Seven Impossible Things Before Breakfast

 
I’ve got a review over at BookPage of Mo Willems’ Nanette’s Baguette (Hyperion, October 2016). That review is here, and pictured here at 7-Imp today are some illustrations from the book.

I may have, once or twice, reacted over bread this way myself, because … mmm. Bread.

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“The racing pigeons usually returned just before supper. And they always discussed wind directions and flight paths. Or waypoints. Gary loved hearing about their adventures. He would perch nearby and record everything in his scrapbook.”
(Click to enlarge spread)

 
I’ve got a review over at BookPage of Leila Rudge’s Gary (Candlewick, November 2016). That review is here, and below I’ve got another spread from the book.

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Today over at Kirkus, I’ve got Emily Dickinson, the first title in the new Poetry for Kids series from MoonDance Press. That is here.

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Last week, I chatted here with Brian Biggs about his Tinyville Town series. Below are some sketches, as well as some final art from the series. I thank Brian for sharing.

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“‘Do not be worried,’ said the old man of the dog timidly.
‘Does she bark?’ asked Lizzie with worry anyway.
‘Not at all little children,’ said the old man.”

 
I’ve got a BookPage review of Tony Johnston’s A Small Thing … but Big (Neal Porter/Roaring Brook, October 2016), illustrated by Hadley Hooper. That review is here, and today I’ve got some illustrations from the book.

Enjoy.

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“… as we slumber unknowing …”
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I’ve got a review over at BookPage of Joyce Sidman’s Before Morning (Houghton Mifflin Harcourt, October 2016), illustrated by Beth Krommes. That review is here, and today I’ve got some spreads from the book, as well as some preliminary images from Beth. I thank her for sharing.

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“I dream / I am with my mom /
I dream I am with my dad. …”
— From Jorge Argueta’s Somos como las nubes / We Are Like the Clouds,
illustrated by Alfonso Ruano
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“What if I were in a place that no one knew about? …”
— From Constance Ørbeck-Nilssen’s Why Am I Here?, illustrated by Akin Duzakin
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“… he continued his search for a speck on the horizon.”
— From Rebecca Young’s Teacup, illustrated by Matt Ottley
(Click to enlarge)

 

This week’s Kirkus column is what happens when you have a deadline on the very day when you’re slumped over your keyboard in despair over a decision your country has made. That is here.

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Last week, I wrote here about some brand-new picture books about refugees — Somos como las nubes / We Are Like the Clouds (Groundwood, October 2016), written by Jorge Argueta and illustrated by Alfonso Ruano; Rebecca Young’s Teacup (Dial, October 2016), illustrated by Matt Ottley; Constance Ørbeck-Nilssen’s Why Am I Here?, illustrated by Akin Duzakin (Eerdmans, October 2016); and Margriet Ruurs’ Stepping Stones: A Refugee Family’s Journey, illustrated by Nizar Ali Badr (Orca, October 2016).

I’ve got some art from each book below. I regret that I have none to share from Ruurs’ book, but I encourage you to go read here or here about Nizar Ali Badr’s work.

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Well, author-illustrator Brian Biggs and I chatted before election results about his new series, and I thought the election would turn out very differently. But right about now I’m all for his vision of communities working together to make good things.

We talk about the series, Tinyville Town, at Kirkus today. That is here. Next week, I’ll follow up with some art here at 7-Imp.

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Photo of Brian Biggs by Sacha Adorno and used by his permission.

 
I admit I’m pretty choosy when it comes to handing the 7-Imp keyboard over to someone, but when I had the opportunity to hand it over to Susan Rich, Editor-at-Large for Little, Brown Books for Young Readers, I knew the answer was yes.

In honor of Picture Book Month, Susan is here to explore the mechanics of picture books — in more ways than one. I really enjoy what she has to say, and it all comes with art from Sophie Blackall, Frank Viva, and Christoph Niemann.

I thank her for temporarily taking over, while I fret over election results. Let’s get to it.

(Pictured here is an illustration from an upcoming book she has edited, illustrated by Niemann. More on that below.)

 

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It’s the first Sunday of the month, dear Imps, which means featuring the work of a student or debut illustrator. Today Aram Kim visits, and it’s great to see her here, especially since she has come kickin’ with us before on previous occasions.

Aram’s new book is out (from Holiday House), but I’ll let her tell you about it below — and why she loves doing what she does. I thank her for visiting.

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“In the murk . . . an eye!”
— From Candace Fleming’s Giant Squid, illustrated by Eric Rohmann
(Click to enlarge spread)

 


“If you lean close you might hear Sophie say, ‘Oh.’ And eventually you might hear her say, ‘There!’ ‘Good,’ says Grandpa. ‘Thanks, honey.'”
— From Richard Jackson’s In Plain Sight, illustrated by Jerry Pinkney
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“Now all the animals wondered what had become of Mr. Bobbin. …”
— From Roger Duvoisin’s The Happy Hunter
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“At age twenty, Antonio came to Canada by boat. He was HUGE and very, very strong. He was six foot three.”
— From Elise Gravel’s The Great Antonio
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“I take my stuff to my room, dump my papers out of my backpack, and that’s when I see it: The zipper that was closed is open, just enough.
And the money that was there is gone. …”
— From Maribeth Boelts’ A Bike Like Sergio’s,
illustrated by Noah Z. Jones
(Click to enlarge)

 

This morning over at Kirkus, I’ve got a small handful of new picture books about refugees. That is here.

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Last week, I wrote here about Candace Fleming’s Giant Squid, illustrated by Eric Rohmann (Neal Porter/Roaring Brook, September 2016); Elise Gravel’s The Great Antonio (TOON Books, October 2016); the reprint of Roger Duvoisin’s The Happy Hunter (Enchanted Lion, October 2016); Maribeth Boelts’s A Bike Like Sergio’s, illustrated by Noah Z. Jones (Candlewick, October 2016); and Richard Jackson’s In Plain Sight, illustrated by Jerry Pinkney (Neal Porter/Roaring Brook, September 2016).

I’ve got some art from each book today, and Eric Rohmann also shares some preliminary images (one even going as far back as childhood).

Enjoy!

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