{"id":5088,"date":"2020-04-21T09:04:52","date_gmt":"2020-04-21T15:04:52","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=5088"},"modified":"2020-04-21T09:04:52","modified_gmt":"2020-04-21T15:04:52","slug":"the-house-of-madame-m","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=5088","title":{"rendered":"<em>The House of Madame M<\/em>"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/04\/thehouseofcuttingz.jpg\"><br \/>\nIt&#8217;s tricky to write about books like <strong><a href=\"https:\/\/geckopress.com\/author_illustrator\/clotilde-perrin\/\">Clotilde Perrin&#8217;s<\/a><\/strong> <em><strong><a href=\"https:\/\/www.indiebound.org\/book\/9781776572748\">The House of Madame M<\/a><\/strong><\/em> (Gecko, April 2020), because it&#8217;s a paper-engineered one. That is, it&#8217;s tricky to show art from such a book, because there are flaps; pop-up elements (in this case, a pop-up fireplace); interactive moving parts, such as pull tabs; and even strings. These aren&#8217;t exactly things that can be captured in the static images at a website, but I have some art from the book for you today \u2014 in the hopes that you can still get a sense of Perrin&#8217;s distinctive style. (If you saw <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=4686\">this 2018 book<\/a><\/strong>, you&#8217;re already familiar with the picture book joy she brings.) This one was originally published in French in 2019 and has been translated by Daniel Hahn. <\/p>\n<p><!--more--><\/p>\n<p>The timing of the release of this English edition is interesting, because it&#8217;d be a fab book for Halloween. No mind. Just hold on to it till then (and in the meantime, we can pretend it&#8217;s October now and that we are living pandemic-free). And let me stress that it&#8217;s a book you can enjoy <em>any<\/em> time of year. It&#8217;s an invitation into the home of Madame M, a home filled with sinister shadows and eerie discoveries; a sort of bird-human hybrid (pictured above) is our guide. You must enter quietly and not touch anything, we read, because she&#8217;s a &#8220;little peculiar&#8221; and &#8220;doesn&#8217;t live alone.&#8221; When you pull tabs and lift flaps to explore, opening cabinets, drawers, appliances in the ghastly kitchen, and much more, you discover that Madame M prefers the macabre. The text understates this (she &#8220;has rather odd tastes,&#8221; we read), yet our eyes take in sinister warnings everywhere; bones strewn along the floor; a hideous monster hanging from the kitchen ceiling; skeletons in the garbage disposal; and much more. The book&#8217;s interactive elements reveal most of the monsters, large and small, and skeletons, though they linger just about everywhere. Look closely, and you&#8217;ll even see a tiny winged creature, who appears to be a tiny angel \u2014 to balance things out, I suppose (though this angel could contain multitudes, for all we know). <\/p>\n<p>The <a href=\"https:\/\/www.kirkusreviews.com\/book-reviews\/clotilde-perrin\/the-house-of-madame-m\/\"><strong><em>Kirkus<\/em> review<\/strong><\/a> calls Madame M&#8217;s home &#8220;the Airbnb from, literally, hell.&#8221; That about covers it. It all culminates in a set of large, hairy arms. Pull the arm flaps open to see many of the nightmarish creatures spotted throughout the story, gathered in one spot, underneath a sign saying &#8220;Abandon hope all who enter here.&#8221; The door creaks as our guide mentions that &#8220;she&#8221; is back, adding: &#8220;Don&#8217;t you want to lie down for a bit? No? Are you sure?&#8221; <\/p>\n<p>Here are some spreads to give you a sense of what I mean, though remember: Since it&#8217;s hard to show static images of a book with interactive elements, you&#8217;ll see numbers where there is actually a tab (the numbers of course don&#8217;t appear in the book) \u2014 and some of the flaps simply aren&#8217;t shown here. Enjoy anyway!<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/04\/thehouseof1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/04\/thehouseof1small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Are you lost? Please, come on in. Lucky for you, there&#8217;s no one here just now. &#8230;&#8221;<\/em><br \/>(Click spread to enlarge and read text in its entirety)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/04\/thehouseof2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/04\/thehouseof2small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;As you can tell, our hostess has rather odd tastes. &#8230;&#8221;<\/em><br \/>(Click spread to enlarge and read text in its entirety)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/04\/thehouseof3large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/04\/thehouseof3small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;You felt an icy wind brush past? No, you must be dreaming already. &#8230;&#8221;<\/em><br \/>(Click spread to enlarge and read text in its entirety)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/04\/thehouseofcoverlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/04\/thehouseofcoversmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click cover to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<center>* * * * * * *<\/center><\/p>\n<p><em>THE HOUSE OF MADAME M. English language edition \u00a9 Gecko Press Ltd 2019. Text and illustrations \u00a9 Clotilde Perrin. Translation \u00a9 Daniel Hahn. Illustrations reproduced by permission of Gecko Press.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s tricky to write about books like Clotilde Perrin&#8217;s The House of Madame M (Gecko, April 2020), because it&#8217;s a paper-engineered one. That is, it&#8217;s tricky to show art from such a book, because there are flaps; pop-up elements (in this case, a pop-up fireplace); interactive moving parts, such as pull tabs; and even strings. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-5088","post","type-post","status-publish","format-standard","hentry","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/5088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5088"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/5088\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5088"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}