Seven Impossible Things Before Breakfast

I’ll explain in a second why there’s a ukulele here. It’s not as random as it looks.

This post is a respectful nod to two of my Top-Five Favorite Blogs in All the World (oh no sirree, no hyperbole there, even if I tend to get too “most”y at the blog here on a regular basis). And those would be the blogs of public librarian Adrienne Furness, What Adrienne Thinks About That, and the blog of storyteller Farida Dowler, Saints and Spinners.

First, Adrienne. I’ll get to Farida in a second. Promise. Read the rest of this entry �

Right around the time that Grace Lin did a blog tour for her new illustrated novel, the already well-acclaimed Where the Mountain Meets the Moon, I was picking up my library copy of the book. Once I started it, I couldn’t put it down. Remember how I mentioned on Monday that I’m probably far into Overdues Territory with my copy of Brian Floca’s Moonshot? Well, that is keeping company with Grace’s novel, too. I just had to hold on to it a while longer to soak it all in some more, as well as enjoy the illustrations as long as I could. (Yes, I’m a huge supporter of my local library, funding services with my delinquent due-date fees. Noble me. I do what I can to help out.)

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Today we celebrate the fortieth anniversary of the first manned mission, Apollo 11, to land on the Moon. Launched on July 16, 1969, it landed on July 20, and Mission Commander Neil Alden Armstrong and Lunar Module Pilot Edwin Eugene “Buzz” Aldrin, Jr., became the first men to walk on the moon, while Command Module Pilot Michael Collins orbited above.

If you haven’t already seen a copy of Brian Floca’s Moonshot: The Flight of Apollo 11 (Atheneum/Richard Jackson Books, April 2009), you’re in for a big treat. And I’m going to give you a bit of a peek into the book today, since Brian indulged my over-enthusiastic request for some of the watercolor spreads from the book.

I’m stubbornly holding on to my library copy—I’m probably already in Overdues Territory—because it’s an excellent picture book. As in, I hope it sees some awards. As in, it would be just wrong if it didn’t. Yes, I’m a fan of Floca’s work, but this is a book that’s already been met with all kinds of wide acclaim: Kirkus, Booklist, The Horn Book, The Bulletin of the Center for Children’s Books, and School Library Journal have all given it starred reviews. Publishers Weekly wrote that Brian’s rendition of the flight is “as poetic as it is historically resonant.” And, in the Washington Post, Kristi Jemtegaard wrote: Read the rest of this entry �

Jules: Welcome to 7-Imp’s 7 Kicks, our weekly meeting ground for taking some time to reflect on Seven(ish) Exceptionally Fabulous, Beautiful, Interesting, Hilarious, or Otherwise Positive Noteworthy Things from the past week, whether book-related or not, that happened to you.

Do you see that above? Raccoon and Rabbit are sneaking some COOKIES. Sneaky sneakers. And they’re here because today 7-Imp welcomes back authorstrator Jeremy Tankard, who’s here to share some art, including that spread above, from Boo Hoo Bird (cover below), released by Scholastic in April. Regular readers know of my deep and abiding love for Jeremy’s debut picture book, Grumpy Bird (2007). I also have a special place in the 7-Imp portion of my heart for Jeremy, since he was the first-ever taker in my seven-questions-over-breakfast interview series, started back here in 2008.

Bird, of Grumpy Bird fame, is back in Boo Hoo Bird! Yes, he’s returned and has made a noun of the word “bonk.” This I love, because—no kidding—we do that in our house. I wish I could say that Jeremy called and got that tip from me, that I get all the credit for the “BONK” usage in Boo Hoo Bird, but that’s okay. I was happy to see it. I am also happy that Jeremy, who says a bit about the book below, includes a synopsis (well, the kind that doesn’t give away the ending), since it’s been a while since I turned in my library copy of Boo Hoo Bird. But I do remember this: The book is great. It’s very funny (what with Bird’s flair for histrionics). And I still get great pleasure out of soaking in Jeremy’s art. I still say: He’s one of my favorite new illustrators.

Let’s get right to it. Thanks to Jeremy for stopping by for a brief visit and for the art. (We’re even being treated to some art from early dummies of the book today.)

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I would want to chat with author/illustrator Lisa Horstman, no matter where she lived, because I have been familiar with and have enjoyed her books for years now and because this is the first time here at 7-Imp that I’m having a conversation with an illustrator whose latest picture book, Squawking Matilda (Marshall Cavendish, April 2009), includes stop-motion hand-crafted puppets combined with digital art work. Yup, it’s a first, and I have to say her answer to the “process” question is one of my favorites thus far in all my breakfast interviews with illustrators. Ball-and-socket brass armatures. A jeweler’s drill press. Microknitting. Wee little puppet clothes. And wee little mask latex shoes. I find it all quite fascinating.

But, as an added extra bonus, Lisa is from Knoxville, Tennessee! In many ways, East Tennessee will always be home to me, and I’m thrilled to be shining the spotlight on a Tennessee author/illustrator. I don’t know why I didn’t invite her over for breakfast sooner, y’all. Seriously. 7-Imp evidently has readers all over the world, and that’s great. But it’s so nice to be having a breakfast chat for once with someone just a little over two-hundred miles away from me, as I blog in my little kitchen here in middle Tennessee. It’s great to see some Tennessee talent. Can someone give me a wa and hoo? And a WOOT! Okay, there. Got that out of my system.

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Jules: Welcome to 7-Imp’s 7 Kicks, our weekly meeting ground for taking some time to reflect on Seven(ish) Exceptionally Fabulous, Beautiful, Interesting, Hilarious, or Otherwise Positive Noteworthy Things from the past week, whether book-related or not, that happened to you.

Happy Sunday to one and all . . . Some of you may remember that it wasn’t too long ago that I posted the 7-Imp Ed Young interview. Well, he’s got a new book out, and I am so head-over-heels in love with it and the art therein that I’m happy to be able to show you some spreads from it today.

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Heinies, heinies, heinies. I’ve got a…um, buttload of them for you today. Well, maybe not a buttload. But I do have several spreads to show you from Ayun Halliday’s and Dan Santat’s Always Lots of Heinies at the Zoo, published by Hyperion Books in May, as both author and illustrator visit today to talk about the book. And other stuff. My favorite part of this post is how the illustrator expresses some reservations about his own art for the book, and then—without even knowing what the illustrator has typed—the author proceeds to talk about how much she loves the art and what the illustrator has done in the book. As a bystander and book nerd AND illustration junkie, this is all very fascinating to me, needless to say. But I digress.

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Jules: Welcome to 7-Imp’s 7 Kicks, our weekly meeting ground for taking some time to reflect on Seven(ish) Exceptionally Fabulous, Beautiful, Interesting, Hilarious, or Otherwise Positive Noteworthy Things from the past week, whether book-related or not, that happened to you.

And it happens to be the first Sunday of the month, in which I like to shine the spotlight on someone new to illustration.

But, first: Happy Independence Day and happy holidays to our American readers. We hope you enjoyed some good fireworks and red, white, and blue pie. (Oh yes, I did. I took in a slice of Cool Whip, strawberry, and blueberry pie. Mmm.) And we hope some folks will be around to kick with us today, even though it’s a long, leisurely holiday weekend for a lot of us.

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I’m shining a spotlight today on someone who is not new to children’s lit but who has just released the first title he’s both written and illustrated. And that would be Jason Chin. You may have read about Redwoods (Flashpoint, March 2009) in Betsy Bird’s early-June review (“you have kids that think non-fiction is dull as dishwater? Meet the cure”); in the Horn Book (“the book is…a contagious celebration of the relationship between information and imagination, the pure joy of learning”); in Booklist (“the first book Chin has written as well as illustrated is a real eye-opener”); in Kirkus (“an inventive, eye-opening adventure”); in School Library Journal (“this remarkable picture book delivers a mix of fantasy and fiction through beautifully detailed watercolors”); or Publisher’s Weekly (“Playing with the notion of just how immersive a book can be, illustrator Chin…makes his authorial debut with a clever exploration of coast redwoods”). Most of those are starred reviews, I might add. I hope, however, that you have actually read it — and not just read about it. And that’s because it’s every bit as good as the reviewers say.

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