Seven Impossible Things Before Breakfast

Freelance illustrator Jim Di Bartolo is one happy man. First, if we’re keeping our priorities straight, there’s his brand-new daughter, Clementine Pie, who—as you can see below—is so STINKIN’ adorable that he’s considering having her for breakfast. He’s also getting RIGHT TO his daughter’s introduction to Neil Gaiman’s world, as you can see left. He’s not gonna waste any time, no sirree. Smart.

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• Annie Barrows at Great Kid Books
• Sarwat Chadda at Finding Wonderland
• Beth Kephart at Shelf Elf
• Sy Montgomery (part one of the interview) at Chasing Ray
• Jacqui Robbins at Bildungsroman
• Cynthia Leitich Smith at HipWriterMama

See you tomorrow with my own actual interview…

Here is today’s WBBT (Winter Blog Blast Tour) schedule:

* * Patrick Carman at Miss Erin.

* * Ann Marie Fleming at Chasing Ray.

Jacqueline Kelly at HipWriterMama. (How much do I want to read The Evolution of Calpurnia Tate? A lot. Still waiting on my library copy.)

Video interview (pictured here), which possesses an awesomeness that extends in about seven different directions (and which may have something to do with this post’s title), with the very funny and clever Dan Santat at A Fuse #8 Production. Or perhaps two versions of Dan. Good music is involved, too.

* * Laurie Faria Stolarz visits the most thoughtful person in all of cyberspace, Little Willow, at Bildungsroman.

* * Nova Ren Suma at Shelf Elf.

Reminders: The master schedule for the week is here. I’ll be here on Thursday with the über-talented illustrator and writer Jim Di Bartolo.

Happy Monday to one and all…I say that with my best attempt to get rid of a morning scowl, as I’m still on only the first cup of coffee and, despite the blog’s title, it takes me a while to wake up.

I feature a lot of book-creators here at the blog, and it just so happens that I’m doing some writing of my own right now. One thing that’s interesting to me is that, when I think back to all the times I’ve read and heard authors talk about their work, I don’t have a lot of memories of them talking about one pesky little thing: Eye strain. From staring at the computer so long, that is. They tend to talk about craft, but HOLY WOW and sweet sugar monkeys (as Eisha would say), my. very. eyeballs. hurt. from a weekend of writing and editing and monitor-staring. Who knew? So, this week, I’m going to generally take it easy.

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Welcome to 7-Imp’s 7 Kicks, a weekly meeting ground for taking some time to reflect on Seven(ish) Exceptionally Fabulous, Beautiful, Interesting, Hilarious, or Otherwise Positive Noteworthy Things from the past week, whether book-related or not, that happened to you.

This is an oil pastel and ink painting from the sketchbook of illustrator Rob Dunlavey. I really like that. How about you?

Rob has done editorial illustrations of many kinds and is an aspiring children’s book illustrator. The art at his site drew my eye, and I asked him to stop by today and talk about his work a little and share some art. If you like what you see, don’t miss his site, which includes all kinds of sketchbook images and paintings and his educational, editorial, and advertising work. His children’s book illustrations are here.

Rob: I’ve done editorial illustration most of my career (since 1986). This is probably a throwback to youth and high school days, where I was inspired by political cartoons, comic books, Thomas Nast, and MAD Magazine. I started drawing in pen and ink and did a lot of work for school newspapers and even into college. The odd thing is that I detoured and got a BA and an MFA in Fine Art. I spent years learning printmaking, how to paint (more or less), and make sculpture. When I moved to Boston in 1985, I started developing an editorial portfolio and soon was doing work for The Boston Globe and The Christian Science Monitor. Later on, I developed a more graphic style, using watercolor, and I started getting published in magazines. I got a computer in the late ’80s and started working digitally. Some of the digital work was for computer games and educational software. I also do a lot of digital editorial work, but the last few years have seen a slow-down for me in that market. Here are a few examples that have a whimsical quality. Usually they are about something kind of inscrutable or boring, about banking or fire sprinklers!

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I was going to post a poem for grown-ups today, but then Mac Barnett and Adam Rex had to up and make one of the funniest books I’ve seen all year and foiled my plans. (This is a book-in-verse, so voila: Poetry Friday post for this week.)

I contacted Adam in my ongoing attempt to check in with the Men of Children’s Lit Who Have Previously Visited 7-Imp and showcase what they’re up to now. (See Sean Qualls here and Lane Smith and David Ezra Stein here.) Adam is one of my top-five, y’all — as in, the We Can Thank Our Lucky Stars They’re Making Books for Children list. Like, der. Regular readers know this, as I often bug him to come stop by 7-Imp and share some art. But, ah well, I’m pointing this out for any new readers who may be out there. And Mac? Thank goodness he’s come along, too.

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How’d I do? I don’t speak Spanish, but that’s my seven-questions-over-breakfast welcome to author/illustrator Yuyi Morales, who is here this morning for a chat.

I’ve never been in the same room with Yuyi, but I have a feeling that, if I were, I’d be bowled over by her passion for what she does. This is what comes across in her work. Yuyi, who has been awarded the Pura Belpré Illustrator Award three times (2004, 2008, and 2009) and an Illustration Honor in 2004, has created one of contemporary children’s literature’s most unforgettable characters, Señor Calavera, the traditional Mexican skeleton character from the Day of the Dead celebrations and the star of her original trickster tales, Just a Minute: A Trickster Tale and Counting Book (Chronicle Books, 2003) and last year’s Just In Case: a Trickster Tale and Alphabet (Roaring Brook Press). The latter was the 2009 Pura Belpré Illustrator Award Winner, as well as an Author Honor Book, and featured motifs from Mexican culture for each letter of the Spanish alphabet. (Incidentally, to hear her talk about why she chose to bring that particular character to, well… life, you can watch and listen at the interview she gave to At Your Library at the bottom of this post.) The Belpré committee praised Yuyi’s “vibrant, shimmering jewel-tone colors.” That would pretty accurately describe all of Yuyi’s books so far. (Did you see Little Night in ’07? Gorgeous.) I mean to tell you that her art wakes me right up.

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There are lots and lots of best-of lists that are generated around this time of year in the world of books. My very favorite, not surprisingly, is the New York Times’ list of the Best Illustrated Children’s Books of the year. (Ten titles are chosen.) The 2009 list is out. Sometimes, as an Illustration Junkie, I like to take those lists and see how I fared over the year. Turns out that I’ve featured some art here at 7-Imp from exactly one-half of the chosen titles — or four, really, but was sitting on art from one of them (pictured above) to show you just this week. Hey, not too bad. Right? When’re they gonna hire me as a judge? (I JEST. I’m not that disillusioned.)

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This above is one of my favorite illustrations from 2009. (Later in this post, I’ve got the entire spread from which it comes, since you just have to see that, too.) On that bus is one of my favorite characters from 2009, too, the monster of Peter McCarty’s Jeremy Draws a Monster, released by Henry Holt in September. He’s pictured a bit closer up—BOO!—to the left here. Anyone else seen this title yet? I’ve been sitting on these illustrations for months now, hoping that McCarty would stop by for one of my illustrator-interviews, and holding the illustrations for that. But I’m thinking at this point that he’s maybe swamped — but can perhaps stop by one day later. I hope. I’m a fan, particularly of his Hondo and Fabian books, which are a big, big hit in the Danielson household.

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Why is my Q & A with Bobbi Katz—accomplished poet, writer, activist, and workshop-conductor extraordinnaire (that is, writing workshops for children, teachers, and librarians)—so impossibly quick this morning? Well, I talked a bit about—and featured some illustrations from—her newest title, the ever-so creepy yet also strangely beautiful The Monsterologist: A Memoir in Rhyme, released by Sterling in September, in my recent breakfast interview with Adam McCauley, the book’s illustrator. I had been presented the opportunity to ask Bobbi some questions as well, which I was all about, and I figured I’d work her interview responses into Adam’s interview, making it a sort of joint interview over coffee. Well, then I decided to separate their interviews. Adam had sent so much beautiful art that I didn’t want Bobbi’s answers to get drowned out by all the images. So, yeah. Her interview now comes across as rather brief, and consarnit it all, we don’t get to find out such things as her favorite sound or noise with that wacky Pivot Questionnaire. But maybe she can stop by again another day. I’m happy she’s here, if only briefly, this morning. And I thank her for stopping by. (Don’t miss Tricia’s late-October interview with Bobbi at The Miss Rumphius Effect.)

You still haven’t seen this book yet? Okay, here’s my last attempt to get you to see one of the most beautifully-designed children’s titles of 2009. (I’ll be sure to re-post in this interview some of the spreads from the book that also appeared in Adam’s interview.) It’s also one of the Most Fun of ’09.

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