Seven Impossible Things Before Breakfast

Last week at Kirkus, I wrote about Yuyi Morales’ newest picture book, Niño Wrestles the World, published this month by Neal Porter/Roaring Brook. That link is here.

Today, Yuyi visits to share some early sketches, dummies, final art, etc. I thank her for sharing. Let’s get to it … Read the rest of this entry »

Happy Father’s Day to all, and I apologize that I don’t have Father’s Day art. If only it were Ride Your Dinosaur to School Day … Hmm.

I’m shining the spotlight today on a book that will be released in early July, Julia Liu’s Gus, the Dinosaur Bus, illustrated by Bei Lynn (Houghton Mifflin). Both author and illustrator live in Taiwan. Lynn’s illustrations were rendered in watercolor and pencil.

“Who needs a bus stop when you have a dinosaur bus?” That’s right. Gus, the big green dinosaur, comes right to your door (or window, if you live in a tall apartment). Gus is careful not to step on cars, but he has big feet, so the city works around him. New road. Snacks lined up along the way (”two tons of french fries”). Road crews repair the holes he leaves behind.

Gus is a helpful creature, but eventually he’s pulled off the road for all the problems he causes. His friends are there to cheer him, though, and it turns out that his banishment ends up becoming a new thing—a new treat—for the children, but I won’t give it all away. (Oh, wait. The illustrations below give it all away, so look away if you want to be surprised when you read it for yourself.) Read the rest of this entry »

In high school, my best friend and I would buy really bad romance novels and take a pen to them, re-writing the story in our own twisted ways. (Oh, how I wish I had kept at least one of those books.)

It’s certainly not a new idea. Many children, as picture book author Mac Barnett notes below, like to mess with books, deface images, channel their inner wise guy. When Mac and Jon Scieszka decided to join forces and create a picture book, Battle Bunny (Simon & Schuster), that looks as if a child has defaced an obscenely sweet story for children (think saccharine-sweet and totally hackneyed), it’s safe to say they had their work cut out for them. We simply haven’t seen the likes of such a picture book before — such a supremely subversive book, one that is essentially two stories being told simultaneously. (I’ve got an early copy of this book. I think it is scheduled to be released this Fall, though honest to Pete, I had thought it was this summer. I try not to post about books wildly early, but ah well. I’m forging ahead anyway.)

The underlying story? A bunny believes all his friends have forgotten his birthday, but in the end he’s given a surprise party. But along comes a child (so the reader is led to believe) with a marker, and this child has wreaked utter havoc on the story and artwork: That sweet birthday bunny is really a battle bunny, the kind who eats carrot juice brain juice and Carrot Crispies greasy guts for breakfast. And he’s actually not so sweet: He has an Evil Plan after all. (Make that birthday a doomsday, and off we go.) Many forest creatures try in vain to stop him. No worries: A boy, named Alex (the vandal we assume has put his pen to the sweet book) tries to stop the dastardly rabbit, and he has a few tricks up his sleeve, as well as a big secret (oh, and some assistance from the President).

Are you following all this? Yes, Jon and Mac wrote the sweet story first. The illustrator, Matthew Myers, illustrated said story. Then, they all got to work again. Defacing. Wrecking. Fun with disorder and disruption. Spray paint cans in hand. Mischief rules here.

I wanted to ask them precisely how they went about such a thing. All three of them. So, I did. I talked to Jon and Mac together, and then separately, I chatted with Matt. I did my best to weave it all together here. (In the process, incidentally, I discovered—thanks to Jon—that it is actually possible to read this book aloud, something I hadn’t thought do-able before. You gotta get a little help from your friends, but you can really and truly do it.)

Let’s get to it. Read the rest of this entry »

Here’s what I’m doing at Kirkus this week:

Today? Bob Shea makes me laugh and talks about how story is boss.

Oh, and we talk about his new books, including Unicorn Thinks He’s Pretty Great, which is pretty flippin’ great. Next week, I’ll follow up with lots of Shea art.

That link is here today.

Tomorrow, I write about Yuyi Morales’ Niño Wrestles the World. (Niño is pictured left.) That link will be here tomorrow morning.

And next week here at 7-Imp, I’ll follow up with art from Yuyi, as well as early sketches from the book.

Until later.

This morning I’m making lots of room at the 7-Imp breakfast table for Zachariah OHora and Nilson (pictured above), the tantrum-throwing star of Zach’s latest book, No Fits, Nilson! (Dial, June 2013), what Kirkus calls in their starred review an “amusing modern fable” and Pamela Paul at the New York Times describes as a “charmingly original take on an evergreen concern.” It’s a tight squeeze here at the table, and he nearly throws a fit about it, but Nilson just manages to fit. Plus, I gave him a gorilla eye lock, and he calmed down.

But it’s just Zach I’m going to chat with; Nilson’s busy eating some choco-banana ice cream. Zach says his breakfast-of-choice is a Dutch Baby. “Okay, that sounds weird,” he adds. “By ‘Dutch Baby,’ I mean the pastry made of eggs, flour, and butter in a skillet. Not the human.”

Zach’s debut picture book—Stop Snoring, Bernard!, which he both wrote and illustrated—up and won him the Society of Illustrators’ Founders Award (for new talent) in 2011. (That happened to be the year I juried for the Original Art award. The Original Art jury does not pick the recipient of the Founders Award, but I wholeheartedly cheered their choice that year anyway.)

Zach saw two picture book releases this year, which you’ll read about below — one written by the talented Lisa Wheeler. (This is the one book of his I’ve yet to see, and I must remedy this.) I loved Zach’s art as soon as I met it, and I’m pleased he’s sharing lots of it today over coffee. Let’s get to it. Read the rest of this entry »

I’m going to be short and sweet about today’s featured picture book, primarily because I’ve only got one spread from it. But, since it’s Quentin Blake, I’m hardly complaining.

This is the first U.S. edition of Russell Hoban’s Rosie’s Magic Horse (Candlewick, February 2013), illustrated by Blake. (It was originally released in the UK, I assume, in 2012.) This was evidently the last picture book from Hoban, who died in 2011. (”Hoban’s books asked big questions, and the answers were sometimes murky and mournful,” Publishers Weekly has written, “but this last one is a happy farewell salute.”)

And the story is wonderfully bizarre. It is about, of all things, a discarded ice-pop stick, who is picked up by a girl named Rosie. Rosie puts this stick in her ice-pop stick collection in a cigar box. Suddenly, readers are inside the box, listening to the popsicle sticks talk: “Without our ice-pops, we are nothing.” But the newest stick in the collection dreams of being a horse. (See above. All the sticks, it turns out, dream of being horses.) Read the rest of this entry »

Last week, I wrote about two shy children in two new picture books, Heather Hartt-Sussman’s Noni Is Nervous (Tundra Books, to be released in July), illustrated by Geneviève Côté (who visited 7-Imp back in 2011), as well as Eileen Spinelli’s When No One Is Watching (Eerdmans Books for Young Readers, February 2013), illustrated by David A. Johnson.

Today, I have art from both books, as well as some sketches from Geneviève. David also shares some images (very bottom of the post) from a recent project, called King John. (I believe it’s from A.A. Milne’s “King John’s Christmas.”)

Enjoy. Read the rest of this entry »

It’s early, and power isn’t going to surge through me till I get some coffee, but before I do so, I’m here to share some art and one very possible visit from Jason Carter Eaton before breakfast.

Last week, here at Kirkus, I chatted with author/illustrator John Rocco about his most recent picture book, Super Hair-o & the Barber of Doom (Disney/Hyperion, May 2013), as well as Jason Carter Eaton’s How to Train a Train, to be released this September from Candlewick. So, I have some art from each book today.

And, as noted, BONUS: Jason is here to say a bit about his book, which is so good, you all, that I’m eager for you to see it, come Fall. I was so super busy with work this week that I gave Jason some general guidance but asked him, as you’ll see below, to generally submit an in-his-own-words piece about this book.

Let’s get right to it. Jason and some Train art are first, followed by some art from Super Hair-o (as well as a childhood photo of John, other than this one, that inspired the book).

I thank Jason for visiting — and especially for his in-his-own-words entry, even if he had to thieve to do it. Read the rest of this entry »

“Ruth Paul lives in an off-grid straw bale house in the middle of a paddock under a wind farm just outside Wellington, New Zealand,” says this site for Walker Books in Australia. And it’s to that straw bale house that I’m heading today (at least cyber’ly) to have breakfast with Ruth.

Ruth saw her U.S. picture book debut (Candlewick) this year with Hedgehog’s Magic Tricks, originally released last year by Walker Books. It’s a “story and artwork as delicate as milkweed floss,” wrote Kirkus Reviews.

I’ve corresponded with Ruth for a couple years now and was pleased to see her books released here in the States. Ruth even visited back in 2010, so be sure to visit that post if you want to see more of her art.

This morning we’re having, says Ruth, “knobbly poached free-range eggs (what’s left of them) with crispy free-range bacon (what’s left of it) on burnt toast, prepared and delivered by my kids. My husband has to make the good, strong coffee to go with it. We’ll plump up the pillows, let the sunshine in, and you can join me in your pyjamas for breakfast in bed.” I’m most excited about the good, strong coffee. Let’s get to it, and I thank Ruth for visiting. Read the rest of this entry »

Hello, dear Imps, to the beginning of June. June, I tell you! June already. Whoa.

Today, I welcome newly-graduated illustration student Seung-Hee Lee, since the first Sunday of every month is for illustration students or those brand-spankin’-new to the field. Seung-Hee comes to us by way of the Maryland Institute College of Art. She was born in Seoul, Korea, moved to the U.S. as a teen, and currently lives in California.

Let’s get right to it. She tells us a bit about her work below and shares some of her detailed, imaginative art. I thank her for sharing today. Read the rest of this entry »