Seven Impossible Things Before Breakfast

“You wanna see my tattoos?
Why, little man, you always want to see my tattoos. Here we go then.”
(Click to enlarge spread)

 
Today over at Kirkus, I’ve got a wonderful, new picture book, a superb blend of nonfiction and poetry. That will be here soon.

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Last week, I wrote here about Alison McGhee’s Tell Me a Tattoo Story (Chronicle, April 2016), illustrated by Eliza Wheeler. Today I have some art from the book, as well as some preliminary images from Eliza.

Enjoy!

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From Bryan Konietzko’s Threadworlds,
coming in 2017

 
Last week I spoke here at Kirkus with First Second’s Editorial Director, Mark Siegel, about graphic novels and ten years of First Second Books.

Today, I’m following up with art — a sneak peek at some upcoming graphic novels from First Second.

Enjoy!

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“My name is Dasha. I am twelve years old.”
(Click to enlarge)

 
Last year, I read Dasha Tolstikova’s A Year Without Mom, released by Groundwood Books in October. Dasha and I started a conversation about this book at year’s end, and life (as it is wont to do) got in the way quite a bit, interrupting our chat, but we finally wrapped it up and I’m posting it today. Better late than never.

I featured Dasha’s artwork here back in 2013, and it’s wonderful to be talking about this book today. A Year Without Mom is what Maria Russo in the New York Times Book Review called a “perceptive story about change, aloneness, ambition and, ultimately, resilience” and Kirkus Reviews called “fascinating and heartfelt.” This 176-page illustrated book follows Dasha herself through a year in Moscow with her grandparents after her mother goes to America to study advertising. Politics are touched upon—essentially, Gorbachev’s leave with Yeltsin taking up the reins—but the book also tells the universal story of a middle-schooler. Crushes, the dynamics between friends, school — all of this without her mother near.

Dasha visits today to talk about this book and what’s next on her plate. I thank her for sharing.

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“Once upon a time there was a hungry lion, a penguin, a turtle, a little calico kitten,
a brown mouse, a bunny with floppy ears and a bunny with un-floppy ears, a frog,
a bat, a pig, a slightly bigger pig, a woolly sheep, a koala, and also a hen.”
(Click to enlarge spread)

 
I’ve got a few spreads today from Lucy Ruth Cummins’ A Hungry Lion, or a Dwindling Assortment of Animals, coming from Atheneum next month. Cummins is not only a writer and illustrator; she is also a full-time art director. (Here’s her site.) This new book, which she rendered via brush marker, gouache, graphite, colored pencil, and charcoal, is the story of a very hungry lion, as you can see from the three spreads here today. It takes the sweet ending you expect and turns it on its head in the vein of the contemporary subversive picture book, but instead of a surprise revenge, Cummins brings readers yet another twist at the close of the story, which I won’t ruin for you.

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“Worm loves Worm. ‘Let’s be married,’ says Worm to Worm.
‘Yes!’ answers Worm. ‘Let’s be married.'”
(Click to enlarge spread)

 
This morning over at Kirkus, I’ve got tattoos and tales on the mind. That link is here.

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Last week, I wrote here about J. J. Austrian’s Worm Loves Worm (Balzer + Bray, January 2016), illustrated by Mike Curato, so I’m following up with some spreads from the book today.

Enjoy!

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“[W]e’ve rounded another corner, and the conversation is getting more interesting. It used to be all about the graphic novel format — every other news article on a graphic novel for a while was ‘oh wow, it’s comics, but it’s good,’ which sometimes got a bit insulting to all these prodigious authors doing remarkable work. But now it’s about substance, and it’s about author voice. It’s about the writing, as you say, about immigration, or the speeding up of modern life, or about getting married, or growing up with a disability, or simply growing up — about the human experience, in other words. Which is a far more vital conversation than endlessly discussing a format.”

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Over at Kirkus today, I talk to the Editorial Director of First Second Books, Mark Siegel. First Second is celebrating a decade of making high-quality graphic novels for children and teens.

That link is here, and I’ll follow this up next week with some art here at 7-Imp.

Until tomorrow …

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Photo of Mark Siegel used by his permission.

I’ve got a review here over at BookPage of the debut picture book from Julie Falatko, illustrated by Tim Miller. It’s called Snappsy the Alligator (Did Not Ask to Be in This Book!), released by Viking this month. Pictured above is one of Tim’s early character sketches.

Today, in another edition of the 7-Imp Picture-Book Roundtable Discussion, Julie, Tim, and the book’s editor, Joanna Cardenas, join me to talk about the book. (The art director was super swamped and had to bow out.)

If you’re a regular 7-Imp reader, you may remember when Tim visited back here in 2013 — back before publication. It’s so great to see his debut. As I note in my review, I like this book, so let’s get right to the conversation. (My favorite part comes down to a tie between “Truman Capote Chicken” and a mention of Fellini Satyricon.)

I thank all the creators for taking the time to chat about it.

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My interview with author-illustrator Jessixa Bagley, where (delightfully) she likens the planning of her career to the art of the mix tape, will be in the current print issue of Kirkus. But I see they’ve posted it online too. Click the image below to head to our chat:

 

Until tomorrow!

“It’s got bright, waving things attached to it like huge kites. It’s got colors.
It’s got sound. It’s got, it’s got—WHEELS!”
(Click to enlarge spread)

 
I’ve got a review over at BookPage (here) of Linda Sarah’s Big Friends (Henry Holt, January 2016), illustrated by Benji Davies and first published in the UK in 2014 as On Sudden Hill. And you all know I get twitchy when writing about picture books but not sharing art from the insides of them, so here today are a few spreads from the book.

And here’s my March 2015 interview with Benji, if you want to see lots more art.

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“It doesn’t pay to get too fonda /
Your python or your anaconda.”
— From Consider the Lemming

 

— From the endpapers of Donkey-Donkey

 

“There was a little little bird.”
— From The Happy Egg
(Click image to see spread with text and in its entirety)

 
Today over at Kirkus, I’ve got Valentine’s Day on the mind. That is here.

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Last week, I wrote here about some recent and upcoming picture book reissues — Roger Duvoisin’s Donkey-Donkey, three books by Jeanne and William Steig, and The Happy Egg by Ruth Krauss and Crockett Johnson. I’m following up today with art from each book.

[Please note: Some of the colors are slightly brighter in some of the art below. In the case of The Happy Egg, the yellow is significantly brighter than it appears in the book. Computers. What can you do?]

Enjoy!

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