Archive for the 'Picture Books' Category

Harry & Winnie: Friends Forever and even longer …

h1 Tuesday, January 27th, 2015


“In 1919, just before Harry returned to Winniepeg, he made another hard decision.
He decided that Winnie would stay at the London Zoo permanently.
Harry was sad, but he knew Winnie would be happiest in the home she knew best.”

This week over at BookPage, I’ve got an interview with author Sally M. Walker. Her newest picture book is Winnie: The True Story of the Bear Who Inspired Winnie-the-Pooh (Henry Holt, January 2015), illustrated by newcomer Jonathan D. Voss. It’s a fascinating story and one I didn’t know.

Our Q&A is over here at BookPage, and below I have some art (and backmatter images) from the book.

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A Visit with Don Tate …

h1 Monday, January 26th, 2015



 
Author-illustrator Don Tate, who visited 7-Imp for breakfast back in 2011, is back today to talk about his upcoming picture books. As it turns out, I had an opportunity to do one of those so-called cover reveals for his book Poet: The Remarkable Story of George Moses Horton of Chapel Hill, which will be on shelves from Peachtree in the Fall. (Yes, FALL! I know. Seems so far away.) And then it turned into an opportunity to ask him about the book (I read an early PDF version) and to show some spreads from it, and I’m all for that. Even better. To boot, Don is even sharing some images from another forthcoming book, written by Chris Barton, called The Amazing Age of John Roy Lynch (Eerdmans), which I believe will be on shelves in April. So you’ll see that below too.

Poet is the story of George Moses Horton, the first African American poet to be published in the South. Horton’s story is a remarkable one, and Don talks a bit below about why. Let’s get right to it, especially so that we can see more of his art.

I thank him for visiting. Read the rest of this entry �

7-Imp’s 7 Kicks #416: Featuring Peter Carnavas

h1 Sunday, January 25th, 2015



 
Today’s picture book is an import. Peter Carnavas’ Jessica’s Box was initially published in Australia back in 2008, but Kane Miller will bring it to U.S. shelves in March.

When we first meet Jessica, her mind is racing. It’s “too busy for sleep. Her thoughts were already with tomorrow.” And that’s because tomorrow will be her first day of school, and she’s eager to make new friends. When she shows up, she brings with her a big cardboard box. By lunchtime, though her box is neglected at first, curious children gather ’round, and Jessica reaches into her box to pull out a stuffed toy bear. The reaction Jessica wants isn’t exactly the one she’s met with: Some students laugh at her, and others ignore her. The next day, Jessica brings cupcakes. Needless to say, the treats are met with enthusiasm, but they’re consumed and forgotten. “Not even a thank you?” Jessica wonders.

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What I’m Doing at Kirkus This Week,
Plus What I Did Last Week,
Featuring E. B. Lewis and Benny Andrews

h1 Friday, January 23rd, 2015


“It’s a peaceful spring and summer in Huntsville in 1963, but not elsewhere in Alabama. More than a thousand black children gather for a nonviolent protest in a Birmingham park. They are met with gushing fire hoses and snarling dogs. …
Two hundred thousand people march for freedom in Washington,D.C.
Dr. King gives a speech, echoing the dream that black children and
white children will join hands in peace. It’s on television, nationwide.”
– From Hester Bass’
Seeds of Freedom, illustrated by E. B. Lewis
(Click to enlarge)


 

“When Benny’s military service was over, the government offered to pay his college tuition. He moved to Chicago to attend art school. It was the biggest city he had ever seen, full of many different kinds of people, towering buildings, and—best of all—museums. Benny could spend an entire day looking at art if he wanted.
He’d never felt so free.”
– From Kathleen Benson’s
Draw What You See,
illustrated with paintings by Benny Andrews
(Click to enlarge and see full text)


 
This morning over at Kirkus, I’ve got some good, new picture books for very young readers. That link is here.

* * *

Last week I wrote here about Hester Bass’ Seeds of Freedom: The Peaceful Integration of Huntsville, Alabama (Candlewick, January 2015), illustrated by E. B. Lewis, as well as Kathleen Benson’s Draw What You See: The Life and Art of Benny Andrews (Clarion, January 2015), which is illustrated with some of Andrews’ paintings. Today, I’m following up with a bit of art from each book.

Enjoy. Read the rest of this entry �

Finding Spring with Carin Berger

h1 Thursday, January 22nd, 2015

In Finding Spring, a little bear named Maurice strikes off on his own in search of Spring, instead of hibernating. It is a story about seeking and about the magic of discovery. It is about those empowering childhood adventures that I remember so vividly – those moments of exploration without an adult supervising. It is also about the elusiveness of that which we seek and the happy accidental discoveries along the way.”

* * *

This morning over at Kirkus, I chat with author-illustrator Carin Berger about her new picture book, Finding Spring (out on shelves next week). Carin has actually already visited 7-Imp to talk about the book, over a year ago, but more on that next week — when she’ll share a bit of art from the book over here.

That Q&A at Kirkus is here.

Until tomorrow …

* * * * * * *

Photo of Carin used with her permission.

A Peek at Nicole Tadgell’s Drawing Table

h1 Tuesday, January 20th, 2015




“As the tea cooled down, their conversation heated up. … [T]hey weren’t afraid to
stand up for their beliefs. In fact, they loved a good fight!”
– Rough sketch, final sketch, and final art (without text)

(Click second image to enlarge)

Illustrator Nicole Tadgell (pictured left) is visiting 7-Imp (for a third time — you can check the archives for her previous visits) to share artwork and early sketches from Suzanne Slade’s Friends for Freedom: The Story of Susan B. Anthony & Frederick Douglass. This book was released back in September (Charlesbridge), but better late than never.

Slade’s story, rife with source notes and an impressive Selected Bibliography at the book’s close, describes the friendship between the two legends. Everything about this was scandalous for the times: “It wasn’t proper for women to be friends with men,” Slade writes. “You weren’t supposed to be friends with someone whose skin was a different color than yours.” But their friendship endured for over 45 years. She even highlights their 1869 public argument when the Fifteenth Amendment gave black men, but not women, the right to vote. While Slade emphasizes their passion for civil rights and social justice, the heart of the book is their friendship, during both good and bad times.

Nicole’s delicate watercolors, as the Booklist review notes, bring readers a good deal of historical context for Slade’s words. Today, Nicole shares some preliminary images and a bit of final art from the book. “It is interesting to look at the journey from rough pencils to finished art,” she tells me. “Often things change dramatically, but the spirit of the scene stays the same. I really love how this book turned out! I feel that I’ve helped bring two historical figures to life for kids to learn and hopefully inspire them to read further about how both Frederick Douglass and Susan B. Anthony helped change America –- in part, by simply being friends.”

I thank her for sharing. …

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7-Imp’s 7 Kicks #415: Featuring Steven Weinberg

h1 Sunday, January 18th, 2015

Every now and then here at 7-Imp, I like to link back to this 2008 post I wrote with my friend and librarian extraordinaire (and current Caldecott committee member!) Adrienne Furness, and I always like to add books to our Straight Talk About the Food Chain bibliography. (There’s no actual bibliography — just one in my head.) Rex Finds an Egg! Egg! Egg!—the debut picture book from Steven Weinberg, who is visiting 7-Imp today—would be a great addition to the list. The book will be on shelves in late February from Margaret K. McElderry Books.

The story is of a very energetic young dinosaur, who thinks he’s found an egg. You can see his reaction pictured below. He runs for his life in the next moment, because a volcano has just exploded. Rather he does this: “Run. Run! RUN!” (The wonderfully spastic text is filled with a lot of these monosyllabic moments.) Rex takes his discovery and attempts to find a quiet spot, but there are many obstacles in his way: A cliff and other dinosaurs (including a pterodactyl). Look closely at his surroundings, and you’re likely to see another volcano, ready to blow up and out. (This is the Mesozoic Era after all. Things were probably very rarely quiet and soothing.)

After one particularly active explosion, his “egg” flies away. When it lands and doesn’t break, he discovers—thanks to another smaller dinosaur who’s been following his trail all the while—it’s really a rock. And then comes the kicker, the funny, rather twisted, and deliciously dark ending, which … well, I’M SORRY, but I can’t give it away if you want to read this for yourself. (This isn’t a review blog, so dems the breaks, and I don’t want to spoil your reading experience.) The key word above is “deliciously.” A dinosaur’s gotta eat.

This is a funny story, especially that ending. (Just when you think you’re reading yet one more picture book about a happily-ever-after friendship, Weinberg throws you a curve ball.) And Rex is a lovable protagonist (despite the ending). He isn’t the sharpest tool in the tool box, but he has an infectious and rambunctious energy. Weinberg’s lines are relaxed, and his palette is eye-opening, to say the least. “Using garish colors and a thick, red crayon for the scribbly linework,” the Kirkus review writes, “Weinberg crafts a mad cartoonist’s vision of a prehistoric setting that, seemingly on the verge of shaking apart at any moment, ratchets Rex’s flight into a giddy scramble.”

Steven is visiting this morning to talk about his work (in his own words) and share some art and preliminary images. I thank him for visiting (and I can’t wait to see what he does next)! Read the rest of this entry �

What I’m Doing at Kirkus This Week,
Plus What I Did Last Week, Featuring Dahlov Ipcar,
Ronni Solbert, and Leonard Weisgard

h1 Friday, January 16th, 2015


“The Snowshoe Rabbit, white as white,
Runs over the snow in the bright moonlight …”
– Spread from Margaret Wise Brown’s
The Golden Bunny,
illustrated by Leonard Weisgard

(Click to enlarge)


“On his dream-sea tall ships sail,
And a great black whale meets a great white whale.”
– Spread from Dahlov Ipcar’s
Black and White
(Click to enlarge)

This morning over at Kirkus, I’ve got two good, brand-new nonfiction picture books — Hester Bass’ Seeds of Freedom: The Peaceful Integration of Huntsville, Alabama, illustrated by E. B. Lewis, and Kathleen Benson’s Draw What You See: The Life and Art of Benny Andrews, which includes the paintings of Andrews. That link is here.

* * *

Last week, I wrote here about some picture book reissues, including Dahlov Ipcar’s Black and White, originally published in 1963 with a new edition coming from Flying Eye Books this April; Margaret Wise Brown’s The Golden Bunny, illustrated by Leonard Weisgard and originally released in 1953 (out on shelves again this month, thanks to Golden Books); Jean Merrill’s The Elephant Who Liked to Smash Small Cars (pictured left), illustrated by Ronni Solbert, originally released in 1964, and coming to shelves in March from The New York Children’s Collection; Peter Spier’s The Book of Jonah, originally published in 1985 and coming to shelves again at the end of this month from Doubleday; and Chris Van Allsburg’s Just a Dream, which turns 25 this year. An anniversary edition will be released by Houghton Mifflin Harcourt in March.

I’ve got art today from three of these books.

Enjoy! Read the rest of this entry �

A Peek at Pat Cummings’ Process

h1 Thursday, January 15th, 2015


Early thumbnail
(Click to enlarge)


 

Pat: “This is the scene when Beauty has returned home, overstayed her visit, and has
a bad dream about the Beast dying in the castle garden, because she’s broken her promise. The round symbol repeated on the base of her bed is her family motif that I wanted to suggest one of the west African Adinkra symbols.”

(Click to enlarge)


 
I’m following up today at 7-Imp with some art from H. Chuku Lee’s Beauty and the Beast, illustrated by Pat Cummings and published by Amistad/HarperCollins earlier in 2014. I talked with them both at Kirkus last week (here) about this book, and as always, I wanted to be sure to share some images from it. I thank Pat for sharing some final art, as well as for including some early thumbnails and other preliminary images (plus a bit of explanation as to what the images are).

Enjoy. …

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Seven Questions Over Shots with Nick Bruel

h1 Tuesday, January 13th, 2015


(Click to enlarge)


 

Author-illustrator Nick Bruel is serious about breakfast. When I ask him what pretend-breakfast-of choice we’ll pretend-have over pretend-coffee this morning, his answer is detailed (right after my own breakfast-lovin’ heart):

Choice? Well, the finest breakfast dish I ever had was an oatmeal crème brulee from a hotel somewhere in Miami. It was dessert; it was breakfast; it was oatmeal; it was sugary; it was delicious, and I’ve never had anything like it since. But my typical breakfast of choice is some nice, fresh, untoasted sourdough bread and a quality olive oil for dipping. I especially like a mushroom-roasted garlic oil that comes from a shop in Tarrytown, NY, called Pure Mountain Olive Oil.

Years ago when I traveled in China, my favorite breakfast dish was what Westerners here call congee, which is a hot rice porridge accompanied by at least half a dozen small dishes filled with assorted items, like egg or pickle or vegetables. You scoop out some of the hot rice mush into your bowl and add whatever you feel like from the smaller dishes. If you do it right, it can be delightful.

I have a lot to say about breakfast. I like breakfast.

Nick’s Bad Kitty, one of children’s literature’s most refreshingly naughty characters, appeared ten years ago—“Bruel’s little black star is perhaps the hammiest, most expressive feline ever captured in watercolors,” wrote Kirkus at the character’s debut—and it’s safe to say things haven’t been the same for Bruel since. Bad Kitty’s adventures began with a picture book, which then turned into a bestselling chapter book series.

But Nick started out with picture books and returns to them, in part, this year with the release this month of A Wonderful Year (our purple friend above comes from this story), already the recipient of a handful of positive reviews, some starred.

Nick talks about that new book, and much more below, and I thank him for visiting. As you’ll read, we may have a few shots with our coffee. (What? I’m up for just about anything.)

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