Klaas Verplancke simply doesn’t have breakfast without a single or double espresso. If he has his way, he also has a glass of champagne to kick off his day.
I’m down with both espressos and champagne, so we’ll pretend to have some here, as we chat today.
Now, all my illustrator interviews are pretend. Someone once asked me how I manage to do these interviews when folks live all over the globe; they truly thought I was meeting them for breakfast in person. I WISH. I’d be game for a children’s-lit version of Jerry Seinfeld’s Comedians in Cars Getting Coffee. Oh, would I!
But, even if these weren’t cyber-interviews, I’d still have to have a pretend breakfast with Klaas, because he’s in Bologna this week for the Bologna Children’s Book Fair. And if I can’t be there (which I can’t — I’m very much sitting in my home in middle Tennessee), I can at least bring my readers some art from over the pond, as they say — in honor of the fair. Verplancke himself lives and works in Belgium.
As you’ll read below, Klaas has been illustrating for years, yet only a couple of his children’s books have been brought here to the U.S. In 2012, we got to see Applesauce (which I wrote about here at Kirkus), originally published in Belgium in 2010 and released here by Groundwood. I like that book, but I won’t go on about it here; you can read why at that link. Applesauce was included in the Society of Illustrators’ Original Art exhibit in 2013, and it received a bronze medal at the No. 10 Picture Book Show at 3×3.
I think Verplancke’s work is best summed up by illustrator Steven Guarnaccia: “[His] work is strange, yet strangely comforting. Beautifully crafted, and beautifully bonkers.” Yep. What Guarnaccia said.
This morning, Klaas shares lots of thoughts on children’s books, lots of passion, and lots of art below, so let’s get to it. I’m curious to know what he’s up to now. I thank him for visiting 7-Imp.
(Note: Klaas may be the first interviewee—I think? There have been many interviews here over the years—to ever direct a question at other illustrators, if anyone wants to chime in. See question #7.) Read the rest of this entry �