Last week at Kirkus, I had a lovely conversation (here) with Victoria Jamieson about her graphic novel, Roller Girl (Dial, March 2015). Today, she shares some early sketches and final art (without text) from the book.
“The issue of friendships ending was certainly central for me, and it was the concept I was most interested in exploring in the book. Although the details of the story are different, the heart of the issue—the pain of a slipping friendship—was from my own experience.”
Over at Kirkus today, I have a back-and-forth with author-illustrator Victoria Jamieson, pictured here, about her first graphic novel for children, Roller Girl, which will be on shelves next week — and which is really good.
That link is here.
Next week, I’ll have some art from the book, as well as some early sketches and such.
Until tomorrow …
Photo of Victoria taken by Herminio Jacome and used by permission of the author.
That review is here, and I’m following up today with a few spreads from the book.
It’s IndieBound’s list, by state, of which authors and illustrators will appear at their local indies as volunteers on Saturday, November 29, for Indies First Day. Nashville folks, I’ll be volunteering at Parnassus Books from 10 to 11, and I’ll do story time during that hour with my friend, author Jessica Young. Bring your wee ones to us!
Sherman Alexie started Indies First Day last year, encouraging authors to work a shift in their local independent bookstore on Small Business Saturday. This year, Indies First is being spearheaded by Neil Gaiman and Amanda Palmer.
Hope to see you there!
The other day over at Chapter 16, I interviewed Chris Van Allsburg. He’ll be in Nashville next week. I can’t make it to his talk, but it was good to ask him a bit about his new book and what’s next for him.
Last week (here) at Kirkus, I wrote about four new international imports, and I’ve got art from each below. (Above is an illustration from Kazue Takahashi’s Kuma-Kuma Chan, The Little Bear.)
… I still have some spine-tingling art to share here at 7-Imp today.
Today, I’ve got some of Bruno’s art from the Scary Tale books. (Pictured above is an illustration from One-Eyed Doll, the newest in the series.)
This morning, the New York Times Best Illustrated Books list for 2014 was announced. It’s here. I get excited every Fall about this list. If you love picture books, it’s a kick to see these lists, because how often are picture books celebrated on a national scale? I was happy to wake up and see the list had been announced.
You can see 2014 posts about nearly all of these books in the 7-Imp archives, but this morning I highlight one book I was particularly happy to see on this list, which I hadn’t yet blogged about. In fact, just yesterday I had connected with the publisher, thanks to wonderful Ellen Myrick of Myrick Marketing and Media, to try to secure some illustrations from the book to feature here at 7-Imp, because I really like it. And this morning, those images came through, so what good timing. Enjoy the art today! And congrats to the illustrator for being on the NYTimes list.
The book is called Haiti, My Country. Originally published in 2010, this English edition (March 2014) comes to us by way of Fifth House Publishers. It was illustrated by a Canadian artist, name Rogé. You can see more of his beautiful work here. The book is a series of poems, written by young people of Camp-Perrin in Haiti. For several months, the illustrator, who lives in Quebec and who was evidently awarded the Governor General’s Literary Award for Illustration in 2006, worked on these portraits. The book primarily focuses on the joy in their lives, though as the publisher writes so vividly, “misery often storms through Haiti” (earthquakes, floods, and other natural disasters). There are some exceptions, such as with the striking short poem: “Magnificent country becomes / Broken land / All smiles are lost.” But, as one young poet writes, there is always hope: “On the distant horizon, the sun disappears / To refresh our souls. / We observe the sea and the sky / In harmony, awaking tenderness within us.”
Here’s another illustration: Read the rest of this entry �
I’ve got art from each today.
Today’s featured picture books really have nothing in common but for two things: 1) I’ve been meaning to feature them for a while now, and 2) they all come from smaller publishers.
Let’s just get right to it. …
First up is Elisa Gutiérrez’s Letter Lunch, which was released by Owlkids in March. Gutiérrez is a graphic designer and illustrator, now living in Canada but originally from Mexico City. Letter Lunch, an inventive wordless tale, is the story of two friends collecting letters for alphabet soup after they realize on the very first spread that only the letter “C” is on their kitchen shelves. They head out into a lush, green garden; they head to the bustling market; and eventually they find themselves on top of a mountain. When they get back to their kitchen, they find their vowels in the form of spices and finally chow down. Gutiérrez lays the story out as if a comic, using panels and pacing everything just right. The letters boldly stand out in these textured cut-paper collage and mixed media illustrations. Kirkus calls this one “pleasingly fresh.”