{"id":5277,"date":"2021-02-09T00:01:14","date_gmt":"2021-02-09T06:01:14","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=5277"},"modified":"2021-02-07T19:36:19","modified_gmt":"2021-02-08T01:36:19","slug":"the-2021-sydney-taylor-book-award-blog-toura-qa-with-khoa-le-and-jane-yolen","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=5277","title":{"rendered":"The 2021 Sydney Taylor Book Award Blog Tour:<br>A Q&#038;A with Khoa Le and Jane Yolen"},"content":{"rendered":"<p><a href=\"http:\/\/blaine.org\/7pics\/2021\/02\/MiriamattheRiverlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2021\/02\/MiriamattheRiversmallzz.jpg\" border=1><\/a><br \/>\n<center><em>(Click cover to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\nI&#8217;m happy to be a part of the Association of Jewish Libraries&#8217; 2021 Sydney Taylor Book Award Blog Tour with a visit today from author <strong><a href=\"https:\/\/www.janeyolen.com\/\">Jane Yolen<\/a><\/strong> and illustrator <strong><a href=\"http:\/\/blaine.org\/sevenimpossiblethings\/?p=5109\">Khoa Le<\/a><\/strong>. Their book, <em><strong><a href=\"https:\/\/www.indiebound.org\/book\/9781541544000\">Miriam at the River<\/a><\/strong><\/em> (Kar-Ben, 2020), won a 2021 Sydney Taylor Picture Book Honor. <\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2021\/02\/blogtour.jpg\" style=\"float:right;\">&#8220;I creep to the riverside in the soft dark of night\u2019s end,&#8221; the book opens. &#8220;In a woven basket lies my little brother, so young &#8230;.&#8221; Here, Yolen introduces readers to brave young Miriam and her brother Moses in a lyrical retelling of the story from Exodus. Miriam places her newborn brother in a basket into the river Nile. &#8220;I am afraid and not afraid,&#8221; Miriam says, as she hides her brother from the oppressive pharaoh and his men. She is carrying out a mission from God: &#8220;God&#8217;s law is what I follow. And God&#8217;s voice is the one I hear.&#8221;<\/p>\n<p>Illustrator Khoa Le brings the story to the page with vivid copper, teal, and sapphire tones. I asked each of them via email about this book and their 2021 Sydney Taylor Honor. <\/p>\n<p>I thank them for visiting. Let&#8217;s get to it. &#8230; <\/p>\n<p><center><strong>* * *<\/strong><\/center><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2021\/02\/khoa le.JPG\"><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What does it mean to you to win this Sydney Taylor Honor for <em>Miriam at the River<\/em>?<\/font><\/p>\n<p><strong><font size=4>Khoa<\/font><\/strong> (pictured left): I&#8217;m very grateful that all of the committee members for the award have considered me for this Sydney Taylor Honor. The award is a great recognition for me, and not only do I feel honoured, but I also see it as a way for people to see me as a good illustrator. Hopefully, that will get me to work with even more interesting projects in the future.  <\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What was the most joyous part for you of bringing Jane&#8217;s story to the page with your art?<\/font><\/p>\n<p><strong><font size=4>Khoa<\/font><\/strong>: I think it&#8217;s about the chance to learn about new things and discover new tales. Before working on these illustrations, I didn&#8217;t have much knowledge of Jewish culture or religion. However, to express my art the best way for the story, I started to read a lot related to this story. It\u2019s like a whole new world opened before my eyes, and I learned so much from illustrating this.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you talk a bit about how you chose these beautiful colors for this book&#8217;s palette?<\/font><\/p>\n<p><strong><font size=4>Khoa<\/font><\/strong>: I wanted the book to vibrate with strong colors, as the character is so alive and full of power herself. She was a young girl with so much determination and faced harsh conditions, having to decide about such an important task that usually only adults can deliver. So, I used patches of intense colors, intertwined with soft blue tones, to depict her amid moments of worries and confusion.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2021\/02\/miriam1sketchlarge.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2021\/02\/miriam1sketchsmall.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2021\/02\/miriam1large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2021\/02\/miriam1small.jpg\" border=1><\/a><br \/>\n<center><em>Two images above are the sketch and final version (sans text) of the book&#8217;s first spread:<br \/>&#8220;I creep to the riverside in the soft dark of night\u2019s end. In a woven basket lies my little brother, so young, he does not even have a name. He sleeps, and in his dreams<br \/>his legs and arms move as if he is swimming.&#8221;<\/em><br \/>(Click each image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What was your favorite spread to work on?<\/font><\/p>\n<p><strong><font size=4>Khoa<\/font><\/strong>: I think I have two! One is the beginning, when Miriam comes to the river, and the other is the last one. They are completely opposite sentiments, yet were very satisfying to work on, and I&#8217;m very pleased with how the artwork turned out.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2021\/02\/miriamsketch2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2021\/02\/miriamsketch2small.jpg\" border=1><\/a><br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2021\/02\/miriam2large.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2021\/02\/miriam2small.jpg\" border=1><\/a><br \/>\n<center><em>Two images above are the sketch and final version (sans text)<br \/>of one of the book&#8217;s spreads:<br \/>&#8220;I look up the water and down, then to the hiding place I have chosen.<br \/>Sedge, bulrush, papyrus, reeds, all I need to hide my brother from the Pharaoh\u2019s men,<br \/>and hide me from prying Egyptian eyes.&#8221;<\/em><br \/>(Click each image to enlarge)<\/em><\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What do you admire most about Miriam?<\/font><\/p>\n<p><strong><font size=4>Khoa<\/font><\/strong>: Her determination and wisdom! That&#8217;s something I feel myself is lacking.<\/p>\n<p><center><strong>* * *<\/strong><\/center><\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Jane, what does it mean to <em>you<\/em> to win this Sydney Taylor Honor for <em>Miriam at the River<\/em>?<\/font><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2021\/02\/jane yolen.jpg\" style=\"float:right;\"><strong><font size=4>Jane<\/font><\/strong> (pictured right): It means folks who know children&#8217;s books \u2014 and specifically Jewish children&#8217;s books \u2014 have pointed a finger at the book, saying, &#8220;Don&#8217;t miss this one.&#8221; After that, it is up to the book \u2014 the words and stories and pictures working together to show the readers, young and old, just <em>why<\/em> the book has a silver sticker on it.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: This text is filled with such beautiful imagery (&#8220;The basket skims past a yellow-billed stork who stands with angel wings held high&#8221;). Do you think you always see the world through a poet&#8217;s eyes?<\/font><\/p>\n<p><strong><font size=4>Jane<\/font><\/strong>: Yes. And sometimes too much so, and I have to pull back a bit and let the story makes its own voice. You may have guessed that my family and I are great birders and nature-watchers and walkers. So, it is the natural world that takes over when I introduce it into a book. And of course the story of Miriam and her baby brother Moses in the basket is really all about nature plus nurture.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: Can you talk about your choice to place the story in Miriam&#8217;s first-person narration?<\/font><\/p>\n<p><strong><font size=4>Jane<\/font><\/strong>: I wish it had been a choice, but the story spoke to me that way from the very first sentence. I knew the story well, because I had recently written a book about the girls and women in the Hebrew bible \u2014 <em><strong><a href=\"https:\/\/www.indiebound.org\/book\/9781580893749\">Meet Me at the Well<\/a><\/strong><\/em>. I wrote it with dear friend <strong><a href=\"https:\/\/www.barbaradiamondgoldin.com\/\">Barbara Diamond Goldin<\/a><\/strong>. It came out two years ago for middle-grade and YA readers (bar and bat mitzvah ages). But this was to be a real story-telling for younger children of Miriam as a child and the heroism it included. So, here she is speaking child to child.<br \/>\n<BR>&nbsp;<BR><br \/>\n<a href=\"http:\/\/blaine.org\/7pics\/2021\/02\/Miriam at the River_sp.jpg\"><img decoding=\"async\" src=\"http:\/\/blaine.org\/7pics\/2021\/02\/Miriam at the River_3.jpg\" border=1><\/a><br \/>\n<center><em>&#8220;One quick push and the basket sails towards the middle of the reeds where the water is coolest. Mother has woven the basket so tightly, it does not sink, but skips over little schools of fish, glossy as silver bangles. Then the sun comes out and the bangles<br \/>turn the color of Pharaoh\u2019s jewels.&#8221;<\/em><br \/>(Click spread to enlarge slightly)<\/center><br \/>\n<BR>&nbsp;<BR><br \/>\n<font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What was it like for you to see Khoa&#8217;s illustrations for your text? Do you have a favorite spread?<\/font><\/p>\n<p><strong><font size=4>Jane<\/font><\/strong>: Aren&#8217;t the pictures gorgeous! You feel the river, the birds, the reeds, the waves. I think the sunrise picture is my favorite \u2014 the one with the yellow-billed storks and other Nile birds, like careful angels surrounding Moses in his basket.<\/p>\n<p><font color=\"000066\"><strong><font size=4>Jules<\/font><\/strong>: What do <em>you<\/em> admire most about Miriam?<\/font><\/p>\n<p><strong><font size=4>Jane<\/font><\/strong>: Her casual heroism. She never seems to worry, but in a childish way she simply does what needs to be done. However, remember that Miriam, even from childhood, was a seeress and a beloved of G-d, or so says Torah. So, perhaps she knew that she was being watched over by angels, just as the birds watched over her baby brother. Or maybe she was just a whole lot braver than I would ever have been \u2014 as is shown in the rest of her life&#8217;s story as related in Torah.<\/p>\n<p>Or maybe it is a simple tale of a child&#8217;s honor and heroism that reminds us that we can all do greater deeds than we ever dreamed of. If we put our hearts in the right place, all is possible.<\/p>\n<p><center>* * *<\/center><\/p>\n<p>For the rest of the 2021 Sydney Taylor Book Award Blog Tour, click <strong><a href=\"https:\/\/jewishlibraries.org\/blog\/id\/489b\">here<\/a><\/strong>. <\/p>\n<p><center>* * * * * * *<\/center><\/p>\n<p><em>Photo of Jane Yolen taken by Jason Stemple.<\/em> <\/p>\n<p><em>MIRIAM AT THE RIVER. \u00a9 2020 by Jane Yolen. Illustrations \u00a9 2020 Lerner Publishing Group and reproduced by permission of the publisher, Kar-Ben Publishing, Inc., an imprint of Lerner Publishing Group, Inc., Minneapolis.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Click cover to enlarge) &nbsp; I&#8217;m happy to be a part of the Association of Jewish Libraries&#8217; 2021 Sydney Taylor Book Award Blog Tour with a visit today from author Jane Yolen and illustrator Khoa Le. Their book, Miriam at the River (Kar-Ben, 2020), won a 2021 Sydney Taylor Picture Book Honor.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[],"class_list":["post-5277","post","type-post","status-publish","format-standard","hentry","category-blogger-interviews","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/5277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5277"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/5277\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5277"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}