The Picture Book Round-Up That Will Make Me
Die a Little Bit Inside, Part One
Wednesday, July 18th, 2007
Yes, dramatic post title there, but I got your attention, didn’t I?
Perhaps, for all I know, none of our readers remember this, but I hardly forget promises to myself: I vowed to read and review as many picture books as I could this year. And, believe me, I’ve been reading them, but I’m so dreadfully behind on reviewing them. I have finally come to accept that I can’t review these titles in the manner in which I normally review picture books (rambly like this or round-uppety and rambly like this). Yes, my favorite kidlitosphere reviewers are really detailed (that’s one reason, I’m sure, that Fuse is a kidlitosphere superstah; I mean, her reviews are fabulously thorough). But, in order to get to these leaning stacks of picture books at all, I’m just going to have to try my best to be short and pithy. Or, wait, as Yoda said, “Do… or do not. There is no try.”
So, short it will be. Which is why I’m going to die a little bit inside. And there might even be another post like this (hanging my head in shame) in an effort to get caught up.
But at least it might actually work — I might be able to move past these stacks and start anew on more picture book titles coming to me, since I’m still determined to keep up with new titles and reviews.
Here goes nothin’:
by Rachel Isadora
Harcourt
April 2007
(library copy)
To not give this one a detailed review might make me die inside the most, but enough of that . . . The text in this one is nothing to sneeze at, to say the least, but you really will want to see this one for Isadora’s colorful, dyamic oil and collage illustrations (including clever use of newsprint). Collage seems so popular now, but Isadora really does it up right. If collage illustrations were my thing, I’d be afraid to look at this book, lest it put me to shame. Let’s put it that way. This one’s about a young African-American boy named Jomar who lives in an urban neighborhood (Isadora not holding back on things like litter and graffiti but counterbalancing it with the warmth of the neighborhood in her bold, bright color choices) and greets his multicultural neighbors and friends with hip-hop slang, such as “S’up!”, “Faboo!”, “Def!”, “Check out the B-boy!”, and “Off the heazy!” There’s some high-fivin’, hand-slappin’, music-jammin’, roller-blading, and ball playing, all simply showing the camaraderie that exists in this boy’s neighborhood, as he waits for his Grandpa to show. And, when he does, he hints that he’d like Jomar to speak to him in a more conventional manner, to which the boy replies “I love you, Grandpa.” (Yet, then the grandfather turns to Jomar’s older brother to say, “Yo, Frankin, you chillin’ with us?” in an effective, wink-wink ending). The book, a perfect preschool read-aloud, bounces with energy, and Jo brings to mind a contemporary Peter à la Ezra Jack Keats’ world. Perfection this one is (if I’ve used an image of Yoda, I have to — at the very least — try to talk like him).
So, how am I doin’? That one was too long. Okay, I’ll do better. Read the rest of this entry �