{"id":4968,"date":"2019-10-10T00:01:11","date_gmt":"2019-10-10T06:01:11","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4968"},"modified":"2019-11-20T10:14:06","modified_gmt":"2019-11-20T16:14:06","slug":"the-case-for-river","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4968","title":{"rendered":"The Case for <em>River<\/em>"},"content":{"rendered":"<p><a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/rivercaselarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/rivercasesmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><\/p>\n<p>Author-illustrator <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=1914\">Elisha Cooper<\/a><\/strong> visits 7-Imp today to talk about the making of the case for his newest picture book, <em><strong><a href=\"https:\/\/www.indiebound.org\/book\/9781338312263\">River<\/a><\/strong><\/em> (Orchard, October 2019). The final case is pictured above. I love love <em>love<\/em> what he shares below and particularly like that he focuses (very specifically) on the thought and care that goes into the making of a picture book cover. <\/p>\n<p><!--more--><\/p>\n<p>Normally, I&#8217;d weigh in here on the <em>inside<\/em> of this book and why it&#8217;s one of my favorites this year. But I&#8217;m actually going to write about it next month over at the <em>Horn Book&#8217;s<\/em> <strong><a href=\"https:\/\/www.hbook.com\/?subpage=Features%20%26%20Opinion,Blogs,Calling%20Caldecott\">Calling Caldecott<\/a><\/strong>. So, I&#8217;ll wait till then. <em>[Edited to add in November: <strong><a href=\"https:\/\/www.hbook.com\/?detailStory=river\">Here<\/a><\/strong> is that post!]<\/em> If you haven&#8217;t seen this one yet, it&#8217;s the story of one woman&#8217;s journey in a canoe down the Hudson River, but it&#8217;s about much more than just a nautical adventure. It&#8217;s about the beauty in the natural world; it&#8217;s about setting off on one&#8217;s own; it&#8217;s about strength and perseverance; and it&#8217;s about the anchor that is a loving family, waiting at home for your return. <\/p>\n<p>I&#8217;ll turn it over to Elisha now, and I thank him for sharing. <\/p>\n<p><center><strong>* * *<\/strong><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/rivercoverlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/rivercoversmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<strong><font size=4>Elisha<\/font><\/strong>: Today, I\u2019d like to talk about the case. Not the book\u2019s interior pages or the book\u2019s cover. Just the case.<\/p>\n<p>The most important thing about a case is its edge \u2014 what we see when the book is viewed from the side, especially in a stack. And how that band of color interplays with the colors of the cover.<\/p>\n<p>After finishing the book\u2019s interior, I came up with some ideas for the case and showed them to David Saylor, Scholastic\u2019s art editor. David is great. He has that slightly disarming editor quality of saying little \u2014 but then speaking with quiet authority. (I wish I had that quality.) So, when David says something, I listen. When he doesn\u2019t say anything, I listen even more.<\/p>\n<p>On seeing this particular concept . . .<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/river1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/river1small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n. . . he said, &#8220;It\u2019s okay. <em>[pause]<\/em>&#8221;<\/p>\n<p>None of my ideas inspired enthusiasm \u2014 from either of us. And I think we both really liked the book we had made, so to not attempt something as good as possible with the case felt like a missed opportunity.<\/p>\n<p>I went home and sketched. I though how much I like original sketches, the rough process they show. (Hello, 7-Imp!) I painted a dark blue wash (Payne\u2019s Gray) to get that edge. I painted an overlaying light blue wash. I chose some original drawings from the two battered sketchbooks I\u2019d filled over the course of journeying up and down the Hudson River. I took my reference photos, changing them to black and white (to make them look arty). I painted some color swatches. Then I laid everything out, with the Adirondacks wilderness on the back (left) and New York Harbor on the front (right), mimicking the journey the canoer in the book takes as she paddles down the Hudson. It is arranged, too, in such a way to show the progression I myself took: photo of the thing; sketch of the thing; then, inside the book, painting of the thing. I made the case a mess \u2014 but an intentional one, brought to life by the patient and skilled designer Charles Kreloff, who put up with me muttering over his shoulder: &#8220;Move bear to the right. No, left. No, right. There.&#8221; <\/p>\n<p>Here are some notes, starting on the case\u2019s back. Upper left is Henderson Lake, the navigable source of the Hudson River. It was raining when I was there, so I had to take off my sweatshirt and tent it over my sketchbook to keep the drawing dry. Those watercolor marks are supposed to look like rain.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/river2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/river2small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThen, down to the right, a depiction of Winslow Homer\u2019s watercolor <em><strong><a href=\"http:\/\/www.winslowhomer.org\/the-blue-boat.jsp\">The Blue Boat<\/a><\/strong><\/em>. It\u2019s such a beautiful painting (appropriately, of the Adirondacks and a canoe). I taped a postcard of it above my desk when I was painting the book, a talisman:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/river3large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/river3small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nFor the case , I created a copy. (Scholastic&#8217;s legal team was a little concerned, though eventually okay with it).<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/river4large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/river4small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThen, a sketch of the locks, whose engineering I found fascinating. A sketch of one lock boat, the first sketch I did for this whole project. The drawings of moose and eagles are of taxidermy moose and eagles in the dioramas at New York\u2019s Museum of Natural History (a wonderful resource for any artist here in the city). There\u2019s even an eagle in the museum eating a salmon.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/river5large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/river5small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nLet\u2019s move to the case\u2019s front. Paralleling the spine, I placed vertical red swatches, mirroring the red spine of the dust jacket. Then a sketch of Manhattan, drawn from Hoboken. Note that in this sketch I drew the Empire State Building too short, so I wrote, \u201ctaller, elongated\u201d to remind myself to fix this in the finish.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/river6large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/river6small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAlso, sketches of container ships and ferries, bristling with notes on their coloration, and a photo of the canoe on which the book is based \u2014 and a photo of a paddler in that same canoe. (That\u2019s me.)<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/river7large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/river7small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nLastly, I recreated a map sketched by Lewis and Clark of the Missouri River on their canoe trip west. I like its roughness, recording the American landscape as they set out into the unknown.<\/p>\n<p>Now, if you\u2019re reading closely, you will notice that I have been dishonest. I said I wouldn\u2019t talk about the book. Just the case. But the case is not only the case; it\u2019s the book writ small. It\u2019s a little meta (a <em>lot<\/em> meta). It depicts both the journey of the book\u2019s hero down the Hudson River, as well the journey  (to be a little portentous) of the book-making process. How I made <em>River<\/em>.<\/p>\n<p>I loved making this case and hope that you \u2014 if you open up the book \u2014 may like it too.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2019\/10\/river8large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2019\/10\/river8small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<center>* * * * * * *<\/center><\/p>\n<p><em>RIVER. Copyright \u00a9 2019 by Elisha Cooper. Published by Orchard Books, an imprint of Scholastic, New York, NY. All images here reproduced by permission of Elisha Cooper.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Click to enlarge) &nbsp; Author-illustrator Elisha Cooper visits 7-Imp today to talk about the making of the case for his newest picture book, River (Orchard, October 2019). The final case is pictured above. I love love love what he shares below and particularly like that he focuses (very specifically) on the thought and care that [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-4968","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4968"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/4968\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4968"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}