My Kirkus Q&A with Nina Crews
Thursday, February 1st, 2018
“I started thinking about illustrating [Richard Wright’s] haiku back in 2006 after I came across a few of them in a poetry anthology. I had read Native Son and The Outsider in my twenties and had more or less dismissed his work as too polemical for my tastes. I was surprised and delighted by the poems. A quick search online led me to a posthumously published collection of over 800 of his haiku, Haiku: This Other World.
In addition to hundreds of wonderful poems, this book included a terrific introduction that gave me a new perspective on Wright and backmatter that gave me a deeper understanding of this poetic form. Creating this book was an opportunity for me to reconsider my feelings about Wright’s work. I am now a fan.”
Over at Kirkus today, I talk with author-illustrator Nina Crews, pictured here, about her new picture book, Seeing into Tomorrow: Haiku by Richard Wright (Millbrook Press, February 2018), which features her photo-collage illustrations.
The Q&A is here. Next week, I’ll follow up here at 7-Imp with some art from the book.
Until tomorrow …
Photo of Nina Crews taken by Matthew Septimus.
“I wanted to write about Mary Shelley for over a decade after I learned that she was a pregnant teenage run-away when she wrote her novel, Frankenstein. That blew me away. Why did I not know more about her life when she should have been an incredible role model to young women? We’ve all heard the popular myth that Frankenstein was conceived spontaneously on a stormy night when the poet Lord Byron dared a small party of fellow expatriates to write ghost stories. But the myth strips away the identity of the brilliant young woman who wrote one of the most influential novels of the Romantic era and places credit for its inspiration in the hands of a man. Countless events in Mary’s life before and after that evening played a much greater role in the horror novel’s creation.”
