{"id":4740,"date":"2018-10-17T09:22:01","date_gmt":"2018-10-17T15:22:01","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4740"},"modified":"2018-10-17T09:39:42","modified_gmt":"2018-10-17T15:39:42","slug":"pearl-a-visit-with-molly-idle","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4740","title":{"rendered":"<em>Pearl<\/em>: A Visit with Molly Idle"},"content":{"rendered":"<p><a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_kelp_forest_sketch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_kelp_forest_sketch_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_kelp_forest_final_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_kelp_forest_final_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Early sketch and final spread: &#8220;Some tended to the towering forests of kelp<br \/>rising from the ocean floor.&#8221;<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAuthor-illustrator <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2526\">Molly Idle<\/a><\/strong> visits 7-Imp today to talk about her newest picture book, <em><strong><a href=\"https:\/\/www.indiebound.org\/book\/9780316465670\">Pearl<\/a><\/strong><\/em> (Little, Brown, October 2018). It&#8217;s the story of a small mermaid, eager for a big job. When her mother tells her that Pearl&#8217;s job is to care for and keep safe a single grain of sand, Pearl is disappointed. She doesn&#8217;t truly hear her mother&#8217;s words: &#8220;The smallest of things can make a great difference, Pearl.&#8221; (And that&#8217;s all I&#8217;ll tell you about the plot so that I don&#8217;t ruin the read for you.)<\/p>\n<p>Molly is here to talk today about creating the book, and she shares work-in-progress images and final art from this glimmering beauty of a thing, filled as it is with flowing lines, expert compositions, and a drop-dead gorgeous palette. Let&#8217;s get to it, and I thank her for sharing. <\/p>\n<p><!--more--><\/p>\n<p><center><strong>* * *<\/strong><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What is the genesis (the pearl, if you will!) of this story?<\/font><\/p>\n<p><strong><font size=4>Molly<\/font><\/strong>: First of all, may I just say, NICE wordplay. I am known by my family as The Sugar Pun Fairy, due to my deep and abiding love of good puns (and bad puns \u2014 any puns at all, really). But I digress. Let\u2019s dive* back into your question. <\/p>\n<p>* Sorry about that. See** what I mean?<\/p>\n<p>** It took all my will power to type \u201cSee\u201d and not \u201cSea\u201d in the previous footnote.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_cover_lowres.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Impressive.<\/font><\/p>\n<p><strong><font size=4>Molly<\/font><\/strong>: The genesis of Pearl\u2019s story mirrors the creation of an actual pearl. Do you know how they\u2019re made? The whole thing begins when a single grain of sand finds its way into an oyster. <\/p>\n<p>If you\u2019ve ever been to the beach, you know how uncomfortable a tiny bit of sand can be when it gets stuck to you. Well, when oysters get that uncomfortable feeling, they coat the sand with a soothing, iridescent substance called nacre, also known as &#8220;mother-of-pearl.&#8221; Over time, layer upon layer of nacre is added to the sand until &#8230; ta-da! A pearl is created.<\/p>\n<p>A few years ago, I realized that I had been so busy with work that it had been ages since I had drawn just for fun \u2014 without a project in mind or deadlines attached. And that realization stuck in my mind, like a grain of sand in an oyster. It made me uncomfortable. So, I took out my sketchbook and started to draw. Without a plan. Without a purpose. Drawing just for the sheer joy of making lines on a page. And when I put down my pencil, there was a mermaid.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_first_mermaid_sketch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_first_mermaid_sketch_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI\u2019ve always loved mermaids. Drawing one felt so good that I drew another the next day. Then another. And another. As happiness is best when shared, I started sharing my mermaids on Instagram.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_and_another_mermaid_sketch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_and_another_mermaid_sketch_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_another_mermaid_sketch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_another_mermaid_sketch_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_and_still_another_mermaid_sketch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_and_still_another_mermaid_sketch_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click each to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAnd that\u2019s when my agent, <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1878\">Steve Malk<\/a><\/strong>, wrote to me saying that he loved the mer-drawings I had posted and asked if I thought they could become something more. And I said something like, <em>You mean like greeting cards? Or like a calendar? No, no wait. Paper dolls!<\/em> To which Steve said something, like: <em>I was thinking more like &#8230; a book.<\/em><\/p>\n<p>A few days later I drew this:<br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_first_sketch_lowresusezz.jpg\"><br \/>\n&#8230; and I knew I wanted to tell her story.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Was it daunting to create an original mermaid tale in a world filled with many of them?<\/font><\/p>\n<p><strong><font size=4>Molly<\/font><\/strong>: Again, \u201ca mermaid TALE\u201d? Jules, you\u2019re a wordsmith after my own heart. We\u2019re PUN PALS.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: I didn&#8217;t even <em>mean<\/em> to do that.<\/font><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_sketch_squid_closeup_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_sketch_squid_closeup_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_squid_sketch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_squid_sketch_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_squid_finished_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_squid_finished_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Early sketches and final spread: &#8220;Some guarded the giants of the deep.<br \/>And Pearl deeply yearned to be one of them.&#8221;<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<strong><font size=4>Molly<\/font><\/strong>: More daunting to me than the thought of creating an original mermaid tale was the prospect of creating any tale using so many words. I am <em>so<\/em> much more comfortable communicating my ideas visually than I am verbally. And the prospect of creating a story that was neither wordless (like the <em>Flora<\/em> books) nor a how-to guide (like the <em>Rex<\/em> books) \u2014 but a traditionally-told tale \u2014 terrified me. <\/p>\n<p>And that\u2019s what convinced me to try it. I always want to keep pushing myself as an artist. And if I\u2019m completely comfortable with the the process, I know I\u2019m not challenging myself. I often think of this David Bowie clip:<br \/>\n<BR>&nbsp;<BR><br \/>\n<iframe loading=\"lazy\" width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cNbnef_eXBM?rel=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><br \/>\n<BR>&nbsp;<BR><br \/>\nSo, I channeled my nervous energy into creating a story that is itself about the process of creating something.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Tell me about creating the artwork for this.<\/font><\/p>\n<p><strong><font size=4>Molly<\/font><\/strong>: The process of creating the artwork for this book took far longer than any other project I\u2019ve worked on. I really wanted to achieve smooooooth transitions in the colors of the water and the characters. And though there\u2019s no waiting around for paint to dry (because I work in colored pencils), that sort of effect just takes time to create.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_ocean_color_tests_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_ocean_color_tests_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_kelp_colors_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_kelp_colors_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Ocean test colors and kelp colors<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI begin by tracing the sketch onto a sheet of vellum finish bristol paper, so I\u2019m left with a clean line drawing. Then I start building up an underdrawing and work from back to front, just as if I were working in paint.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_sketch_transfer_line_drawing_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_sketch_transfer_line_drawing_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI really love the sort of half-way point in a piece when the background is finished, leaving the outlines of the shapes and characters in the foreground in sharp relief. That\u2019s when you can really see how the interplay between positive and negative space works. Here\u2019s a little time-lapse piece of the process:<br \/>\n<BR>&nbsp;<BR><br \/>\n<iframe loading=\"lazy\" width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2QhiEDjgjzQ\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you talk about the book&#8217;s design? It has pearlescent ink on the jacket, yes? Did you have a hand in design decisions? <\/font><\/p>\n<p><strong><font size=4>Molly<\/font><\/strong>: Yes! Yes, there is pearlescent ink on the book jacket! I\u2019m SO excited about that. Incorporating pearlescent ink into the book\u2019s design was something we had in mind from the very start. And when I say &#8220;we,&#8221; I mean my editor Andrea Spooner, my art director Saho Fujii, and myself. <\/p>\n<p>Making a book really is a team effort, and I find I work best with collaborators who feel comfortable with an overlap between all the individual aspects of bookmaking. I\u2019m so fortunate that the rest of Team <em>Pearl<\/em> feels the same way. It meant that when we first got together to go over my initial sketches and talk about the look of the book, everyone felt comfortable offering editorial suggestions, illustration notes, and design suggestions. And I love that!<\/p>\n<p>The whole team was awesome about taking design dreams and finding ways to make them design realities. One of my favorite examples is the reversed-out type throughout the book. From the outset, I wanted the words on the page to be visually tied to Pearl and the pearl she makes, which becomes &#8230; (I don\u2019t want to spoil the ending) &#8230; so let\u2019s just say it becomes &#8230; something illuminating.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_sketch_something_illuminating_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_sketch_something_illuminating_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nWell, that sparked the idea of creating an \u201cilluminated\u201d manuscript by using type that seemed to be made of light. When I first put this idea forward, I knew it would be a tricky thing to pull off well. I also knew it would mean more work for everyone involved (printers, designers, art directors, etc.), but the whole team immediately agreed that it was exactly what the book needed. So, we all worked together coordinating the colors of the illustrations, the fonts, and the layouts around our illuminated text. And thanks to everyone\u2019s extra effort, it turned out brilliantly (some pun intended).<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_reversed_text_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_reversed_text_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Title page spread<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Speaking of illumination, o! the light! In this book! Gorgeous (not sure I have a question here, unless you have anything you want to say about it? Sorry. Just emoting.)<\/font><\/p>\n<p><strong><font size=4>Molly<\/font><\/strong>: Thank you, Jules!<\/p>\n<p>The sea has always fascinated me. When I was little, I wanted to live in it. I watched every Jacques Cousteau special on PBS, again and again. I plastered the walls with drawings of mermaids and whales. And though I\u2019m older now, my preoccupation with all things oceanic hasn\u2019t changed.<\/p>\n<p>When I started working on <em>Pearl<\/em>, I watched every marine life documentary I could find on Netflix to get a feel for the light and life that fill the ecosystems featured in the book.  And while there are a lot of good films out there, there\u2019s nothing like the real thing. I mean, there\u2019s just something magical about the way light filters through the ocean in real life, isn\u2019t there?<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_Interior_P01-40-16large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_Interior_P01-40-16small.jpg\" border=1><\/a><br \/>\n<center><em>Final spread: &#8220;Every day, Pearl preserved it, polished it, and played with it.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nSo, road trip! My husband and I piled into the car with our boys and headed up the California coast to the Monterey Bay Aquarium. It\u2019s fab! My absolute favorite exhibit is their giant kelp forest. It\u2019s over three stories high &#8230; er &#8230; deep. Any which way you measure it, it\u2019s AMAZING. A mermaid\u2019s eye view of the ocean world.<br \/>\n<BR>&nbsp;<BR><br \/>\n<iframe loading=\"lazy\" width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yPSxeyzJhQM\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_kelpie_rough_sketch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_kelpie_rough_sketch_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_kelp_forst_in_progress_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_kelp_forst_in_progress_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>More work-in-progress images from the kelp forest spread<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: If it&#8217;s not too personal, can you tell me about the dedication?<\/font><\/p>\n<p><strong><font size=4>Molly<\/font><\/strong>: The dedication reads: &#8220;For Mr. Keane and Mr. Malk.&#8221;<\/p>\n<p>Mr. Malk, is of course, Steve Malk. I am so grateful to him for seeing in my mermaid sketches the makings of something more \u2014 and encouraging me to make my own Pearl.<\/p>\n<p>&#8220;Mr. Keane&#8221; is <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Glen_Keane\">Glen Keane<\/a><\/strong>, the animator of many iconic Disney characters, including Ariel from <em>The Little Mermaid<\/em>. That movie came out when I was about 12 years old, and the emotion and life in Mr. Keane\u2019s drawings absolutely floored me. Seeing marine life, mermaids, <em>and<\/em> art combined? It was my own personal trifecta. I decided then and there, in the movie theater, that I would become an animator. But I had no idea how to do that. So, I wrote Mr. Keane a letter, asking him how I could become an animator too (and I sent him some of my own drawings). And you know what? He wrote back. I still have the letter. In it, he encouraged me to keep drawing, to pursue a degree in art, and enclosed a pamphlet about job opportunities at Disney Animation.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/Glen_Keane_letter_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/Glen_Keane_letter_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nLooking back, that letter was like my own little grain of sand. It set me on the path to earn my degree in drawing, which led to working for DreamWorks Animation &#8230; which led to making picture books &#8230; which led to drawing mermaids &#8230; which lead to making <em>Pearl<\/em>.<\/p>\n<p>Which brings this tale full circle.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: And I hope the book does swimmingly. (You&#8217;re welcome.)<\/p>\n<p>Thanks for sharing, Molly!<\/font><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_mother_of_pearl_sketch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/Pearl_mother_of_pearl_sketch_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_mother_of_pearl_in_progress_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_mother_of_pearl_in_progress_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Sketch and work-in-progress image from the Mother spread<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_a_wave_of_disappointment_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_a_wave_of_disappointment_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Work-in-progress image from the &#8220;wave of disappointment&#8221; spread<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_closeup_sketch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_closeup_sketch_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Sketch: &#8220;The sand resting on her palm had a luster to it that had not been there before.&#8221;<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_oyster_bed_shetch_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_oyster_bed_shetch_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_oyster_bed_underdrawing_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_oyster_bed_underdrawing_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_oyster_bed_finished_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_oyster_bed_finished_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Sketch, underdrawing, and final art: &#8220;Every night she protected it.<br \/>And slowly, very slowly &#8230; it began to grow. &#8230;&#8221;<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_sketch_preceeding_underdrawing_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_sketch_preceeding_underdrawing_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_underdrawing_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_underdrawing_lowressmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_background_complete_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_background_complete_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Sketch, underdrawing, and background work: &#8220;It glowed in the tides flowing through<br \/>the towering forests and illuminated the giants rising from the deep. &#8230;&#8221;<\/em><br \/>(Click each to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_cover_in_progress_lowres.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2018\/10\/pearl_cover_in_progress_lowressmall.jpg\" border=1><\/a><br \/>\n<center><em>Cover in-progress<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<center>* * * * * * *<\/center><\/p>\n<p><em>PEARL. Copyright \u00a9 2018 by Molly Idle. Published by Little, Brown and Company, New York. All images here used by permission of Molly Idle.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Early sketch and final spread: &#8220;Some tended to the towering forests of kelprising from the ocean floor.&#8221;(Click each to enlarge) &nbsp; Author-illustrator Molly Idle visits 7-Imp today to talk about her newest picture book, Pearl (Little, Brown, October 2018). It&#8217;s the story of a small mermaid, eager for a big job. When her mother [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-4740","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4740"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4740\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4740"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}