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The Key from Spain<\/em> is the story of musician Flory Jagoda, born in 1923. She was a Bosnian Jewish-born composer and songwriter, known for her interpretations of Sephardic songs and traditional Ladino<\/a><\/strong> tunes \u2014 and, after eventually moving to America, she did much to carry on the tradition of her Sephardic music and culture. Today’s interview with Debbie includes a few illustrations from the book. <\/p>\n I thank Debbie for visiting. Let’s get to it. … <\/p>\n Jules<\/font><\/strong>: I suspect authors hate being asked about inspiration, but what was it that sparked this project for you? What initially made you want to tell Flory’s story?<\/font><\/p>\n What sparked this project, what made me want to tell Flory\u2019s story: I listened to her music! I listened to her recordings, saw her in live performance, and listened to the music of her apprentice, the outstanding musician Susan Gaeta<\/a><\/strong>. <\/p>\n If you\u2019re not used to Sephardic music, if you\u2019re not familiar with the Ladino language \u2014 and that was me on both counts \u2014 they are so different from anything else. I found both the music and language exciting, expressive, and irresistible. <\/p>\n I hoped, after hearing Flory\u2019s music, that there would be a good story behind it. After all, there are no guarantees in that regard! <\/p>\n Fortunately for me, Flory has a fascinating story, and one that I think readers can relate to \u2014 in her love of her family, friends, music, and fun. And in dealing with challenge and loss. One surprise: When I went into this project, I did not know that Flory and her family were caught up in World War II and the Holocaust. I did not know that she and her parents managed to escape Europe, while her beloved family back in their Bosnian village were murdered by Nazis. I could not help but think of my own mother\u2019s story, which is the subject of my nonfiction-in-verse book The Year of Goodbyes<\/a><\/strong><\/em> (originally published in 2010, with a new edition published in 2019). I am an Ashkenazi Jew; my mother grew up in Nazi Germany. She and her parents and sister were able to flee in 1938 and come to this country \u2014 barely, because the U.S. immigration laws were impossible \u2014 but the rest of her family, who were in Poland, ended up first in a ghetto and then in concentration camps. Except for a cousin and aunt, they all died at the hands of the Nazis. So, of course, I felt a connection to Flory\u2019s experience of being the one who, with her parents, escaped while everyone she loved back in Bosnia was murdered. I should emphasize that this \u2014 the horror of it all \u2014 is not the focus of the book, but it is my answer to your question about surprises. Debbie<\/font><\/strong>: When I saw Sonja\u2018s illustrations, I was moved and happy. I find them so beautiful and just right for this story. One favorite is the two-page spread where Flory acts out the influence of her beloved Nona (grandmother), especially the page where she and her cousins take baskets filled with food to neighbors in need. It\u2019s lovely. I also like how Sonja keeps the book rooted in time, no easy feat with a story that ranges from the Middle Ages up to the present day.<\/p>\n Jules<\/font><\/strong>: Have you shared this book with students at school visits and\/or at book festivals, etc.? What has been the response from children?<\/font><\/p>\n Debbie<\/font><\/strong>: I have not yet shared the book with students at schools or book festivals. Maybe I\u2019ll report back to you! Susan Gaeta<\/a><\/strong> and I are doing a words-and-music presentation \u2014 really, a concert that threads my book with her renditions of Flory\u2019s songs \u2014 at the Virginia Festival of the Book<\/a><\/strong> in Charlottesville next month. Debbie<\/font><\/strong>: It helps bring a quiet book like this one to the attention of educators, librarians, parents, grandparents, book lovers \u2014 and, ultimately, children. I\u2019m grateful for the Sydney Taylor Honor as a source of illumination for my book and all the other fine books recognized this year.<\/p>\n Jules<\/font><\/strong>: What’s next for you?<\/font><\/p>\n Debbie<\/font><\/strong>: Next on my plate: I am working on a couple of nonfiction picture books with two different publishers. I have no new books coming out in 2020 \u2014 I did have five in 2019, which was slightly out of control and definitely out of my<\/em> control (you know we authors have little influence on the timing of our book releases) \u2014 but if I\u2019m lucky, one of these new books will come out in 2021. I hope to be able to talk more about them soon!<\/p>\n
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\nYou can click here<\/a><\/strong> or on the image above to see the full blog tour schedule for the week. <\/p>\n![\"photo](\"http:\/\/blaine.org\/7pics\/2020\/02\/debbielevy.jpg\")
Debbie<\/font><\/strong> (pictured left): I love being asked about inspiration! And in this case it\u2019s not hard to answer. <\/p>\n
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\nJules<\/font><\/strong>: What was your research for this book like? What, if anything, in your research surprised you?<\/font><\/p>\n![](\"http:\/\/blaine.org\/7pics\/2020\/02\/yog.jpg\")
Debbie<\/font><\/strong>: I read interviews of, and articles about, Flory Jagoda. I read up on the history of Muslim rule in Spain in the Middle Ages and the decline of Muslim rule with the ascendancy of the Catholic monarchy \u2014 ultimately leading to the expulsion of Jews from Spain in 1492. I did research into the Ladino language and Sephardic music and culture. I listened to all the music that Flory has recorded and read the liner notes, as well as other materials that Flory wrote when she was younger. I interviewed Flory in person. I talked with Flory\u2019s younger daughter, Betty Jagoda, and with her apprentice, Susan Gaeta<\/a><\/strong>. <\/p>\n
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Songs filled the sky. Music filled Flory\u2019s heart.”<\/em><\/center>
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\nJules<\/font><\/strong>: Can you talk about what it was like for you to see Sonja’s illustrations for your story? What is one of your favorite details?<\/font><\/p>\n
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on stages, in schools, in homes. …”<\/em>
(Click spread to enlarge and read text in its entirety)<\/center>
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\nJules<\/font><\/strong>: What does it mean to you to win this Sydney Taylor Honor?<\/font><\/p>\n