Seven Impossible Things Before Breakfast

 
Today, I’ve some illustrations from The Girl Who Named Pluto: The Story of Venetia Burney (Schwartz & Wade, May 2019), written by Alice B. McGinty and illustrated by Elizabeth Haidle (who is also the creative director of Illustoria magazine).

This is the story, set in 1930 in Oxford, England, of (as the book’s sub-title tells you) Venetia Burney, the only child to have named a planet. In the book’s opening spreads, we are invited into her world, as we walk with her and her schoolmates outside in a classroom lesson about the solar system. Venetia and her mother live with her grandfather, a former Oxford library head, and the inquisitive girl loves to tell him all about her lessons. Venetia is fascinated by not only outer space, but also Greek and Roman mythology; she’s intrigued by the links between science and literature. So, when a new planet is discovered . . . Read the rest of this entry �

 
In case you missed it earlier this year, by chance, I’m spotlighting the engaging ¡Vamos! Let’s Go to the Market from Mexican American artist and illustrator Raúl The Third. This was released in April from Kwame Alexander’s new imprint, Versify. Read the rest of this entry �

“My mom and I bundle up together under the covers
in our new home in the country far from the sea.”

 
I’m sorry to do this to you, dear Imps, but I’m writing about a book today that won’t be on shelves till September. I try really hard not to do this — to write about books that you can’t get your hands on for a while. But for various reasons I’m sharing it today. It’s Julie Flett’s Birdsong (Greystone Kids), and it’s a beauty. Since I have a chance to share some art with you today, I thought I’d go ahead.

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I’m sending you to the Horn Book today. I reviewed Jessica Lanan’s The Fisherman & the Whale (Simon & Schuster, May 2019). If you’re so inclined to read it, the review is here at the Horn Book’s site. It’s a splendid wordless tale, this one.

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Cover art
(Click to enlarge)

 
Hush, Little Bunny (Balzer + Bray, January 2019), written and illustrated by Caldecott Honor artist David Ezra Stein, is a new take on a traditional lullaby. And as many classic lullabies do, it reminds children that their caretaker is there to protect, comfort, and nurture — unconditional love in its purest form. Here, we have a small rabbit with its father, who plays with, protects, guides, feeds, and amuses his child — all told in the same sing-song rhythms as the lullaby upon which it is based.

David visits 7-Imp today to share some of his process images, as well as final paintings from the book. This is a sunny, light-infused palette with many full-bleed spreads that invite readers into the natural world to explore with the creatures. I love to see the energetic lines of David’s work. Let’s get right to it so that the art can speak for itself, and I thank him for sharing. (And be sure to scroll down to see Bun Bun.)

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— From the poem “Kookoorookoo! Kookoorookoo!”
(Click image to enlarge and read poem in its entirety)

 
Blooming Beneath the Sun (Caitlyn Dlouhy/Atheneum, April 2019), featured here today, evidently sprung from illustrator Ashley Bryan’s love of the work of 19th century British poet Christina Rossetti. Gathered in this cheery book are thirteen of her children’s poems, ones that primarily celebrate animals and nature. A couple of lesser-known poems, “Mother Shake the Cherry-Tree” and “Lie-a-Bed,” feature families (the latter illustrated with a woman who seems to be working magic on a child). Most of the poems are Rossetti’s most accessible, child-friendly, nursery rhyme-esque ones — such as, “Who Has Seen the Wind?” (included below).

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It’s the first Sunday of the month (hello, June), which means I’ve a visit from a student or newly-graduated illustrator. This morning, I’ve illustrator Heidi Aubrey. She studied at the ArtCenter College of Design and has just signed with an agent. Heidi sent along some art, as well as a bit about herself, and I thank her for sharing this morning.

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“With a sling, Dede shot supper until even the prairie dogs grew scarce.”
(Click to enlarge)

 
Illustrator Nicole Tadgell visits 7-Imp today to share some art and process images from A. LaFaye’s Follow Me Down to Nicodemus Town (Albert Whitman, January 2019). It’s the story of a 19th-century African American family who saves money in order to leave the sharecropping life and secure land in Kansas. After they’re finally to able leave and stake a homestead claim in the town of Nicodemus, they create a home for themselves in the bank of the Solomon River; they survive a hard winter; they meet their Ni-u-kon-ska (Osage) neighbors, who bring them food; and young Dede, the narrator, gets a job shining shoes at the St. Francis Hotel. In the end, they have established a “home where they could tell stories, use the stars to guide them, and make plans for the things to come.”

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— From John Hare’s Field Trip to the Moon

 

— From Tom Sullivan’s Out There

 
Want to head into inky-black outer space with me today? I have a BookPage feature about John Hare’s entertaining Field Trip to the Moon (Margaret Ferguson Books/Holiday House, May 2019) and Tom Sullivan’s trippy and thought-provoking Out There (Balzer + Bray, May 2019).

That’s here, if you’d like to head to BookPage and read about both books. Today here at 7-Imp are some illustrations from each book.

Enjoy!

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Today, I’m celebrating two things — the fact that the Poetry Foundation named poet Naomi Shihab Nye the 2019–2021 Young People’s Poet Laureate and the art of Melissa Sweet.

When Melissa heard the news about Naomi this week, she was inspired and created this collage above. (I saw it on Melissa’s Instagram feed, squealed, and secured her permission to share it here today.) This is an excerpt from Naomi’s poem, “Famous.” You can read the poem in its entirety here, which I highly recommend. It’s always been one of my favorite poems by her (and, really, simply one of my favorite poems). Naomi’s work has meant so much to me over the years — as a reader, as a librarian, as a writer, and as a parent. I’m thrilled she’s the next Young People’s Poet Laureate. She will do good work.

I thank Melissa for sharing. She says she’d like to be a buttonhole (or a button!). Yes. Me too.

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