Seven Impossible Things Before Breakfast

“In 1919, just before Harry returned to Winniepeg, he made another hard decision.
He decided that Winnie would stay at the London Zoo permanently.
Harry was sad, but he knew Winnie would be happiest in the home she knew best.”

This week over at BookPage, I’ve got an interview with author Sally M. Walker. Her newest picture book is Winnie: The True Story of the Bear Who Inspired Winnie-the-Pooh (Henry Holt, January 2015), illustrated by newcomer Jonathan D. Voss. It’s a fascinating story and one I didn’t know.

Our Q&A is over here at BookPage, and below I have some art (and backmatter images) from the book.

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John Alcorn, Christmas card, 1958

 
Before 2015 gets here, I want to take some time today to tell you all about a book I really enjoyed this year, John Alcorn: Evolution by Design, edited by Stephen Alcorn and Marta Sironi, and published in 2013 by Moleskine. (I believe it was published here in the U.S. this past summer.) And, fortunately, I’ve got some art from it to share here at 7-Imp.

This is a beautifully-designed (book-lovers, take note) and quite comprehensive tribute to artist, designer, and children’s book illustrator John Alcorn, who died in 1992. (Back in 2012, I featured a bit of his children’s book illustrations.) Sironi, a researcher at the Centro APICE at Milan University, writes the book’s foreword, and the book’s opening piece, “Reflections on the Life and Art of My Father John Alcorn (1935-1992)” is from his son, Stephen Alcorn, also an artist and children’s book illustrator (whom I interviewed here in early 2010). In this opening piece, Stephen writes in detail about his father’s career and, with great reverence and a personal touch (the book also includes family photos), lays out the evolution of his father’s work. “At the time of writing,” he notes, “nearly a quarter of a century has gone by since my father’s passing, yet despite the passage of time, his work remains as culturally relevant today as the day it was created.”

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“When Leontyne performed at the Metropolitan Opera House in 1955, she blew open the door that Marian left ajar. Six years later, Leontyne landed
her first lead role with the Met. …”
(Click to enlarge spread)

 
Since I’ve got a review of Raúl Colón’s Draw! (Paula Wiseman/Simon & Schuster, September 2014) over at BookPage, I thought I’d follow up with some illustrations from the book today. The review is here, and the art is below.

But, while we’re on the subject of Colón, I’ve also got some illustrations from two other books he has illustrated this year — Juan Felipe Herrera’s Portraits of Hispanic American Heroes, which was published in August by Dial, and Carole Boston Weatherford’s Leontyne Price: Voice of a Century, coming this December from Knopf. (Pictured above is an illustration from Weatherford’s book.)

Enjoy the art …

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Today at Kirkus, I write about two picture books, Chieri Uegaki’s Hana Hashimoto, Sixth Violin, illustrated by Qin Leng, and Little Melba and Her Big Trombone, written by Katheryn Russell-Brown and illustrated by Coretta Scott King/John Steptoe Award winner Frank Morrison. That link is here.

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Last week, I wrote here about two wonderful new books for budding, young photographers, Susan Goldman Rubin’s Stand There! She Shouted: The Invincible Photographer Julia Margaret Cameron, illustrated by Bagram Ibatoulline, and Ruth Thomson’s Photos Framed: A Fresh Look at the World’s Most Memorable Photographs. I’ve got a bit of art from Ibatoulline today.

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I don’t have art for you all today, but I will later this week.

This is just a quick post to, once again, point you all to the Wild Things! site. My co-author and I are still sharing stories over there, ones cut from the original manuscript of our book, and we will have a story-a-day until publication on August 5th. (We’re even going to have some fun with author videos after that.)

Yesterday, we had a short post about the precocious ones of children’s lit. (Can you guess what Maurice Sendak’s first illustrated title was? It may not be what you think.) That link is here.

Today, we have a short post on celebrity children’s books (which gets an entire chapter in our book). We have the nice folks at the Horn Book to thank for re-posting a piece Peter once wrote about the celebrity book trend. (And when I read the Twitter response mentioned in this post, I laughed so hard, my husband came in the room to ask me if I was okay.)

Later this week, we’ll look at some feuds, some early exits of children’s lit, a funky Buddha party, films and children’s books, and more. It’s all here.

Until Thursday …

I’m having fun at the site for Wild Things!, where my co-author and I are sharing a story a day, at least till publication of our book in early August — stories, that is, which were cut from our original manuscript. So, yeah. I’m now running two blogs at once — or at least, co-running one and running another, but hey, it’s been fun to share these stories over there. I’ll sleep during the apocalypse.

I posted about it the other day and mentioned our first posts. Here’s what’s going on this week:

• On Tuesday, we told the story of what happened when Charles Dickens said to Hans Christian Andersen, why don’t you swing by and stay with me sometime? (Big mistake.) That is here.
• Today, it’s a tribute to James Marshall and a touching story about his resting place. And that is here (and that is where this post title comes from).

Tomorrow we’ll take a look at Twinkles Lowry and Slim Hyman: The Untold Story. Friday, we’ll have a tribute to Nancy Garden, and on Saturday we’ll take a look at The Wonderful Wizard of Oz (or When You Might Want to Rethink Buying Your Own Tropical Island).

It’s all here.

In the meantime, see you back here at 7-Imp tomorrow.

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“The seal’s coat was silvery brown. She was eight feet long—as long as a long surfboard—and she weighed twelve hundred pounds — as much as fifteen Labrador retrievers. The people of Christchurch knew there was something very special about her. She was strong and powerful and regal — like Elizabeth, the Queen of England. And so they named her, Elizabeth, Queen of the Seas.”
(Click to enlarge)

 
Good morning, all. First up, it’s Father’s Day, so happy Father’s Day to you dad-readers out there. And happy Father’s Day to all the father figures in our lives. (It just so happens that I wrote here on Friday about some great picture books about fathers — and even some grandfathers can be spotted in some of those pages.)

This morning, Caldecott medalist Brian Floca is sharing some sketches from his latest illustrated book, Lynne Cox’s Elizabeth, Queen of the Seas (Schwartz & Wade, May 2014), and I’ve got some art from the book as well. And, since Atheneum Books for Young Readers just re-issued (in early June) Brian’s Five Trucks (pictured left), originally released back in 1999 by DK Publishing, I’ve got some art from that as well. And Brian has some early sketches from that book to share, too.

Lynne’s Elizabeth, Queen of the Seas opens with an Author’s Note about how Lynne once traveled to New Zealand (she is a world-renowned long-distance swimmer and writer and headed there to swim some lakes near Mount Cook), and it was there that she met a boy named Michael, standing along the Avon River near the city of Christchurch, who asked her if she was looking for Elizabeth. When she asked who it was that they meant, the boy explained that Elizabeth was an elephant seal, and both the boy and his sister told Lynne the story of the “Queen of the Seas.”

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“In college, he still dreamed of fields and woods and home. But by his junior year in 1820, he also found new things to love: reading stacks of books, discussing them with friends, and recording ‘new thoughts’ in a journal. He named his journal The Wide World. His thoughts took him everywhere. And when he finished school and set out on his own, he wondered: Could he build a life around these things he loved?”
– Art from Barbara Kerley’s
A Home for Mr. Emerson, illustrated by Edwin Fotheringham
(Click image to enlarge)

“Ann loved dolls but Andrew’s favorites were trains, a hook and ladder that pumped real water, and his toy soldiers. When he was six, N.C. painted his portrait.
Andrew wouldn’t hold still. N.C. gave him the toy fire engine to hold, but he kept moving, so N.C. left the hands unfinished.”
– From Susan Goldman Rubin’s Everybody Paints!:
The Lives and Art of the Wyeth Family
(Click to enlarge spread)

 
This morning over at Kirkus, since Father’s Day is upon us, I write about some of my favorite picture books featuring fathers. That link is here.

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Last week, I wrote here about two new biographies, Barbara Kerley’s A Home for Mr. Emerson (Scholastic, February 2014), illustrated by Edwin Fotheringham, and Susan Goldman Rubin’s Everybody Paints!: The Lives and Art of the Wyeth Family (Chronicle, February 2014).

Today, I’ve got a bit of art from the Emerson book, and Edwin is also sharing a few sketches and a few words below.

I’ve also got some spreads from the Wyeth biography. It turns out that (legally-speaking), I can post some art from the Wyeth book, if I include the spreads in their entirety. No problem. I’ll share them here. I’ve been a long-time fan of the art that has come from the Wyeth clan—my bookshelves groan under my collection of Wyeth books—and I hope you enjoy the spreads here today.

Until Sunday … Read the rest of this entry �

Today over at Kirkus, I write about two (relatively) new biographies, Barbara Kerley’s A Home for Mr. Emerson (Scholastic, February 2014), illustrated by Edwin Fotheringham, and Susan Goldman Rubin’s Everybody Paints!: The Lives and Art of the Wyeth Family (Chronicle, February 2014), pictured above.

That link is here, and next week I hope to have art from each book.

Until Sunday …

“These paintings were done in watercolor and gouache, and let me tell you gouache can be really frustrating. It was really temperamental, and to be honest, when I handed in the book, I swore I’d never use it again. Of course, for my next book I pulled out the gouache and used it again.”

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Over at Kirkus today, I talk to Jason Chin, pictured here, about his newest picture book, Gravity (Neal Porter/Roaring Brook, April 2014). That link is here.

Next week, I’ll have some art from the book, as well as some of the rejected endings that Jason talks about in the piece.

Until tomorrow …

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Photo of Jason Chin by Deirdre Gill and used with permission.