A color sketch
(Click image to enlarge)
When I was a child, I read
Margery Williams’s The Velveteen Rabbit (or How Toys Become Real), originally published in 1922, over and over again — so often that I can still recite the book’s first paragraph by memory. I remember feeling chilled by the description of Nana, who “ruled the nursery.” I remember her “swooping about like a great wind” and being short-tempered and careless with the toys. It was my first lesson in how an author can depict so much about a character via their actions alone. I remember the Skin Horse’s words. And I was mesmerized by the fairy.
A reader can certainly have a nostalgic longing for a book they read as a child, but is the book good? I am all the time talking to my picture book grad students about this — about not letting that kind of thing get in the way of evaluating a book on its merits. For me, this book endures. This is why I was excited to see that Erin Stead has illustrated the 100th anniversary edition of the book, released in April by Doubleday. Erin put it well in this NPR piece: “The part that we all remember about talking about what’s real – that really carries with you for the rest of your life with all of the relationships you have, all the friendships that you’ll make, and all the times that people aren’t necessarily kind to you. There’s a lot of insecurities. There’s a lot of figuring out how you belong. It’s hard to shake a story that’s that honest.”
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May 22nd, 2022 by jules
