{"id":4692,"date":"2018-08-07T12:24:58","date_gmt":"2018-08-07T18:24:58","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4692"},"modified":"2018-08-08T07:30:53","modified_gmt":"2018-08-08T13:30:53","slug":"brian-lies-the-rough-patch","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4692","title":{"rendered":"Brian Lies&#8217; <em>The Rough Patch<\/em>"},"content":{"rendered":"<p><a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/XY 100dpilarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/XY 100dpiopenzz.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;He loaded up the pumpkin and drove to town.&#8221;<\/em><br \/>(Click to enlarge spread)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI&#8217;ve a review over at <em>BookPage<\/em> of <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1495\">Brian Lies&#8217;<\/a><\/strong> <em>The Rough Patch<\/em> (Greenwillow, August 2018). The review is <strong><a href=\"http:\/\/bookpage.com\/reviews\/22912-brian-lies-rough-patch#.W2miWShKiUk\">here<\/a><\/strong>, and Brian visits today to talk about the process behind this moving picture book. I thank him for sharing. <\/p>\n<p>Let&#8217;s get right to it. <\/p>\n<p><!--more--><br \/>\n<BR>&nbsp;<BR><br \/>\n<center>* * *<\/center><\/p>\n<p><strong><font size=4>Brian<\/font><\/strong>: When I first thought of the story, I scribbled it down in one burst of words and images in one of my sketchbooks. This is the last of three pages. The idea stayed in the sketchbook for over a decade before I decided I had to move forward with it.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/sketchbook 2 100dpi.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/sketchbook 2 100dpismall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nIt was like a log jam breaking up. I\u2019d been thinking about various ways of telling the story but hadn\u2019t decided which was the right way. Then on a Friday afternoon, a completely new way of looking at the illustrations burst into my mind. Rather than full bleeds throughout, there would be a number of vignettes and pages in which Evan would appear on a stark, white background.  This is one of the pages I drew that afternoon; though the sketches are extremely rough, most of the ideas in these sketches made it through to the final book.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/blue lines 2 copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/blue lines 2 copysmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nEvan started out as a human <em>[pictured above]<\/em>, but at some point I decided to turn him into an animal. My first try was as a bear, thinking he might be a bit gruff, crusty. But I didn\u2019t like this sketch:<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/Evan as bear 100dpi copyuse.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nHe was too big and lumpy. Then I tried him as a rhinoceros &#8230;<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/Evan as rhinosuse.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nAnd though more character came through in his face, he was still too lumpy-looking. I envisioned him as a lean, older character. Then I did this sketch of Evan as a fox:<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/Evan as foxsmall.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nSomething about the lean lines and the expressive ears and tail told me that I was going to be able to show a wide range of emotions with this animal.<\/p>\n<p>Unless I\u2019ve got a series of images that all happen in the same place and with the same lighting, I\u2019ll do a color study for each piece. These are very small \u2014 you can see a penny in the image with the garden, which is for scale \u2014 and loose. These are quick studies, and so I feel very free to experiment with color mixes and combinations that I wouldn\u2019t necessarily plan.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/color study 1.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/color study 1small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/color study 2.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/color study 2small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/color study 4large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/color study 4small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nWith the &#8220;and soon it was&#8221; spread, I was looking for the colors to dull out, and I decided to do the sky as a watercolor wash under the acrylic foreground, because it gave a slightly pebbly, grubby look. I hadn\u2019t expected the trees in the back to be so greeny-gray, but I liked how they looked, and they became the \u201chook\u201d on which the rest of the illustration was hung.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/color study 3.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/color study 3small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/PQA 100dpilarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/PQA 100dpismall.jpg\" border=1><\/a><br \/>\n<center><em>Final spread: &#8220;And soon it was.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nWhen I first sketched Evan, the main character, watching a pumpkin vine come under his fence, it was with a much wider focus \u2014 Evan\u2019s whole body, the fence, the pumpkin vine. But then I decided to change the angle and the focus.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/A first roughlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/A first roughsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nSo, now all we see are Evan\u2019s feet, the hoe, a hint of the fence \u2014 and the rest of the image is about the vine. I liked that we can\u2019t see what Evan\u2019s thinking. It seemed to heighten the moment of discovery. I did a version of of the drawing with shadows thrown in, and I liked it.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/B vine line only copylarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/B vine line only copysmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/C pumpkin vine with tone.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/C pumpkin vine with tonesmallbb.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nBut then I decided that we shouldn\u2019t see the hoe; it ought to be suggested in the shadows on the ground.  Now, the piece would be about the moment where Evan hesitates. The hoe is raised. &#8230; but he stops.<\/p>\n<p>This is the underpainting with the fence painted in. You can see the shadows of the leaves and the hoe. Notice also that I&#8217;d decided that Evan should be in boots, rather than barefoot. It was more consistent with other gardening images where he\u2019s seen in boots.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/E finished fence with underpaintlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/E finished fence with underpaintsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/Flarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/Fsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAnd there was another moment of serendipity. After I drew the boots, they reminded me of <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Andrew_Wyeth\">Andrew Wyeth\u2019s<\/a><\/strong> painting <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Trodden_Weed\">Trodden Weed<\/a><\/strong><\/em>. That echo, to me, added a hint of bleakness to the piece.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/troddenweed.jpg\" border=1><br \/>\n<center><em>Andrew Wyeth&#8217;s <\/em>Trodden Weed<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nNext, I\u2019m working on scumbling and stippling the dirt. I was going for an artificial, spot-lit effect in order to heighten the shadows of the vine. Then it was time for texture in the dirt.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/D fence worklarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/D fence worksmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI didn\u2019t want my spatter-texture to spill over onto the leaves, fence, or boots, so I took a copy of my rough sketch and created loose stencils. You can see them weighted down with coins.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/G leaf stencilslarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/G leaf stencilssmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nFinally, it\u2019s time for the pumpkin leaves themselves. I\u2019d done a couple of test swatches and discovered that the leaves looked more convincing if I painted the shapes between the leaf veins, rather than painting the veins over a flat color. Unfortunately, this meant painting many hundreds of individually-modeled shapes, all aligned with the source of light in the painting. But you have to do whatever it takes to get the final effect!<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/H leaf detailslarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/H leaf detailssmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThe finished image is below \u2014 with the text in place. I liked the poison ivy on the fence. To me, this piece encompasses much of the story \u2014 the dark garden, symbolized by the poison ivy; Evan\u2019s thinking process in the suspended hoe shadow; the vivid, unstoppable green of the pumpkin vine.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/J finished art with text 100dpilarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/J finished art with text 100dpismall.jpg\" border=1><\/a><br \/>\n<center><em>Finished art with text:<br \/>&#8220;When Evan found a pumpkin vine sneaking in under the fence,<br \/>he raised his hoe to chop it. But then he considered its prickly stems,<br \/>fuzzy leaves, and spidery, twisty tendrils. He let it be.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThis is my drawing table while I was working on the book. A print-out of the rough sketch is up on the bulletin board, along with various reference images. The small color study is resting above the illustration I\u2019m working on. It\u2019s February 2017, so the front yard is filled with snow.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/Office during deadline.JPG\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/Office during deadlinesmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<center>* * *<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<strong><font size=4>Jules<\/font><\/strong>:  Thanks again to Brian. Here&#8217;s a bit more art from the book.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/title textlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/title textsmallzz.jpg\" border=1><\/a><br \/>\n<center><em>Title page art<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/DE 100dpilarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/DE 100dpismall.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;They played games and enjoyed sweet treats.<br \/>They shared music and adventure.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/caramel apple 100dpiuse.jpg\"><br \/>\n<center><em>&#8220;&#8230; and gobbled down some delicious fair food.&#8221;<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/08\/A jacket 100dpi.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/08\/A jacket 100dpismall.jpg\" border=1><\/a><br \/>\n<center><em>(Click cover to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<center>* * * * * * *<\/center><\/p>\n<p><em>THE ROUGH PATCH. Text and illustrations copyright \u00a9 2018 by Brian Lies. Published by Greenwillow Books, an imprint of HarperCollins, New York. All images here used by permission of Brian Lies.<\/em> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;He loaded up the pumpkin and drove to town.&#8221;(Click to enlarge spread) &nbsp; I&#8217;ve a review over at BookPage of Brian Lies&#8217; The Rough Patch (Greenwillow, August 2018). The review is here, and Brian visits today to talk about the process behind this moving picture book. I thank him for sharing. Let&#8217;s get right to [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-4692","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4692"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4692\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4692"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}