Seven Impossible Things Before Breakfast

One of my favorite contemporary illustrators is here today. And I mean one of my TOP-FIVE favorites. With my love of hyperbole aside, I say that British illustrator Emily Gravett is one of the most exciting writer-artists at work today who creates books for children. When she released Monkey and Me in the UK in ’07, The Sunday Times wrote that the title “marks out the exceptional from the mediocre.” I’d say that about all her books thus far. The Irish Times called her a magic-weaver. Her work is daring and one-of-a-kind and oh-so slightly subversive, some of my favorite elements in a picture book.

Remember when she hit the scene with the multimedia wonder that was Wolves (released by Simon & Schuster in the U.S.), the poster child for postmodern picture books of 2006? Turning a traditional narrative on its head, she told the imaginative, suspenseful tale (which also managed to be terrifically informative) of a rabbit with his nose firmly stuck in a nonfiction title about wolves, a book whose subject matter has stepped off the page with a snarl and an appetite, unbeknownst to the rabbit. And the alternate ending? Well, it vies for Best Picture Book Ending Ever. Truly. The book was not only critically-acclaimed, but it also made approximately seven bajillion kidlitosphere bloggers go berserk with glee. Wolves, which started out as a college project, also won Emily the 2005 Kate Greenaway Medal and a 2007 Boston Globe–Horn Book Honor.

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Jules: Artist Dave McKean, whom 7-Imp welcomes this morning with a big, strong cup of coffee and all kinds of adoration and severely geeky fan-dom, is capable of way more than seven impossible things before breakfast, it’s safe to say. He’s an award-winning graphic novelist; author; photographer; designer; illustrator of hundreds of comic-book and book covers, as well as CDs; editorial illustrator; film designer; director; and jazz pianist, even co-founding the record label Feral Records with saxophonist and composer Iain Ballamy. I’m probably missing a whole slew of other things. Dave McKean is unceasingly inventive.

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Here’s one of the best things about blogging: I get to chat with book-creators whose work I have admired for a long time. Illustrator Stefano Vitale is one of those people. His art work is a force of nature, and whenever I see that he’s illustrated a new title, I run to find a copy.

Even though I didn’t get to chat with him directly—this was one of those interviews conducted via his publicist (I’m sure he’s a very busy guy, so this is hardly a complaint)—I’m still thrilled that I was two degrees away from someone whose art work has brought me so much joy. Better yet, I get to either share it with fellow fans today OR introduce the uninitiated to his books and show you what his paintbrush can produce. Both things are big kicks, indeed.

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Jules: Here is the the semi-fictionalized version of author Daniel Pinkwater (from his 1993 title, Author’s Day, which he also illustrated). It’s a bit daunting to introduce Pinkwater this morning — and not just because he’s staring so intently at us here. He puts the very “pro” in prolific, not to mention we’re super-geeky fans of his books and have been for years.

And, since we at 7-Imp consider ourselves advocates of—to put it bluntly—children’s books that don’t suck (you’re welcome for that moment of eloquence), we’re also happy for his NPR-musings: As many of our devoted readers surely know, he is commentator over there at NPR’s All Things Considered and Weekend Edition Saturday with Scott Simon, often promoting—with much passion and, at times, that irreverent wit we love—new children’s titles. (To be clear, he also comments on “the caprices and vagaries of life,” thank goodness, as his NPR bio puts it.)

“Pinkwater’s books are designed to be understood by children aged six to 14, but are read by people of all ages,” the bio adds. Ain’t that the truth. His fans are not only wide-ranging in age, but we are rabid, I say. Mention his name around one of us serious Pinkwater devotees, and you’ll hear hoots and squeals and hollers — followed by a long list of beloved Pinkwater memories. I’d say we’re cult-like. The Bad Bears books, illustrated by his wife, Jill (I covered one of those titles here back in ’07 when our images were tragically small); the Fat Camp Commando titles; the Werewolf Club titles; The Neddiad and its sequel, The Yggyssey, Pinkwater’s newest title, which opens with the ghost of Rudolph Valentino smoking a cigar in a little girl’s bedroom, and both of which Pinkwater made available online to read free-of-charge; and oh-so much more, including the ones we reminisce about below — they’re quick-witted, wonderfully far-fetched, entertaining, and flat-out funny-as-hell adventures. And we love ’em all. There. How’s that for adoration?

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Jules: How can we even begin to describe, as the big fans we are, how exciting it is to have renowned Caldecott medalist Ed Young stop by for a chat today? Young has brought us over eighty illustrated picture book titles — visually-delightful works of the imagination, as well as countless adaptations and re-tellings of the old folk tales and fables of our world, often rendered in paper-collage. If I were asked to name a contemporary illustrator whose works provide a truly exciting visual experience, no matter the book’s tone, Young would be the first to come to mind. Whether he’s using the bold, bright collage of a book like The Emperor and the Kite (written by Jane Yolen and published in 1967) or bringing us ethereal impressionistic paintings, such as in 1989’s Lon Po Po: A Red Riding Hood Story from China, it’s always dramatic. Always striking. Always infused with an elegance. You look at his illustrations, and you can see the poet in him.

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This is probably my very favorite picture book illustration from all of 2008:

Yeah, I have a thing for sun images, but even with that affinity aside, isn’t that just stunning? I wish I could make it even bigger for you so that you could see the detailed collage work.

That would be the handiwork of award-winning designer, illustrator, and author Carin Berger, who joins me this morning for seven questions over breakfast. “I am a bit of a breakfast-skipper,” she told me. “But on a fine, leisurely late morning (say, a birthday or Mother’s Day), crepes with lemon and powdered sugar are a fave. And a swig or two of my husband’s very strong, but milky, coffee.” Let’s consider this a fine, leisurely late morning, I say, and we’ll have those crepes and coffee. It’s also a special morning, since I’m a huge fan of her collage work. And the very way her mind works, bringing us books like 2008’s The Little Yellow Leaf (Greenwillow Books), the book from which the opening illustration and the below illustrations come and which was named a New York Times Best Illustrated Children’s Book of 2008. And one of my top-five favorite books from last year. Seriously, did you guys see the thing of beauty this book is?

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Devoted Readers of 7-Imp With Good Memories may recollect that, back in November of ’07, author Jack Gantos stopped by and sung the praises of author/illustrator Laurie Keller. Well, what a good reminder that was that I’d love to chat with her one day. Over one year later (hey, sometimes I’m just really slow) and after the birth of the handy-dandy seven-
questions-over-
breakfast illustrator interview, here we are.

Laurie’s here to join me for breakfast, and can I just tell you how fun it is to chat with her over a cyber-breakfast and how much I wish it were a REAL, in-person breakfast in her cottage in Michigan? Any hugely huge fan of Waiting for Guffman, a movie I’ve seen PRECISELY seven blajillion times and can probably quote to everyone’s great irritation, is a friend of mine. But I’m getting ahead of myself.

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Illustrator John Manders is here for seven questions over breakfast (there he is with Sherman and the day’s first cup of coffee). He can’t linger for too long, since he and his wife just moved into an old farm house in November and have a ton of work to do. And, since John has only been able to answer interview questions “in between plumbing emergencies, appliance deliveries, demolition, unloading and unpacking, and—of course—billable work,” as he put it, I’m even more grateful he took the time to stop by. In fact, about the picture above John told me that behind him and Sherman is the void to be inhabited eventually by a refrigerator. Seeing as how he also just installed a new copper pipe to replace a decrepit old iron hot water line (er, John did…not Sherman), he says that he can be a plumber if the bottom falls out of the children’s book biz, but I hope that doesn’t happen, because I like the energy he brings to his illustrations way too much.

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I can’t even BEGIN to tell you how pleased I am that my first breakfast illustrator interview of ’09 is with artist R. Gregory Christie. He had me at hello a long time ago with this statement on this page of his web site: “The disproportionate compositions and elongated figures {of my art} are meant to be a directional device for the viewer, my own natural inclination, and a challenge for the viewer to break away from the established fundamental belief that all children’s books must be realistic or cute” {Ed. Note: Emphasis all mine.} Since I’ve always been such a fan — and Eisha, too — I think this is one pretty kickin’ way to bring in the new year here at 7-Imp. Christie, who goes by Greg, is here for some pancakes, eggs, and sausage, which is what he says he eats when he’s “eating badly,” but I say his visit calls for a big ‘ol matutinal feast. I’ll gladly provide the pancakes and other dishes, since he decided to come talk to us about his work and share gobs of great images of his energetic art. We’re just all going to indulge ourselves here. Deal? Deal. Besides, great art + pancakes? Score.

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Hi there. Jules here. And Alice. (Just for fun.)

Well, because I think I might possibly be crazy (not to mention all the free time I had during the holidays), I decided to offer our devoted readers the below post in which 7-Imp looks back at the many talented authors and illustrators who stopped by in 2008 for a chat, many with breakfast in tow. I pulled a quote from each interview, I compiled my favorite Pivot responses from the year into one singular questionnaire, and I pulled a handful of favorite illustrations from the year from the many artists who have stopped by for a visit (or whose publisher sent my favorite spreads from a title after I begged and pleaded). Many thanks are due to all the book-makers who have stopped by to chat with me and Eisha and the publishers who granted 7-Imp permission to share art.

And, yes, do I hear you saying this is the LONGEST POST IN THE HISTORY OF THE WORLD? Why, it is at that, but it’s oh-so skim-able — and mostly full of wonderful stuff at which to look. Sit back and enjoy. Pick your favorite interview and read a snippet. Find your favorite illustrator and kick back to soak in their skills. Choose your own adventure.

Many thanks to Bruce at wordswimmer, who inspired this post with his own retrospective, “Beacons of Light — 2008,” posted a couple weeks ago. His post is well-worth your time, and it got me thinking about how the mass media will turn Hollywood celebrities who turn to writing (often picture books) into bonafide stars, give them all the attention, etcetera etcetera and I know, I know, everyone likes to complain about that, but really. It happens. But the real literary celebrities are…well, many of who I think are the real rock stars stopped by this year, so take a look.

Thanks to everyone who stopped by to chat with 7-Imp and to share their passions and talent. Here’s to the conversations to come in ’09 . . .

Author David Almond (interviewed May 19, 2008): “I see young people all around the world who are fascinated by books, by stories, by language, and who ask serious and perceptive questions about my work. It encourages me in my belief that young people form a wonderful readership, and that the children’s book world offers writers all kinds of opportunities for exploration and experimentation. Children accept stories in all kinds of forms, often in forms that might be seen by adults as too difficult, too whacky, too strange. I love writing illustrated fiction, for instance. There are very few options for a writer to work in such a form in adult books.”

Author/Illustrator Elisha Cooper (interviewed September 22): “I’d like to take this random opportunity to throw-down and say that if you’re an actor or a celebrity, stay the hell out of our business. It’s a free country, fine. But here’s the deal: you can write children’s books as long as we can star in movies.”

Author/Illustrator Julie Paschkis (interviewed May 14), pictured below: “Every book has something about it that is hard for me -– there is always a moment when I am terrified that I can’t do it or there is some aspect that feels overwhelming. There is usually a turning point where I can turn that fear into creativity -– I can figure out how to approach the problem in a way that is interesting.”

Author Kerry Madden (interviewed May 29) on one thing most people don’t know about her: “Every time I start a book, I am terrified I won’t be able to pull it off.”

Author/Illustrator Mini Grey (interviewed October 8) on one thing most people don’t know about her: “I am programmed to self-destruct if I tell you.”

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