{"id":96,"date":"2006-08-14T08:44:08","date_gmt":"2006-08-14T15:44:08","guid":{"rendered":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=96"},"modified":"2006-08-14T12:03:29","modified_gmt":"2006-08-14T19:03:29","slug":"the-sad-book-by-michael-rosen","status":"publish","type":"post","link":"http:\/\/blaine.org\/sevenimpossiblethings\/?p=96","title":{"rendered":"The Sad Book by Michael Rosen"},"content":{"rendered":"<p><img decoding=\"async\" id=\"image95\" height=96 alt=sad.jpg src=\"http:\/\/blaine.org\/sevenimpossiblethings\/wp-content\/uploads\/2006\/08\/sad.thumbnail.jpg\" \/><center><strong>&#8220;The best book creators express things to a one-year old that a one-hundred-year old can also respect.&#8221; &#8212; Betsy Hearne<\/strong><\/center><\/p>\n<p>I&#8217;m a little bit late in getting around to this one. <strong><a href=\"http:\/\/www.michaelrosen.co.uk\/\">Michael Rosen&#8217;s<\/a><\/strong> <em>Sad Book<\/em> (2004, but with a 2005 first U.S. edition publication date), a <strong><a href=\"http:\/\/www.hbook.com\/awards\/bghb\/\">Boston Globe-Horn Book Honor book<\/a><\/strong>, is one I&#8217;ve been wanting to read, and it really was worth the wait. Saying this picture book is moving would be an understatement; it&#8217;s heart-rending, yet very hopeful. <\/p>\n<p><!--more--><\/p>\n<p>Writing primarily about the death of his son (but mentioning the death of his mother as well), Rosen takes us on a staggeringly honest journey of grief. This is not one of those books in which a writer puts to great creative use big, writerly, thematic metaphors for grief or sadness, and then &#8212; with no surprise to you &#8212; you read the author bio and find out that the creator experienced a great loss. The book gives us what the title promises &#8212; a frank, straight-up account of what it feels like to grieve. <\/p>\n<p>On the first page, <strong><a href=\"http:\/\/www.quentinblake.com\/\">Quentin Blake<\/a><\/strong> (of, primarily, <strong><a href=\"http:\/\/www.roalddahl.com\/\">Roald Dahl<\/a><\/strong> fame) brings to life Rosen&#8217;s words: &#8220;This is me being sad.&#8221; The illustration is one of a man, with a grin that goes from ear to ear. Look closely, though; it&#8217;s a forced, almost painful-looking, masquerading contortion of a smile. And then we read, &#8220;. . . Really I&#8217;m sad but pretending I&#8217;m happy. I&#8217;m doing that because I think people won&#8217;t like me if I look sad.&#8221; Blake uses bright red and yellow here; suddenly, on the next page (where his &#8220;sad is very big . . . All over me&#8221;), we see a man in profile, walking &#8212; outlined in a simple, black line and filled in with only grey and darker, blunter black scribbles &#8212; under oppressive, almost leaden, grey clouds. When Blake next shows us this man &#8212; this time full-on &#8212; that contrived smile is gone, the pretense altogether dropped. We see a man with empty, hollow eyes: &#8220;What makes me most sad is when I think about my son Eddie. He died. I loved him very, very much but he died anyway.&#8221;<\/p>\n<p>And so we begin our journey with Rosen. He&#8217;s sometimes angry, lashing out at his son for leaving; he sometimes wants to talk to others about it and, other moments, wants to think about it on his own (&#8220;Because it&#8217;s mine. And no one else&#8217;s&#8221;); and, sometimes he does &#8220;crazy things&#8221; as well as &#8220;bad things. I can&#8217;t tell you what they are. They&#8217;re too bad. And it&#8217;s not fair to the cat&#8221; (this moment of dark humor providing a gratifying, most welcome laugh). He even admits to feeling sad sometimes for no reason.<\/p>\n<p>Rosen tells us who gets sad, where is sad, when is sad, and how he tries to be sad without it hurting so much. He shares a poem about it that he&#8217;s written, hinting at the restorative power of art (in this case, the art and craft of writing) to help heal. All along, we&#8217;re shown illustrations of his son when he was alive, and when the book&#8217;s tone turns as Rosen shows us how his memories help him heal (memories of his son as well as &#8220;{m}y Mum in the rain&#8221;), Blake&#8217;s colors turn bright again &#8212; a touch of yellow here, some warm greens there &#8212; as our broken-hearted protagonist takes his baby steps towards a touch of redemption. And this comes, partly, in the form of his love of birthdays. &#8220;And candles. There must be candles.&#8221; And, folks, we are treated at the very end to an exquisite double-page spread illustration, almost holy in its light and poignancy, of this bereaved man now possessed by a (literal and figurative) glimmer of hope, as he stares at one brilliant birthday candle.<\/p>\n<p>I dislike books that condascend to children, and I (boldly) speak on behalf of Eisha, too, when I say that. E.B. White wrote, &#8220;{a}nyone who writes down to children is simply wasting his time.&#8221; This book is almost a paragon of this principle &#8212; Rosen writes with much vulnerability, openness, and straightforwardness. Blake&#8217;s illustrations are so spot-on; I remember reading somewhere that Rosen said he believes Blake took his anguish and turned around to perfectly portray that sorrow to the reader.<\/p>\n<p>I hate playing that game of having to place a book in an age category, though I know it&#8217;s necessary, especially for librarians. If we must, I&#8217;ll place this in the Intermediate category (as I believe the publisher does), but this book is for all ages, for anyone who&#8217;s ever experienced loss of any kind and can appreciate an author and illustrator speaking of it with refreshing veracity. See the Betsy Hearne quote above. &#8216;Nuf said.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The best book creators express things to a one-year old that a one-hundred-year old can also respect.&#8221; &#8212; Betsy Hearne I&#8217;m a little bit late in getting around to this one. Michael Rosen&#8217;s Sad Book (2004, but with a 2005 first U.S. edition publication date), a Boston Globe-Horn Book Honor book, is one I&#8217;ve been [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,2],"tags":[],"class_list":["post-96","post","type-post","status-publish","format-standard","hentry","category-intermediate","category-picture-books"],"_links":{"self":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/96","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=96"}],"version-history":[{"count":0,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=\/wp\/v2\/posts\/96\/revisions"}],"wp:attachment":[{"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=96"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=96"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blaine.org\/sevenimpossiblethings\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=96"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}