Random Author/Illustrator Feature: Philip Stead

h1 June 15th, 2009 by jules

This illustration here, which I adore on many levels, comes from Philip Stead. Philip’s debut picture book, Creamed Tuna Fish and Peas on Toast, won’t be out until this September-ish. I haven’t seen an early copy either. But a little birdy told me about Phil’s site, I visited, and I liked what I saw. I invited him over for one of my Random Illustrator Features, and—fortunately—he was interested in a visit.

Philip’s about to tell us a bit about Creamed Tuna Fish, a book with the sort of collage illustrations (and funky title) I like to see. This above image, though, is from his current work-in-progress, Jonathan and the Big Blue Boat, which looks equally intriguing and which he also discusses below. So, here he is, and I thank him for stopping by.

* * * * * * *

What a pleasure to leave the solitude of the studio and connect with real, live, human beings via the Internet. My name is Philip Stead. I live in Ann Arbor, MI, though much of the work from my first book, Creamed Tuna Fish and Peas on Toast (Roaring Brook Press, Fall 2009), was created while living in Brooklyn, NY. Like many artists, I’ve fled the city to make room for those better equipped to manage the ballooning rent prices.


I feel very fortunate to work with Roaring Brook Press. My experience with Roaring Brook has been one that most artists only dream of these days. My early book dummy was approved by a single editor. I was then left almost completely alone for the eighteen months it took to create Creamed Tuna Fish and Peas on Toast. In my opinion, the chance that a piece of artwork has of retaining its integrity diminishes with each set of hands that touch it.

Creamed Tuna Fish and Peas on Toast is based on a strange but true Stead-family story. In the mid-1950s, in a fit of rage, my Grandpa Jack buried his least favorite meal (creamed tuna fish and peas on toast) in the yard, even carving a headstone for the vile dish. All of the characters in the book are my real family members—my Grandpa Jack and Grandma Jane and their five children.


The artwork for Creamed Tuna Fish and Peas on Toast was executed in collage with acrylics and ink. The collage materials that I use—old postcards, atlases, report cards from the 1930s, shipping manifests, cemetery plot receipts, department store catalogs from the turn of the century, et cetera—come from a handful of junk shops in New York City, Ann Arbor, and Detroit. These shops seem to specialize in a certain kind of historically insignificant, yet aesthetically pleasing, paper ephemera. It’s a great mystery to me as to how these places stay in business. For fifty dollars, you can walk out with a healthy stack of paper goods that are of virtually no use to anyone but me.

In addition to the vintage paper goods, I also use Color-Aid® paper. Color-Aid® is a company who’s entire business is the selling of paper sheets of pure color. Color-Aid’s claim to fame comes from the modern artist Josef Albers, who used Color-Aid® papers to develop his theories on color relationship in the middle of last century. In my work, I alter the papers by drawing patterns on them with crayon—polka dots, stripes, swirls.


(Click to enlarge.)

All of the type in Creamed Tuna Fish and Peas on Toast is hand-lettered, using vintage children’s letterpress sets from the 1930s, ’40s, and ’50s. These letterpress sets are made of rubber, each letterform being about a quarter-inch in size. These sets are very difficult to find in complete form. Before beginning the typesetting process I had to recreate many of the missing letters by hand.

Now that my first book is completed and finding its way to a bookshelf near you, I’ve begun work on my second book, Jonathan and the Big Blue Boat (Roaring Brook Press, Spring 2011).

Jonathan and the Big Blue Boat is the story of Jonathan, a little boy who’s favorite bear, Frederick, is given away by his surprisingly insensitive parents. Jonathan embarks on a voyage on a big blue steamboat in an effort to recover Frederick. Along the way he meets some unlikely characters—a circus elephant, a mountain goat, a whale—who join him on his search.

The art for my first book, Creamed Tuna Fish, was done all in collage. For Jonathan and the Big Blue Boat, I’ve decided to sprinkle in some spot illustrations done in sepia ink.

Jonathan and the Big Blue Boat is a very personal project for me. I’ve had a fascination with big ships since I was a child visiting the Great Lakes and watching the freighters on their way to the auto plants in Detroit. When I was ten-years-old, I began collecting stamps that featured ships in their artwork. I still have and regularly add to that collection. Many of those stamps have been used in the collage work for Jonathan, or have otherwise inspired certain images.


Frederick, the object of Jonathan’s search, has been my real bear since Christmas 1984. I took him everywhere as a kid. These days Frederick keeps me company in the studio. This is one of many sketches of Frederick I’ve done over the years:

Well, thanks for reading. Many thanks to Seven Impossible Things, one of the best forums out there for picture book artists.


(Click to enlarge.)

Thanks again to Phil. Anyone else as intrigued by these books as I am? Guess we don’t have much longer to wait for the first one . . .

Until next time.

* * * * * * *

All illustrations © 2009 and courtesy of Philip Stead. All rights reserved.

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13 comments to “Random Author/Illustrator Feature: Philip Stead”

  1. I absolutely adore collage. The more of it that I see, the more I think it really is amazing and the artist has such versatility when using it. Will be looking for more of Mr. Stead and his stories — I’m really amused that he got to use his real family for this!


  2. OMG. I. LOVE. COLLAGE. And Philip’s work is real cute and real impressive. Thank you so much for featuring him and his work!

    I don’t understand though why his grandpa didn’t like creamed tuna fish and peas on toast. :P Sounds tasty to me! Hehehe.

    Have I mentioned that I. LOVE. COLLAGE . . . ?


  3. Thanks for featuring Philip’s work. As noted, the ‘Creamed Tuna Fish…’ story is true. I was there; I had to eat the stuff, and I was glad when my father buried it.
    Bobby


  4. Collage! Old papers! Sepia illustrations! Rubber-stamp lettering!

    Much as I like collage (childhood memories: first time allowed to handle a pair of scissors, etc.), much as I like sepia colors and rubber-stamp letterpress sets, I was most fascinated by what is apparently this subculture-cum-black-market, or something, in oooooold types of paper. I don’t expect Philip Stead to give up any names, and am not sure in any case that The Missus would appreciate an influx into the household of “old postcards, atlases, report cards from the 1930s, shipping manifests, cemetery plot receipts, department store catalogs from the turn of the century, et cetera.” But dang, in a different universe…

    Thanks for introducing us to such a cool debut artist!


  5. Love the art in Creamed TunaFish & Peas on Toast…can’t wait to get the book. I love to use children’s literature to teach kids about writing. Love the collage!!! :)


  6. Lovely! The problem with collage is that it’s made from such every day materials–so I think, oh yeah, I can do that, right? Hmmmm. Turns out it’s much harder than it looks, and now I am AMAZED at the work of collage artists. Beautiful work–thanks for sharing!


  7. Another absolutely fantastic interview! Wow! These collage images are so inspiring to me. I can’t wait to pick up both of these works. Thanks again & I just love this blog-thanks for publishing it!


  8. [...] are very all-in-the-family this morning here at 7-Imp. Anyone else remember when Philip Stead stopped by in mid-June to let me shine the spotlight on him? Well, he happened to mention that his wife is [...]


  9. [...] do!) of describing his process and the book itself (as well as his next one) – you can check it out here. You can also preview some of the pages from the book on Phil’s [...]


  10. Philip-
    Your books are wonderful! The process you used to create such delightful stories is awe inspiring! You will delight generations for years!

    P.S. Might your Stead family descend from
    Joseph or Benjamin Stead, who were
    brothers, who came to Michigan in abt 1817
    & 1821, respectively?


  11. Hi Martha. Unfortunately I don’t think we’re related. From what I understand my Stead family line arrived in Michigan from England around 1850 via my Great-Great-Great-Grandpa James.


  12. Hello!

    I am the social events coordinator for Alpha X Epsilon, Philadelphia Biblical University’s student education club. We are holding an education gala October 8, 2011. I would like to give out some nice gifts bags and door prizes. Would you be interested in donating any autographed books to be given away at the gala? Anything you give would be joyfully received.

    Thank you!

    Any donations may be sent to:
    (this is the university address with my personal box number)
    Jennifer K. Church
    200 Manor Ave.
    #114
    Langhorne, PA 19047


  13. [...] world. You can follow the journey here. You can see some of the art from both of Phil’s books here and here, too! Also, see some kid art related to Creamed Tuna Fish and Peas on Toast [...]


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