{"id":5187,"date":"2020-09-17T00:01:30","date_gmt":"2020-09-17T06:01:30","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=5187"},"modified":"2020-09-16T10:26:36","modified_gmt":"2020-09-16T16:26:36","slug":"a-chapter-16-and-7-imp-visit-with-david-wiesner","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=5187","title":{"rendered":"A <em>Chapter 16<\/em> (and 7-Imp) Visit with David Wiesner"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/roboopen.jpg\" border=1><br \/>\n<center><em>Early sketch of Cathy<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/roboopenlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/roboopensmall.jpg\" border=1><\/a><br \/>\n<center><em>&#8212; A final illustration from <\/em>Robobaby<br \/>(Click image to see spread in its entirety)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nOver at <em>Chapter 16<\/em>, I have a Q&#038;A with author-illustrator David Wiesner. He and I chatted via phone recently about his career; his newest picture book, <em>Robobaby<\/em>; and more. That Q&#038;A is <strong><a href=\"https:\/\/chapter16.org\/following-the-story-wherever-it-goes\/\">here<\/a><\/strong>. <\/p>\n<p>But also! Here at 7-Imp, David gives us a deep dive into the making of <em>Robobaby<\/em>. That is below, should you be interested in that after reading the <em>Chapter 16<\/em> piece. <\/p>\n<p>I thank him for sharing. <\/p>\n<p><!--more--><\/p>\n<p><center><strong>* * *<\/strong><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO jacketlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO jacketsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click cover to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<strong><font size=4>David<\/font><\/strong>: <em>Robobaby<\/em> grew out of the work I did on my app, <strong><em><a href=\"https:\/\/apps.apple.com\/us\/app\/david-wiesners-spot\/id963746523\">David Wiesner\u2019s Spot<\/a><\/em><\/strong>. (It&#8217;s only available on an iPad and now only 99 cents! Search for it with that full title; otherwise, you\u2019ll get Eric Hill\u2019s <em>Spot<\/em> apps.)<\/p>\n<p>One of the worlds in the app is a robot world. I designed a lot of characters and environments.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/1 Spot.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/1 Spotsmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/2small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/3large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/3small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI had wanted to go inside the houses to see the families, but that ended up not being feasible (long story). Here is a sketch of a family group:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/4large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/4small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI consoled myself by realizing that I could make a book about them.<\/p>\n<p>When I started to think about a \u201crobot book,\u201d I first drew spare parts, then a big box of parts. Of course, those parts would have to be assembled\u2014but into what? Aha! This must be where robot babies come from! They are ordered from Robobaby, Inc.<\/p>\n<p>That led me to think about how adults always seem to need kids to show them how to use current technology, even when they seem to think they know what they are doing. Everyone has an opinion, often wrong. <\/p>\n<p>Initially, the family\u2014mom, dad, and daughter\u2014were more onlookers to the mayhem caused by the relatives and friends. It became clear to me that the daughter, Cathode\u2014aka Cathy\u2014was the main character. She truly knows what to do and is frustrated, because she just wants to play with her new baby brother.<\/p>\n<p>In addition to Cathy, I had many different robot designs and wanted that big cast of characters. I still wanted the mayhem. I saw a world ripe for slapstick, using as a muse of sorts the great \u201cstateroom scene\u201d from the <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Marx_Brothers\">Marx Brothers&#8217;<\/a><\/strong> <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/A_Night_at_the_Opera_(film)\">A Night at the Opera<\/a><\/strong><\/em>, which you can find (possibly with the help of your kids) on YouTube.<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/5use.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nThe Marx Brothers are in their tiny stateroom:<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/6small.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nMore and more people come and enter the room:<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/7small.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/8small.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/9small.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/10small.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nUntil the room is packed to the ceiling:<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/11small.jpg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nAnd then the great final moment when poor <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Margaret_Dumont\">Margaret Dumont<\/a><\/strong> opens the door:<br \/>\n<BR>&nbsp;<BR><br \/>\n<iframe loading=\"lazy\" width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xcR1eH5-flU\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><br \/>\n<BR>&nbsp;<BR><br \/>\nLate in the book, I created a version of that last bit:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/13 ROBO p24-25large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/13 ROBO p24-25small.jpg\" border=1><\/a><br \/>\n<center><em>(Click spread to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI write with pictures. If there is text, it becomes part of the process, changing as dictated by the images. I begin with thumbnails in my sketchbook &#8230;<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/14large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/14small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n&#8230; and then move to a larger, full-size pencil dummy. I don\u2019t care what the drawings look like in the dummy. I don\u2019t spend a lot of time on them. This is about writing and story. The actual design of the characters and the world come after. So, early images are, as I said, rough.<\/p>\n<p>Initially, I tried having the text outside the images:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/15large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/15small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThen I had text both outside the images and word balloons inside the images:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/16large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/16small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI ended up having all the text as dialogue contained in word balloons:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/17large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/17small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nWhen the story is basically finished (things will always continue to change), I move on to creating the characters and building the world.<\/p>\n<p>I had designed the characters for the app, but the were only seen once. For the book, they had to be far more expressive. Their faces had to show emotion, as did their body language.<\/p>\n<p>I drew them in different positions. I thought about how collapsible drinking cups could fold up and also bend in the segments a bit. This would allow them to bend, kneel, lie down.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/18large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/18small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/19full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/19left.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/19full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/19right.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/20full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/20left.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/20full.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/20right.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI didn\u2019t give any of them legs. It took them one more step (ahem) away from human. They all roll around on casters\u2014kind of like <strong><a href=\"https:\/\/thejetsons.fandom.com\/wiki\/Rosey\">Rosey<\/a><\/strong> from <em>The Jetsons<\/em>:<br \/>\n<BR>&nbsp;<BR><br \/>\n<img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/21use.jpeg\" border=1><br \/>\n<BR>&nbsp;<BR><br \/>\nI always make models of the characters in my books. I want to see them from all angles and under different lighting situations. You can now do this on the computer, but I like to make them so that I can hold them and have them on my desk as I work. <\/p>\n<p>As an example, here\u2019s Arthur from <em><strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=2060\">Art &#038; Max<\/a><\/strong><\/em>:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/22large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/22small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI use Crayola Model Magic. It\u2019s lightweight and dries quickly. It\u2019s a very simple model\u2014 enough for me to see the basic form that I can turn in space.<\/p>\n<p>This is how he looks in the final art:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/23 ArtMax p9large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/23 ArtMax p9small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nWhen I was ready to make robot models, I realized I could create them differently, particularly since they are all symmetrical. I did technical specs with measurements, and my son created CAD files for them. I sent those to a company, and a week or so later I had 3D-printed plastic models:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/24large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/24small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThe nuances of the faces and bodies evolve. Here are a couple heads, showing Cathy\u2019s development:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/25large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/25small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThese are the drawings I use as the basis for my final paintings. I will do all the pages before I begin to paint. I print the drawings and make a dummy that can be read and whose pages can be turned. You have to\u2014well, <em>I<\/em> have to\u2014see it and experience it in its final form. Looking at it on a screen is not the same experience.<\/p>\n<p>After I have the drawings done, I go through and mock up where I want the word balloons. This is the guide for the designer (Carol Goldenberg Rosen, who I have worked with on all of my authored books).<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/26large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/26small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThe paintings are done in watercolor. Here is the above page in its final form and with text in place:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/27 ROBO p5large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/27 ROBO p5small.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAnother example with text mock-up:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/28large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/28small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAnd final art:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/29 ROBO p6-7large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/29 ROBO p6-7small.jpg\" border=1><\/a><br \/>\n<center><em>(Click spread to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nYou may have noticed (I hope you did) that the light source in the robot house is in the floor. I have been waiting many years to have a room with the light source in the floor. This stems from the profound impact of seeing the film <em><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/2001:_A_Space_Odyssey_(film)\">2001: A Space Odyssey<\/a><\/strong><\/em> in a theater at the age of 11. (See also <strong><a href=\"http:\/\/www.davidwiesner.com\/work\/im-afraid-dave\/\">this visual essay<\/a><\/strong> at my site.)<\/p>\n<p>Late in the film (no way to summarize it here!), we are in a strange hotel room:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/30large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/30small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/31large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/31small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThe floor is the light source! It\u2019s beautiful. I have been waiting decades to use that somewhere, and <em>Robobaby<\/em> was the perfect place:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/32 ROBO p22-23large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/32 ROBO p22-23small.jpg\" border=1><\/a><br \/>\n<center><em>(Click spread to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI was able to put my models on my light table to get the feel:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/33large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/33small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThe baby\u2019s crib was fun to design. I love the big round shape. As I was sketching possibilities, I realized: Weber grill!<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/34large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/34small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nWhen designing the robot neighborhood, I was looking at various kinds of circuit boards and made another connection with my days growing up in New Jersey:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/35large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/35small.jpg\" border=1><\/a><br \/>\n<center><em>(Click image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThese gas storage tanks off the Jersey Turnpike have a wonderful geometric quality, especially at that size and sitting out in that landscape. They became one of the influences on the robot world design:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/36 ROBO title pagelarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/36 ROBO title pagesmall.jpg\" border=1><\/a><br \/>\n<center><em>Title page spread<\/em><br \/>(Click to enlarge)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nAs I\u2019m creating the look of characters and environments, I draw from many, many places. Things that are the most personal to me make the things I create more unique and, I hope, interesting to the reader\u2014whether they recognize where the influence came from or not.<\/p>\n<p>The last thing I\u2019ll mention is the case. (That\u2019s what the cover is called. The jacket is the thing that goes over the case.) If you take the jacket off <em>Robobaby<\/em>, you will see this:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/37 ROBO caselarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/37 ROBO casesmall.jpg\" border=1><\/a><br \/>\n<center><em>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nThat is the packaging for the Robobaby, Inc. box that little baby Flange comes in. So, the book is also a box, the one that contains the story. (Take a close look at the shipping label. Depending on your sense of humor, you may find it amusing).<\/p>\n<p>Here are some more final illustrations from the book:<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p11large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p11small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;We need your help, Manifold!&#8221;<\/em><br \/>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p12large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p12small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Thank goodness you&#8217;re here!&#8221;<\/em><br \/>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p13large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p13small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Uncle Manny, I can help!&#8221;<\/em><br \/>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p18-19large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p18-19small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Help!&#8221;<\/em><br \/>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p30-31large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2020\/09\/ROBO p30-31small.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;Mom! Dad! Look!&#8221;<\/em><br \/>(Click to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<center>* * * * * * *<\/center><\/p>\n<p><em>ROBOBABY. Copyright \u00a9 2020 by David Wiesner. Illustrations reproduced by permission of the publisher, Clarion Books, Boston. All other images reproduced by permission of David Wiesner.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Early sketch of Cathy &nbsp; &#8212; A final illustration from Robobaby(Click image to see spread in its entirety) &nbsp; Over at Chapter 16, I have a Q&#038;A with author-illustrator David Wiesner. He and I chatted via phone recently about his career; his newest picture book, Robobaby; and more. That Q&#038;A is here. But also! Here [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-5187","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/5187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5187"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/5187\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5187"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}