in the sea.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/Cheese (1).jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/Cheese (1)small.jpg\" border=1><\/a><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/Cheese (2).jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/Cheese (2)small.jpg\" border=1><\/a><br \/>\n<center><em>&#8212; From <strong><a href=\"http:\/\/alexisdeacon.tumblr.com\/\">Alexis Deacon&#8217;s<\/a><\/strong><br \/><\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763666088\">Cheese Belongs to You!<\/a><\/strong> <em>(Candlewick, 2013)<br \/><\/em>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/CHEESE BELONGS TO YOU COVER.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>4.<\/font> <strong><font size=4>Jules<\/font><\/strong>: If you could have three (living) authors or illustrators&#8212;whom you have not yet met&#8212;over for coffee or a glass of rich, red wine, whom would you choose? (Some people cheat and list deceased authors\/illustrators. I won\u2019t tell.)<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I\u2019d hate to make a pick. Just because someone can make great pictures doesn\u2019t mean that they are good company. I\u2019d rather share a bottle with a nice person, and then see what we draw together. Who cares if it\u2019s any good? Drawing and making up stories together is always good. And we can have some amazing books to look at. If the illustrators are so great, then their work should be at least as rewarding as their company. I hope my work goes and has nice drinks with people when I\u2019m happily elsewhere.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/drawing togethersmall.jpg\"><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>5.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I ask friends to send me songs and playlists while I work and am inking and colouring in the studio. I also found that a side of an LP record is a good amount of time to spend drawing before taking a tea break.<\/p>\n<p>I often listen to music when I work &#8212; or to audio books. The unabridged <em>Moby Dick<\/em> as read by <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/William_Hootkins\">William Hootkins<\/a><\/strong> is my all-time favourite.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/A PLACE TO CALL HOME 9780763653606.int.1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/A PLACE TO CALL HOME 9780763653606.int.1small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;NOW we&#8217;re safe! &#8230;&#8221;<br \/>&#8212; From <strong><a href=\"http:\/\/alexisdeacon.tumblr.com\/\">Alexis Deacon&#8217;s<\/a><\/strong><br \/><\/em><strong><a href=\"http:\/\/www.indiebound.org\/book\/9780763653606\">A Place to Call Home<\/a><\/strong> <em>(Candlewick, 2011)<br \/><\/em>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/A PLACE TO CALL HOME COVER.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>6.<\/font> <strong><font size=4>Jules<\/font><\/strong>: What&#8217;s one thing that most people don&#8217;t know about you?<\/font> <\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I was the German voice of Dazzle on the <em>My Little Pony<\/em> story tapes back in the early &#8217;90s.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2015\/10\/9780763678128.int.1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2015\/10\/9780763678128.int.1small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;The finches lived in a great flock. They made such a racket all day long,<br \/>they really could not hear themselves think.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2015\/10\/9780763678128.int.2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2015\/10\/9780763678128.int.2small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;He sat still and listened to his thoughts. He had more of them. He liked them. &#8230;&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2015\/10\/iamhenryfinchcover.jpg\"><br \/>\n<center><em>Above: From <strong><a href=\"http:\/\/alexisdeacon.tumblr.com\/\">Alexis Deacon&#8217;s<\/a><\/strong> <\/em><strong><a href=\"https:\/\/www.kirkusreviews.com\/features\/reading-across-borders\/\">I Am Henry Finch<\/a><\/strong><em>,<br \/>illustrated by Viviane (Candlewick, 2015)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><font size=5>7.<\/font> <strong><font size=4>Jules<\/font><\/strong>: Is there something you wish interviewers would ask you &#8212; but never do?<\/font> <\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I want them to ask me about the importance of love in my work. Then I want to say the important thing is that you don\u2019t own people or things or places because you love them, but you own your love. No one else put it there. You cannot ever give it away; it\u2019s not a currency. You can\u2019t buy any rights with it. It\u2019s like a light you carry inside yourself that might warm others or burn them, but it remains yours alone. Don\u2019t try to give your love, but let it light your way and you will find what it is you need to give to those you love, and they might even love you at the same time until it\u2019s hard to tell where it\u2019s all coming from. Or they might not, and it doesn\u2019t diminish what you have. That\u2019s what I believe, and what I do with it is mostly &#8230; make books. That\u2019s why I make books. But it\u2019s not what I say when people ask. I say: <em>Because I\u2019m really good at it<\/em>. Which is also a reason.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2017\/03\/with alexis deacon.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2017\/03\/with alexis deaconsmall.jpg\" border=1><\/a><br \/>\n<center><em>With <strong><a href=\"http:\/\/alexisdeacon.tumblr.com\/\">Alexis Deacon<\/a><\/strong> <\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/jules\/alfred.jpg\"><center><font size=4>* * * The Pivot Questionnaire * * *<\/font><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite word?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: &#8220;Hey.&#8221; <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your least favorite word?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: &#8220;Magic.&#8221; <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you on creatively, spiritually or emotionally?<\/font> <\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: Kindness. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What turns you off?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: Bullies. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is your favorite curse word? (optional)<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: &#8220;Bullshit!&#8221;<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you love?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: Rain on a tent. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What sound or noise do you hate?<\/font> <\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: Cat retching in the dark. <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession other than your own would you like to attempt?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: I imagine it would be very satisfying to be a singer. If one were very good at it.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What profession would you not like to do?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: Underwater welder.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?<\/font><\/p>\n<p><strong><font size=4>Viviane<\/font><\/strong>: &#8220;Ah, good that you\u2019re here.&#8221;<\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>CHEESE BELONGS TO YOU! Text Copyright \u00a9 2013 by Alexis Deacon. Illustrations copyright \u00a9 2013 by Viviane Schwarz. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.<\/em><\/p>\n<p><em>COUNTING WITH TINY CAT. Copyright \u00a9 2017 by Viviane Schwarz. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.<\/em><\/p>\n<p><em>HOW TO FIND GOLD. Copyright \u00a9 2016 by Viviane Schwarz. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.<\/em><\/p>\n<p><em>I AM HENRY FINCH. Copyright \u00a9 2014 by Viviane Schwarz. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.<\/em><\/p>\n<p><em>IS THERE A DOG IN THIS BOOK? Text copyright \u00a9 2015 by Alexis Deacon. Illustrations copyright \u00a9 2015 by Viviane Schwarz. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.<\/em><\/p>\n<p><em>A PLACE TO CALL HOME. Text copyright \u00a9 2011 by Alexis Deacon. Illustrations copyright \u00a9 2011 by Viviane Schwarz. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.<\/em><\/p>\n<p><em>All other images used by permission of <strong><a href=\"http:\/\/www.vivianeschwarz.co.uk\/\">Viviane Schwarz<\/a><\/strong>.<\/em><\/p>\n<p><em>The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, copyright \u00a9 2009 <strong><a href=\"http:\/\/www.mattphelan.com\/\">Matt Phelan<\/a><\/strong>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Although I&#8217;ve featured art from her books over the last several years, the last time British author-illustrator Viviane Schwarz visited was 2009. (That was fun.) It&#8217;s a pleasure to have her visit today for some coffee. We&#8217;re having lunch, not breakfast, because I had a slow start to my day. But we&#8217;ll still have [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-4292","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4292"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4292\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4292"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}