Seven Impossible Things Before Breakfast

At Kirkus today, I’ve got picture books and grandparents on the mind. That is here.

* * *

Last week I wrote here about Matt Phelan’s Snow White: A Graphic Novel (Candlewick, September 2016), as well as Shaun Tan’s The Singing Bones (Scholastic, October 2016). I’ve got a bit of art here today from Phelan’s book, as well as some preliminary images he sent along, but unfortunately I don’t have any images from Tan’s book. You can, however, see some here at his site.

Enjoy!

Read the rest of this entry �

“… By the time of his bar mitzvah, Lenny could make the gesture easily with either hand. His fingers looked like the letter shin, which, he’d learned in Hebrew school, was the first letter of the word shalom, or “peace,”
and Shaddal, one of the names for God.”

 
I’m following up last week’s Kirkus Q&A with author Richard Michelson and illustrator Edel Rodriguez with a bit of Edel’s art from Fascinating: The Life of Leonard Nimoy, on shelves this month from Knopf.

Enjoy!

Read the rest of this entry �

 
Earlier this Spring, Peachtree brought readers the debut picture book from Bethan Woollvin, pictured here, who is a recent graduate of the Cambridge School of Art in England. I wrote about this book, Little Red, here over at Kirkus, because it’s a well-crafted debut. (Back in 2014, it up and won the Macmillan Children’s Book Competition over in the UK.)

And then I was curious to see more art from Bethan and learn more, so I invited her over for a 7-Imp cyber-breakfast. “If I could have any breakfast,” she tells me, “I’d go all American on you guys and have the full waffle-bacon-syrup deal, but since I’m not in New York, I’ll stick to porridge with strawberries.”

YUM. This is good with me. I’ll throw in some coffee. Also good with me is seeing more art from Bethan and getting a peek into her Little Red sketchbook. So, let’s get right to it.

And I thank her for visiting.

Read the rest of this entry �

“… We made music! / When we stole time / we laughed, we danced. …”
(Click to enlarge and read the text in its entirety)

 
I have a review over at BookPage of Ashley Bryan’s new book, Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life (Atheneum/Caitlyn Dlouhy Books, September 2016). That is here, and today I share a few spreads from the book.

Read the rest of this entry �

“… She called it ‘Kitty,’
but Kitty called herself ‘Miss Catherine St. Quintin.'”

 

“… Now, as an adult, I imagine Peter Rabbit scurrying around
having a ball in Clinton Hill, Brooklyn, where I live.” — Brian Pinkney
(Click to enlarge image)

 
Today over at Kirkus, I’ve got new books from Shaun Tan and Matt Phelan on the mind. That is here.

* * *

Last week, I wrote here about the 150th birthday of Beatrix Potter and the publication of The Tale of Kitty-in-Boots (Frederick Warne & Co., September 2016), illustrated by Quentin Blake, as well as A Celebration of Beatrix Potter, a collection of art and letters from more than 30 contemporary children’s book author/illustrators, coming to shelves in November (also Frederick Warne & Co.).

Today, I’ve got a bit of art from each book.

Enjoy!

Read the rest of this entry �

 

“When I speak to children or to aspiring authors, I always advise them to listen carefully when their parents and grandparents and best friends and best friend’s parents talk about their lives. ‘Everyone has a story to tell,’ I say. ‘Just remember to write it down.’ And yet why did it never occur to me to write down Leonard’s story?”

* * *

Over at Kirkus today, I talk to author Richard Michelson, quoted above (and pictured above, with Leonard Nimoy), about Fascinating, his new picture book biography of Leonard Nimoy (Knopf, September 2016). Illustrator Edel Rodriguez also joins us. Born in Cuba, Rodriguez (pictured right) came to America in 1980 during the Mariel boatlift and learned English from, partly, watching Star Trek with his cousins.

That Q&A is here this morning.

* * * * * * *

Photo of Richard Michelson and Leonard Nimoy taken by Sylvia Mautner Photography and used by permission of Richard Michelson. Photo of Edel Rodriguez used by his permission.

Chris: “Perhaps our best time together was on my second visit when we spent two long days side by side on her sun porch, each in our own wicker chair.
Vera drew all day, and much of the night.”

 
It’s a pleasure to share some thoughts and images from Chris Raschka today. Just this month, Greenwillow Books released Home at Last, written by Vera B. Williams and illustrated by Chris. This was the last book Vera worked on before her death last October. You may have seen the wonderful Horn Book cover story from the May/June issue of this year, in which Lydie Raschka, Chris’s wife, writes about their collaboration. Today, Chris shares a bit more, including some of Vera’s sketches for the book. (His paintings for the book are based on her sketches.)

The story is about a boy, adopted by two dads, and the boy’s efforts to acclimate himself to his new life. It is tender and heartbreaking but, ultimately, joyful. I thank Chris for sharing a bit about the process today. I find it fascinating to see, in particular, the early sketches and Vera’s own drawings. Let’s get right to it.

Read the rest of this entry �

 

It was fun to be a guest on a podcast whose episodes I never ever miss. That would be the Horn Book’s (relatively new) podcast.

Thanks to Roger and Siân for having me when I was in Boston last week. You can click on the image above to hear our chat, if you’re so inclined.

“I live with my family in a city close to the sea. Every summer we used to spend many weekends at the beach. But we never go there anymore, because last year,
our lives changed forever …”
(Click to enlarge spread)

 
This morning over at Kirkus, I’ve got Beatrix Potter on the mind. That is here.

* * *

Since I wrote here last week about Francesca Sanna’s The Journey (Flying Eye Books, September 2016), I am following up with some art from it today.

[Please note: Some of the colors in these illustrations are a bit off when you enlarge them, but I did my best.]

Read the rest of this entry �

 
When German illustrator Torben Kuhlmann’s debut picture book, Lindbergh: The Tale of a Flying Mouse, was released here in the States two years ago, the New York Times described it as a “splendid debut.” Last year, Kuhlmann followed that up with Moletown, also met with glowing reviews (“gorgeous, mesmerizing artwork,” wrote Booklist), and this month readers will meet a star-gazing mouse in Armstrong: The Adventurous Journey of a Mouse to the Moon, a visual feast over 120 pages long, which tells the story of a moon-bound mouse.

Kuhlmann studied illustration and design in Hamburg and still lives in northern Germany. It’s thanks to NorthSouth Books that we readers here in the States can see his books. Since I’ll be traveling tomorrow morning, he’s joining me, not for breakfast, but a post-dinner snack. (He said his breakfasts almost always consist of a hot cup of coffee and several kinds of bread with jam, so I’m good with having that for our snack. Coffee any time is good. Also, jam. Always jam.)

It’s a good thing to see all his art, and I thank him for sharing. Let’s get right to it.

Read the rest of this entry �