My Caldecott Ramblings: Or, What I Would Add
September 19th, 2010 by jules
to Betsy Bird’s List and How I Can Really Get
Behind Most of the Titles on Her List Anyway
The footprints of the Zimbobo Mountain Gorilla!'”
The above illustrations come from Karen Lynn William’s A Beach Tail (Boyds Mill Press, February 2010), illustrated by Floyd Cooper, and Elise Broach’s Gumption (Atheneum, April 2010), illustrated by Richard Egielski. More on those at the bottom of this post. (I know, I know. Long shots for a Caldecott, but, well…just humor me and keep reading.)
It is not possible for me to keep from responding to—or, in all actuality, adding to—Betsy Bird’s post from last week about Caldecott 2011 predictions. Her post addressed Newbery predictions as well, but for different reasons I’ve been focused for the past couple years on only picture books and illustration (occasionally, illustrated novels) here at 7-Imp.
And I say that I’ll be adding to Betsy’s list, because I love her choices thus far, and I can get behind most of them. They include some (but not all) of the below titles; for most of these, I’ve done posts here in 2010 (which I will point out below, in case you want to head to those posts to see even more art). And, again, I’m also going to throw in—at the bottom—what I would add to the list. Here we go.
My February 2010 interview with author/illustrator Jeff Newman is here.
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My Bink & Gollie post from early September is here.
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Not eligible. NOT ELIGIBLE, I say. Drat. This is probably my favorite picture book of all 2010 thus far. My post on it is here.
Ditto. Grrr. Such a great book. Not eligible. My post on it is here.
I dunno. In my 2008 interview with Suzy Lee, she was living in Singapore — yet once lived in Houston, Texas. Is she a U.S. citizen? Oh well, I know a book like this would be a serious, serious long-shot for a Caldecott. It might also be a love-it or hate-it kind of title, but place me squarely in the love camp, please. Technically, it’s also copyright 2003, even though the U.S. Edition came out this year. Who knows how that all works. Tremendous long-shot anyway, as I said, but I’m a big fan of her books.
My post on Mirror is here.
Also worth noting is that a review copy of this is on its way to me, to which I give a loud, resounding WOOT! Make that a YEE-HAW, since I’m a Southerner:
More on this soon, I hope. This is an October release. Stunning. Clever. Pretty much flawless. It’s Wiesner. Are you surprised?
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My March post on Here Comes the Garbage Barge is here.
Blissful moon bear, feasting on juicy summer fruit.”
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My July Moon Bear post is here.
My post on Dust Devil with lots of art? Come back tomorrow.
Betsy mentions this book…
…which I posted about here in June, admitting back then that I hadn’t read a copy yet, but that I still wanted to post about it, since I’m a Dan-Santat fan somethin’ fierce. Have I seen a copy yet? I STILL HAVE NOT. This is a travesty. But I will remedy that.
I’ve had a doozy of a time trying to get this from my library. I need to request a review copy already:
Betsy mentions this, which I hadn’t even heard of. Came out just this month. MUST SEE. I love Collier’s work:
I also hear great things about Eric Rohmann’s new Last Song (picture book adaptation of James Guthrie’s old Scottish poem) — from folks, that is, whose picture-book tastes I find impeccable (including, but not limited to, Adrienne Furness). A review copy is on its way to me. And it’s ERIC ROHMANN, whose illustrations please me. Always.
My April interview with Joyce Sidman—which includes more Ubiquitous art—is here.
If I’m lucky, Tad Hills will return my breakfast-interview questionnaire, and we’ll get to hear lots more from him. I love this book.
From the talented-in-seven-different-directions Jacqueline Woodson and illustrator Sophie Blackall. Not covered at 7-Imp yet. It’s in my pile. I keep meaning to contact Sophie about sharing some art and possibly early sketches from it.
Well, again, Betsy did mighty well. Not surprisingly, since we seem to share similar taste when it comes to books, I agree with many of her choices. What would I add at this point, even if long shots?
So, the committee may not always go for humor, but this is superior picture-book-making is what it is. Lichtenheld’s art truly extends the text. I read it last week to a group of first-graders and was reminded of its tremendous Kid Power. They were absolutely glued to each and every page, and that’s saying a lot, since it’s full of tiny off-the-cuff jokes best suited for a lap-read. It’s a winner all-around.
My March post on Shark Vs. Train is here.
Miss Brooks Loves Books (And I Don’t): Ditto. Ditto. Ditto. To everything I said above. My May post on this book is here.
Haven’t covered City Dog, Country Frog at 7-Imp yet, but why not do it very quickly now? This book, as all the starred reviews have already stated, is subtle and witty and warm and poignant and smart. And there are moments in this title in which Muth’s art makes me simultaneously laugh as well as get all misty-eyed.
Or how about Carin Berger’s own tale of friendship and loss?
My May visit with Carin, in which she shared even more art, is here.
I think Bunny Days is another long-shot, but it’s still one of the most exciting books, in terms of artistry and palette, that I saw all year, and boy howdy and howdy boy do I think that Tao Nyeu is One to Watch. My April interview with her—with lots more Bunny Days art—is here:
the summer birds do.”
Also, in the way of nonfiction, Kadir Nelson’s illustrations for Donna Jo Napoli’s Mama Miti are breathtaking. As I mentioned in this August post, these are African textiles collaged with oil paintings, and it’s one of the most beautiful picture books I’ve seen all year. JAW-DROPPING beauty is what I mean. “Dazzling,” wrote The Washington Post.
for training yam vines…”
Is Interrupting Chicken going to get mentioned by the Caldecott committee? Perhaps not. But it’s another of my favorites from this year, and David Ezra Stein is one talented guy. I see in my 7-Imp crystal ball a Caldecott in this man’s future. I do. I say it now. For the record.
Here is my June post on this title.
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Compared to some of the above heavy-hitters (and, quite likely, the Title That’s Going to Win That I Will Overlook Entirely), Karen Lynn Williams’ A Beach Tail may also be considered a long shot, but I adore it. I’ve been sitting on these spreads from it (below) for a while now, as I’m trying my darnedest to get illustrator Floyd Cooper to stop by for a breakfast chat. Wish me luck on that, ’cause I’d be thrilled if he visited the 7-Imp bungalow.
As Joanna Rudge Long reminded all of us in the July/August 2010 issue of The Horn Book, the Caldecott committee is not to weigh candidates’ previous books or start moanin’ about how so-and-so is so acclaimed that he or she simply deserves the award, based on a body of work. The award simply goes to the artist of the most distinguished American picture book of the year. Period. So, I can’t stand on the give-Floyd-Cooper-an-award-already argument, but I do love his work. And this one has been a quiet little gem of 2010 (early 2010, in fact — it came out in January).
And the underdog title? I say Gumption by Elise Broach and illustrated by Caldecott Medalist Richard Egielski. You never know. Another very long shot, given the super strong contenders above, but it’s good stuff.
Here’s one more spread to go along with the illustration from this title that opens this post:
That’s my story, and I’m stickin’ to it.
P.S. Has anyone else done Caldecott predictions? Please do let me know if you have. Susan Kusel at Wizards Wireless posted this short list in late August. She mentions two titles not discussed in Betsy’s list. And that would be Erica Perl’s Dotty, illustrated by Julia Denos, who gets better with every book she does…
For the copyright notices attached to the spreads from these books, please see the post in which the art was originally posted.
However, the spreads from Dust Devil, A Beach Tail, Gumption, and Mama Miti appear in this post for the first time, so here’s the boring, but necessary, copyright info:
DUST DEVIL. Text copyright © 2010 by Anne Isaacs. Illustrations copyright © 2010 by Paul O. Zelinsky. Reproduced by permission of the publisher, Schwartz & Wade, New York, NY.
A BEACH TAIL. Text copyright © 2010 by Karen Lynn Williams. Illustrations copyright © 2010 by Floyd Cooper. Reproduced by permission of the publisher, Boyds Mill Press, Honesdale, Pennsylvania.
GUMPTION. Text copyright © 2010 by Elise Broach. Illustrations copyright © 2010 by Richard Egielski. Reproduced by permission of the publisher, Atheneum, New York, NY.
MAMA MITI: WANGARI MAATHAI AND THE TREES OF KENYA. Text copyright © 2010 by Donna Jo Napoli. Illustrations copyright © 2010 by Kadir Nelson. Reproduced by permission of the publisher, Simon & Schuster, New York, NY.