Gregory Rogers’ Picture Books Make Me Happy.
Wednesday, March 14th, 2012It’s not easy, I’m sure, to make picture books that are entirely reliant on visual storytelling, featuring no dialogue whatsoever. But Gregory Rogers certainly makes it look easy.
For those not familiar with Rogers, he’s Australian and was awarded the Kate Greenaway Medal in 1995. For many years, he worked as a graphic designer before turning to illustration.
His newest book, The Hero of Little Street (to be released at the end of this month, though originally published in 2009 in Australia), is the third title in what Roaring Brook calls “the Boy Bear series.” The first two titles feature a young boy whose wayward soccer ball sends him on time-traveling escapades, what Publishers Weekly once called rambunctious silent comedies (or, if you’re Kirkus describing the new title in the series, a “wordless metafictive adventure”). For the first book, The Boy, The Bear, The Baron, The Bard (2007), he ends up on the stage of Shakespeare’s Globe theatre, and in the second book, Midsummer Knight (also 2007), Rogers brought back the same cast of characters, this time for a romp through an Elizabethan fairy world, to put it simply, and this time with the Bear as a swashbuckling soldier. (The American covers are pictured here below, though all were first published in Australia.)